Taking orders again from Arvin Sloane is enough for agent Sydney Bristow's life to feel turned upside down. But when an old adversary resurfaces and begs specifically for her help, Sydney is forced to confront ever-changing alliances, and the disturbing question of just how much she and her former enemy have in common. United by an urgent goal but for separate reasons, an inconceivable team is forged. From the luxury hotels of downtown Singapore to the frenetic streets of New Orleans's French Quarter, Sydney finds herself with little time to decide if she's been given the chance to amend ancient history or if she's being lethally played"--P. [4] of cover.
The Interventional Radiology volume of the landmark reference Abrams' Angiography has now been expanded and thoroughly revised to reflect dynamic advances in interventional radiology. More than 60 contributors representing a "Who's Who" of the specialty provide comprehensive, step-by-step coverage of all contemporary vascular and nonvascular interventional procedures. Major sections discuss today's equipment and describe interventions for specific disorders of each organ system, as well as for trauma, pediatric diseases, abscess drainage, and miscellaneous disorders. More than 1,100 illustrations complement the text. This edition incorporates an extensive new section on interventional oncologic procedures. The section covers all organ-specific cancers for which interventional therapies are used. Other sections include artervenous malformations, liver diseases, arterial occlusive disease, aneurysms, traumatic arterial injuries, hemorrhage, and venous diseases. It also has full color.
Art and worship to 1500. Beauty and holiness as terms of art -- The paradoxical beauty of the cross -- Beauty and proportion in the sanctuary -- The beauty of light -- The beauty of holiness alfresco -- Beauty on the altar -- Art and the Bible after 1500. Beauty, power, and doctrine -- Beauty and the eye of the beholder -- Romantic religion and the sublime -- Art after belief -- Art against belief -- Return of the transcendentals
LOST Thought is a lively collaboration between 22 leading experts in the online LOST world and the academic community. Every contributor brings unrestrained passion to these 25 wide-ranging and vital discussions of the personal, cultural, social, and literary implications of the most fascinating, multi-faceted creation ever presented on television. LOST is approached as living, breathing text whose mythology, themes, and theses challenge our culture and our society at every level. Scholars specializing in literary theory, English literature, film theory, art history, LOST studies, theology, pop culture, music theory, art, religious studies, and theater have come together to produce the most extensive analysis of LOST ever presented in a single volume. These 22 experts discuss LOST from 25 different perspectives, taking on issues ranging from the cultural impact of the series as a whole to the social implications of specific characters.
In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism of the twentieth century'. By associating technology with the Germans, rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, these right-wing intellectuals reconciled Germany's strength with its romantic soul and national identity.
In Houses of the Interpreter, David Lyle Jeffrey explores the terrain of the cultural history of biblical interpretation. But Jeffrey does not merely rest content to chart biblical scholarship and how it has both influenced and been influenced by culture. Instead, he chooses to focus upon the "art" of Biblical interpretation --how sculptors, musicians, poets, novelists, and painters have "read" the Bible. By so doing, Jeffrey clearly demonstrates that such cultural interpretation has deepened the church's understanding of the Bible as Scripture and that, remarkably, this cultural reading has contributed to theology and the practice of faith. Jeffrey's chapters effectively root the theological issues central to any hermeneutical enterprise (e.g., Scriptural authority, narrative, the Old Testament as Christian Scripture, the role of the reader, gender, and postmodernism) in specific authors and artists (e.g., Chaucer, Bosch, Sir Orfeo, C. S. Lewis) --and he does this in constant conversation with literature, both eastern and western.
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