Collections are more about who one is than about what is collected. In Little Big World, Jeffrey Hammond's resonant 1950Æs inner child speaks through the reflective sixty-something man about the culture and magic of a spectrum of action figure playsets through a lifetime."ùMarilynn Gelfman Karp, author, In Flagrante Collecto
Jeffrey Hammond's study takes an anthropological approach to the most popular form of poetry in early New England - the funeral elegy. Hammond reconstructs the historical, theological and cultural contexts of these poems to demonstrate how they responded to a specific process of mourning defined by Puritan views on death and grief. The elegies emerge, he argues not as 'poems' to be read and appreciated in a post-romantic sense, but as performative scripts that consoled readers by shaping their experience of loss in accordance with theological expectation. Read in the framework of their own time and place, the elegies shed light on the emotional dimension of Puritanism and the important role of ritual in Puritan culture. Hammond's book reassesses a body of poems whose importance on their own time has been obscured by almost total neglect in ours. It represents the first full-length study of its kind in English.
With gentle humor, Hammond presents readers with the charms, aggravations, quirks, and disappointments of small-town life and frustrates any expectation that the past's deepest lessons are simple. In Ohio States: A Twentieth-Century Midwestern, Jeffrey Hammond asserts the quiet mysteries of an ordinary life. More than simply a glimpse of lie in the Midwest in the 1950s, this collection of well-crafted, touching narratives finds the author recalling his childhood and youth with a mixture of affection and alarm. Jeffrey Hammond is the George B. and Willma Reeves Distinguished Professor in the Liberal Arts and professor of English at St. Mary's College in Maryland. He has published Small Comforts: Essays at Middle Age (Kent State University Press, 2008) as well as numerous prize-winning essays in magazines and literary journals.
Jeffrey Hammond's study of the funeral elegies of early New England reassesses a body of poems whose importance in their own time has been obscured by neglect in ours. Hammond reconstructs the historical, theological and cultural contexts of these poems to shed new light on the emotional dimension of Puritanism.
A new field of medicine has emerged as a result of the global proliferation of terrorism. Terror medicine is related to emergency and disaster medicine but focuses on the constellation of medical issues uniquely related to terrorist attacks. The field encompasses four broad areas: preparedness, incident management, mechanisms of injuries and responses, and psychological consequences. In Essentials of Terror Medicine, these core concerns are addressed by a distinguished international authorship brought together by the three editors of this volume, who themselves are recognized experts in relevant disciplines: Shmuel Shapira, epidemiology and hospital administration; Jeffrey Hammond, trauma surgery and emergency response; Leonard Cole, bioterrorism and public policy. Essentials of Terror Medicine provides insightful and practical information for physicians, nurses, emergency responders, and other health professionals who may be called to service during or after a terror incident. It is indispensable reading for the medical community of the 21st century, in which diligence, continued education, and careful preparation for a variety of possible events are a preeminent responsibility.
If Benny Goodman was the "King of Swing," then Fletcher Henderson was the power behind the throne. Now Jeffrey Magee offers a fascinating account of Henderson's musical career, throwing new light on the emergence of modern jazz and the world that created it. Drawing on an unprecedented combination of sources, including sound recordings and hundreds of scores that have been available only since Goodman's death, Magee illuminates Henderson's musical output, from his early work as a New York bandleader, to his pivotal role in building the Kingdom of Swing. He shows how Henderson, standing at the forefront of the New York jazz scene during the 1920s and '30s, assembled the era's best musicians, simultaneously preserving jazz's distinctiveness and performing popular dance music that reached a wide audience. Magee reveals how, in Henderson's largely segregated musical world, black and white musicians worked together to establish jazz, how Henderson's style rose out of collaborations with many key players, how these players deftly combined improvised and written music, and how their work negotiated artistic and commercial impulses. Whether placing Henderson's life in the context of the Harlem Renaissance or describing how the savvy use of network radio made the Henderson-Goodman style a national standard, Jeffrey Magee brings to life a monumental musician who helped to shape an era. "An invaluable survey of Henderson's life and music." --Don Heckman, Los Angeles Times "Magee has written an important book, illuminating an era too often reduced to its most familiar names. Goodman might have been the King of Swing, but Henderson here emerges as that kingdom's chief architect." --Boston Globe "Excellent.... Jazz fans have waited 30 years for a trained musicologist...to evaluate Henderson's strengths and weaknesses and attempt to place him in the history of American music." --Will Friedwald, New York Sun
Edward Taylor: Fifty Years of Scholarship and Criticism is an indispensable tool for students of Taylor, Puritan writing, and early New England culture. It also offers valuable insights to all Americanists interested in how their field developed, and to anyone concerned with literary theory and its impact on the writing of literary history.
How to turn personal passion into an organization with impact For anyone setting out to change the world, launching a nonprofit venture can be a powerful way to enact change. Whether bringing donated eyeglasses to children who have never seen clearly, revamping inner city schools, or bringing solar cookers to refugee camps, the act of doing good can be life-changing. Yet starting a nonprofit?and running it well?can also pose challenges. The Art of Doing Good is an essential companion for anyone looking to start an organization that makes a real difference. Drawing from their own leadership roles in the nonprofit world, as well as interviews with 18 celebrated social innovators, the authors prepare would-be social entrepreneurs with guidance and real-world advice for sustaining the spirit, ambition, and ingenuity to keep their vision alive and thriving. Features real-life stories of 18 notable social entrepreneurs and the organizations they run, including Geoffrey Canada (Harlem Children?s Zone), Darell Hammond (KaBOOM!), and Michael Brown (City Year) Reveals what particular issues nonprofit leaders can expect to face throughout the lifespan of their organization and shares strategies for meeting challenges Written by world-renowned philanthropists Bronfman and Solomon, respectively cofounder and CEO of the Andrea and Charles Bronfman Philanthropies and coauthors of The Art of Giving With thoughtful and comprehensive insight on how the most effective social ventures do good well,The Art of Doing Good is essential reading for both new and experienced nonprofit leaders.
The US National Library of Medicine, on the campus of the National Institutes of Health in Bethesda, Maryland, has been a center of information innovation since its beginnings in the early 19th century. The world's largest medical library and a federal government agency, it maintains and makes publicly available a diverse and world-renowned collection of materials dating from the 11th to the 21st centuries, and it produces a variety of electronic resources that millions of people around the globe search billions of times each year. The library also supports and conducts research, development, and training in biomedical informatics and health information technology, and it coordinates the National Network of Libraries of Medicine that promotes and provides access to health information in communities across the United States. As the library anticipates its third century of public service, this book offers a visual history of its development from its earliest days through the late 20th century, as the institution has involved generations of visionary leaders and dedicated individuals who experienced the American Civil War, the world wars, the Cold War, and the dawn of the information age.
The Tell el-Hesi site comprises a 25-acre walled city from the Early Bronze III period. It is located on the southeastern edge of the Mediterranean coastal plain, 26 km northeast of Gaza in Israel. Tell el-Hesi was the first Palestinian site at which the principles of ceramic chronology and of stratigraphic excavation were applied and at which the relationship between pottery and stratigraphy was shown to be significant. In 1890 W.M. Flinders Petrie excavated at Hesi and produced a general picture of its occupational history. In 1891-92, F.J. Bliss excavated stratigraphically through each successive level of the mound and identified eleven occupational levels which he grouped into eight strata or "cities". In 1970, The Joint Archaeological Expedition to Tell el-Hesi, sponsored by the American Schools of Oriental Research and a consortium of educational institutions, entered the site with the objectives of investigating in greater detail and with more refined methods the stratigraphic divisions identified by Petrie and Bliss. This book appears as the third volume in the Joint Expedition's series of final publications regarding their field experience and findings. The Joint Expedition completed excavation of four distinct Persian Period occupation sequences from the acropolis area (Field I) of tell el-Hesi. This volume presents and attempts to interpret all of the stratigraphic and artifactual material associated with the Stratum V occupation at the site. It is a significant addition to the limited body of literature on Persian-Period remains in the Levant.
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