The purpose of this book is to study Ross Macdonald's detective fiction as an example of popular culture. The author applies cross-methodological approaches to Macdonald's novels specifically, H. Richard Niebuhr's ethics to The Underground Man, Freudian theories of society to The Moving Target and examines popular culture's social function in terms of Robert Merton's functional analysis of popular culture. In addition, the work includes an overview of hard-boiled detective fiction and a review of previous critical approaches to Macdonald, as well as a summary conclusion and an appendix on adaptations of detective novels to movies.
Just as the emergence of print and literacy created conditions for vast religious change at the time of the Reformation, the emergence of a digital culture shaped by computers and the internet has led to radically different assumptions about religious identity, how people connect and maintain transformative relationships, and how people follow and give authority to leaders. The central issues concerning this digital culture are not technological but theological and anthropological. Old models of stable religious identity and community seem irrelevant in a culture in which everyone is in motion. The book identifies three profound changes produced by digital culture which challenge existing understandings of church: 1) a shift to seeing Christian identity as an ongoing constructive project, 2) the development of fluid networked forms of community, and 3) the emergence of less hierarchical more conversational forms of leadership.
Religion has always been shaped by the media of its time, and today we live in a media culture that informs much of what we think and how we behave. Religious believers, communities and institutions use media as tools to communicate, but also as locations where they construct and express identity, practice religion, and build community. This lively book offers a comprehensive introduction to the contemporary field of religion, media, and culture. It explores: the religious content of media texts and the reception of those texts by religious consumers who appropriate and reuse them in their own religious work; how new forms of media provide fresh locations within which new religious voices emerge, people reimagine the "task" of religion, and develop and perform religious identity. Jeffrey H. Mahan includes case study examples from both established and new religions and each chapter is followed by insightful reflections from leading scholars in the field. Illustrated throughout, the book also contains a glossary of key terms, discussion questions, and suggestions for further reading.
Religion has always been shaped by the media of its time, and today we live in a media culture that informs much of what we think and how we behave. Religious believers, communities and institutions use media as tools to communicate, but also as locations where they construct and express identity, practice religion, and build community. This lively book offers a comprehensive introduction to the contemporary field of religion, media, and culture. It explores: the religious content of media texts and the reception of those texts by religious consumers who appropriate and reuse them in their own religious work; how new forms of media provide fresh locations within which new religious voices emerge, people reimagine the "task" of religion, and develop and perform religious identity. Jeffrey H. Mahan includes case study examples from both established and new religions and each chapter is followed by insightful reflections from leading scholars in the field. Illustrated throughout, the book also contains a glossary of key terms, discussion questions, and suggestions for further reading.
Just as the emergence of print and literacy created conditions for vast religious change at the time of the Reformation, the emergence of a digital culture shaped by computers and the internet has led to radically different assumptions about religious identity, how people connect and maintain transformative relationships, and how people follow and give authority to leaders. The central issues concerning this digital culture are not technological but theological and anthropological. Old models of stable religious identity and community seem irrelevant in a culture in which everyone is in motion. The book identifies three profound changes produced by digital culture which challenge existing understandings of church: 1) a shift to seeing Christian identity as an ongoing constructive project, 2) the development of fluid networked forms of community, and 3) the emergence of less hierarchical more conversational forms of leadership.
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