Singing the Right Way enters the world of Orthodox Christianity in Estonia to explore musical style in worship, cultural identity, and social imagination. Through both ethnographic and historical chapters, author Jeffers Engelhardt reveals how Orthodox Estonians give voice to the religious absolute in secular society. Based on a decade of fieldwork, Singing the Right Way traces the sounds of Orthodoxy in Estonia through the Russian Empire, interwar national independence, the Soviet-era, and post-Soviet integration into the European Union. Approaching Orthodoxy through local understandings of correct practice and correct belief, Engelhardt shows how religious knowledge, national identity, and social transformation illuminate how to "sing the right way" and thereby realize the fullness of Estonians' Orthodox Christian faith in context of everyday, secular surroundings. Singing the Right Way is an innovative model of how the musical poetics of contemporary religious forms are rooted in both consistent sacred tradition and contingent secular experience. This landmark study is sure to be an essential text for scholars studying the ethnomusicology of religion.
Singing the Right Way enters the world of Orthodox Christianity in Estonia to explore musical style in worship, cultural identity, and social imagination. Through both ethnographic and historical chapters, author Jeffers Engelhardt reveals how Orthodox Estonians give voice to the religious absolute in secular society. Based on a decade of fieldwork, Singing the Right Way traces the sounds of Orthodoxy in Estonia through the Russian Empire, interwar national independence, the Soviet-era, and post-Soviet integration into the European Union. Approaching Orthodoxy through local understandings of correct practice and correct belief, Engelhardt shows how religious knowledge, national identity, and social transformation illuminate how to "sing the right way" and thereby realize the fullness of Estonians' Orthodox Christian faith in context of everyday, secular surroundings. Singing the Right Way is an innovative model of how the musical poetics of contemporary religious forms are rooted in both consistent sacred tradition and contingent secular experience. This landmark study is sure to be an essential text for scholars studying the ethnomusicology of religion.
“These essays advance the understanding of Eastern Orthodox spiritual practices from a religious studies perspective.”—Reading Religion How do people experience spirituality through what they see, hear, touch, and smell? In this book, Sonja Luehrmann and an international group of scholars assess how sensory experience shapes prayer and ritual practice among Eastern Orthodox Christians. Prayer, even when performed privately, is considered as a shared experience and act that links individuals and personal beliefs with a broader, institutional, or imagined faith community. It engages with material, visual, and aural culture including icons, relics, candles, pilgrimage, bells, and architectural spaces. Whether touching upon the use of icons in the age of digital and electronic media, the impact of Facebook on prayer in Ethiopia, or the implications of praying using recordings, amplifiers, and loudspeakers, these timely essays present a sophisticated overview of the history of Eastern Orthodox Christianities. Taken as a whole they reveal prayer as a dynamic phenomenon in the devotional and ritual lives of Eastern Orthodox believers across Eastern Europe, the Middle East, North Africa, and South Asia. “Precisely by looking at so varied a group of locations home to Orthodox practice, this book conveys the fragility―and durability―of traditional religion in a postmodern, secular age.”—Nadieszda Kizenko, author of A Prodigal Saint: Father John of Kronstadt and the Russian People
“These essays advance the understanding of Eastern Orthodox spiritual practices from a religious studies perspective.”—Reading Religion How do people experience spirituality through what they see, hear, touch, and smell? In this book, Sonja Luehrmann and an international group of scholars assess how sensory experience shapes prayer and ritual practice among Eastern Orthodox Christians. Prayer, even when performed privately, is considered as a shared experience and act that links individuals and personal beliefs with a broader, institutional, or imagined faith community. It engages with material, visual, and aural culture including icons, relics, candles, pilgrimage, bells, and architectural spaces. Whether touching upon the use of icons in the age of digital and electronic media, the impact of Facebook on prayer in Ethiopia, or the implications of praying using recordings, amplifiers, and loudspeakers, these timely essays present a sophisticated overview of the history of Eastern Orthodox Christianities. Taken as a whole they reveal prayer as a dynamic phenomenon in the devotional and ritual lives of Eastern Orthodox believers across Eastern Europe, the Middle East, North Africa, and South Asia. “Precisely by looking at so varied a group of locations home to Orthodox practice, this book conveys the fragility―and durability―of traditional religion in a postmodern, secular age.”—Nadieszda Kizenko, author of A Prodigal Saint: Father John of Kronstadt and the Russian People
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