Lighting for Televised Live Events unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience. The book explores how to retain the essence and excitement of a live production while assuring that the show looks its best on-camera for the millions of viewers that can only see it on their TV, computer, tablet, or mobile phone screen. Readers will learn how to adapt an existing stage show for the camera, as well as how to design live entertainment or events specifically for TV. Filled with real-life examples and illustrations, the book covers a wide range of topics, including: how exposure and color work for the camera; how angle, visual balance, and composition can make people and backgrounds look their best, while preserving theatricality; information on camera equipment, screens, and projectors, as well as the control room environments that are found on a professional shoot; the unique challenges of lighting for the IMAG video screens used at festivals and concerts. Lighting for Televised Live Events is aimed at lighting design students, as well as professional designers that are considering a career — or a career expansion — in television. It is an essential resource for any stage lighting designer whose show may be shot for a television special or a live webcast and who will be asked by their client to collaborate with the incoming video team.
Lighting for Televised Live Events unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience. The book explores how to retain the essence and excitement of a live production while assuring that the show looks its best on-camera for the millions of viewers that can only see it on their TV, computer, tablet, or mobile phone screen. Readers will learn how to adapt an existing stage show for the camera, as well as how to design live entertainment or events specifically for TV. Filled with real-life examples and illustrations, the book covers a wide range of topics, including: how exposure and color work for the camera; how angle, visual balance, and composition can make people and backgrounds look their best, while preserving theatricality; information on camera equipment, screens, and projectors, as well as the control room environments that are found on a professional shoot; the unique challenges of lighting for the IMAG video screens used at festivals and concerts. Lighting for Televised Live Events is aimed at lighting design students, as well as professional designers that are considering a career — or a career expansion — in television. It is an essential resource for any stage lighting designer whose show may be shot for a television special or a live webcast and who will be asked by their client to collaborate with the incoming video team.
This book shows K-12 STEM teachers how to maximize their effectiveness with students by shifting to an inquiry-based instructional approach and creating a rigorous, engaging learning environment.
The 2003 Army football team achieved futility in major college play that might never be equaled, losing all 13 of its games. The squad that took the field on a frigid December 2003 day in Philadelphia for the celebrated Army-Navy game featured only eight fourth-year seniors, just a slice of the fifty energetic freshmen—“plebes” in academy vernacular—who reported to West Point amid the heat and humidity of the summer of 2000, hoping to land spots on the football team. For most of the fifty, West Point represented their best—or only—opportunity to play major college football. They were bypassed by the big-time football schools that award athletic scholarships, which aren’t available at the nation’s military academies. Making a five-year active-duty military commitment following graduation was a small price to pay during peacetime. But peacetime in America ended only days into their second year at the academy, on September 11, 2001. Those eight seniors, like virtually all of their cadet peers, maintained their commitments to the US Army in the wake of 9/11. They worked their way up from West Point’s JV football team as freshmen, earned positions on the Black Knights’ varsity team as others left the program—voluntarily or otherwise—and walked to the center of the field for the coin toss before that final opportunity for victory, against the arch-rival Midshipmen. The football field then gave way to the battlefield. Most of the eight were deployed overseas, serving at least one tour in either Iraq or Afghanistan. One won the Bronze Star, another the Purple Heart. One qualified for an elite Rangers battalion, another for the 160th special operations aviation Night Stalkers. They took on enemy fire. They grieved at the loss of brothers in arms. They hugged their loved ones tightly upon returning home. There was no more talk of football losses. They were winners.
Award-winning author Jeff Soloway debuts an entertaining new mystery series featuring a globe-trotting, caper-solving travel writer with a witty voice and a penchant for landing in sticky situations. At a posh South American resort tucked into the lush jungles of the Andes, an American journalist has gone missing, leaving the hotel’s PR agent, Pilar Rojas, with an international incident on her hands. Which is why she offers her ex-lover, travel writer Jacob Smalls, an all-expenses-paid trip to the resort in exchange for a puff piece extolling its virtues—and some behind-the-scenes digging into the disappearance. Intrigued by the prospect of winning Pilar back—and eager, as always, for freebies—Jacob hops the first flight to La Paz, Bolivia. Although he hasn’t seen Pilar in years, Jacob finds her just as intoxicating as he did when they were together. But from the moment he hits the city’s cobbled streets, Jacob attracts all the wrong kinds of attention. Political flunkies and goons of all stripes try to scare him off the trail, while the missing woman’s not-quite boyfriend insists on shadowing Jacob’s every move. And amid ancient Incan hillside terraces, a world-class hotel conceals a secret that may kill. Advance praise for The Travel Writer “Travel doesn’t just broaden the mind; it can also get you killed. Sassy, cynical Jacob Smalls is an ideal guide for journeying into unknown territories.”—Christopher Fowler, author of the Peculiar Crimes Unit Mystery series
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