Rocky Roads and Bare Feet is about the times of a young boy growing up in rural Alabama in the decade of the 1950s. It is learning the hard way and how children thought and passed the time. The stories tell of a new generation who began life and grew into a time when there were no astronauts, no interstate highways and television was the newest rave. The stories and tall tales of Rocky Roads and Bare Feet are about the author and his brothers and sister as they grew up in the 1950s. These stories are the ones I told to my children. They were told as we sat on the porch in a swing or a rocking chair. In the evenings when there was nothing else to do, Jennifer, would say Daddy, tell me about when you were a little boy. The stories in the book were written to be passed on to my grandchildren. Many of the stories are true; the seven tall tales have fictional characters but are true more-or-less. The stories are interesting if you want to know how it was back then. Jeff Harper
In this dynamic, helpful, guide William C. Byham takes his Zapp! empowerment principles and adapts it for the classroom with workable, hands-on advice for how educators can get their students (and themselves) excited about education again. He shows how to get students to take responsibility for their own progress by involving them in decision-making; encouraging them to think for themselves; and fostering trust, creativity, and hunger for new challenges. Innovative, accessible, and fun to read, ZAPP! IN EDUCATION offers essential guidance for teachers, school administrators, school board members, and support staff.
Teenager Tony Pershing broke up with his girlfriend and monitors a mysterious space portal for Corporate. His best friend/co-worker is Jeff Harper, got sucked through the portal in his 1976 Chevy Vega. Tony, armed with bizarre weapons has to him while dealing with a neurotic alien real estate developer bent on turning Earth into a resort planet.
Fame. Love. Friends. Pick any two. It was supposed to be the best summer of her life. Instead, seventeen-year-old Lucy finds her best friend, Harper, shot dead in an LA swimming pool. How did things go so wrong? Their band, Crush, was once the top prospect to win an international talent contest. But things fell apart when Lucy discovered HarperÍs real reasons for starting a band „ which had nothing to do with music. Meanwhile, her other bandmates are throwing themselves into sex, drugs and rock and roll. Can Lucy get the rest of the girls to play to her beat? One-part wish fulfillment, one-part cautionary tale, readers will be thrilled to go behind the scenes of ñrealityî TV.
The New York Times bestselling prequel to the Pulitzer Prize–winning classic The Killer Angels In this brilliantly written epic novel, Jeff Shaara traces the lives, passions, and careers of the great military leaders from the first gathering clouds of the Civil War. Here is Thomas “Stonewall” Jackson, a hopelessly by-the-book military instructor and devout Christian who becomes the greatest commander of the Civil War; Winfield Scott Hancock, a captain of quartermasters who quickly establishes himself as one of the finest leaders of the Union army; Joshua Chamberlain, who gives up his promising academic career and goes on to become one of the most heroic soldiers in American history; and Robert E. Lee, never believing until too late that a civil war would ever truly come to pass. Profound in its insights into the minds and hearts of those who fought in the war, Gods and Generals creates a vivid portrait of the soldiers, the battlefields, and the tumultuous times that forever shaped the nation. BONUS: This edition includes an excerpt from Jeff Shaara's Blaze of Glory.
All his life, Dr. Sherman Hinkley was governed by one primary aspiration: to work as an Agent for E.W. Harper's ClockWorks Time Travel Agency. A career with the Agency would ensure Sherman's status as a bona fide contemporary hero and legendary scholar. He sought not only the glamour that inevitably derived from fame, but also the pride of knowing that after a series of failed endeavors, he'd at last arrived. Yet, Sherman quickly learns that even with the world famous Agency, books should never be judged by their cover alone and that sometimes the darkness of truth is far more ominous than the brilliance of deceit. Now, Sherman must re-evaluate his life, his career, and his future, while trying desperately to repair the world's past. What does it mean to be a hero? Sherman Hinkley couldn't have been further from the truth.
From the former economics columnist for Harper’s and The New York Times, a bold indictment of some of our most accepted mainstream economic theories—why they’re wrong, and how they’ve been harming America and the world. Ideas have the power to change history. But what happens when they are bad? In a tour de force of economics, history, and analysis, Jeff Madrick shows how theories on austerity, inflation, and efficient markets have become unassailable mantras over recent years, to the detriment of the country as a whole. Working backwards from the Great Recession, Madrick pulls no punches as he reconsiders seven of the greatest false idols of modern economic theory, from Say’s Law to Milton Friedman, illustrating how these ideas have been damaging markets, infrastructure, and individual livelihoods for years. Trenchant, sweeping, and empirical, Seven Bad Ideas resoundingly disrupts the status quo of modern economic theory.
ABOUT THE BOOK The concept of a professional writer–as we understand it today–has existed for only about a hundred years. Sure, there were people who made money writing books and articles prior to this, but most of the time these people did not consider writing their main source of income nor their job. They considered themselves “artists” or thought of their writing as a hobby. One of the best ways to become known as a “writer” in the United States in the 1920s and 1930s was to have your name appear on the cover of a formula western novel. Formula westerners were extremely popular during this time. Writers such as Zane Grey, Max Brand, and Earnest Haycox enjoyed this status for work that appeared in a wide variety of magazine and book publications, work that managed to find its way into the most remote corners of American life. Grey, Faust, and Haycox were well-paid too, of course, by the standards of the day, and as Christine Bold reports in her book examining the publishing history of the formula western, Selling the Wild West, Grey became “famous as one of the first Americans to earn $1 million by writing.” Grey achieved this milestone during a career that included the production of over 50 novels, nine of which became top ten best-sellers. Grey stood above the rest of the field, as both his economic success and prominent position in the American imagination indicate. However, his contemporaries and successors still attempted to put their stamp on the sub-genre and they continued to profit from its popularity. MEET THE AUTHOR Jeff Davis is a lifelong educator with a Ph.D. in English Studies who has taught at both the high school and university levels. EXCERPT FROM THE BOOK The outlining and the fleshing out of the main character, the hero, became a major preoccupation of the publishers, whose instructions got so exhaustive on many occasions that it seemed the only creative detail left to the writer was the hero’s name. Even this tiny bit of the content could not be left entirely to the writer’s invention, however, as another portion of the letter from publisher Smith to writer Patten demonstrates: “It is important that the main character in the series should have a catchy name.” The importance of the “pulp” and “slick” magazine trade that replaced the dime novel was that they published in serial form chapters and excerpts from longer, complete works. Zane Grey and his contemporaries benefited from the distribution of parts of their longer works in the magazines before the entire narrative was published as a hard back novel. In this way, publishers were able to produce a yearning for more. Although Grey was able to enjoy considerably more authorial freedom during “the golden age,” the detailed instructions glimpsed above had already hardened into a set of rules that even he had to obey to a certain degree. The formula was constructed from the very beginning to be as tightly organized as possible, perfected for easy transfer from individual to individual... Buy a copy to keep reading!
An essential, and impossible-to-ignore, examination of one of the most pressing, harmful, and heartbreaking problems facing our country: the widespread poverty among American children. By official count, more than one out of every six American children live beneath the poverty line. But statistics alone tell little of the story. In Invisible Americans, Jeff Madrick brings to light the often invisible reality and irreparable damage of child poverty in America. Keeping his focus on the children, he examines the roots of the problem, including the toothless remnants of our social welfare system, entrenched racism, and a government unmotivated to help the most voiceless citizens. Backed by new and unambiguous research, he makes clear the devastating consequences of growing up poor: living in poverty, even temporarily, is detrimental to cognitive abilities, emotional control, and the overall health of children. The cost to society is incalculable. The inaction of politicians is unacceptable. Still, Madrick argues, there may be more reason to hope now than ever before. Rather than attempting to treat the symptoms of poverty, we might be able to ameliorate its worst effects through a single, simple, and politically feasible policy that he lays out in this impassioned and urgent call to arms.
The New York Times bestseller from Jeff Greenfield, the renowned CBS News senior political correspondent and veteran of CNN and ABC news, offering an alternative history of America. These things are true: * In December 1960, a suicide bomber paused when he saw the young President-elect John F. Kennedy's family come to the door to wave good-bye.... * In June 1968, Robert F. Kennedy declared victory in California, and then instead of heading to another ballroom, as intended, was hustled off through the kitchen.... * In October 1976, President Ford made a critical gaffe in a debate against Jimmy Carter, turning the tide in an election that had been rapidly narrowing. But what if they had gone the other way? In three narratives based on memoirs, oral histories, fresh reporting with key participants, and his own knowledge of the principal players, Jeff Greenfield explores how accidents of fate could have altered the course of history. The scenarios that Greenfield depicts are startlingly realistic, rich in detail, shocking in their projections, but always deeply, remarkably plausible.
Once upon a lullaby, children everywhere fall asleep in the arms of those who love them. Their sleeping goes lightly. Their waking comes gently. Once upon a lullaby, bedtime is a beautiful time for children everywhere-a balmy drifting into dreams, safe in the arms of those who love them. ONCE UPON A LULLABY invokes just such a mood. Light and gentle, these lyrical verses invite Baby to sleep, charmed by a bookful of fun, full-color, child's-eye-view illustrations. These poems were originally written as lyrics to a collection of songs recorded by soprano, Jenni Samuelson and pianist, Steven Thomas. Gorgeous melodies and lilting piano lines reinforce the sweetness of the verse. Readers can look for the companion recording of "Once Upon a Lullaby: Beautiful Songs for Bedtime" at www.ideasexpressed.org.
“A master investigative stylist and one of the shrewdest commentators on religion’s underexplored realms.”—Michael Washburn, Washington Post In this gorgeous collection of essays that has drawn comparisons to the work of Joan Didion, John McPhee, and Norman Mailer, best-selling author Jeff Sharlet reports back from the far reaches of belief, whether in the clear mountain air of “Sweet Fuck All, Colorado” or in a midnight congregation of anarchists celebrating a victory over police. Like movements in a complex piece of music, Sharlet’s dispatches vibrate with all the madness and beauty, the melancholy and aspirations for transcendence, of American life.
This book constitutes the second volume of a three-volume study of Christian testimonies to divine suffering: God's Wounds: Hermeneutic of the Christian Symbol of Divine Suffering, vol. 2, Evil and Divine Suffering. The larger study focuses its inquiry into the testimonies to divine suffering themselves, seeking to allow the voices that attest to divine suffering to speak freely, then to discover and elucidate the internal logic or rationality of this family of testimonies, rather than defending these attestations against the dominant claims of classical Christian theism that have historically sought to eliminate such language altogether from Christian discourse about the nature and life of God. This second volume of studies proceeds on the basis of the presuppositions of this symbol, those implicit attestations that provide the conditions of possibility for divine suffering-that which constitutes divine vulnerability with respect to creation-as identified and examined in the first volume of this project: an understanding of God through the primary metaphor of love ("God is love"); and an understanding of the human as created in the image of God, with a life (though finite) analogous to the divine life-the imago Dei as love. The second volume then investigates the first two divine wounds or modes of divine suffering to which the larger family of testimonies to divine suffering normally attest: (1) divine grief, suffering because of betrayal by the beloved human or human sin; and (2) divine self-sacrifice, suffering for the beloved human in its bondage to sin or misery, to establish the possibility of redemption and reconciliation. Each divine wound, thus, constitutes a response to a creaturely occasion. The suffering in each divine wound also occurs in two stages: a passive stage and an active stage. In divine grief, God suffers because of human sin, betrayal of the divine lover by the beloved human: divine sorrow as the passive stage of divine grief; and divine anguish as the active stage of divine grief. In divine self-sacrifice, God suffers in response to the misery or bondage of the beloved human's infidelity: divine travail (focused on the divine incarnation in Jesus of Nazareth) as the active stage of divine self-sacrifice; and divine agony (focused on divine suffering in the crucifixion of Jesus of Nazareth) as the passive stage of divine self-sacrifice.
Examines numerous controversies related to the history of slavery, including slavery and the American Revolution, the Constitution and Bible as pro- or antislavery documents, the transatlantic slave trade, colonization of free blacks, abolition, slave resistance and uprisings, slavery and western expansion, and whether escaping slaves should be accepted by Union forces during the Civil War.
As the price of oil falls, bestselling author and economist Jeff Rubin takes us to the epicentre of the bursting global carbon bubble, and dares us to imagine a new engine for growth that does not run on oil. For a decade, the vision of Canada's future as an energy superpower has driven the country's political agenda, as well as the fast-paced development of Alberta's oil sands and the push for more pipelines like Keystone XL across the continent to bring that bitumen to market. Anyone who objects to pipelines and tanker-train traffic, north or south of the US border, is labeled a dreamer, or worse—an environmentalist: someone who puts the health of the planet ahead of the economic survival of their neighbours. In The Carbon Bubble, Jeff Rubin compellingly shows how an economic vision that rests on oil is dead wrong. Changes in energy markets in the US—where domestic production is booming while demand for oil is shrinking—are quickly turning the oil dream into an economic nightmare. Like U.S. coal stocks, the share values of oil-sands producers have been drastically reduced by falling fuel prices and are increasingly exposed to the world's efforts to reduce carbon emissions. Rubin argues that there is a lifeline to a better future. The very climate change that will leave much of the country's carbon unburnable could at the same time make some of Canada's other resource assets more valuable: its water and its land. In tomorrow's economy, he argues, Canada won't be an energy superpower, but it has the makings of one of the world's great breadbaskets, as everything from the corn belt to viniculture heads to higher latitudes. And in the global climate that the world's carbon emissions are inexorably creating, growing food will soon be a lot more valuable than mining bitumen.
Civilization had an off switch… The Russians call it Lunnaya Pesnya. Moon Song. They bring the device aboard the International Space Station disguised as an experimental electromagnetic propulsion system. Just a harmless EmDrive prototype, ferried into space for testing in microgravity. But the device is not what it appears to be and it’s far from harmless. When military cosmonauts hijack the ISS, Russia’s plans of global conquest are revealed. Moon Song is a game-changing electromagnetic pulse weapon, capable of attacking any location on Earth from orbit. The first target is Kennedy Space Center. Uncounted kiloteslas of electromagnetic force slash through the atmosphere like an unseen sword—wiping out microchips, transistors, digital storage devices, and electronic circuits of all kinds. In an instant, Cape Canaveral—and the surrounding areas of Cocoa Beach, Rockledge, Titusville, and Patrick Air Force Base—are stripped of every necessity of modern existence. Throughout the target zone, microchips are fried; credit cards are slicked; hard drives are erased. Electronic systems of all kinds suffer catastrophic failure, taking out cell phones, landlines, radios, vehicles, aircraft, and every electrical component within the footprint of the EMP beam. A single pulse of energy has driven the U.S. manned space program into the dark ages. Now, Russia holds the high ground. From orbit, they can detect and neutralize any attempt to attack the ISS. The destruction of Canaveral shows what will happen to any nation that challenges Russian supremacy. With the world literally held hostage, there’s no way to fight back. Or is there?
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