Did Jesus, the revolutionary figure who changed the world, struggle to read a scroll? A growing number of scholars think so. Luke’s account of Jesus reading in the synagogue (Luke 4:16–30) is routinely challenged today in academia. The claim is that Luke either fabricated the account outright or relied upon a mistaken social memory of Jesus reading in the synagogue. Accordingly, Jesus has been recast as an illiterate peasant or semi-literate artisan unable to read and teach the way Luke portrays. In A Prophet Mighty in Deed and Word, Jeff Kennedy offers a fresh perspective. He contends that Luke’s “reading Jesus” wasn’t an attempt to appeal to the cultured sensibilities of his Greek audience, who preferred literate philosophers over illiterate carpenters. Instead, it reflects Jesus’ self-understanding as Israel’s prophet-sage, anointed to read and proclaim the year of Yahweh’s favor. Jesus announces a shocking and provocative message for unbelieving Israel, and he does so with a singular authority. This incident sparks escalating tensions between Jesus and his countrymen, resulting in Christ’s glorification through suffering. And Luke tells us that suffering began in Jesus’ hometown of Nazareth.
We take it for granted today that the study of poetry belongs in school—but in sixteenth-century England, making Ovid or Virgil into pillars of the curriculum was a revolution. Scenes of Instruction in Renaissance Romance explores how poets reacted to the new authority of humanist pedagogy, and how they transformed a genre to express their most radical doubts. Jeff Dolven investigates what it meant for a book to teach as he traces the rivalry between poet and schoolmaster in the works of John Lyly, Philip Sydney, Edmund Spenser, and John Milton. Drawing deeply on the era’s pedagogical literature, Dolven explores the links between humanist strategies of instruction and romance narrative, rethinking such concepts as experience, sententiousness, example, method, punishment, lessons, and endings. In scrutinizing this pivotal moment in the ancient, intimate contest between art and education, Scenes of Instruction in Renaissance Romance offers a new view of one of the most unconsidered—yet fundamental—problems in literary criticism: poetry’s power to please and instruct.
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