From critically acclaimed author Jeannine Atkins comes a “memorable, poetic tale” (Kirkus Reviews, starred review) about a half–Native American, half–African American sculptor working in the years following the Civil War. A sculptor of historical figures starts with givens but creates her own vision. Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor. But the historical record is very thin. The open questions about Edmonia’s life seem ideally suited to verse, a form that is compatible with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.
From the acclaimed author of Finding Wonders and Grasping Mysteries comes a gorgeously written biography in “deliberate, delicate verse” (Kirkus Reviews) about the pioneering Jewish woman physicist whose scientific prowess changed the course of World War II. At the turn of the 20th century, Lise Meitner dreamed of becoming a scientist. In her time, girls were not supposed to want careers, much less ones in science. But Lise was smart—and determined. She earned a PhD in physics, then became the first woman physics professor at the University of Berlin. The work was thrilling, but Nazi Germany was a dangerous place for a Jewish woman. When the risks grew too great, Lise escaped to Sweden, where she continued the experiments that she and her laboratory partner had worked on for years. Her efforts led to the discovery of nuclear fission and altered the course of history. Only Lise’s partner, a man, received the Nobel Prize for their findings, but this moving and accessible biography shows how Lise’s legacy endures.
May Alcott spends her days sewing blue shirts for Union soldiers, but she dreams of painting a masterpiece—which many say is impossible for a woman—and of finding love, too. When she reads her sister’s wildly popular novel, Little Women, she is stung by Louisa’s portrayal of her as “Amy,” the youngest of four sisters who trades her desire to succeed as an artist for the joys of hearth and home. Determined to prove her talent, May makes plans to move far from Massachusetts and make a life for herself with room for both watercolors and a wedding dress. Can she succeed? And if she does, what price will she have to pay? Based on May Alcott’s letters and diaries, as well as memoirs written by her neighbors, Little Woman in Blue puts May at the center of the story she might have told about sisterhood and rivalry in an extraordinary family.
As a child, Laura Ingalls Wilder traveled across the prairie in a covered wagon. Her daughter, Rose, thought those stories might make a good book, and the two created the beloved Little House series. Sara Breedlove, the daughter of former slaves, wanted everything to be different for her own daughter, A'Lelia. Together they built a million-dollar beauty empire for women of color. Marie Curie became the first person in history to win two Nobel prizes in science. Inspired by her mother, Irène too became a scientist and Nobel prize winner. Borrowed Names is the story of these extraordinary mothers and daughters. Borrowed Names is a 2011 Bank Street - Best Children's Book of the Year.
A biographical novel in verse of seven girls from different time periods who used math to explore the mysteries of the universe and grew up to do innovate work that changed history.
A fictionalized episode from the life of Anne Hutchinson, who arrived with her family in Massachusetts in 1634, but was soon banished for holding religious meetings and teaching ideas with which Puritan ministers disagreed.
An inspiring famous women book for girls, Girls Who Looked Under Rocks also makes the perfect feminist gift for girls. Girls Who Looked Under Rocks: The Lives of Six Pioneering Naturalists is for a world no longer confined by gender stereotypes, and a place where science is for girls, too! Parents and children will love this portrayal of six women who grew up playing in the dirt and went on to become award winning scientists and writers. All of these women were discouraged from pursuing careers in science, but they all persisted in their passion. If there is a pre-teen or adolescent in your life, especially a girl, take a look at this empowering, inspiring chapter book. It portrays the youths and careers of six remarkable women whose curiosity about nature fueled a passion to steadfastly overcome obstacles to careers in traditionally men-only occupations. The six-Maria Merian (b.1647), Anna Comstock (b.1854), Frances Hamerstrom (b.1907), Rachel Carson (b.1907), Miriam Rothschild (b.1908), and Jane Goodall (b.1934)—all became renowned scientists, artists and writers. A wonderful resource for young researchers and biographers, these stories can be a starting point for issues of gender, science, and the environment.
Tells the stories of women who have dared to challenge prejudices and rules to take their place in the skies--from Katherine Wright and Bessie Coleman to Jackie Cochran, Shannon Lucid, and Eileen Collins.
Enhanced by thoughts and dialogue imagined by the author, the stories of 12 female explorers--sailors, mountain climbers, and deep-sea divers--are brought to life with clever pictures that celebrate these remarkably brave women.
The girl who found the first sea reptile fossil Mary Anning loved to scour the shores of Lyme Regis, England, where she was born in 1799, for stone sea lilies and shells. Her father had taught her how to use the tools with which she dug into the sand and scraped at the stones that fell from the cliffs. And he had taught her how to look, to look hard, for "curiosities." One day, when she was eleven, Mary Anning spotted some markings on a wide, flat stone. She chipped at it with her hammer and chisel until the lines of a tooth emerged--and then those of another tooth. Weeks of persistent effort yielded a face about four feet long. But what creature was this? Her brother called it a sea dragon. Many months later, Mary Anning still had not unearthed what she only then learned was called a fossil. But she found out that her discovery was precious and that the painstaking effort to uncover traces of ancient life was profoundly important. Jeannine Atkins's sensitive and engaging portrait is strikingly illustrated by Michael Dooling, whose powerful paintings capture young Mary Anning's devotion to her work, and all the joy she found in it.
May Alcott spends her days sewing blue shirts for Union soldiers, but she dreams of painting a masterpiece—which many say is impossible for a woman—and of finding love, too. When she reads her sister’s wildly popular novel, Little Women, she is stung by Louisa’s portrayal of her as “Amy,” the youngest of four sisters who trades her desire to succeed as an artist for the joys of hearth and home. Determined to prove her talent, May makes plans to move far from Massachusetts and make a life for herself with room for both watercolors and a wedding dress. Can she succeed? And if she does, what price will she have to pay? Based on May Alcott’s letters and diaries, as well as memoirs written by her neighbors, Little Woman in Blue puts May at the center of the story she might have told about sisterhood and rivalry in an extraordinary family.
A biographical novel in verse of seven girls from different time periods who used math to explore the mysteries of the universe and grew up to do innovate work that changed history.
From critically acclaimed author Jeannine Atkins comes a “memorable, poetic tale” (Kirkus Reviews, starred review) about a half–Native American, half–African American sculptor working in the years following the Civil War. A sculptor of historical figures starts with givens but creates her own vision. Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor. But the historical record is very thin. The open questions about Edmonia’s life seem ideally suited to verse, a form that is compatible with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.
This is the hidden story of Australian and New Zealand women war reporters who fought for equality with their male colleagues and filed stories from the main conflicts of the twentieth century. In Australian Women War Reporters, Jeannine Baker provides a much-needed account of the pioneering women who reported from the biggest conflicts of the twentieth century. Two women covered the South African War at the turn of the century, and Louise Mack witnessed the fall of Antwerp in 1914. Others such Anne Matheson, Lorraine Stumm and Kate Webb wrote about momentous events including the rise of Nazism, the liberation of the concentration camps, the aftermath of the atomic bombing of Hiroshima and the Cold War conflicts in Korea and Southeast Asia. These women carved a path for new generations of female foreign correspondents who have built upon their legacy. Jeannine Baker deftly draws out the links between the experiences of these women and the contemporary realities faced by women journalists of war, including Monica Attard and Ginny Stein, allowing us to see both in a new light.
Emphasizing the importance of social context and cultural construction, Social and Behavioral Foundations of Public Health examines current issues in health from a social and behavioral sciences perspective. The book uses a social ecological framework to address multilevel influences on health and enlarge the dominant "risk factor" approach to health behavior. Editor Jeannine Coreil and contributing authors use examples from the forefront of public health to illustrate the relevance of "core"competencies" in the field to diverse real-world problems. The Second Edition has been thoroughly updated and revised throughout, based on user feedback, and includes new theory, research, case studies. Key Features: Applies the social ecology of health model to contemporary issues at the individual and group level Draws from a wide range of disciplines, including medical sociology, health psychology, medical anthropology, demography, gerontology, and economics Describes planning, implementation, and evaluation of public health programs, policies, and interventions Features engaging case studies and examples on topics such as HIV/AIDS and breast cancer Includes new "Special Topics" section, with chapters on childhood obesity, injury prevention, and occupational health Offers practical advice for students and practitioners interested in updating their knowledge and skills" Social and Behavioral Foundations of Public Health is intended as a core textbook for graduate courses in public health and health care management that examine current issues in health from a social and behavioral sciences perspective.
From the acclaimed author of Finding Wonders and Grasping Mysteries comes a gorgeously written biography in “deliberate, delicate verse” (Kirkus Reviews) about the pioneering Jewish woman physicist whose scientific prowess changed the course of World War II. At the turn of the 20th century, Lise Meitner dreamed of becoming a scientist. In her time, girls were not supposed to want careers, much less ones in science. But Lise was smart—and determined. She earned a PhD in physics, then became the first woman physics professor at the University of Berlin. The work was thrilling, but Nazi Germany was a dangerous place for a Jewish woman. When the risks grew too great, Lise escaped to Sweden, where she continued the experiments that she and her laboratory partner had worked on for years. Her efforts led to the discovery of nuclear fission and altered the course of history. Only Lise’s partner, a man, received the Nobel Prize for their findings, but this moving and accessible biography shows how Lise’s legacy endures.
Each civilization's art is categorised into temples, architectural decoration, sculpture, ceramics etc. Arrangement within each category is chronological.
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