Public disenchantment with and distrust of American government is at an all-time high and who can blame them? In the face of widespread challenges—everything from record levels of personal and national debt and the sky high cost of education, to gun violence, racial discrimination, an immigration crisis, overpriced pharmaceuticals, and much more—the government seems paralyzed and unable to act, the most recent example being Covid-19. It’s the deadliest pandemic in over a century. In addition to an unimaginable sick and death toll, it has left more than thirty million Americans unemployed. Despite this, Washington let the first round of supplemental unemployment benefits run out and for more than a month were unable to agree on a bill to help those suffering. This book explains why we are in this situation, why the government is unable to respond to key challenges, and what we can do to right the ship. It requires that readers “upstream,” stop blaming the individuals in office and instead look at the root cause of the problem. The real culprit is the system; it was designed to protect liberty and structured accordingly. As a result, however, it has left us with a government that is not responsive, largely unaccountable, and often ineffective. This is not an accident; it is by design. Changing the way our government operates requires rethinking its primary goal(s) and then restructuring to meet them. To this end, this book offers specific reform proposals to restructure the government and in the process make it more accountable, effective, and responsive.
Mindy, Kimmy, and Sonia are beginning the summer between seventh and eighth grade and none of them are feeling very good about it. Mindy gained a lot of weight over the winter, and at the same time, her best friend ditched her for two more popular girls, so she spends most of her time alone, watching reruns of Friends. Kimmy has always been painfully shy, and now that her parents are getting a divorce, she has to move in with her grandparents and be the only new girl in the eighth grade. Sonia's mother has been battling cancer for the last two years, and Sonia's anxiety attacks are so bad that she had to be homeschooled for a year. All three girls reluctantly find themselves in a local theater camp where they get so swept up with the magic of putting on a musical revue that they start to forget about their own problems. Throughout the course of the summer, the three girls work through their personal issues while having the time of their lives with all the new interesting people they've been thrown in with. By the end of the summer, Mindy, Kimmy, and Sonia are officially "theater kids." They and their new friends are ready to take on eighth grade.
?Once I got started, I couldn't stop.? The history of e-Jeanne began around 1999, really ramped up when 9/11 hit our nation, became more organized and intentional thereafter, and continued until ... 2005? You see, e-Jeanne was a precursor of currently popular ?blogs, ? although we called her an ?e-zine.? She was assembled early in the morning (right after my morning devotions ? in fact, I realize that many of my morning devotions somehow crept into the e-Editorials), and then forwarded by e-mail to over 300 people all around the world. I did this two or three days a week for 10 years. Like I said, maybe I am a little crazy. ... This is not a book you can rush through (unless you are only looking for jokes), and I am astonished how small the font has to be in order to fit everything in; you?re going to need a bookmark to help mark your spot. Always, my goal was to fulfill: Let your good works shine out for all to see, so that everyone will praise your Heavenly Father.? (Matthew 5:16)
For centuries, the people of the Wabanaki Nations of the northeastern United States and eastern Canada used signs, symbols and designs to communicate with one another. As Native Peoples became victims of European expansion, the Wabanaki were separated by war, the search for work and intermarriage, as well as by hiding their identities to avoid persecution. In this diaspora, their visual language helped them keep their teachings and culture alive. Their designs have evolved over time and taken on different meanings, and they are now used on objects that are considered art. While their beauty is undeniable, these pieces cannot be fully appreciated without understanding their context. Tribal member Jeanne Morningstar Kent sheds light on this language, from the work of ancient Wabanaki to today's artists--like David Moses Bridges, Donna Sanipass and Jennifer Neptune--once again using their medium to connect with their fellow Wabanaki.
Mindy, Kimmy, and Sonia are beginning the summer between seventh and eighth grade and none of them are feeling very good about it. Mindy gained a lot of weight over the winter, and at the same time, her best friend ditched her for two more popular girls, so she spends most of her time alone, watching reruns of Friends. Kimmy has always been painfully shy, and now that her parents are getting a divorce, she has to move in with her grandparents and be the only new girl in the eighth grade. Sonia's mother has been battling cancer for the last two years, and Sonia's anxiety attacks are so bad that she had to be homeschooled for a year. All three girls reluctantly find themselves in a local theater camp where they get so swept up with the magic of putting on a musical revue that they start to forget about their own problems. Throughout the course of the summer, the three girls work through their personal issues while having the time of their lives with all the new interesting people they've been thrown in with. By the end of the summer, Mindy, Kimmy, and Sonia are officially "theater kids." They and their new friends are ready to take on eighth grade.
For centuries, the people of the Wabanaki Nations of the northeastern United States and eastern Canada used signs, symbols and designs to communicate with one another. As Native Peoples became victims of European expansion, the Wabanaki were separated by war, the search for work and intermarriage, as well as by hiding their identities to avoid persecution. In this diaspora, their visual language helped them keep their teachings and culture alive. Their designs have evolved over time and taken on different meanings, and they are now used on objects that are considered art. While their beauty is undeniable, these pieces cannot be fully appreciated without understanding their context. Tribal member Jeanne Morningstar Kent sheds light on this language, from the work of ancient Wabanaki to today's artists--like David Moses Bridges, Donna Sanipass and Jennifer Neptune--once again using their medium to connect with their fellow Wabanaki.
Postpartum depression has become a more recognized mental illness over the past decade as a result of education and increased awareness. Traumatic childbirth, however, is still often overlooked, resulting in a scarcity of information for health professionals. This is in spite of up to 34% of new mothers reporting experiencing a traumatic childbirth and prevalence rates rising for high risk mothers, such as those who experience stillbirth or who had very low birth weight infants. This ground-breaking book brings together an academic, a clinician and a birth trauma activist. Each chapter discusses current research, women’s stories, the common themes in the stories and the implications of these for practice, clinical case studies and a clinician’s insights and recommendations for care. Topics covered include: mothers’ perspectives, fathers’ perspectives, the impact on breastfeeding, the impact on subsequent births, PTSD after childbirth and EMDR treatment for PTSD. This book is a valuable resource for health professionals who come into contact with new mothers, providing the most current and accurate information on traumatic childbirth. It also presents mothers’ experiences in a manner that is accessible to women, their partners, and families.
The Mommy Myth takes a provocative tour through the past thirty years of media images about mothers: the superficial achievements of the celebrity mom, the news media's sensational coverage of dangerous day care, the staging of the "mommy wars" between working mothers and stay-at-home moms, and the onslaught of values-based marketing that raises mothering standards to impossible levels, just to name a few. In concert with this messaging, the authors contend, is a conservative backwater of talking heads propagating the myth of the modern mom."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
History enthusiasts and admirers of Team of Rivals will rejoice in this magisterial account of the extraordinary Americans who served the nation’s first chief executive: Together, they created the presidency for a country disgusted by crowns and the people who would wear them. In 1789, as George Washington became the first president of the United States, the world was all but certain that the American experiment in liberty and representative government would founder. More than a few Americans feared that the world was right. In Washington’s Circle, we see how Washington and his trusted advisers, close friends, and devoted family defied the doomsayers to lay the foundation for an enduring constitutional republic. This is a fresh look at an aloof man whose service in the Revolutionary War had already earned him the acclaim of fellow citizens. Washington was easy to revere, if difficult to know. David S. Heidler and Jeanne T. Heidler reveal Washington’s character through his relationship with his inner circle, showing how this unlikely group created the office of the presidency. Here is a story of cooperation, confrontation, triumph, and disappointment, as the president, Congress, and the courts sorted out the limits of executive power, quarreled over funding the government, coped with domestic strife, and faced a world at war while trying to keep their country at peace. Even more, it is a story of remarkable people striving for extraordinary achievements. Many of these characters are familiar as historic icons, but in these pages they act and speak as living individuals: the often irked and frequently irksome John Adams, in the vice presidency; the mercurial Alexander Hamilton, leading the Treasury Department; the brilliant, deceptively cunning Thomas Jefferson, as secretary of state; James Madison, who was Washington’s advocate—and his eyes and ears—in Congress; and Washington’s old friend and former brother-in-arms Henry Knox, at the administration’s beleaguered War Department. Their stories mingle with those of Edmund Randolph, John Jay, Gouverneur Morris, and the others who stood with a self-educated Virginia farmer to forge the presidency into an institution protective of its privileges but respectful of congressional prerogatives. Written with energy, wit, and an eye for vivid detail, Washington’s Circle is the fascinating account of the people who met the most formidable challenges of the government’s earliest hours with pluck, ability, and enviable resourcefulness. When the world said they would fail, they rolled up their sleeves. This is their story. Praise for Washington’s Circle “A fine, readable history of the first presidency . . . [David and Jeanne Heidler] provide not only a lively history but a group portrait of Washington and the various figures vying to influence him.”—The Wall Street Journal “Washington’s Circle positively glows with narrative exuberance. This is a book that will make even the most jaded student of the American Revolution bark little laughs of pure delight while reading.”—Open Letters Monthly “Traditional accounts portray Washington as a solitary actor in the drama of American nationhood, as chilly and featureless as the marble shaft that dominates his namesake capitol. In fact, he was the intensely human lead in one of history’s most colorful, and contentious, ensembles. David S. Heidler and Jeanne T. Heidler bring the whole cast to unforgettable life in this character study–cum–group portrait–cum–old-fashioned page-turner.”—Richard Norton Smith, author of On His Own Terms
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