Fostering faith in children is a shared privilege and responsibility of parents, godparents, and the church community. We promise our children at baptism that we will support them in their faith formation--in the formation of their relationship with God. We need to take this promise seriously. This book is intended to be an accessible and helpful resource for parents and other adults who seek to foster children's faith. This book succinctly explores many ways we can support children's faith formation, including our day-to-day interactions with children, the images of God we share with them, how we pray together, the rituals we create, service opportunities we provide, music we share together, the stories we tell and listen to, our celebration of the sacraments, and more. While this book has a distinctly Roman Catholic orientation, much of the content will be relevant for a wider Christian audience. Lastly, but perhaps most importantly, this book is rooted in the conviction that the God we seek relationship with and that we hope to foster our children's relationship with is one who is infinitely loving, welcoming, and always yearning for deeper connection with us.
A hilarious depiction of growing up with a sadistic father who is also a bit of a con artist. Life was indeed never dull with him around, but it was also not a loving, nurturing home either. Surviving the rollercoaster ride was tough but this story is told with much humor. A dark story with dark humor and my eternal optimism that shouts “things could’ve been a whole lot worse”. Funny as f...k.
The Rhetoric of the New Political Documentary explores the most visible and volatile element in the 2004 presidential campaign—the partisan documentary film. This collection of original critical essays by leading scholars and critics—including Shawn J. and Trevor Parry-Giles, Jennifer L. Borda, and Martin J. Medhurst—analyzes a selection of political documentaries that appeared during the 2004 election season. The editors examine the new political documentary with the tools of rhetorical criticism, combining close textual analysis with a consideration of the historical context and the production and reception of the films. The essays address the distinctive rhetoric of the new political documentary, with the films typically having been shot with relatively low budgets, in video, and using interviews and stock footage rather than observation of uncontrolled behavior. The quality was often good enough and interest was sufficiently intense that the films were shown in theaters and on television, which provided legitimacy and visibility before they were released soon afterwards on DVD and VHS and marketed on the Internet. The volume reviews such films as Michael Moore’s Fahrenheit 9/11; two refutations of Moore’s film, Fahrenhype 9/11 and Celsius 41.11;Unprecedented: The 2000 Presidential Election; and George W. Bush: Faith in the White House—films that experimented with a variety of angles and rhetorics, from a mix of comic disparagement and earnest confrontation to various emulations of traditional news and documentary voices. The Rhetoric of the New Political Documentary represents the continued transformation of American political discourse in a partisan and contentious time and showcases the independent voices and the political power brokers that struggled to find new ways to debate the status quo and employ surrogate “independents” to create a counterrhetoric.
The Colorado Women's Hall of Fame was founded in 1985, by a group of women who were concerned that both historic and contemporary women who shared foresight, vision, enthusiasm, and the power of accomplishment were not receiving appropriate acknowledgment. Fearful that splendid achievements would be forgotten, they wished to honor women who, during their lifetime, made a significant contribution to Colorado as a state or territory. It is the hope of the founders that by so honoring Colorado's women of consequence, their spirits might inspire future generations.In the first decade since the founding, fifty-nine women were selected for induction. Although historians habitually ignored the vital part that women played in the building of the West, in actuality these women's lives contain plots and characters that would enliven the most gripping novels. We have saints, like Frances Wisebart Jacobs and the theatrical angel Helen Bonfils; activists such as Josephine Roche and Rachel Noel; a scientific genius in Florence Sabin; and visionaries like Dana Crawford. There are tragedies, as with the Tabor wives, and the lighter-hearted tales of Mary Elitch Long and Mary Coyle Chase.Women of Consequence provides a bonanza of role models who opened new frontiers for women in so many fields, including business, journalism and newspaper publishing, science and medicine, law, politics, education, charity work, botany and even taxidermy. These stories are sure to inspire, delight, and instruct readers throughout Colorado, from young adults to senior citizens, whether they've lived here all their lives or moved here recently.
Big Media, Big Money is a lively and scathing critique of the contemporary communications industry, examining how media ownership and the profit-making motive affect the messages we receive in alarming ways. Through close readings of recent news events and critical examination of corporate influence, Bettig and Hall conclude that current interconnections among media, big business, government, and education pose a serious threat to democratic communications. The second edition includes three new chapters, covering the contemporary Hollywood film industry; the changing landscape of the music industry; and “ad creep,” the proliferation of advertising into previously ad-free venues such as schools and children’s television programming.
Each poet-profile in The Light Within the Light is based on intimate personal interviews and explores the landscapes, lives, and artistic achievements of the poet. Several poems are woven into each essay, allowing the reader to experience the poet's world in his or her own words. Since the paths of the four poets cross frequently, the essays "converse" with one another, layering the narrative.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Dorothy Martin, an American widow living in England, is on her way to lunch with Alan Nesbitt – chief constable, and her own chief beau – when she notices movement in the abandoned town hall and can’t resist a snoop. But what she, and cleaning lady Ada Finch, find in there is cause for serious alarm: a dead body. And, what’s worse, when Dorothy leaves the building some time later, she notices the corpse’s arms have been moved and its eyes closed . . .
[The Anderson House offers] a delicious meal, a toast or two, hot bricks for your head on a cold Minnesota night and house cat to purr you to sleep." UPI "When you're 138 years old, you tend to get a lot of press. The Anderson House in Wabasa is no exception. And much of its attention is focused, with good cause, on the culinary excellence of this historic inn." Rochester(Minn) Post-Bulletin Four generations of recipes from the kitchen of the Anderson House, the oldest continuously operating hotel in Minnesota, have gone into the making of The Anderson House Cookbook . Famous for its wonderful breads and desserts, the Anderson House has championed a tradition of homemade quality that has brought visitors flocking to the historic inn overlooking the Mississippi River. Pennsylvania Dutch specialties such as Sauerbraten Meatballs, Pennsylvania Dutch Chowder, and Apple-Molasses Bread are featured along with Pecan Meringues, Chocolate-Raspberry Cake Supreme, Grandma Anderson's Famous Lemon Elegance Pie, and other temptations, in The Anderson House Cookbook .
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