The role of aerial photography in the evolution of the concept of social space"and its impact on French urban planning in the mid-twentieth century. In mid-twentieth century France, the term "social space" ( l'espace social)--the idea that spatial form and social life are inextricably linked--emerged in a variety of social science disciplines. Taken up by the French New Left, it also came to inform the practice of urban planning. In The View from Above, Jeanne Haffner traces the evolution of the science of social space from the interwar period to the 1970s, illuminating in particular the role of aerial photography in this new way of conceptualizing socio-spatial relations. As early as the 1930s, the view from above served for Marcel Griaule and other anthropologists as a means of connecting the social and the spatial. Just a few decades later, the Marxist urban sociologist Henri Lefebvre called the perspective enabled by aerial photography--a technique closely associated with the French colonial state and military--"the space of state control." Lefebvre and others nevertheless used the notion of social space to recast the problem of massive modernist housing projects (grands ensembles) to encompass the modern suburb (banlieue) itself--a critique that has contemporary resonance in light of the banlieue riots of 2005 and 2007. Haffner shows how such "views" permitted new ways of conceptualizing the old problem of housing to emerge. She also points to broader issues, including the influence of the colonies on the metropole, the application of sociological expertise to the study of the built environment, and the development of a spatially oriented critique of capitalism.
e-Jeanne was a precursor of currently popular ?blogs, ? although we called her an ?e-zine.? She was assembled early in the morning (right after my morning devotions ? in fact, I realize that many of my morning devotions somehow crept into the e-Editorials), and then forwarded by e-mail to over 300 people all around the world. I did this two or three days a week for 10 years. Like I said, maybe I am a little crazy. ... 2004 was a lengthy year, filled with commentary about the impending American Presidential Election (yes, George W. Bush won again), fluctuating health issues, and much sharing of prayer requests and praise reports among the faithful and beloved Readers. 2004 was so long that I had to split it into two books; this is Part Two, covering July through December. Like its sister books, e-Jeanne: 2004 (Part Two) comes out looking like a fair-sized phone book; you?ll need strong arms and strong hands to hold it while reading ... and I strongly suggest you have a sturdy bookmark.
The role of aerial photography in the evolution of the concept of social space”and its impact on French urban planning in the mid-twentieth century. In mid-twentieth century France, the term “social space” (l'espace social)—the idea that spatial form and social life are inextricably linked—emerged in a variety of social science disciplines. Taken up by the French New Left, it also came to inform the practice of urban planning. In The View from Above, Jeanne Haffner traces the evolution of the science of social space from the interwar period to the 1970s, illuminating in particular the role of aerial photography in this new way of conceptualizing socio-spatial relations. As early as the 1930s, the view from above served for Marcel Griaule and other anthropologists as a means of connecting the social and the spatial. Just a few decades later, the Marxist urban sociologist Henri Lefebvre called the perspective enabled by aerial photography—a technique closely associated with the French colonial state and military—“the space of state control.” Lefebvre and others nevertheless used the notion of social space to recast the problem of massive modernist housing projects (grands ensembles) to encompass the modern suburb (banlieue) itself—a critique that has contemporary resonance in light of the banlieue riots of 2005 and 2007. Haffner shows how such “views” permitted new ways of conceptualizing the old problem of housing to emerge. She also points to broader issues, including the influence of the colonies on the metropole, the application of sociological expertise to the study of the built environment, and the development of a spatially oriented critique of capitalism.
The Navajo people of Canyon de Chelly must negotiate a delicate balance between the old and the new as they struggle to maintain their traditional ways of life in the midst of archaeologists, U.S. Park Service employees, and the increasing numbers of tourists who come to visit this hauntingly beautiful part of northeastern Arizona. Anthropologist-writer Jeanne Simonelli, who worked at Canyon de Chelly as a seasonal park ranger, interweaves stories of her personal experiences and friendships with canyon residents with discussions of native history and culture in the region. Focusing on the members of one extended Navajo family, Simonelli describes the small moments of their daily lives: shearing goats, baking bread, attending a solemn all-night health ceremony, washing clothes at the local laundromat, playing traditional games and contemporary sports, talking about the history of the Dinthe Navajo peopleand pondering the changes they have witnessed in the canyon and the difficulties they confront. Crossing Between Worlds is sumptuously illustrated with insightful black-and-white photographs that document the everyday activities of Navajo families in one of the most spectacular corners of the American Southwest.
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