Western Jewish women's level of involvement at the vanguard of social welfare and progressive reform, commerce, politics, and higher education and the professions is striking given their relatively small numbers."--Jacket.
In the 1880s, socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of the radically new auditorium church. Jeanne Kilde links this shift in evangelical Protestant architecture to changes in worship style and religious mission.
Wrinkles, Waistlines, and Wet Pants is an irreverent look at aging. Fashion, self -improvement and social etiquette are thrown out the window in this hilarious book that disregards good taste and dignity. The author disproves the theory that fifty is the new thirty with anecdotes, some of them actually true. Existence after fifty, according to Jeanne Kraus, is fraught with peril from lifethreatening underwear to homeowners' associations. Lifestyle activities are recommended, along with full schedules of doctor visits. Humiliation lurks at every corner with shotgun makeup interventions, bodily function failures, and swiss cheese memory. Condom trees, risque photos found in a laundry mound, and DNA-tainted ornaments all have their part in this series of incidents. Jeanne includes advice for those aging ne'er do-wells who hope to make it to the pearly gates eventually. And even though this book will not change you in any way, there is something for everyone in Wrinkles, Waistlines, and Wet Pants. Even self-help junkies will be delighted with the three insightful but useless surveys. Wrinkles, Waistbands, and Wet Pants was wittily written by Jeanne Kraus, and illustrated by her sister, Diana Arneson, both having experienced wrinkles, expanding waistlines, and wet pants.
Intended to (1) acquaint teachers with the potential of computers, (2) show them what changes writers may have to make in their composing habits, and (3) inform teachers of the changes they may have to make in course syllabi to prepare students for the demands of the electronic world, this book examines the impact of technology on composition instruction. The first chapter discusses the capabilities and rapidly growing use in the business and professional world of such electronic technology as telecommunication systems and audio and electronic mail systems. The second chapter distills information about dictation and word processing systems from an extensive review of research literature and from interviews with computer users and trainers at various business sites across the country. Based on this, the third chapter outlines the curricula required to enable students to be effective composers at the computer. The fourth chapter contains forecasts of the kinds of research still needed for teachers to develop fruitful programs and strategies in the composition classroom. Appendixes include materials from the interviews, and information on audio mail systems and dictation processes. (HTH)
From his humble beginnings to his worldwide fame, the still-humble Dalai Lama, originally from Tibet, is an inspiration to many, Buddhist and non-Buddhist alike. Full of fascinating facts, this engaging book chronicles the life, achievements, awards, teachings, and ideals of this gifted and devoted promoter of peace and political independence—most notably for the people of Tibet, who remain under the control of the Chinese government. Though he himself remains exiled from Tibet, the Dalai Lama does all he can on the world stage to make the plight of his people known. This is the inspiring story of a uniquely passionate freedom fighter, political leader, public conscience, and spiritual guide.
The impact and content of English as a subject on the curriculum is once more the subject of lively debate. Questions of English sets out to map the development of English as a subject and how it has come to encompass the diversity of ideas that currently characterise it. Drawing on a combination of historical analysis and recent research findings Robin Peel, Annette Patterson and Jeanne Gerlach bring together and compare important new insights on curriculum development and teaching practice from England, Australia and the United States. They also discuss the development of teacher training, highlighting the variety of ways in which teachers build their own beliefs and knowledge about English.
Offers a lively and accessible guide through past and present debates about the English curriculum which will appeal to students and practising teachers.
Who wouldn’t want to wear gorgeous clothes, travel the world, hang out with stars, have adoring fans – and get paid a fortune for it? But is that what the life of a model is like? World-famous fashion guru Jeanne Beker offers a unique insider’s look at the reality behind the glitz. She demystifies the industry for those who are thinking about a career in modeling and for those who simply want the scoop on an intriguing world. Strutting It! is full of fascinating information, from getting discovered to finding a personal style, from the team of people behind every model to the education a good model should have. With a foreword by modeling superstar Coco Rocha, Strutting It! is packed with biographies of successful models, lots of black-and-white photos, and the great humor and common sense Jeanne Beker is known for.
A comprehensive guide to the language of argument, Rhetorical Style offers a renewed appreciation of the persuasive power of the English language. Drawing on key texts from the rhetorical tradition, as well as on newer approaches from linguistics and literary stylistics, Fahnestock demonstrates how word choice, sentence form, and passage construction can combine to create effective spoken and written arguments. With examples from political speeches, non-fiction works, and newspaper reports, Rhetorical Style surveys the arguer's options at the word, sentence, interactive, and passage levels, and illustrates the enduring usefulness of rhetorical stylistics in analyzing and constructing arguments.
Arriving in Montana only to find the grandmother with whom they expected to stay gone, a family moves in with neighbors and begins a search for a lost cat and their grandmother.
At the age of 18, after three grueling years of unexplained leg and back pain, Kevin Sharp was diagnosed with Ewing's Sarcoma, a form of bone cancer. Kevin, through this horrific and possibly life-ending diagnosis, was forced to literally grow up overnight and make decisions that no 18-year-old should be forced to make.
Fabulous yet fierce, imperious yet impetuous, boss yet bitchy—divas are figures of paradox. Their place in culture is equally contradictory, as they are simultaneously venerated and marginalized, hailed as timeless but then frequently forgotten or exhumed as cult icons by future generations. Focusing on four early twentieth-century divas—Aida Overton Walker, Loïe Fuller, Libby Holman, and Josephine Baker—who were icons in their own time, Moving Performances considers what their past and current reception reveals about changing ideas of race and gender. Jeanne Scheper examines how iconicity can actually work to the diva’s detriment, reducing her to a fetish object, a grotesque, or a figure of nostalgia. Yet she also locates more productive modes of reception that reach to revive the diva’s moving performances, imbuing her with an affective afterlife. As it offers innovative theorizations of performance, reception, and affect, Moving Performances also introduces readers to four remarkable women who worked as both cultural producers and critics, deftly subverting the tropes of exoticism, orientalism, and primitivism commonly used to dismiss women of color. Rejecting iconic depictions of these divas as frozen in a past moment, Scheper vividly demonstrates how their performances continue to inspire ongoing movements.
Discover the true story of how a shy miner’s daughter became one of the most legendary costume designers in Hollywood in this inspiring nonfiction picture book biography. As a child in the small mining town of Searchlight, Nevada, Edith Head had few friends and spent most of her time dressing up her toys and pets and even wild animals using fabric scraps. She always knew she wanted to move somewhere full of people and excitement. She set her sights on Hollywood and talked her way into a job sketching costumes for a movie studio. Did she know how to draw or sew costumes? No. But that didn’t stop her! Edith taught herself and tirelessly worked her way up until she was dressing some of the biggest stars of the day, from Audrey Hepburn to Grace Kelly to Ginger Rogers. She became the first woman to head a major Hollywood movie studio costume department and went on to win eight Academy Awards for best costume design—and she defined the style of an era.
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