Whereas some other scholars read selected films mainly to illustrate political arguments, Roan never loses sight of the particularities of film as a distinctive cultural form and practice. Her drive to see 'cinema as a mechanism of American orientalism' results in not just a textual analysis of these films, but also a history of their material production and distribution." ---Josephine Lee, University of Minnesota "Envisioning Asia offers an exciting new contribution to our understandings of the historical developments of American Orientalism. Jeannette Roan deftly situates changing cinematic technologies within the context of U.S. imperial agendas in this richly nuanced analysis of 'shooting on location' in Asia in early 20th century American cinema." ---Wendy Kozol, Oberlin College "Through her vivid illustration of the role of American cinema in the material, visual, and ideological production of Asia, Jeanette Roan takes the reader on a journey to Asia through a very different route from the virtual travel taken by the viewers of the films she discusses." ---Mari Yoshihara, University of Hawai'i at Manoa The birth of cinema coincides with the beginnings of U.S. expansion overseas, and the classic Hollywood era coincides with the rise of the United States as a global superpower. In Envisioning Asia, Jeanette Roan argues that throughout this period, the cinema's function as a form of virtual travel, coupled with its purported "authenticity," served to advance America's shifting interests in Asia. Its ability to fulfill this imperial role depended, however, not only on the cinematic representations themselves but on the marketing of the films' production histories---and, in particular, their use of Asian locations. Roan demonstrates this point in relation to a wide range of productions, offering an engaging and useful survey of a largely neglected body of film. Not only that, by focusing on the material practices involved in shooting films on location---that is, the actual travels, negotiations, and labor of making a film---she moves beyond formal analysis to produce a richly detailed history of American interests, attitudes, and cultural practices during the first half of the twentieth century. Jeanette Roan is Adjunct Professor of Visual Studies at California College of the Arts and author of "Exotic Explorations: Travels to Asia and the Pacific in Early Cinema" in Re/collecting Early Asian America: Essays in Cultural History (2002). Cover art: Publicity still, Tokyo File 212 (Dorrell McGowan and Stuart McGowan, 1951). The accompanying text reads: "Hundreds of spectators gather on the sidelines as technicians prepare to photograph a parade scene in 'Tokyo File 212,' a Breakston-McGowan Production filmed in Japan for RKO Radio distribution." Courtesy of the Academy of Motion Picture Arts and Sciences.
Whereas some other scholars read selected films mainly to illustrate political arguments, Roan never loses sight of the particularities of film as a distinctive cultural form and practice. Her drive to see 'cinema as a mechanism of American orientalism' results in not just a textual analysis of these films, but also a history of their material production and distribution." ---Josephine Lee, University of Minnesota "Envisioning Asia offers an exciting new contribution to our understandings of the historical developments of American Orientalism. Jeannette Roan deftly situates changing cinematic technologies within the context of U.S. imperial agendas in this richly nuanced analysis of 'shooting on location' in Asia in early 20th century American cinema." ---Wendy Kozol, Oberlin College "Through her vivid illustration of the role of American cinema in the material, visual, and ideological production of Asia, Jeanette Roan takes the reader on a journey to Asia through a very different route from the virtual travel taken by the viewers of the films she discusses." ---Mari Yoshihara, University of Hawai'i at Manoa The birth of cinema coincides with the beginnings of U.S. expansion overseas, and the classic Hollywood era coincides with the rise of the United States as a global superpower. In Envisioning Asia, Jeanette Roan argues that throughout this period, the cinema's function as a form of virtual travel, coupled with its purported "authenticity," served to advance America's shifting interests in Asia. Its ability to fulfill this imperial role depended, however, not only on the cinematic representations themselves but on the marketing of the films' production histories---and, in particular, their use of Asian locations. Roan demonstrates this point in relation to a wide range of productions, offering an engaging and useful survey of a largely neglected body of film. Not only that, by focusing on the material practices involved in shooting films on location---that is, the actual travels, negotiations, and labor of making a film---she moves beyond formal analysis to produce a richly detailed history of American interests, attitudes, and cultural practices during the first half of the twentieth century. Jeanette Roan is Adjunct Professor of Visual Studies at California College of the Arts and author of "Exotic Explorations: Travels to Asia and the Pacific in Early Cinema" in Re/collecting Early Asian America: Essays in Cultural History (2002). Cover art: Publicity still, Tokyo File 212 (Dorrell McGowan and Stuart McGowan, 1951). The accompanying text reads: "Hundreds of spectators gather on the sidelines as technicians prepare to photograph a parade scene in 'Tokyo File 212,' a Breakston-McGowan Production filmed in Japan for RKO Radio distribution." Courtesy of the Academy of Motion Picture Arts and Sciences.
After a disastrous concert, a teenage musical prodigy who’s sick of the stress heads to Montana to figure out her next step . . . From the moment Tess picked up the violin as a child, it was clear she wasn’t like other kids. She was a prodigy, and at sixteen her life is that of a virtuoso-to-be: constant training, special schools, and a big debut before an audience of thousands. But when she blows her moment in the spotlight, she throws it all away, moves from New York City to join her father and his new family in Montana, and tries to lead a normal life—whatever that is. But she’s hardly arrived when she is drawn into a mystery: a hunt for the wilderness homestead of a lost pioneer who played violin himself. Maybe, through his story, Tess will figure out how to handle the expectations of others, and what she really wants for herself . . . “The characters are likeable, and their love of music shines through . . . For anyone fascinated by the power of music and its effects on individuals’ lives.” —School Library Journal
Readers will become master magicians of memories with the 35 patterns and interactive techniques featured in Magic. Each pattern features ingenious elements that pull, spin, or slide to reveal more photos or journaling.
The authors introduce readers to famous personalities such as Andrew Jackson and Austin Peay, but they also tell stories of ordinary people and their lives to show how they are an integral part of the state's history. Sidebars throughout the book highlight events and people of particular interest, and reading lists at the end of chapters provide readers with avenues for further exploration."--BOOK JACKET.
Ikonica is the first exploration of Canada's rich and unique brand heritage. Authors Jeannette Hanna and Alan Middleton shed light on the evolution of our country's best-known brands, from the Hudson's Bay Company to Canadian Tire. The visual tour of Canada's branding environment highlights the prime movers, the triumphs and the failures." "Both Hanna and Middleton draw on years of experience as brand strategists to offer an inside look at the major players in Canadian branding, from global success stories like Cirque du Soleil to domestic upstarts like WestJet. The heart of the books is almost thirty interview with a "who's who" of major business and cultural figures including Paul House (Tim Hortons), Robert Milton (Air Canada), Fred Schaeffer (McCain Foods), and William Thorsell (Royal Ontario Museum). The authors' provocative analysis shows what it takes for Canadian brands to punch above their weight in the global marketplace."--BOOK JACKET.
Six great short stories with suspence, romance, time travel and adventure. 'Hilda' brings curiosity for Mark and takes him on adventure of a life time. The sequel, 'A Tall Tale', continues Mark's travels and takes him back to the future. 'The Bear' is a wonderful story of a young pioneer woman ahead of her time that raises a bear cub and finds returns for her efforts a hundred times over. In the sequel, 'The Bear Returns', their bond is a life saving one. In 'The Painting', Jennifer finds more than a birthday gift for her sister in Lavinia's antique store. In 'Lavinia's Gift', you discover who Lavinia really is and Jason finds himself caught between the past and the future.
Visiting an Indian reservation in eastern Montana, the twins see what appears to be the ghost of Chief Thunderbird riding across the night sky. But when they investigate, they find chilling answers--and life-threatening danger.
Caitlin is consumed by the desire to win the Curragh, Ireland's equivalent to the Kentucky Derby. A messy divorce from a wealthy American has made the possibility of losing custody of her two children a reality. Now her life is further complicated when the love of her life returns. Martin had left to become a priest, but is no longer a man of the cloth.
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