In the memoir Angels and Pawprints, Jeanette Gardner continues the rest of her life story, detailing how she managed to survive all the adventures, hardships, and mishaps that accompanied raising five children born in rapid succession with a mere six years separating all of them. Gardner, the author of Dirty Feet and Hungry Hearts, begins by sharing details of the day she left Greybull, Montana, for Billings, met the love of her life, married him after a five-week courtship, and began what she calls the great adventure into marriage and motherhood. As she relays her poignant and humorous experiences, Gardner divulges the entertaining antics of her five children as they grew from toddlers to teens. From eating Drano, to starting fires in the chimney, to falling from trees, and swallowing pins, Gardners anecdotes highlight one mothers sometimes hilarioussometimes tearfulstruggle to survive the challenges of raising a large family where the daily goal was often to just keep everyone alive. Gardners look back at the craziness of motherhood filled with gray hair, laughter, tears, heart-stopping emergencies, and a heart overflowing with love prove that the absolute best job in the world is to be a mother.
An excerpt from Dirty Feet and Hungry Hearts- Why? This was the question my sister and I asked each other, over and over. Every time we started talking about our mother, it was always this unanswered question we were left with. Why was she so unhappy? Why was she so abusive to Daddy, who loved her with his whole heart and soul? Why wouldn't she take care of herself? When I decided to try and find the answer, it was very hard to face those long buried memories from my childhood. But I did come to understand why. Author Jeanette Gardner uses her deeply personal memoir to share the touching story of her mother Pearl's journey, from growing up the daughter of a wealthy family in Illinois to living in a shack in Wyoming. A sweeping memoir chronicling the origins of the author's family and their subsequent struggle with poverty. After getting to know much-older Bowman Mercer through a pen-pal service, Pearl, the author's mother, eventually leaves her abusive brother and their inherited house to move to Wyoming as Bowman's wife. She weathers their paltry circumstances and survives Jeanette's grueling birth and a near-poisoning by a jealous woman. As a little girl, the author lived in homes with dirt floors and rarely bathed, which often made her and her family-her parents and sister, Virginia-an object of ridicule. Nonetheless, she lived a largely happy childhood, developing a resilient, stubborn nature, and benefiting from her indulgent but well-meaning parents and helpful townspeople. With poignant empathy, the author successfully traces Pearl's transformation from a pleasant, shy beauty to an unkempt grouch prone to hysterics. She also understands how to build suspense, but inexplicably sabotages her own groundwork by giving away key plot elements in the chapter titles. For instance, a new neighbor's spooky friendliness-skillfully brought to life on the page-is prematurely explained by the chapter's title, "Graduation, A Child Molester." -Kirkus Discoveries
In the memoir Angels and Pawprints, Jeanette Gardner continues the rest of her life story, detailing how she managed to survive all the adventures, hardships, and mishaps that accompanied raising five children born in rapid succession with a mere six years separating all of them. Gardner, the author of Dirty Feet and Hungry Hearts, begins by sharing details of the day she left Greybull, Montana, for Billings, met the love of her life, married him after a five-week courtship, and began what she calls the great adventure into marriage and motherhood. As she relays her poignant and humorous experiences, Gardner divulges the entertaining antics of her five children as they grew from toddlers to teens. From eating Drano, to starting fires in the chimney, to falling from trees, and swallowing pins, Gardners anecdotes highlight one mothers sometimes hilarioussometimes tearfulstruggle to survive the challenges of raising a large family where the daily goal was often to just keep everyone alive. Gardners look back at the craziness of motherhood filled with gray hair, laughter, tears, heart-stopping emergencies, and a heart overflowing with love prove that the absolute best job in the world is to be a mother.
Bringing different cultural perspectives on creativity with them, teachers and children in two early childhood education sites in Aotearoa New Zealand were using museum visits as jumping off places to hone their creative capacity building. As a contribution to Tim Ingold’s discussion of anthropology and/as education, and also finding John Dewey’s writing valuable (specifically his framing of ‘enduring attitudes’), the authors employ a navigation metaphor throughout the discussion. They describe a coming together of four Cultural Anchors (thinking from materials) with four Coordinates (creative capacity builders) to describe ways in which the children were making creative sense of the museum exhibits, while at the same time gathering information about them. They take these travel metaphors from a star cluster in the southern hemisphere night sky, Matariki, which provided early sea-going Māori with guidance as they navigated wide stretches of ocean in their sea-going canoes to reach Aotearoa New Zealand. A Māori immersion early childhood centre and school, and a New Zealand kindergarten provided lively examples of children’s and teachers’ responses to the treasured artefacts (taonga) in their local museums. The book describes an ecosocial framing, from ‘little to big’, and illustrates the different cultural perspectives on creativity. The Mana Tamariki kaiako (teachers) gifted us a title—He taonga, he rerenga arorangi (Where there are treasured objects, the spirit is nurtured and creativity will be inspired).
Whereas some other scholars read selected films mainly to illustrate political arguments, Roan never loses sight of the particularities of film as a distinctive cultural form and practice. Her drive to see 'cinema as a mechanism of American orientalism' results in not just a textual analysis of these films, but also a history of their material production and distribution." ---Josephine Lee, University of Minnesota "Envisioning Asia offers an exciting new contribution to our understandings of the historical developments of American Orientalism. Jeannette Roan deftly situates changing cinematic technologies within the context of U.S. imperial agendas in this richly nuanced analysis of 'shooting on location' in Asia in early 20th century American cinema." ---Wendy Kozol, Oberlin College "Through her vivid illustration of the role of American cinema in the material, visual, and ideological production of Asia, Jeanette Roan takes the reader on a journey to Asia through a very different route from the virtual travel taken by the viewers of the films she discusses." ---Mari Yoshihara, University of Hawai'i at Manoa The birth of cinema coincides with the beginnings of U.S. expansion overseas, and the classic Hollywood era coincides with the rise of the United States as a global superpower. In Envisioning Asia, Jeanette Roan argues that throughout this period, the cinema's function as a form of virtual travel, coupled with its purported "authenticity," served to advance America's shifting interests in Asia. Its ability to fulfill this imperial role depended, however, not only on the cinematic representations themselves but on the marketing of the films' production histories---and, in particular, their use of Asian locations. Roan demonstrates this point in relation to a wide range of productions, offering an engaging and useful survey of a largely neglected body of film. Not only that, by focusing on the material practices involved in shooting films on location---that is, the actual travels, negotiations, and labor of making a film---she moves beyond formal analysis to produce a richly detailed history of American interests, attitudes, and cultural practices during the first half of the twentieth century. Jeanette Roan is Adjunct Professor of Visual Studies at California College of the Arts and author of "Exotic Explorations: Travels to Asia and the Pacific in Early Cinema" in Re/collecting Early Asian America: Essays in Cultural History (2002). Cover art: Publicity still, Tokyo File 212 (Dorrell McGowan and Stuart McGowan, 1951). The accompanying text reads: "Hundreds of spectators gather on the sidelines as technicians prepare to photograph a parade scene in 'Tokyo File 212,' a Breakston-McGowan Production filmed in Japan for RKO Radio distribution." Courtesy of the Academy of Motion Picture Arts and Sciences.
An excerpt from Dirty Feet and Hungry Hearts- Why? This was the question my sister and I asked each other, over and over. Every time we started talking about our mother, it was always this unanswered question we were left with. Why was she so unhappy? Why was she so abusive to Daddy, who loved her with his whole heart and soul? Why wouldn't she take care of herself? When I decided to try and find the answer, it was very hard to face those long buried memories from my childhood. But I did come to understand why. Author Jeanette Gardner uses her deeply personal memoir to share the touching story of her mother Pearl's journey, from growing up the daughter of a wealthy family in Illinois to living in a shack in Wyoming. A sweeping memoir chronicling the origins of the author's family and their subsequent struggle with poverty. After getting to know much-older Bowman Mercer through a pen-pal service, Pearl, the author's mother, eventually leaves her abusive brother and their inherited house to move to Wyoming as Bowman's wife. She weathers their paltry circumstances and survives Jeanette's grueling birth and a near-poisoning by a jealous woman. As a little girl, the author lived in homes with dirt floors and rarely bathed, which often made her and her family-her parents and sister, Virginia-an object of ridicule. Nonetheless, she lived a largely happy childhood, developing a resilient, stubborn nature, and benefiting from her indulgent but well-meaning parents and helpful townspeople. With poignant empathy, the author successfully traces Pearl's transformation from a pleasant, shy beauty to an unkempt grouch prone to hysterics. She also understands how to build suspense, but inexplicably sabotages her own groundwork by giving away key plot elements in the chapter titles. For instance, a new neighbor's spooky friendliness-skillfully brought to life on the page-is prematurely explained by the chapter's title, "Graduation, A Child Molester." -Kirkus Discoveries
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