Mandy survived the terrible accident that killed her mother, but she was left blind and alone. Now she lives with relatives she doesn't know, attends a new school, and tries to make friends--all the while struggling to function without sight. Her unpredictable life takes its strangest turn when she begins to hear the oddest things through the window of her attic room. In fact, what she hears--and seems to "see"--are events that happened years ago, before she was even born. . . .
After a disastrous concert, a teenage musical prodigy who’s sick of the stress heads to Montana to figure out her next step . . . From the moment Tess picked up the violin as a child, it was clear she wasn’t like other kids. She was a prodigy, and at sixteen her life is that of a virtuoso-to-be: constant training, special schools, and a big debut before an audience of thousands. But when she blows her moment in the spotlight, she throws it all away, moves from New York City to join her father and his new family in Montana, and tries to lead a normal life—whatever that is. But she’s hardly arrived when she is drawn into a mystery: a hunt for the wilderness homestead of a lost pioneer who played violin himself. Maybe, through his story, Tess will figure out how to handle the expectations of others, and what she really wants for herself . . . “The characters are likeable, and their love of music shines through . . . For anyone fascinated by the power of music and its effects on individuals’ lives.” —School Library Journal
Coming of age in a rural Texas community in 1918, 15-year-old Asia assists in the local war effort, contemplates romance with a local boy, and expands her horizons through her pursuit of photography.
Winner of the Western Writers of America Spur Award for Teen Fiction from the author of Hitch and Paper Daughter. “A must-read for adrenaline junkies.”—VOYA On a hot summer day in 1910 a teenage soldier assembled his rifle. A girl argued to save trees on a mountain homestead. A young man set out to fight fire. None knew that soon the many blazes burning across northern Idaho would blow up and send a wall of flame racing their way. Portraying a natural disaster that would dictate how the United States would fight wildfire in the 20th century, The Big Burn brings to life a turning point in fire science, forestry, and history. Richly drawn characters doing their best against gigantic odds will grip your heart. The realistic depiction of wildfire will make you feel you were there. With non-fiction Field Notes and an Afterword about firefighting today, it’s a novel that moves from the 1900s into the 21st century. Whether you’re an adult or young adult reader, you’ll come away with a new understanding of nature and a “heighten[ed] appreciation for the courage and sacrifice of firefighters and settlers” (Publishers Weekly). Montana Book Award Honor “Historically accurate and dramatically engaging.”—Teen Reads “Presents a vivid picture of a natural disaster while skillfully conveying in fluid prose the individual stories of the three young people.”—Horn Book “Fascinating and harrowing . . . for any kid whose tastes run to disaster and survival, mixed into a coming of age story.”—Richie’s Picks “A solid adventure story with a well-realized setting.”—Booklist
In the early days of aviation, Beatty and Moss hang out around the airport Beatty’s uncle manages. Beatty’s hoping to see her father when he flies in--and quickly out again--on a mail flight. And Moss is hoping his mechanical skills will help him to support himself. Neither anticipates their crucial roles in the airfield’s survival--or in saving Beatty’s father’s life.
As a teenager growing up during the Depression, Moss Trawnley doesn't have time to be a kid. In search of opportunity, Moss lies about his age and heads west to join Roosevelt's Civilian Conservation Corps. While working to protect Montana's wildlife, he goes to school, makes lifelong friends, falls in love, and finds what he almost lost in the crisis of the Great Depression: himself. In this captivating work of fiction, Jeanette Ingold tells the story of a teen who risks everything to start a new life and, in the process, gains a future.
Mandy survived the terrible accident that killed her mother, but she was left blind and alone. Now she lives with relatives she doesn't know, attends a new school, and tries to make friends--all the while struggling to function without sight. Her unpredictable life takes its strangest turn when she begins to hear the oddest things through the window of her attic room. In fact, what she hears--and seems to "see"--are events that happened years ago, before she was even born. . . .
Winner of the Western Writers of America Spur Award for Teen Fiction from the author of Hitch and Paper Daughter. “A must-read for adrenaline junkies.”—VOYA On a hot summer day in 1910 a teenage soldier assembled his rifle. A girl argued to save trees on a mountain homestead. A young man set out to fight fire. None knew that soon the many blazes burning across northern Idaho would blow up and send a wall of flame racing their way. Portraying a natural disaster that would dictate how the United States would fight wildfire in the 20th century, The Big Burn brings to life a turning point in fire science, forestry, and history. Richly drawn characters doing their best against gigantic odds will grip your heart. The realistic depiction of wildfire will make you feel you were there. With non-fiction Field Notes and an Afterword about firefighting today, it’s a novel that moves from the 1900s into the 21st century. Whether you’re an adult or young adult reader, you’ll come away with a new understanding of nature and a “heighten[ed] appreciation for the courage and sacrifice of firefighters and settlers” (Publishers Weekly). Montana Book Award Honor “Historically accurate and dramatically engaging.”—Teen Reads “Presents a vivid picture of a natural disaster while skillfully conveying in fluid prose the individual stories of the three young people.”—Horn Book “Fascinating and harrowing . . . for any kid whose tastes run to disaster and survival, mixed into a coming of age story.”—Richie’s Picks “A solid adventure story with a well-realized setting.”—Booklist
After a disastrous concert, a teenage musical prodigy who’s sick of the stress heads to Montana to figure out her next step . . . From the moment Tess picked up the violin as a child, it was clear she wasn’t like other kids. She was a prodigy, and at sixteen her life is that of a virtuoso-to-be: constant training, special schools, and a big debut before an audience of thousands. But when she blows her moment in the spotlight, she throws it all away, moves from New York City to join her father and his new family in Montana, and tries to lead a normal life—whatever that is. But she’s hardly arrived when she is drawn into a mystery: a hunt for the wilderness homestead of a lost pioneer who played violin himself. Maybe, through his story, Tess will figure out how to handle the expectations of others, and what she really wants for herself . . . “The characters are likeable, and their love of music shines through . . . For anyone fascinated by the power of music and its effects on individuals’ lives.” —School Library Journal
Bringing different cultural perspectives on creativity with them, teachers and children in two early childhood education sites in Aotearoa New Zealand were using museum visits as jumping off places to hone their creative capacity building. As a contribution to Tim Ingold’s discussion of anthropology and/as education, and also finding John Dewey’s writing valuable (specifically his framing of ‘enduring attitudes’), the authors employ a navigation metaphor throughout the discussion. They describe a coming together of four Cultural Anchors (thinking from materials) with four Coordinates (creative capacity builders) to describe ways in which the children were making creative sense of the museum exhibits, while at the same time gathering information about them. They take these travel metaphors from a star cluster in the southern hemisphere night sky, Matariki, which provided early sea-going Māori with guidance as they navigated wide stretches of ocean in their sea-going canoes to reach Aotearoa New Zealand. A Māori immersion early childhood centre and school, and a New Zealand kindergarten provided lively examples of children’s and teachers’ responses to the treasured artefacts (taonga) in their local museums. The book describes an ecosocial framing, from ‘little to big’, and illustrates the different cultural perspectives on creativity. The Mana Tamariki kaiako (teachers) gifted us a title—He taonga, he rerenga arorangi (Where there are treasured objects, the spirit is nurtured and creativity will be inspired).
This necessary desk reference for every practicing spectroscopist represents the first definitive book written specifically to integrate knowledge about group frequencies in infrared as well as Raman spectra. In the spirit of previous classics developed by Bellamy and others, this volume has expanded its scope and updated its coverage. In addition to detailing characteristic group frequencies of compounds from a comprehensive assortment of categories, the book includes a collection of spectra and a literature search conducted to verify existing correlations and to determine ways to enhance correlations between vibrational frequencies and molecular structure. Particular attention has been given to the correlation between Raman characteristic frequencies and molecular structure. Constitutes a necessary reference for every practicing vibrational spectroscopist Provides the new definitive text on characteristic frequencies of organic molecules Incorporates group frequencies for both infrared and Raman spectra Details the characteristic IR and Raman frequencies of compounds in more than twenty major categories Includes an extensive collection of spectra Compiled by internationally recognized experts
Bringing different cultural perspectives on creativity with them, teachers and children in two early childhood education sites in Aotearoa New Zealand were using museum visits as jumping off places to hone their creative capacity building. As a contribution to Tim Ingold’s discussion of anthropology and/as education, and also finding John Dewey’s writing valuable (specifically his framing of ‘enduring attitudes’), the authors employ a navigation metaphor throughout the discussion. They describe a coming together of four Cultural Anchors (thinking from materials) with four Coordinates (creative capacity builders) to describe ways in which the children were making creative sense of the museum exhibits, while at the same time gathering information about them. They take these travel metaphors from a star cluster in the southern hemisphere night sky, Matariki, which provided early sea-going Māori with guidance as they navigated wide stretches of ocean in their sea-going canoes to reach Aotearoa New Zealand. A Māori immersion early childhood centre and school, and a New Zealand kindergarten provided lively examples of children’s and teachers’ responses to the treasured artefacts (taonga) in their local museums. The book describes an ecosocial framing, from ‘little to big’, and illustrates the different cultural perspectives on creativity. The Mana Tamariki kaiako (teachers) gifted us a title—He taonga, he rerenga arorangi (Where there are treasured objects, the spirit is nurtured and creativity will be inspired).
New ideas for working with nature to nurture creativity in felted and embroidered textile art. Immerse yourself in nature and rewild your creative practice with inspiration from textile artist Jeanette Appleton. With a focus on the versatile medium of felt, she takes readers through a series of ideas for working with nature to boost creativity, inspire, and make us more sustainable as artists. The book covers: • How to capture the nuances of nature through creating exciting felt surfaces – lines of sea, frosted puddles, hedge and grass – and how to translate them into subtleties of texture and stitch. • Transforming recycled cloth by bonding memories, mixed-media and found objects into your work. • Cutting and repairing techniques: making cuts and slits in the layers of fabric to reveal the secret strata of nature beneath, echoing the planet's fragility. • How to make the best use of sketchbooks, maps and mapping to record inspiration from time spent in nature. • A variety of strategies for overcoming artist's block, from revisiting past diaries and sketchbooks to interacting differently with your local environment. Throughout, the author constantly challenges the felt process, discovering a new creative working practice through connecting with the outside world. Richly illustrated with exciting examples of the author's beautiful and reflective work, this inspirational and practical guide will appeal to textile and felt artists of all levels.
Included are 38 stories for audiences of all ages withan outline, performance tips, adaptatoins, props, etc. and ideas on how to create original stories for storytelling.
“The marvelous and the horrific, the mythic and the mundane overlap and intermingle in this wonderfully inventive novel.” —The New York Times Winner of the E. M. Forster Award In a fantastic world that is and is not seventeenth-century England, a baby is found floating in the Thames. The child, Jordan, is rescued by Dog Woman and grows up to travel the globe like Gulliver—though he finds that the most curious oddities come from his own mind. The spiraling tale leads the reader from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that jumps from epiphany to shimmering epiphany. From the New York Times–bestselling author of Oranges Are Not the Only Fruit and Why Be Happy When You Could Be Normal?, Sexing the Cherry is “a mixture of The Arabian Nights touched by the philosophical form of Milan Kundera and told with the grace of Italo Calvino” (San Francisco Chronicle). “Those who care for fiction that is both idiosyncratic and beautiful will want to read anything [Winterson] writes.” —The Washington Post Book World
Coming of age in a rural Texas community in 1918, 15-year-old Asia assists in the local war effort, contemplates romance with a local boy, and expands her horizons through her pursuit of photography.
As a teenager growing up during the Depression, Moss Trawnley doesn't have time to be a kid. In search of opportunity, Moss lies about his age and heads west to join Roosevelt's Civilian Conservation Corps. While working to protect Montana's wildlife, he goes to school, makes lifelong friends, falls in love, and finds what he almost lost in the crisis of the Great Depression: himself. In this captivating work of fiction, Jeanette Ingold tells the story of a teen who risks everything to start a new life and, in the process, gains a future.
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