Jean-Pierre Vernant's concise, brilliant essay on the origins of Greek thought relates the cultural achievement of the ancient Greeks to their physical and social environment and shows that what they believed in was inseparable from the way they lived. The emergence of rational thought, Vernant claims, is closely linked to the advent of the open-air politics that characterized life in the Greek polis. Vernant points out that when the focus of Mycenaean society gave way to the agora, the change had profound social and cultural implications. "Social experience could become the object of pragmatic thought for the Greeks," he writes, "because in the city-state it lent itself to public debate. The decline of myth dates from the day the first sages brought human order under discussion and sought to define it.... Thus evolved a strictly political thought, separate from religion, with its own vocabulary, concepts, principles, and theoretical aims.
Jean-Pierre Vernant has profoundly transformed our perceptions of ancient Greece. Published in 1991, this collection of nineteen essays probes deeply into themes of enduring interest--death, the body, the soul, the individual, and relations between mortals and immortals; the mask, the mirror, the image, and the imagination; the self and the other, and, more broadly, the concept of otherness itself, or "alterity.
In this enchanting retelling of Greek myth, Jean-Pierre Vernant combines his deep knowledge of the subject with an original storytelling style. Beginning with the creation of Earth out of Chaos, Vernant continues with the castration of Uranus, the war between the Titans and the Olympian gods, the wily ruses of Prometheus and Zeus, and the creation of Pandora, the first woman. His narrative takes readers from the Trojan War to the voyage of Odysseus, from the story of Dionysus to the terrible destiny of Oedipus, to Perseus's confrontation with the Gorgons. Jean-Pierre Vernant has devoted himself to the study of Greek mythology. In recounting these tales, he unravels for us their multiple meanings and brings to life the beloved figures of legend whose narratives lie at the origin of our civilization.
Admirably framed in a preface by the historian François Hartog, this is a small introduction to the very large work of the genial French classicist, Jean-Pierre Vernant (1914-2007). Yet for all its brevity, it is a unique contribution to Vernant's great corpus on ancient Greece, for in the form of an interview it relates in his own words the unusual story of how it all came to be: his trajectory from student days in the Communist party fighting fascism; to his experience as a soldier in the stupefying defeat by Germany in 1940; to his war years overtly as a professor in a Toulouse lycee and covertly as the leader in the local Resistance, then underground in the person of Colonel Berthier in charge of Resistance forces in the Haut-Garonne; and finally, on to Paris and a distinguished academic career after the war, capped by a prestigious professorship at the College de France. Besides the details of the culture of these important French milieus, this text offers precious evidence of significant intellectual continuities in Vernant's traverse from the maquis to the polis, including the firm companionship of many of the same people--his teachers and faithful "copains"-- through the combats of both. There are echoes of his own life in recurrent themes of his work on ancient Greece, also including warfare and politics. And when it comes to his illuminating concern for humanity in antiquity, those who knew Jean-Pierre Vernant will recognize the warm generosity, the concern for others, the empathetic soul of the man himself. He wrote too about memory; now, by the imperishable memory he left with us, he is one of the immortals.
Jean Pierre-Vernant and Pierre Vidal-Naquet are leaders in a contemporary French classical scholarship that has produced a a stunning reconfiguration of Greek thought and literature. In this work, published here as a single volume, the authors present a disturbing and decidedly non-classical reading of Greek tragedy that insists on its radical discontinuity with our own outlook and with our social, aesthetic, and psychological categories. Originally published in French in two volumes, this new single-volume edition includes revised essays from volume one and is the first English translation of both volumes.Pierre Vidal-Naquet is Director of Studies and Professor of Sociology at the Ecole Pratique des Hautes Etudes in Paris. Jean Pierre-Vernant is Professor Emeritus of Comparative Study of Ancient Religions at the Coll?ge de France. Janet Lloyd is a translator and writer living in England. Distributed for Zone Books.
At the same time Ancestor of the West reminds us that these cultures were precursors of our own precisely because they possessed an intelligence that we still recognize. The ancients, even in their earliest writings, thought like us."--BOOK JACKET.
For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods—and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival of grain-giving Demeter with instruments of butchery. The ambiguity coded in the consumption of meat generated a mythology of the "other"—werewolves, Scythians, Ethiopians, and other "monsters." The study of the sacrificial consumption of meat thus leads into exotic territory and to unexpected findings. In The Cuisine of Sacrifice, the contributors—all scholars affiliated with the Center for Comparative Studies of Ancient Societies in Paris—apply methods from structural anthropology, comparative religion, and philology to a diversity of topics: the relation of political power to sacrificial practice; the Promethean myth as the foundation story of sacrificial practice; representations of sacrifice found on Greek vases; the technique and anatomy of sacrifice; the interaction of image, language, and ritual; the position of women in sacrificial custom and the female ritual of the Thesmophoria; the mythical status of wolves in Greece and their relation to the sacrifice of domesticated animals; the role and significance of food-related ritual in Homer and Hesiod; ancient Greek perceptions of Scythian sacrificial rites; and remnants of sacrificial ritual in modern Greek practices.
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