When the seemingly perfect Tartuffe ingratiates himself with the wealthy Orgon and his mother Madame Pernelle, he is soon welcomed into their home and into their lives. His combination of charm, respectability and religious authority proves so irresistible that he is eventually promised the hand of Orgon’s daughter in marriage. But the rest of Orgon’s family have grave doubts – is there more to Tartuffe than meets the eye? When the threat of eviction for the family and imprisonment for Orgon become apparent, is it all too late to find out? This hilarious and irreverent whirlwind of lies, religious hypocrisy and family feuds features one of theatre’s most perfect comedy creations, the beguiling Tartuffe.
In the seventeenth century, Molière raised comedy to the pitch of great art and, three centuries later, his plays are still a source of delight. He created a new synthesis from the major comic traditions at his disposal. This collection demonstrates the range of Molière's comic vision, his ability to move between the broad and basic ploys of farce to the more subtle and sophisticated level of high comedy. The Misanthrope appears along with Such Preposterously Precious Ladies, Tartuffe, A Doctor Despite Himself, The Would-Be Gentleman, and Those Learned Ladies.
Molière combined all the traditional elements of comedy - wit, slapstick, spectacle and satire - to create richly sophisticated and enduringly popular dramas. The Miser is the story of Harpagon, a mean-spirited old man who becomes obsessed with making money out of the marriage of his children, while The Hypochondriac, another study in obsession, is a brilliant satire on the medical profession. The School for Wives, in which an ageing domestic tyrant is foiled in his plans to marry his young ward, provoked such an outcry that Molière followed it with The School for Wives Criticized - a witty retort to those who disapproved of the play's supposed immorality. And while Don Juan is the darkest and most tragic of all the plays in this collection, it still mocks the soullessness of the skinflint with scathing irony.
This edition gives a side-by-side parallel translation of Moliere 's Tartuffe using Curtis Hidden Page 's translation. Tartuffe was first performed in 1664 and is one of the most famous theatrical comedies, the characters of Tartuffe, Elmire, and Valere are among the greatest classical theatre roles. Following the first performance, it was censored by King Louis XIV, probably due to the influence of the archbishop of Paris, who was the King's confessor. Due to Moliere's play, contemporary French and English both use the word "tartuffe" to describe a hypocrite who superficially feigns virtue. The play is written entirely in 1,962 twelve-syllable lines (alexandrines) of rhyming couplets.
Seven plays by the genius of French theater. Including The Ridiculous Precieuses, The School for Husbands, The School for Wives, Don Juan, The Versailles Impromptu, and The Critique of the School for Wives, this collection showcases the talent of perhaps the greatest and best-loved French playwright. Translated and with an Introduction by Donald M. Frame With a Foreword by Virginia Scott And a New Afterword by Charles Newell
“I came to see that a line that simply says ‘I love you,’ at the right point in the show, is entirely adequate, that a great deal of verbal sophistication is not necessarily called for. . . . Speak-ability is so important. That’s something I slowly had to learn about poetry, and something I had to work on always with Molière.”—Richard Wilbur Lovers’ Quarrels is Molière’s second full-length verse play, animated with deception and tangles of love. Richard Wilbur is a two-time winner of the Pulitzer Prize and a former Poet Laureate of the United States. His verse translations of Molière’s plays have been performed for audiences throughout the world.
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