NATIONAL BESTSELLER The definitive full-scale portrait of J. Pierpont Morgan’s tumultuous life, both in and out of the public eye History has remembered him as a complex and contradictory figure, part robber baron and part patron saint. J. Pierpont Morgan earned his reputation as “the Napoleon of Wall Street” by reorganizing the nation’s railroads and creating industrial giants such as General Electric and U.S. Steel. At a time when the country had no Federal Reserve system, he appointed himself a one-man central bank. He had two wives, three yachts, four children, six houses, mistresses, and one of the finest art collections in America. In this extraordinary book, drawing extensively on new material, award-winning biographer Jean Strouse vividly portrays the financial colossus, the avid patron of the arts, and the entirely human character behind all the myths. Praise for Morgan “Magnificent . . . the fullest and most revealing look at this remarkable, complex man that we are likely to get.”—The Wall Street Journal “A masterpiece . . . No one else has told the tale of Pierpont Morgan in the detail, depth, and understanding of Jean Strouse.”—Robert Heilbroner, Los Angeles Times Book Review “It is hard to imagine a biographer coming any closer to perfection.”—St. Louis Post-Dispatch “Strouse is in full command of Pierpont Morgan’s personal life, his financial operations, his collecting, and his benefactions, and presents a rich, vivid picture of the background against which they took place. . . . A magnificent biography.”—The New York Review of Books “With uncommon intelligence, maturity, and psychological insight, Morgan: American Financier is that rare masterpiece biography that enables us to penetrate the soul of a complex human being.”—The Philadelphia Inquirer
The Jameses are perhaps the most extraordinary and distinguished family in American intellectual life. Henry’s novels, celebrated as among the finest in the language, and William’s groundbreaking philosophical and psychological works, have won these brothers a permanent place at the center of the nation’s cultural firmament. Less well known is their enigmatic younger sister, Alice. As Jean Stouse’s generous, probing, and deeply imaginative biography shows, however, Alice James was a fascinating and exceptional figure in her own right. Tortured throughout her short life by an array of nervous disorders, constrained by social convention from achieving the worldly success she so desired, Alice nevertheless emerges from this remarkable book as a personality every bit as peculiar and engaging as her two famous brothers. “The moral and philosophical questions that Henry wrote up as fiction and William as science,” writes Strouse, “Alice simply lived.” With a psychological penetration and high eloquence that are altogether Jamesian, Strouse traces the formation of a unique identity, from Alice’s unconventional peripatetic childhood in continental Europe through her years of spinsterhood in the United Sates and later England. It was there that she began to keep her celebrated diary, full of fitting social observation and unblinking self-analysis. “I consider myself one of the most potent creations of my time,” she wrote to William, with characteristic tartness, towards the end of her life, “and though I may not have a group of Harvard students sitting at my feet drinking in psychic truth, I shall not tremble, I assure you, at the last trump.”
“A dignified and impressive addition to your bookshelf that reveals James’s virtuoso performance in a genre he helped to define, refine and elevate.” — The Commercial Appeal This Library of America volume, the first of five of Henry James’s short fiction, brings together his first twenty-four published stories, thirteen never collected by James. Encompassing a wide range of subjects, settings, and formal techniques, they show the first explorations of some of James’s most significant themes: the force of social convention and the compromises it demands; the complex and often ambiguous encounter between Europe and America; the energies of passion measured against the rigors of artistic discipline. By his mid-twenties, James was a regular contributor to the most prestigious and popular magazines of his era. He is equally at ease writing historical tales, such as “Gabrielle de Bergerac,” a love story set in pre-Revolutionary France, as he is exploring contemporary events, as in the three stories that treat the effects of the American Civil War on civilians. James’s psychological acuity is already evident in “Master Eustace,” a study of the ruthlessness of a spoiled child, and in “Guest’s Confession,” where the comic portrayal of an arrogant businessman hints at his cruelty and self-absorption. In “The Romance of Certain Old Clothes,” and “The Last of the Valerii,” James begins to work with the supernatural and fantastic motifs that would continue to surface in his work. Early examples of James’s lifelong fascination with art and artists include “A Landscape Painter,” about a young painter’s attraction to a seemingly simple family living in a desolate coastal town, and “The Madonna of the Future,” where an aging artist avoids the unveiling of his masterpiece. Adumbrating later triumphs and compelling in their own right, these stories reveal and accomplished and cosmopolitan young talent mastering the art of the short story. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
From the landing of the Pilgrims on Plymouth Rock to the occupation of Alcatraz in San Francisco Bay by Indians in 1970, the relationships of white & Indian have been a continuing story of misunderstanding. The colonists, with their European concepts of private property, never comprehended the Indian outlook that the land belonged to all mankind. And although some settlers came to America to find religious freedom, they had no understanding of or tolerance for the Indians' philosophy of life. They consistently regarded the Indians as inferior people. Even today, men of good will differ widely on the methods of treating the "Indian problem" or, as the Indians with great merit describe it, the "white problem." Six Broadsheet Essays * King Philip's War * Tecumseh & Expansion Across the Allegheny * Manifest Destiny & its Opponents * Non-resistant Chiefs * American Expansion on the Plains * Modem Indian Policy & Indian Resistance Today Twelve Historical Documents * Pages from the first Bible printed in America, 1663. * Paul Revere's drawing of King Philip. * An engraving, "How They Catch Fish," from Thomas Hariot's "Briefe & True Report of the new Found Land of Virginia." * An engraving, "The Town of Secotan," an Indian village. * Pages from Thomas Jefferson's Notes on the State of Virginia (London, 1787) telling the tragedy of Logan, a Mingo chief. * Portraits of great Indian leaders: The Prophet (Tecumseh's brother), Osceola, Sequoya & Keokuk. * The frontispiece & title page of the autobiography of the great Sauk & Fox chieftain, Black Hawk. * Part of a letter written in the Nez Perce language by a chief. * An illustration of Chief Joseph & his followers being pursued by U.S. Troops in mountains of Idaho in 1877. * The last page of a Hopi petition in 1894 asking the government for a survey of promised grazing lands. * Remington's painting of the Ghost Dance of Oglala Sioux. * A map of the Indian tribes, drawn in 1865 by George Catlin,
NATIONAL BESTSELLER The definitive full-scale portrait of J. Pierpont Morgan’s tumultuous life, both in and out of the public eye History has remembered him as a complex and contradictory figure, part robber baron and part patron saint. J. Pierpont Morgan earned his reputation as “the Napoleon of Wall Street” by reorganizing the nation’s railroads and creating industrial giants such as General Electric and U.S. Steel. At a time when the country had no Federal Reserve system, he appointed himself a one-man central bank. He had two wives, three yachts, four children, six houses, mistresses, and one of the finest art collections in America. In this extraordinary book, drawing extensively on new material, award-winning biographer Jean Strouse vividly portrays the financial colossus, the avid patron of the arts, and the entirely human character behind all the myths. Praise for Morgan “Magnificent . . . the fullest and most revealing look at this remarkable, complex man that we are likely to get.”—The Wall Street Journal “A masterpiece . . . No one else has told the tale of Pierpont Morgan in the detail, depth, and understanding of Jean Strouse.”—Robert Heilbroner, Los Angeles Times Book Review “It is hard to imagine a biographer coming any closer to perfection.”—St. Louis Post-Dispatch “Strouse is in full command of Pierpont Morgan’s personal life, his financial operations, his collecting, and his benefactions, and presents a rich, vivid picture of the background against which they took place. . . . A magnificent biography.”—The New York Review of Books “With uncommon intelligence, maturity, and psychological insight, Morgan: American Financier is that rare masterpiece biography that enables us to penetrate the soul of a complex human being.”—The Philadelphia Inquirer
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