Many seeds travel inside fruits. The fruit is like a suitcase for the seeds. It protects them on their trip. Readers will learn how fruits are designed to protect a plant's seeds and also to help the plant spread its seeds to new places. With prose perfect for read-alouds and gorgeous watercolor illustrations, Fruit is a Suitcase for Seeds delves into the world of seeds, their purpose, and how they grow, perfect for young children. Includes questions and answers at the end to further learning and engagement.
A romance novel, "Happenings" is a love story about two families who eventually become one family. Through happenstance the main characters, Chris Parks and Robin Hendrix meet and then meet again and yet a third time before realizing that they are meant to be together. The setting for the story is the Los Angeles, California area in 1952. Chris Parks is an architect who is widowed and has a 14 year old son, Michael. Roibin Hendrix is a secretary, is divorced and has two daughters, 12 year old Julie and 8 year old Christy. The courtship and eventual romance between Chris and Robin takes some time and both are a bit leery about getting into a new relationship but both are in need of someone to fill the void they both feel. The children factor into this new romance to a degree, Michael having been an only child is a bit apprehensive as is Julie who does not want an intruder in hers or her mother's life. Chris or 'Cap' as he is known by all his friends is faced with a challenge in bringing about a harmonious feeling among the three children and then win their approval of this romance and eventual marriage between himself and Robin, with whom he has fallen helplessly in love.
In this study of Victorian jewels and their representation, Jean Arnold explores the role material objects play in the cultural cohesion of the West. Diamonds and other gems, Arnold argues, symbolized the most closely held beliefs of the Victorians and thus can be considered "prisms of culture." Mined in the far reaches of the empire, they traversed geographical space and cultural boundaries, representing monetary value and evoking empire, class lineage, class membership, gender relations, and aesthetics. Arnold analyzes the many roles material objects fill in Western culture and surveys the cross-cultural history of the Victorian diamond, uncovering how this object became both preeminent and representative of Victorian values. Her close readings of Wilkie Collins's The Moonstone, George Eliot's Middlemarch, William Makepeace Thackeray's The Great Hoggarty Diamond, and Anthony Trollope's The Eustace Diamonds show gendered, aesthetic, economic, fetishistic, colonial, legal, and culturally symbolic interpretations of jewelry as they are enacted through narrative. Taken together, these divergent interpretations offer a holistic view of a material culture's affective attachment to objects. As the assigned meanings of jewels turn them into symbols of power, personal relationships, and valued ideas, human interactions with gems elicit emotional responses that bind the materialist culture together.
Comprehensive visual history of the "World's Greatest Rock & Roll Band" as told through the recording of their monumental catalog, including 29 studio and 24 compilation albums, and more than a hundred singles. Since 1963, The Rolling Stones have been recording and touring, selling more than 200 million records worldwide. While much is known about this iconic group, few books provide a comprehensive history of their time in the studio. In The Rolling Stones All the Songs, authors Margotin and Guesdon describe the origin of their 340 released songs, details from the recording studio, what instruments were used, and behind-the-scenes stories of the great artists who contributed to their tracks. Organized chronologically by album, this massive, 704-page hardcover begins with their 1963 eponymous debut album recorded over five days at the Regent Studio in London; through their collaboration with legendary producer Jimmy Miller in the ground-breaking albums from 1968 to 1973; to their later work with Don Was, who has produced every album since Voodoo Lounge. Packed with more than 500 photos, All the Songs is also filled with stories fans treasure, such as how the mobile studio they pioneered was featured in Deep Purple's classic song "Smoke on the Water" or how Keith Richards used a cassette recording of an acoustic guitar to get the unique riff on "Street Fighting Man.
A biography of George W. Bush, showing how he ignored his advisors to make key decisions himself--most in invading Iraq--and how these decisions were often driven by the President's deep religious faith.
Comprehensive visual history of the "World's Greatest Rock & Roll Band" as told through the recording of their monumental catalog, including 29 studio and 24 compilation albums, and more than a hundred singles. Since 1963, The Rolling Stones have been recording and touring, selling more than 200 million records worldwide. While much is known about this iconic group, few books provide a comprehensive history of their time in the studio. In The Rolling Stones All the Songs, authors Margotin and Guesdon describe the origin of their 340 released songs, details from the recording studio, what instruments were used, and behind-the-scenes stories of the great artists who contributed to their tracks. Organized chronologically by album, this massive, 704-page hardcover begins with their 1963 eponymous debut album recorded over five days at the Regent Studio in London; through their collaboration with legendary producer Jimmy Miller in the ground-breaking albums from 1968 to 1973; to their later work with Don Was, who has produced every album since Voodoo Lounge. Packed with more than 500 photos, All the Songs is also filled with stories fans treasure, such as how the mobile studio they pioneered was featured in Deep Purple's classic song "Smoke on the Water" or how Keith Richards used a cassette recording of an acoustic guitar to get the unique riff on "Street Fighting Man.
Women have played active, prominent roles in Boston history since the days of Anne Hutchinson - the colonial freethinker who bravely challenged the authority of ruling Puritan ministers in 1638. Hutchinson's action is only one of more than 200 stories of Boston women told in the newly expanded guidebook from the Boston Women's Heritage Trail. Several maps indicate the sites where these historic women walked, worked, and lived, while photographs and other illustrations help bring these women to life once again. The updated guidebook will take you on seven walks through seven distinctly different Boston neighborhoods. Hutchinson's story is told by her statue on the grounds of the Massachusetts State House, while Rose Fitzgerald Kennedy's is found at the site of her birthplace in the North End. An underground railway stop on Beacon Hill reveals the dramatic escape of enslaved Ellen and William Craft to Boston. Other trails lead walkers to new statues of Underground Railroad conductor Harriet Tubman in the South End and of Abigail Adams, Lucy Stone and Phillis Wheatley - three women who used the pen for change - portrayed in bronze in the recently dedicated Boston Women's Memorial on Commonwealth Avenue. The Boston Women's Heritage Trail guidebook is a must for visitors, students, and residents of Boston alike. Its lively descriptions show the significant role Boston women played in shaping the history and the future of both Boston and the nation.
No other Western settlement story is more famous than the Donner Party’s ill-fated journey through the Sierra Nevada Mountains. But a few years later and several hundred miles south, another group faced a similar situation just as perilous. Scrupulously researched and documented, Grit and Gold tells the story of the Death Valley Jayhawkers of 1849 and the young men who traveled by wagon and foot from Iowa to the California gold rush. The Jayhawkers’ journey took them through the then uncharted and unnamed hottest, driest, lowest spot in the continent—now aptly known as Death Valley. After leaving Salt Lake City to break a road south to the Pacific Coast that would eliminate crossing the snowy Sierra Nevada, the party veered off the Old Spanish Trail in southern Utah to follow a mountaineer’s map portraying a bogus trail that claimed to cut months and hundreds of miles off their route to the gold country. With winter coming, however, they found themselves hopelessly lost in the mountains and dry valleys of southern Nevada and California. Abandoning everything but the shirts on their backs and the few oxen that became their pitiful meals, they turned their dreams of gold to hopes of survival. Utilizing William Lorton’s 1849 diary of the trek from Illinois to southern Utah, the reminiscences of the Jayhawkers themselves, the keen memory of famed pioneer William Lewis Manly, and the almost daily diary of Sheldon Young, Johnson paints a lively but accurate portrait of guts, grit, and determination.
This volume is based on the premise that artistic performance is epistemological, a way of knowing self, culture, and other. The nine essays in this book, based on a broad range of ethnic, racial, and gender groups, share a common interest in exploring how performance reveals, shapes, and sometimes transforms personal and cultural identity. Editors Fine and Speer begin by examining the interdisciplinary roots of performance studies and the role of performance studies in the field of communication. They also discuss the power of performance to shape personal and cultural identity. The first two chapters explore the ritual nature of performance in two different cultural contexts: an African-American church service and an Appalachian storytelling event of the legendary Ray Hicks. In both arenas, the performers act as shamans, transporting the audience from their everyday, secular lives to the higher ground of the mythic spheres of heroic and fantastic events. The next three chapters discuss the notion of place and performance in various landscapes--the English countryside, the Blue Ridge Mountains, and the farmland of the Midwest. Through analysis of the speech and songs of a modern Sussex yeoman, the ghost tales of Appalachian storytellers, and the narratives of Midwest farmers coping with hard times, the authors reveal a variety of ways in which narrative performances function to preserve people's relationship with the land. The last four chapters share a focus on women as storytellers. One chapter offers a feminist critique of personal narrative research and challenges normative assumptions about the storytelling behavior of women. Another chapter interprets a narration of a Galician woman's typical day to reveal how the performance expresses deeply held attitudes and beliefs of her cultural community. Words are not the only medium that women use to tell their stories. The next chapter examines the story cloths of Hmong women refugees from Laos as intercultural and dialogical performances. The last chapter explores self-discovery and identity in the storytelling of a woman in the last years of her life. This volume is particularly representative of the ways in which communication scholars approach performance studies, but will also interest researchers and students of folklore, anthropology, sociology, theatre, and related disciplines.
Heroin was only one drug among many that worried Progressive Era anti-vice reformers, but by the mid-twentieth century, heroin addiction came to symbolize irredeemable deviance. Creating the American Junkie examines how psychiatrists and psychologists produced a construction of opiate addicts as deviants with inherently flawed personalities caught in the grip of a dependency from which few would ever escape. Their portrayal of the tough urban addict helped bolster the federal government's policy of drug prohibition and created a social context that made the life of the American heroin addict, or junkie, more, not less, precarious in the wake of Progressive Era reforms. Weaving together the accounts of addicts and researchers, Acker examines how the construction of addiction in the early twentieth century was strongly influenced by the professional concerns of psychiatrists seeking to increase their medical authority; by the disciplinary ambitions of pharmacologists to build a drug development infrastructure; and by the American Medical Association's campaign to reduce prescriptions of opiates and to absolve physicians in private practice from the necessity of treating difficult addicts as patients. In contrast, early sociological studies of heroin addicts formed a basis for criticizing the criminalization of addiction. By 1940, Acker concludes, a particular configuration of ideas about opiate addiction was firmly in place and remained essentially stable until the enormous demographic changes in drug use of the 1960s and 1970s prompted changes in the understanding of addiction—and in public policy.
Bix Beiderbecke is a figure of legend: the white cornetist's short life (1903-1931) fit the myth of the tragic artist, surrounded by the nostalgia of an era (Prohibition), and rooted in the dark history of jazz. Considered a genius by his fans and fellow musicians, Bix was a master cornet player, pianist, and composer, and one of the most inspiring jazz musicians of his age." "French jazz scholar Jean Pierre Lion traveled the trajectory of Bix's life, from birth to death, to boarding school, on tour, and beyond, to uncover the truth behind the legend. He creates historical ambience with descriptions of 1920s Chicago - ruled by Al Capone and peopled with fast cars, flappers, and hot jazz musicians - and Bix's personality is revealed through excerpts from the few letters he wrote in his lifetime and the memories of friends and witnesses of the jazz age." "When he died, Bix left behind a tremendous list of recordings (included here in a definitive discography) and several original compositions. This biography culls the entirety of Bix scholarship into one volume, painting a complete picture of the man, his music, and his times."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Choose from more than 150 trips on over 500 miles of trails with this comprehensive guide to every park and preserve on the San Francisco Peninsula. From Fort Funston and San Bruno Mountain south to Saratoga Gap, and from the Bay west to the Pacific Ocean, the peninsula offers something for everyone. This edition includes 18 new trips covering newly acquired public lands. Also includes maps and a trips-by-theme appendix.
Style plays a major role in the translation of literary as well as non-literary texts, and Translation and Style offers an updated survey of this highly interdisciplinary area of translation studies. Jean Boase-Beier examines a variety of disciplines and theoretical approaches including stylistics, literary criticism, and narratology to investigate how we translate style. This revised and expanded edition of the 2006 book Stylistic Approaches to Translation offers new and accessible explanations on recent developments in the field, notably in the areas of Relevance Theory and cognitive stylistics. With many authentic examples to show how style affects translation, this book is an invaluable resource for both students and scholars working in translation studies and comparative literature.
Get Rich, Don’t Bitch “I don’t have time to deal with my money.” “Managing money and investing is too intimidating.” “I’m not a numbers person.” “My husband takes care of our finances.” “I’m just not good with money.” Jean Chatzky has heard all the excuses for why women don’t deal with their finances. She used to make them herself. For the first time, Jean tells you how she made every financial mistake in the book—not paying her bills, going into credit card debt, letting her 401(k) lapse—before finally making the decision to take control of her money and her future. Whether you’ve made these mistakes or you want to avoid them, if you’re ready to take charge of your financial life then this is the book for you. In it, Jean shares these valuables lessons: • Where to start • How to decode financial jargon (it’s easier than you think) • How to get over your “I’m not smart enough to deal with money” feelings • Why being a “good-enough investor” will make you more money in the long-term (while trying to be a “great investor” will drive you crazy) • Why you might think you are bad at math, and why that doesn’t have to be true • How (and where) to save your money • Why women make better investors—and higher returns—than men Jean is famous for her ability to explain money and investing. In a clear and accessible way, she breaks down all the scariest parts of dealing with money—from investing in stocks to saving for your retirement—to make them doable, easy, and yes, even enjoyable. She also includes throughout a “Map to a Million,” great tips on easy and quick financial changes you can make immediately . . . that really add up! Are You Ready to Be Rich? If you want to get rich, if you want to be wealthier than you are today, you really need to do only four things. That’s right, just four things. • You need to make a decent living • You need to spend less than you make • You need to invest the money you don’t spend so that it can work as hard for you as you’re working for yourself • And you need to protect yourself and this financial world you’ve built so that a disaster—big or small—doesn’t take it all away from you Everything else is just window-dressing. The fees—and how to avoid them. The advisors—and how to hire them. The deals. The scams. The ins. The outs. They are all interesting. Some of them are even quite important. But until you have conquered the heart of the matter, they are all minutia. The four cornerstones, by contrast, are the meat and potatoes of your financial life. If you do those things today, you’ll start getting rich tomorrow. And once you feel set financially, you’ll be able to start focusing on the truly important things in life. —from the Introduction
This classic work in Australian sociology examines the way in which Australian institutions have responded to the influx of migrants of non-Anglo-Saxon origin. Until the end of the sixties, the typical Australian reaction was that these migrants could be, and were being, assimilated into the mainstream of British-Australian society and culture. At the end of the sixties, both the assimilationist philosophy and the claim of successful and effortless absorption came into question, and migrants of non-English speaking background began to be defined as problems. Now, in a third phase, migrants themselves are rejecting the notion that they are, above all, problems or people with problems. Instead they are asserting their rights and dignity as legitimate minorities in an ethnically plural society. The author goes on to trace in detail the response of the institutions of education, health, and the trade unions to 'the migrant presence'. 'Well written, well presented, well documented and challenging.' - C. A. Price, The National Times 'Well written, sympathetic to the point of anger and should be included in any course on Australian society or public policy. an invaluable contribution.' - James Jupp, Politics
This book re-establishes the relevance of mainstream anthropological (and sociological) approaches to development processes and simultaneously recognizes that contemporary development ought to be anthropology‘s principal area of study. Professor de Sardan argues for a socio-anthropology of change and development that is a deeply empirical, multidimensional, diachronic study of social groups and their interactions. The Introduction provides a thought-provoking examination of the principal new approaches that have emerged in the discipline during the 1990s. Part I then makes clear the complexity of social change and development, and the ways in which socio-anthropology can measure up to the challenge of this complexity. Part II looks more closely at some of the leading variables involved in the development process, including relations of production; the logics of social action; the nature of knowledge; forms of mediation; and ‘political‘ strategies.
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