Sprat Morrison follows the wonderful adventures of a bubbly young boy in Papine, a suburb of Kingston. Through a series of delightful episodes, we learn with Sprat, laugh with him, share in his discoveries, feel his disappointments and purr in his excitement, all the while knowing that, like Junjo, we're so happy to call him our friend.
In Love and Narrative Form in Toni Morrison’s Later Novels, Jean Wyatt explores the interaction among ideas of love, narrative innovation, and reader response in Toni Morrison’s seven later novels. Love comes in a new and surprising shape in each of the later novels; for example, Love presents it as the deep friendship between little girls; in Home it acts as a disruptive force producing deep changes in subjectivity; and in Jazz it becomes something one innovates and recreates each moment—like jazz itself. Each novel’s unconventional idea of love requires a new experimental narrative form. Wyatt analyzes the stylistic and structural innovations of each novel, showing how disturbances in narrative chronology, surprise endings, and gaps mirror the dislocated temporality and distorted emotional responses of the novels’ troubled characters and demand that the reader situate the present-day problems of the characters in relation to a traumatic African American past. The narrative surprises and gaps require the reader to become an active participant in making meaning. And the texts’ complex narrative strategies draw out the reader’s convictions about love, about gender, about race—and then prompt the reader to reexamine them, so that reading becomes an active ethical dialogue between text and reader. Wyatt uses psychoanalytic concepts to analyze Morrison’s narrative structures and how they work on readers. Love and Narrative Form devotes a chapter to each of Morrison’s later novels: Beloved, Jazz, Paradise, Love, A Mercy, Home, and God Help the Child.
Jean Wyatt explores the interaction among ideas of love, narrative innovation, and reader response in Toni Morrison's seven later novels, revealing each novel's unconventional idea of love as expressed in a new and experimental narrative form.
Jean Morrison has written a fascinating and important book, full of drama and colourful historical figures. Rare paintings, drawings, maps and archival photographs complement her impeccable research and lively text. Superior Rendezvous-Place encompasses the French predecessors of Fort William, Native Peoples of the time and the evolution of the fur trade, with an emphasis on the North West Company era. This most important work concludes with details of the reconstruction of the fort and the development of Old Fort William, one of Ontario’s "must see" attractions. "Jean Morrison is a natural story teller, and hers is an essential historical document in the compelling history of Fort William, once the centre of the North American commercial universe." - Peter C. Newman, author of Caesars of the Wilderness "This book is wonderful reading. Jean Morrison’s prose is beautiful." - Carolyn Podruchny, fur trade historian, Newberry Library, Chicago
J'ai toujours été attiré par tout ce qui parlait de révolte contre l'autorité. Celui qui se réconcilie avec l'autorité se met à en faire partie." Chaman, poète maudit, sorcier des mots, James Douglas Morrison, dit Jim Morrison (1943-1971), chanteur des Doors, continue de fasciner des générations d'auditeurs et de lecteurs. Cette biographie très documentée retrace l'aventure fulgurante d'un artiste hors du commun qui réinventa le rock and roll. L'équipée sauvage de celui qu'on appelait le 'Roi lézard' fut aussi celle d'un groupe, les Doors, dont les mélodies et les textes font aujourd'hui parti de l'histoire de la musique : "Riders On The Storm", "Light My Fire", "You Make Me real"... Auteur de plusieurs livres sur Jim Morrison, Jean-Yves Reuzeau travailla une dizaine d'années pour le label Elektra, celui des Doors.
Evolution" is a documentary comic book about the theory of evolution. But it is also a sometimes zany work of fiction in which actors put on a play about Darwinian evolution and its political extensions. During the writing and rehearsing of the play, they will be confronted by an evangelical sect that wants to promote creationism and thus stop the play from being performed at all costs. They'll also cross paths with a rich transhumanist industrialist who wants to influence the text... After their previous collaboration on "Extinctions," Alexandre Franc and Jean-Baptiste de Panafieu enlighten and entertain once again!
Two journalists travel to an island in the Arctic Circle where scientists are searching for fossils of extinct animals. Like all journalists, they have a lot of questions: how is it possible for an entire species to completely disappear? Word has it that we're in the midst of a sixth mass extinction, but what exactly does that mean? How did the first five happen? What is the scientific definition of an extinction? Alexandre Franc adeptly illustrates the narrative by Jean-Baptiste de Panafieu, a specialist in natural sciences and doctor of biological oceanology. Panafieu, who has already authored a number of popular science books, gives a clear explanation of what mass extinctions are, cleverly comparing past extinctions with the one we are witnessing now. The two authors present us with a clear, intelligent, and lighthearted perspective on a fascinating phenomenon.
The book insists that love, self-becoming, and thinking cannot be separated, and, through a series of portraits and meditations, it shows how a largely forgotten corner of the world became a portal for these three to a world that could be known, inhabited, and acknowledged.
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