Dr. Jean Marmoreo writes from the trenches of mid-life, behind the closed doors of the examining room where women tell the real story. It's a place where penetrating observations are made and theories are tested against reality each and every day. In The New Middle Ages Dr. Marmoreo addresses women's mid-life concerns from a unique perspective--that of a physician who knows their histories, hears their stories, and understands their fears and dreams like no one else. The New Middle Ages is grounded in the stories of mid-life women, but filled with sound, practical medical advice from a good authority. A new middle-age woman is emerging. What's inside: Physiological issues brought on by menopause Recharging a mid-life woman's sexual drive What women want to know about taking care of their heart and bones Stress and coping as mid-life women fulfill many roles--from taking care of children to taking care of elderly parents, careers, second marriages, and more "The column [Middle Ages] is a huge success...can't imagine anyone else writing it!" --National Post
NATIONAL BESTSELLER *SHORTLISTED FOR THE 2022 WRITERS' TRUST BALSILLIE PRIZE FOR PUBLIC POLICY* An urgently important exploration of the human stories behind Canada's evolving acceptance of Medical Assistance in Dying (MAiD), from one of its first and most thoughtful practitioners. Dr. Jean Marmoreo spent her career keeping people alive. But when the Supreme Court of Canada gave the green light to Medical Assistance in Dying (MAiD) in 2016, she became one of a small group of doctors who chose to immediately train themselves in this new field. Over the course of a single year, Marmoreo learns about end-of-life practices in bustling Toronto hospitals, in hospices, and in the facilities of smaller communities. She found that the needed services were often minimal—or non-existent. The Last Doctor recounts Marmoreo's crash course in MAiD and introduces a range of very different and memorable patients, some aged, some suffering from degenerative conditions or with a terminal disease, some surrounded by supportive love, some quite alone, who ask her help to end their suffering with dignity and on their own terms. Dr. Marmoreo also shares her own emotional transformation as she climbs a steep learning curve and learns the intimate truths of the vast range of end-of-life situations. What she experiences with MAiD shakes her to her core, makes her think deeply about pain, loneliness, and joy, and brings her closer to life’s most profound questions. At a time when end-of-life care and its quality are more in the public eye than ever before, The Last Doctor provides an accessibly personal, deeply humane, and authoritative guide through this difficult subject.
Dr. Jean Marmoreo writes from the trenches of mid-life, behind the closed doors of the examining room where women tell the real story. It's a place where penetrating observations are made and theories are tested against reality each and every day. In The New Middle Ages Dr. Marmoreo addresses women's mid-life concerns from a unique perspective--that of a physician who knows their histories, hears their stories, and understands their fears and dreams like no one else. The New Middle Ages is grounded in the stories of mid-life women, but filled with sound, practical medical advice from a good authority. A new middle-age woman is emerging. What's inside: Physiological issues brought on by menopause Recharging a mid-life woman's sexual drive What women want to know about taking care of their heart and bones Stress and coping as mid-life women fulfill many roles--from taking care of children to taking care of elderly parents, careers, second marriages, and more "The column [Middle Ages] is a huge success...can't imagine anyone else writing it!" --National Post
Excerpts from the novels, plays, and poems of the French convict, prostitute, and literary artist join notes from his film, The Penal Colony, letters, essays, and a rare interview, all edited by a contemporary biographer.
Following the announcement of another Mona Lisa portrait by Leonardo da Vinci, held in a Swiss bank vault for over 40 years, this book is the first to analyze the meaning of this astonishing discovery, and how it radically changes our understanding of the Mona Lisa in the Louvre. By tracing Leonardo's movements in Florence on an almost day-to-day basis, Drs. Isbouts and Brown are able to reconstruct the fascinating chronology of the Mona Lisa portrait, and show how the subject ultimately became an obsession in the latter part of Leonardo's life. The authors posit that whereas the Swiss Mona Lisa is clearly a portrait drawn from life of a young Florentine woman, the Louvre Mona Lisa is the culmination of Leonardo's lifelong quest for the mystery of motherhood, as expressed in his more than ten paintings of the Madonna motif. Written as narrative history, yet grounded in modern scholarship, The Mona Lisa Myth not only shatters the portrait's mythology, but also offers a bold new interpretation of the world's most famous painting that will revolutionize our understanding of Leonardo life and work.
The Criminal Child offers the first English translation of a key early work by Jean Genet. In 1949, in the midst of a national debate about improving the French reform-school system, Radiodiffusion Française commissioned Genet to write about his experience as a juvenile delinquent. He sent back a piece that was a paean to prison instead of the expected horrifying exposé. Revisiting the cruel hazing rituals that had accompanied his incarceration, relishing the special argot spoken behind bars, Genet bitterly denounced any improvement in the condition of young prisoners as a threat to their criminal souls. The radio station chose not to broadcast Genet’s views. “The Criminal Child” appears here with a selection of Genet’s finest essays, including his celebrated piece on the art of Alberto Giacometti.
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