This step-by-step guide introduces the pain-conquering techniques that have a proven, unprecendented success rate of 70 to 80 percent over more conventional methods. Included in this book are techniques for managing lower-back pain, arthritis, headaches, TMJ, and other chronic conditions. Illustrations.
Radio Remote-Control and Telemetry and their Application to Missiles provide information pertinent to the developments in the design of remote-control and telemetry equipment. This book discusses the problems that occur in remote-control and telemetry, together with various methods that have been used to solve them, in the field of missiles. Organized into nine chapters, this book begins with an overview of the various types of modulation. This text then examines the nature of information and coding, which is intended as a means of gaining a logical grasp of the phenomena in general. Other chapters consider the problems of propagation and of aerials, which are important topics when the rocket is intended not only to reach great distances, but to follow different flight paths and altitudes. The final chapter deals with the devices for remote-control and telemetry. This book is a valuable resource for electronics and radio engineers as well as for technicians.
The Methuen Drama Book of New American Plays is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's Stunning, is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic The Road Weeps, The Well Runs Dry deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's Pullman, WA deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's Hurt Village uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's Dying City melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's The Big Meal, an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.
Post-black' refers to an emerging trend within black arts to find new and multiple expressions of blackness, unburdened by the social and cultural expectations of blackness of the past and moving beyond the conventional binary of black and white. Reflecting this multiplicity of perspectives, the plays in this collection explode the traditional ways of representing black families on the American stage, and create new means to consider the interplay of race, with questions of class, gender, and sexuality. They engage and critique current definitions of black and African-American identity, as well as previous limitations placed on what constitutes blackness and black theatre. Written by the emerging stars of American theatre such as Eisa Davis and Marcus Gardley, the plays explore themes as varied as family and individuality, alienation and gentrification, and reconciliation and belonging. They demonstrate a wide-range of formal and structural innovations for the American theatre, and reflect the important ways in which contemporary playwrights are expanding the American dramatic canon with new and diverse means of representation. Edited by two leading US scholars in black drama, Harry J. Elam Jr (Stanford) and Douglas A. Jones Jr (Princeton), this cutting edge anthology gathers together some of the most exciting new American plays, selected by a rigorous academic backbone and explored in depth by supporting critical material.
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Do you ever wish that you had the freedom to do what you wanted to do and be friends with whomever you choose? To dress however you wish and eat only the foods you like? Third century Carthage was a dangerous place for Christians, but Christianity is only one of the problems standing in the way of Marcus and Elissa’s friendship. Elissa, a Christian, is a slave and her owner is Marcus’ grandfather, Verbius. Their friendship is further complicated by their discovery that, when they were infants, their mothers, Perpetua and Felicitas, were best friends who were martyred because of their faith. Verbius’ hostility toward Christians has grown since then. If Marcus becomes a Christian, his grandmother, Elissa, and all their Christian friends will be at risk, and he will lose his inheritance. Elissa nudges Marcus closer to accepting faith, but his questions and concerns still have not been resolved. His journey remains difficult, until his grandmother is injured and near death.
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