You did not choose Me but I chose you..." John 15:16 The King of Kings has spoken. You were meant to be in the family of God and embrace his essence now and forever! Jean Lee has taken her place as a child of the King. She is an ordinary person who has been radically changed by the love of Jesus Christ. She has peeked behind the veil in her journey of faith and discovered God's ever abiding presence through her family's triumphs, struggles, pain, and joy. Living the Legacy recounts God inspired true short stories. Jean Lee's purpose is to present a unique style of the Gospel to world through Living the Legacy. What readers are saying about Living the Legacy... "Living the Legacy reassures us that God's mercy is new every morning. An encouraging message." T Sampson "A refreshing devotional. Jean's personal experiences become mini parables that magnify God's biblical truths. Very well written and heartwarming." D Denton "Well pleased. Appropriate for all ages. Would make a wonderful gift for any occasion!" B Benjamin God chose you for a time like this. He desires for you to experience His abundance by living His Legacy.
A life-affirming, humorous show of songs and monologues drawing on real-life experiences, about the one thing we all have in common: we're gonna die. You may be miserable, but you won't be alone. Witty, wise and honest, We're Gonna Die narrates Lee's experiences of loneliness and the comfort she found in simple and unexpected things following the death of her father. This book includes a CD of all six songs (performed by Young Jean Lee with her band Future Wife) and eight monologues (performed by Laurie Anderson, David Byrne, Kathleen Hanna, Adam Horovitz, Matmos's Drew Daniel, and Martin Schmidt, Sarah Neufeld, and Colin Stetson).
When Ed and his three adult sons come together to celebrate Christmas, they enjoy cheerful trash-talking, pranks, and takeout Chinese. Then they confront a problem that even being a happy family can’t solve: When identity matters, and privilege is problematic, what is the value of being a straight white man?
“A subversive, seriously funny new theater piece by the adventurous playwright Young Jean Lee. . . . Ms. Lee does not shy away from prodding the audience’s racial sensitivities—or insensitivities—in a style that is sometimes sly and subtle, sometimes as blunt as a poke in the eye.”—Charles Isherwood, The New York Times “Lee is a facetious provocateur; she does whatever she can to get under our skins—with laughs and with raw, brutal talk . . . [and with] so ingenious a twist, such a radical bit of theatrical smoke and mirrors, that we are forced to confront our own preconceived notions of race.”—Hilton Als, The New Yorker With The Shipment, her latest work taking on identity politics, Young Jean Lee “confirms herself as one of the best experimental playwrights in America” (Time Out New York). The Korean American theater artist has taken on cultural images of black America, in a play that begins with sketches of African American clichés—an angry, foul-mouthed comedian; an aspiring young rapper who ends up in prison—and ends with a seemingly naturalistic parlor comedy, which slyly reveals the larger game Lee is playing, leaving us to consider the many ways that we see the world through a racial lens. Young Jean Lee is a playwright, director, and artistic director of her own OBIE Award-winning theater company, which as been producing her plays since 2003. Her other works include Songs of Dragons Flying to Heaven, Church, The Appeal, and Pullman, WA, and they have been produced across the country and internationally.
With a bit of reluctance, Jeffrey listens to his little sister, Jasmine, trying predicament as she gives an account of what happened to her. Jasmine describes her heart rendering incident: losing her grandmother's pearl necklace which is her secret that she is hiding from her parents. Jeffrey identifies with the feeling of "messing up" gets caught up in his sister's anguish and despair. He blurts out "ouch" as an emotional release to his sister situation. At first the predicament seems as easy as 1-2-3. Jeffrey probes to find answers to resolve Jasmine's questions that could have been overlooked. Using deductive reasoning proves to be helpful, but it does not reveal enough clues for solving the problem. Can a cover up be an alternative to his sister's predicament? Who will take the blame if the cover up is exposed? Will Jeffrey take the blame for Jasmine? Based on his past history of squandering his allowance, can Jeffrey get his parent's approval of starting his own business? Will his business aid him in making enough profit to purchase his desired treasure: that special watch? Jeffrey and Jasmine have dilemmas. They form an alliance to solve their problems to avert getting into hot water with their parents. Discover how Jeffrey and Jasmine maneuver to handle the turning point that is unavoidable. Will the turning point lead to an unexpected surprise?
Acclaimed playwright and director Young Jean Lee transforms her life-long struggle with Christianity into an exuberant church service. Both celebratory and confrontational, CHURCH will test the expectations of religious and non-religious alike—looking deep into why we believe what we believe.
Bold, unguarded work . . . that resists pat definition. [Young Jean] Lee has penned profane lampoons of motivational bromides (Pullman, WA) and the Romantic poets (The Appeal). Now she piles her deconstructive scorn upon ethnic stereotypes in Song...
Honorable Mention Recipient for the Charles Hatfield Book Prize Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895–1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the “other half” laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor. Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity—how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole’s argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them—including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens—and traces the form’s emergence in the pages of Joseph Pulitzer’s New York World and William Randolph Hearst’s Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.
Pearl Harbor and the tentacles of Word War II turn San Francisco into a raucous, electrifying city. Twenty-year-old Carmel St. John moves into this maelstrom with dreams of winning the heart of Dr. Phillip Barron and becoming a big band singer. There, Carmel meets Caesar Almalto, a black-market kingpin, and Jerry Cassidy, a musician who helps her and hopes to win her love. Nightclub life, lust, and murder swirl around her, as does her tenuous relationship with Phillip, who leaves as a commissioned officer aboard the first hospital ship in the Pacific theater. A family crisis threatens to destroy Carmel's dreams when she is called home to San Jose to manage the family's 1,100-acre ranch during the war. The Stone Must Break tells the saga of two families, the St. Johns and the Barrons, as they grapple with tragedy, love, and responsibility in a world at war.
The Methuen Drama Book of New American Plays is an anthology of six outstanding plays from some of the most exciting playwrights currently receiving critical acclaim in the States. It showcases work produced at a number of the leading theatres during the last decade and charts something of the extraordinary range of current playwriting in America. It will be invaluable not only to readers and theatergoers in the U.S., but to those around the world seeking out new American plays and an insight into how U.S. playwrights are engaging with their current social and political environment. There is a rich collection of distinctive, diverse voices at work in the contemporary American theatre and this brings together six of the best, with work by David Adjmi, Marcus Gardley, Young Jean Lee, Katori Hall, Christopher Shinn and Dan LeFranc. The featured plays range from the intimate to the epic, the personal to the national and taken together explore a variety of cultural perspectives on life in America. The first play, David Adjmi's Stunning, is an excavation of ruptured identity set in modern day Midwood, Brooklyn, in the heart of the insular Syrian-Jewish community; Marcus Gardley's lyrical epic The Road Weeps, The Well Runs Dry deals with the migration of Black Seminoles, is set in mid-1800s Oklahoma and speaks directly to modern spirituality, relocation and cultural history; Young Jean Lee's Pullman, WA deals with self-hatred and the self-help culture in her formally inventive three-character play; Katori Hall's Hurt Village uses the real housing project of "Hurt Village" as a potent allegory for urban neglect set against the backdrop of the Iraq war; Christopher Shinn's Dying City melds the personal and political in a theatrical crucible that cracks open our response to 9/11 and Abu Graib, and finally Dan LeFranc's The Big Meal, an inter-generational play spanning eighty years, is set in the mid-west in a generic restaurant and considers family legacy and how some of the smallest events in life turn out to be the most significant.
Since the first three documented Chinese arrived in the U.S. in 1848, more than six million Asians have followed. Their stories provide a fascinating picture of diverse cultural attitudes against a common American backdrop.
Post-black' refers to an emerging trend within black arts to find new and multiple expressions of blackness, unburdened by the social and cultural expectations of blackness of the past and moving beyond the conventional binary of black and white. Reflecting this multiplicity of perspectives, the plays in this collection explode the traditional ways of representing black families on the American stage, and create new means to consider the interplay of race, with questions of class, gender, and sexuality. They engage and critique current definitions of black and African-American identity, as well as previous limitations placed on what constitutes blackness and black theatre. Written by the emerging stars of American theatre such as Eisa Davis and Marcus Gardley, the plays explore themes as varied as family and individuality, alienation and gentrification, and reconciliation and belonging. They demonstrate a wide-range of formal and structural innovations for the American theatre, and reflect the important ways in which contemporary playwrights are expanding the American dramatic canon with new and diverse means of representation. Edited by two leading US scholars in black drama, Harry J. Elam Jr (Stanford) and Douglas A. Jones Jr (Princeton), this cutting edge anthology gathers together some of the most exciting new American plays, selected by a rigorous academic backbone and explored in depth by supporting critical material.
Winnifred Eaton, better known under her Japanese pseudonym, Onoto Watanna, was of English and Chinese heritage, but born and raised in Canada. She published over a dozen novels and hundreds of short stories, magazine articles, and screenplays during the first half of the twentieth century. Her romances featuring Japanese and Eurasian heroines sold widely. However, by the time of her death in 1954, most of her books were out of print. Winnifred (unlike her sister, the better-known writer Edith Eaton) has been a troubling figure for Asian Americanists. She attempted to disguise her ethnic heritage, writing under a Japanese pen name, and in legal documents, she usually claimed a white racial identity. Scholars have noted her use of Orientalist stereotypes in her novels, and even though she depicted a broad range of non-Asian characters - such as Irish maids and cowboys - her pottrayals often relied on the accepted stereotypes of the day. Rather than dismiss her characterizations as evasions of the topics that readers today wish she had explored, Jean Lee Cole asks why Winnifred Eaton may have chosen the subjects she did. Cole shows that the many voices Eaton adopted reveal her deep
Can you name a few habitats that are being destroyed? How is mitigation being done there? What would you do? What is your individual carbon footprint? Reflections for the Twenty-First Century explores the present state of Earth and Homo sapiens, looking at past events and circumstances that have brought us to where we are today, where we are headed in the future, and how we can each play a role in a more sustainable existence. The first part of this collection of essays, articles, and poetry reflects on activist Jean Pi Lee’s experiences in ecology and the environment while the second section examines the species of Homo sapiens, its evolution, potential, communicative abilities, and more. With exercises to get you enthusiastic about saving the earth, as well as an abundance of additional reading resources to broaden your subject knowledge, Reflections for the Twenty-First Century is sure to embolden you to take action today!
A fictionalized biography of the mathematician and astronomer who realized his childhood desire to become a ship's captain and authored The American Practical Navigator.
The acting profession is increasingly drawing more and more actors of Asian descent. Yet, even with the success of television programs (Martial Law), films (Mulan), and even Broadway plays (Miss Saigon) that include Asian characters, there are still limited roles for these actors. In the past, Asian characters like Charlie Chan and Fu Manchu were played by non-Asian actors in makeup. Many of the roles available for Asians today tend to be stereotypical: kung-fu sidekicks, emasculated or gang-member males, sexually accessible females, comic characters with a poor command of English. Seldom are Asian actors cast in race-neutral roles. Despite these obstacles, many excellent Asian actors continue to seek their places on screen and stage. This analysis of Asian American opportunities and experiences in the acting profession features the narratives of both aspiring and established Asian-American actors, providing a detailed examination of the opportunities, prejudices, and fears they face and the goals they set for themselves. The book covers the insights of both New York and Hollywood based actors, both the well known and the up-and-coming, and includes photographs, bibliography and index.
Dana Allison Tessier is a thirty-something woman depressed over the loss of an opportunity to open an extension office for Walk the Life Headhunters Agency and the recent death of her Aunt Meg, her only living family. Her best friend, Amy Bickerton, reminds her of the promise to “let go and let God.” God calls her to quit her job, sell her home, and find where He’s leading her. Amy reminds her to keep her eyes and ears open to His calling. Dana is summoned for jury duty. The book opens at a truck stop, Bobbie-Jo’s Truck Stop. A waitress asks her to share her table because Dana has the only other place to sit. A tall, good-looking man, Jerrod, sits down. He makes small talk. She talks for a while before leaving. Dana travels through each village and town, looking for the place God is wanting her to be. She gets tired of not finding that special place. She settles down in a town, rents a room, finds a job in a card shop, and makes friends that stay in her life for the rest of her life. Certain events occur that she feels are from God telling her this isn’t where she belongs. She turns around and heads home. The adventure doesn’t end there. Read the rest of Dana’s story and find out how her life turns for the better.
Jean B. Lee's memoir, GOD HAS MY BACK is a potpourri of intriguing episodes affording glimpses into the author's romantic adventures, spiritual struggles, interpersonal conflicts and victories. It is an easy read. It's a witty, passionate testimonial of one who has been journeying with Christ from childhood to adulthood. The reader will experience a gamut of emotions-from hilarity to pathos---on this journey with the author. It appeals to a wide cross-section of age groups, and will even inspire some to start their own journals.
Rather than categorizing Romantic literature as resistant to, complicit with, or ambivalent about the workings of empire, Slavery and the Romantic Imagination views the creative process in light of the developing concept of empathy.
177 Lee/BETA'S YEAR OF FIRSTS Beta sits beside her mother after she has just died. Beta is thirteen. Her mother stares off into space as wondering what to say. She goes to live at a foster home. When her mother first dies, Beta hears words of wisdom from her mother. After all the firsts, Beta no longer hears words of wisdom from her mother. 111
The Land Speaks explores the intersections of two vibrant fields, oral history and environmental studies. The fourteen oral histories collected here range North America, examining wilderness and cities, farms and forests, rivers and arid lands. The contributors argue that oral history can capture communication from nature and provide tools for environmental problem solving.
With 175 family businesses on the Fortune 500 list, from DuPont and Motorola to IBM, there is no doubt that family-run enterprises play an important role in global economic development. Their role is no less significant in China where, in keeping with the country's rapid economic growth, family businesses are emerging in increasing numbers.Unique characteristics, such as succession, management, staffing, family affairs, strategy planning and governance structure, set family businesses apart from other business types. As a result, they face particular challenges in survival and sustainability.In this book, three modern Chinese family businesses, including food and beverage company Yeo Hiap Seng, are studied to analyze the problems that family enterprises face. Other case studies include long-standing family businesses in Europe, America and Asia, such as Ford, Kikkoman and Samsung. This book also discusses the changing characteristics of Chinese family businesses, the pitfalls that such enterprises are likely to face, and how they can overcome these pitfalls and achieve sustainable development.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.