This timely volume embraces and interprets the increasingly broad and deep canon of life narratives by African Americans. The contributors discover and recover neglected lives, texts, and genres, enlarge the wide range of critical methods used by scholars to study these works, and expand the understanding of autobiography to encompass photography, comics, blogs, and other modes of self-expression. This book also examines at length the proliferation of African American autobiography in the twenty-first century, noting the roles of digital genres, remediated lives, celebrity lives, self-help culture, non-Western religious traditions, and the politics of adoption. The life narratives studied range from an eighteenth-century criminal narrative, a 1918 autobiography, and the works of Richard Wright to new media, graphic novels, and a celebrity memoir from Pam Grier.
Evangeline Parish is located near the center of Louisiana, between the prairies and wetlands of the south and the hills and piney woods of the north. Culturally, too, it embraces both the French south and the English north. Evangeline is relatively young among the parishes of Louisiana, having been carved from the western portion of St. Landry in 1910. It is named for Evangeline, the heroine of Longfellows epic poem about the exile of the Acadians, many of whose descendants reside in Louisiana. Today, the people of Evangeline Parish remain close to the land, earning their livelihood from agriculture and forestry or small businesses. From outdoor recreation at Chicot State Park to the Courir de Mardi Gras in Mamou and Basile, and all the festivals in between, they know how to pass a good time.
Another real-life character tour de force from Teulé featuring Helene Jegado, a notorious serial killer from the 19th century. 'Hilariously funny' Words and Peace Little Hélène Jégado had always been different. Schooled in the ancient beliefs of the Breton people by her mother, the beautiful child grows up feeling detached from the nineteenth-century world around her and yet destined for a terrible vocation. Beginning with the demise of her mother . . .
Gothic architecture is the most visible and striking product of medieval European civilization. Jean Bony, whose reputation as a medievalist is worldwide, presents its development as an adventure of the imagination allied with radical technical advances—the result of a continuining quest for new ways of handling space and light as well as experimenting with the mechanics of stone construction. He shows how the new architecture came unexpectedly to be invented in the Paris region around 1140 and follows its history—in the great cathedrals of northern France and dozens of other key buildings—to the end of the thirteenth century, when profound changes occurred in the whole fabric of medieval civilization. Rich illustrations, including comprehensive maps, enhance the text and themselves constitute an exceptionally valuable documenation. Despite its evident scholarly intention, this book is not meant for specialists alone, but is conceived as a progressive infiltration into the complexities of history at work, revealing its unpredictable vitality to the uninitiated curious mind.
To read the book is to appreciate the highly contingent, provisional, oblique, open-ended way in which people try to make "sense" of another culture."—Resil B. Mojares, Philippine Graphic "This book is an interestingly complex ethnography that approaches the self-critical dialectical ethnography called for two decades ago....It is a welcome contribution to postmodernist theory and to the ethnography of the Visayas."—Ronald Provencher, Journal of Asian Studies
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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