The Stage and Social Struggle in Early Modern England is a ground-breaking study of a controversial period of English literary, cultural, and political history. In language that is both lucid and theoretically sophisticated, Jean Howard examines the social and cultural facets of early modern theatre. She looks at the ways in which some theatrical practices were deemed deceptive and unreliable, while others were lent legitimacy by the powerful. An exciting and challenging work by one of the leading writers in the field, The Stage and Social Conflict in Early Modern England is important reading for anyone interested in the period.
Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England. Plays featured include: * King John * Henry VI, Part I * Henry VI, Part II * Henry, Part III * Richard III * Richard II * Henry V. It will be a must for students and scholars interested in the cultural and social implications of Shakespeare today.
This volume looks at Marx and Freud, who, though not 'Shakespeareans' in the usual academic or theatrical sense, were both deeply informed by Shakespeare's writings, and have both had enormous influence on the understanding and reception of Shakespeare. The first section of this volume consists of a discussion of Marx's use of Shakespeare by Crystal Bartolovich followed by an essay on Shakespeareans' recent uses of Marx by Jean E. Howard. The volume's second half, written by David Hillman, juxtaposes a discussion of Freud's use of Shakespeare with a meditation on Shakespeare's 'use' of Freud. Each part can be read fruitfully independently of the others, but the sum is greater than the parts, offering an engagement with two of the most influential thinkers in Western modernity and their interchanges with, arguably, the most influential figure of early modernity: Shakespeare.
Arden Student Skills: Language and Writing volumes offer a new type of study aid that combines lively critical insight with practical guidance on the writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language and expanding your own critical vocabulary as you respond to his plays. Each guide in the series will empower you to read and write about Shakespeare with increased confidence and enthusiasm. King Lear: Language and Writing reveals how the play's elemental power springs from its language, which is at once simple, relentless and resonant, as well as from its full-blown double plot that multiplies unbearably both the follies and the pain of its protagonists. Chapters explore the play's status as a tragedy, its stagecraft, primary source material and both its textual and theatre history. The 'Writing Matters' section at the end of each chapter provides suggestions for activities that can further enhance your understanding of the play. This is an indispensable guide to Shakespeare's rich and complex dramatic language and will improve and develop your critical writing skills.
This popular and influential work, translated here into English for the first time, argues that modern urbanism has upset the morphology of cities, abolished their streets and isolated their buildings. In tracing the stages of this transformation, this book presents the view that the urban tissue, the intermediate scale between the architecture of buildings and the diagrammatic layouts of town planning, is the essential framework for everyday life. Only by investigating the urban tissue will it be possible to understand the complex relationships between plot and built form, between streets and buildings and between these forms and design practices. The chosen trail of the first French edition - Paris, London, Amsterdam, Frankfurt - is one of continuously evolving modernity. It outlines a history, which, in one century (1860-1960), completely changed the aspect of our towns and cities and transformed our way of life. The shock has been such that we are still looking for answers, still attempting to find urban forms that can accommodate present day ways of life and at the same time maintain the qualities of the traditional town. This English edition brings the story forward to the present day and considers the impact of the New Urbanism in the United States, which, over the last decade, has sought to re-establish former relationships within the urban tissue.
Arguing that the commercial stage depended on the unprecedented demographic growth and commercial vibrancy of London to fuel its own development, Jean E. Howard posits a particular synergy between the early modern stage and the city in which it flourished. In London comedy, place functions as the material arena in which social relations are regulated, urban problems negotiated, and city space rendered socially intelligible. Rather than simply describing London, the stage participated in interpreting it and giving it social meaning. Each chapter of this book focuses on a particular place within the city—the Royal Exchange, the Counters, London's whorehouses, and its academies of manners—and examines the theater's role in creating distinctive narratives about each. In these stories, specific locations are transformed into venues defined by particular kinds of interactions, whether between citizen and alien, debtor and creditor, prostitute and client, or dancing master and country gentleman. Collectively, they suggest how city space could be used and by whom, and they make place the arena for addressing pressing urban problems: demographic change and the influx of foreigners and strangers into the city; new ways of making money and losing it; changing gender roles within the metropolis; and the rise of a distinctive "town culture" in the West End. Drawing on a wide range of familiar and little-studied plays from four decades of a defining era of theater history, Theater of a City shows how the stage imaginatively shaped and responded to the changing face of early modern London.
Eudora Welty meets Sue Monk Kidd, and they lunch with Fannie Flagg" ~Just Janga reviews “Wholly original, funny and poignant” ~#1 New York Times bestselling author Susan Wiggs Every life has signposts. Every traveler has a history. Sometimes a detour is the only way home. Ex-cocktail waitress and “convenience store professional” Eudora “Pea” O’Brien is filled with grief and regret, low on cash and all alone. Headed down the hot, dusty back roads of Central Texas, Pea is convinced she’ll find a sign leading her to the reincarnated soul of the sister who raised her. A sign that she’s found her place in the world of the living again. At least that’s what the psychic promised. In an unforgettably funny and poignant journey, Pea collects an unlikely family of strays: a starving kitten, a pregnant teenager and a sexy con man trying to go straight. She meets fierce martial arts master Glory and grandmotherly cafe owner Lorena, two sisters who haven’t spoken to each other in years, though they live in the same tiny town. The two become Pea’s unlikely gurus as she struggles to learn swordplay and the art of perfect fried okra. She’ll have to master both if she’s going to find what matters most—her own lost soul. “Stunning, powerful and raw. Pea is on a journey to heal herself, and find herself—and you will want to go with her to find her dear, dead sister—I do.”~New York Times bestselling author Stella Cameron “A wonderfully engaging story of one woman’s search for self. Jean Brashear tugs on your heartstrings and won’t let go.”~New York Times bestselling author Julia London “A fabulous read. Riveting. Original. Those characters grabbed my imagination and didn’t let go.”~New York Times bestselling author Cathy Maxwell "Jean Brashear's distinctive storytelling voice instantly draws in the reader. She writes with warmth and emotional truth.” ~ #1 NY Times bestselling author Debbie Macomber
This text presents a cultural interpretation of the history of both traditional and nontraditional media, emphasizing that minority as well as mainstream media have impacted American history. Voices of a Nation sets media history in the context of overall historical events and themes and tries to understand the role of media in a democratic society at varied historical points. Organized chronologically, the text recognizes the significant "voices" of such non-traditional media as suffrage newspapers, ethnic newspapers, and cultural movement papers and magazines.
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