You just aren't feeling well...something is not quite right. You are more tired than usual.Occasionally, you feel twinges that are unfamiliar. A visit to the doctor is in order. After all, the doctor will have all the answers, and will be able to come up with the right diagnosis of your problem. If it is somethng serious, you trust that the doctor will arrange the right treatment. After all, he is the expert. Why question his educated opinions? You WILL question your dcotor, as you rightly should, after you read Jean Duffy's second book. PILOT Your Healhcare Journey: a good patient could be a dead patient. With Jean's assistance, this book can help you go from being a patient to being a PILOT. PILOTsare Persistent, Inquisitive, always Learning, Organized and Tenacious. PILOTs participate in decisions that can mean life or death. Jean's years as a nurse educator, a nurse lobbyist and her experience as a reformer in the California legislature, come to bear in this book that will convince you to stop being submissive in today's healthcare system, and start advocating for yourself. Don't be silent in your healthcare decision-making process.Don't miss this book....it coud help you to, literally, save your own life.
The inspirational story of an amazing group of soccer-playing South African grannies. In rural South Africa, beloved humanitarian “Mama Beka” defied social convention and started a soccer team for the women in her community. The Soccer Grannies, as they came to be known, won over their families and villages who at first rejected the idea of older women playing soccer, and that single team quickly grew into dozens. Soon, the strength, tenacity, and pure joy of the Soccer Grannies had captured the attention of the world. In Soccer Grannies: The South African Women Who Inspire the World, Jean Duffy, a soccer-playing mom herself, recounts how she and her team set to work to bring the Soccer Grannies to the U.S. after hearing their incredible story. Despite many obstacles that stand in their way, the Soccer Grannies finally arrive, and Jean describes the wonderful friendships and cultural exchanges that follow. But Soccer Grannies tells more than just the physical journey of the South African women; it also details the Grannies’ personal journeys, sharing poignant insights into the realities of women living in South Africa. Life beyond the pitch has not been easy for the Grannies. They have persevered through apartheid, rampant poverty and unemployment, the loss of children to AIDS, domestic abuse, and more. But with the friendship and support of their fellow Soccer Grannies, these women face life’s challenges with dignity, humor, and hope. Their stories show to the world the power of sport and its unique ability to bring people and cultures together.
Perceiving Dubuffet: Art, Embodiment, and the Viewer offers a comprehensive reconsideration of Jean Dubuffet's work which contextualizes it within contemporary developments in phenomenology and examines the central role played by questions relating to embodiment in the evolution of his aesthetic thinking and artistic practice. Conceived as an interdisciplinary project and combining phenomenological approaches with detailed visual and linguistic analysis, elucidation of interpictorial and intertextual reference, and extensive archival research, the study examines the development across Dubuffet's work of a core set of cognate themes and formal concerns, charts his many and various shifts in priority and direction, and identifies the constants that drive his tireless experimentation with materials, genre, dimensionality, viewer involvement, visual-verbal interplay, and metareference. Topics explored include: the affinities between Merleau-Ponty's account of the phenomenological reduction and Dubuffet's conception of the functioning of the artwork; Dubuffet's thematisation of the experience of embodiment; the foregrounding of temporality and the exploration of corporeal and associative memory; the testing and transgression of generic boundaries; the experimentation with unconventional materials and with dimensionality; the impact of Dubuffet's reading of scientific theory on his understanding of man's relationship with his environment; and the central role given to the viewer's physical interaction with the artwork. Perceiving Dubuffet: Art, Embodiment, and the Viewer covers Dubuffet's lengthy career and examines the full range of his pictorial and sculptural oeuvre and the large corpus of aesthetic writings produced between the 1940s and the 1980s.
In the course of a writing career spanning half a century, Michel Butor has produced a remarkable range and volume of publications, including fiction, travel works, poetry, critical essays and various types of mixed-genre works which resist ready categorization. Much of this very diverse oeuvre is marked by his life-long passion for the visual arts. This study is the first full-length analysis of the role played by the references to the visual, plastic and architectural arts in Butor’s work. It addresses a wide range of issues including the role of the artwork, building or monument as narrative generator; the reflexive functions of the visual and architectural references; the interaction between visual/architectural references and intertextual citation; the role of collaboration in Butor’s oeuvre; the relationship between cultural baggage and the workings of the unconscious; the tension between Butor’s fascination for non-European artistic traditions and his continuing dialogue with the Western tradition.
This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.
Providing a structured vocabulary for all levels of undergraduate French courses, this text offers coverage of concrete and abstract vocabulary relating to the physical, cultural, social, commercial and political environment, as well as exposure to commonly encountered technical terminology.
Two former close friends confront each other again after fourteen years, on opposite sides of a conflict, deep inside war-torn Angola. Both were U.S. immigrants. Both had wanted to be Roman Catholic priests. One had been in love with the other's sister. Dieter ("Deke") Koenig, a former Navy SEAL decorated for heroism in Vietnam, is a successful investment banker at a personal crossroads. Raúl Arrocha, a deeply bitter man, is a senior officer in the Cuban Revolutionary Armed Forces and recognized as a brilliant tactician. Their lives will explosively collide, preempted by the efforts of a Texas oilman and members of the South African Defense Force, each party wanting to insure a rebel victory in Angola, but for very different reasons. Koenig and a nucleus of former SEALs lead a team of elite, combat-tested South African paratroops in a daring mission deep behind enemy lines. Operasie Aambeeld (Operation Anvil) involves a swift tactical assault and a complex exfiltration. However, not everyone wants to see the team succeed, significantly raising the stakes for men that are trained to never quit. And through this ordeal, Deke realizes a great deal about himself, about his former classmate Raúl, and about what in life is truly important. His only chance to set everything right again is to survive . . .
Thresholds of Meaning examines contemporary French narrative and explores two related issues: the centrality within recent French fiction and autofiction of the themes of passage, ritual and liminality; and the thematic continuity which links this work with its literary ancestors of the 1960s and 1970s. Through the close analysis of novels and récits by Pierre Bergounioux, François Bon, Marie Darrieussecq, Hélène Lenoir, Laurent Mauvignier and Jean Rouaud, Duffy demonstrates the ways in which contemporary narrative, while capitalising on the formal lessons of the nouveau roman and drawing upon a shared repertoire of motifs and themes, engages with the complex processes by which meaning is produced in the referential world and, in particular, with the rituals and codes that social man brings into play in order to negotiate the various stages of the human life-cycle. By the application of concepts and models derived from ritual theory and from visual analysis, Thresholds of Meaning situates itself at the intersection of the developing field of literature and anthropology studies and research into word and image.
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Being picked on by younger boys because of his smallness is the last straw for Duffy Moon. He becomes a student of 'cosmic awareness' and develops the most unexpected talents and powers.
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