Offering a proactive plan for life transformation in 90 days, Francois addresses the stages of success, steps to achieve success, how minorities and women can find success, and the church's role in one's success and salvation. (Social Issues)
The book of Ruth represents a beautiful biblical epic which meets all the conditions of a twenty-first-century best-seller. Anyone who takes the time to read it will be charmed by its literary merit. It considers extraordinary themes of tragedy, love, patriotism, passion, emotions, and conflicts. From a biblical standpoint, this book presents an ideal canvas for believers of all ages. It allows them to remember that the Most High controls the destiny of all those who "take refuge under the wings of the God of Israel." Any reader of the Bible will also be pleasantly surprised to discover this little-known jewel. Its precious pearls are hidden only in four chapters. It is surprisingly rich in its literary and simplistic style, its rhythm and fluidity. It reflects a certain time, its people, their customs, and their values. This book, while short and sweet, is a loaded one catering to almost everyone. The reader is invited to slowly peruse these chapters and revel in all the peasant charm of the world of the Near East world of antiquity. In this version, the author has taken the liberty to fill in details of the picture in order to portray the tapestry of the story in full technicolor. It is a contemporary perspective of an old story. We hope you find this tale novel refreshing as retold in mostly dialogue but still in line with the biblical text. Enjoy it! Happy reading!
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especially the Ring of the Nibelung, which is shown to contain a metaphorical transposition of Wagner's conception of the history of music: Siegfried appears as the poet, Brunnhilde, as music, and their union is an androgynous one in which individual identity fades and the lovers revert to a preconflictual, presexual state. Nattiez traces the androgynous symbol in Wagner's theoretical writings throughout his career. Looking to explain how this idea, so closely bound up with sexuality, took root in Wagner's mind, the author considers the possibility of Freudian and Jungian interpretations. In particular he explores the composer's relationship with his mother, a distant woman who discouraged his interest in the theater, and his stepfather, a loving man whom Wagner suspected was not only his real father but also a Jew. Along with psychoanalysis, Nattiez critically applies various structuralist and feminist theories to Wagner's creative enterprise to demonstrate how the nature of twentieth-century hermeneutics is itself androgynous. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In October 1957, Jeremy left his island paradise to become a pilot in the Fleet Air Arm, leaving behind, Maureen, the young girl he intended to marry as soon as he had completed his training. Unbeknown to him, family quarrels instigated by his controlling mother caused a breakdown in communication as their letters went undelivered, leaving the young couple to think that the other had broken the vow. Finding herself pregnant, Maureen leaves the island to live with her married sister in South Africa so as not to bring shame to her family. The Cold War is in full swing and the “Wind of Change” about to sweep the continent, soon bringing with it some of the toughest battles since WW2, on the borders of the country. Maureen, married and now widowed, returns to her island with her married son and small family. What had become of him, she often wonders. Did he ever think about her and their child? Had time erased his love for her?
Le premier volume de la nouvelle édition de la correspondance de Calvin contient quatre-vingt-cinq lettres écrites par Calvin ou qui lui ont été adressées. Les notes abondantes et précises ont bénéficié de toute la recherche calvinienne du XXe siècle.
This is the first biography of Roland Barthes - one of the most important European intellectuals of the postwar years. In a lively and engaging account of Barthes's life and work, Calvet follows the brilliant semiotician from his provincial origins to his sudden death in 1980. He describes Barthes's move to Paris as a child, where he lived with his mother in modest surroundings and constant hardship. He argues that the experience of having his academic prospects ruined by his illness at an early age remained a thorn in Barthes's flesh: until the end of his life his relationship with the academic world was never free of bitterness, even resentment. Calvet retraces his years in Paris, Bucharest and Alexandria after the war. During this period Barthes gained access to intellectual circles and experienced his decisive encounter with modern linguistics, particularly with ""semiotics"", which he helped to establish as a discipline through his work on everyday myths, fashion, and literature. Calvet discusses the whole range of Barthes's work as a critic and literary theorist, and demonstrates his tremendous importance and influence in the second half of the twentieth century. Thoughtful and sensitive, this book provides a detailed portrait of Barthes's life, and a vivid reconstruction of the intellectual culture of postwar France. It will be welcomed by student sand researchers in literature, cultural studies, French Studies, and by anyone interested in the life and work of Roland Barthes.
Based on his doctrine of natural goodness, Rousseau intended the Confessions as a testing ground to explore his belief that, as Christopher Kelly writes, "people are to be measured by the depth and nature of their feelings." Re-created here in a meticulously documented new translation based on the definitive Pléiade edition, the work represents Rousseau's attempt to forge connections among his beliefs, his feelings, and his life. More than a "behind-the-scenes look at the private life of a public man," Kelly writes, "the Confessions is at the center of Rousseau's philosophical enterprise.
John Calvin made a significant contribution to the world of early modern printing. Jean-François Gilmont, one of the foremost experts in the field, has thoroughly researched and presented all aspects of John Calvin's interaction with books—from the authors he read, to the works he wrote, to his relationships with the printing and publishing world of the sixteenth century. Originally in French, Karin Maag makes Gilmont's research available in this English translation.
This book, addressed to both specialists and the opera-going public, brings together a team of acknowledged authorities from round the world to examine the performance history and reception of Wagner's works in Europe and America. A connected sequence of essays on conducting, singing, production and stage design explores the nature of Wagner's demands on his interpreters. The book raises questions about the realization of opera on the stage: about the authority of the composer vis-a-vis the director and the audience: about the sanctity of the text, score and stage directions; and about the role of art itself in society.
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