This book tells the autobiography of my father, his years in Haiti, and his transition as an immigrant in foreign lands. His personal account mirrors the daily struggles one may face under the Duvaliers' regimes in the sixties through the mid of eighties to cultural shock and identity in other countries. Growing up, he experiences a lot of different emotions regarding his father's absence from the home along with dealing with his sudden death that had such an impact on his life. He tells this story in a narrative to inform his deceased father about his life. In his prime years, his dad caresses the hem of his mother's skirt, expressing how close the pair were. Hence, his mother taught him domestic chores, which is culturally catered to women. Throughout his secondary years, he expresses the demise of his teacher purposely failing him to hinder him from moving forward in the next class as well as the financial difficulties he faced during his time at Diquini, a congressional school, in Port-au-Prince, Haiti. Luckily, his eldest brother, whom he mentions throughout his book, was a pivotal stepping stone in his success there, along with his transition in America. In hopes of creating a family with his first love from Haiti, Dadoutte, she swindles him in hopes that they'll be reunited one day. She's destined to marry another suitor. After denying himself from women for a long time, he decided to open his heart to a girl, Samartha Mentor, who's visiting his home church, Horeb, now his wife of thirty years. His goal in Canada was to achieve a scholarship to further his studies and dreams of becoming a physician. Being isolated from his family back in Haiti, his stay there with his cousin, Gabriel, was extremely short-lived. Throughout his demise, he sought aid again from his brother Maurice in bringing himself to the United States. There, he began doing many odd jobs working in factories creating furniture pieces and being a taxi driver before being driven into the education field by a friend, Dr. Emmanuel Celestin, who saw Jean-Claude wasting his life away as a taxi driver. Taking this new job, teaching Haitians and Hispanic immigrants English at Wingate High School, has allowed him to further his career as an educator, where he retired as a school counselor, twenty-eight years and an half later at the age of sixty-two. Enjoy your reading! Nhaomie-Claudia Blaise, Daughter
Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France’s leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg’s Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg’s plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe. This volume offers the first English translation of three of Grumberg’s prize-winning plays: The Workplace (L’Atelier, 1979), On the Way to the Promised Land (Vers toi Terre promise, 2006) and Mama’s Coming Back, Poor Orphan (Maman revient, pauvre orphelin, 1994). Presented in the order of the history they record and steeped in Grumberg’s personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays’ themes, structures, characters, and settings, along with an introduction that discusses Grumberg’s place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.
Jean Claude Guiet, born in France and raised in the US, attended Harvard aged 18 until, as a ‘naïve’ 19-year-old, he entered the US Army in 1943. As a native French speaker he was quickly assigned to SOE and the OSS (the precursor of the CIA) and parachuted into occupied France in the lead up to D-Day. After the liberation of Paris he was sent to Indochina to organise and train tribes in the jungles of the Far East to fight the Japanese. Subsequently he worked for the CIA in Washington.Told with characteristic understatement and charm, Jean Claude’s writing perfectly captures the variety of his own long and fascinating life. Much more than one man’s memoirs, Dead on Time is a tribute to a unique generation whose lives were regularly filled with both danger and laughter.
Jean-Claude Kella – aka « The devil » – was born in one of the poorest areas of Southern France, just a few months after the end of World War II. After dabbling in petty criminality for most of his teenage years, he became a millionaire thanks to the prominent part he came to play in the infamous French connection. But every rise has a downfall, and just a few years later he was arrested, tried and sent to the Atlanta State Penitentiary. His biography gives a fascinating account of the French underworld of the sixties with its traditions and codes of honour, and introduces all sorts of colourful characters – Italian prostitutes, Spanish thugs, ex-war criminals, Brooklyn mobsters, Hells Angels, Black Muslims and beautiful girls on both sides of the Atlantic Ocean ".
“Life is a marathon, not a sprint”. We all would have experienced life-changing events. It would be impossible to chart an entire life in a single memory book. This book features the artistic shades of budding writers. A diverse group of college students come together to share their understandings of life with the world through their short, personal narratives. These teens discuss a wide range of life experiences, writing from the classroom of their English professor, Prof. Dr. C. Jean Claude, these Pope John Paul II College of Education students truly represent their college through their sincere golden writing. This book will be an amazing experience to readers and it will surely be a treat to anthology lovers.
THE STORY: The Boston Herald Traveler comments: While most of the work is choreographed movement, pantomime, human sounds and music made by bells, horns, whistles, tambourines and other hand-held instruments, there is an accompanying text from the
Dans le cadre de la préparation d'un livre sur les grands standards musicaux du XXe siècle, un journaliste rend visite à M. Slatters, auteur de "Happy Living", succès mondial des années cinquante. Ce dernier lui avoue qu'il n'est pas l'auteur de la chanson qui l'a rendu si célèbre. Il charge le journaliste de retrouver le véritable compositeur en échange de l'exclusivité de cette histoire...
THE KONPA ENCYCLOPEDIA IS A REFERENCE BOOK ABOUT HAITI MOST POPULAR FORM OF MUSIC AND THE ARTISTS THAT HAVE CONTRIBUTED TO THE SUCCESS OF KONPA MUSIC SINCE 1955 TO DATE.
Your Promises Stand Forever" is Jean Claude Musore's story of God's promise of love and hope to him and his family. The author stresses the importance of recognizing God's plan for each of us and trusting in His wisdom, the need to give thanks to God, and the power of prayer. Through these tenets, we may understand God's eternal promise to each of us, despite the trials and tribulations of life as we know it.
Hell in Paradise is an honest, beautifully written and perceptive memoir of life during Lebanese Civil War as seen through the eyes of a young boy. At the age of ten, Jean Claude's life is turned upside down when his father decides to move the family from Colombia to Lebanon in the early 1980's, imagining transporting them back to the paradise he lived in during his own childhood. Upon arrival, Jean Claude quickly realizes that the paradise that his father described is no longer; it is now submerged amongst rubble and ruins. In spite of witnessing and living through the horrors of the war, Jean Claude learns he can still form close bonds with his new extended family and friends, and still experience the usual joys and tribulations of early adolescence. Events throughout the memoir are expressed true to how a child and young teenager would understand and prioritize them, without downplaying their importance or artificially injecting drama into what obviously was a traumatic experience. The author also provides some interpretation and political-historical context reflecting on his childhood events as an adult, and shares his point of view on the complex and complicated conflicts in and around Lebanon over the years.Hell in Paradise is ultimately a story about discovering that in times of war, hope and resilience are as much a part of life as death and destruction.
THE STORY: The play takes place on the streets of New York, where this bag lady calls home. On this day, she goes about her business, stuffing her shopping bags with assorted oddments. Suddenly assailed by voices of passersby, she responds to them both humorously and belligerently. She ruminates on the past and present, proclaiming her sovereignty as the quintessential urbanite. She is the city, with all its terrors, loneliness, filth and, in the final essence, its special majesty and unquenchable individuality.
America hurrah. Drama about "a world of fragmented experience so speeded up past human endurance that a man must either die laughing or go mad".--back cover.
A Junior Library Guild Selection ★ "Action-packed. Rich with detail. Rowdy and contemplative in turn, this celebration of historical gender nonconformity is as compelling as it is fun."—Publishers Weekly (starred) ★ "Stance is a delightfully chaotic protagonist, who is (scandalously) free with her affection and kisses and whose easy charm gets her out of more than little trouble. Thrilling, often hilarious, and sometimes tear-jerking, this romp of a story is reminiscent of classic adventure tales."—BCCB (starred) "A perfect choice for fans of adventure tales with a prominent feminist streak."—Booklist Eighteen-year-old Constance is not interested in marriage or in being a "young lady." But for a young woman coming of age in the early 1800s, that's just about all that's available to her. When her parents arrange her a marriage with a man more than twice her age, she's powerless to resist. Stance couldn't possibly find her newfound husband less appealing, but what can she do? Here's what: Four months into the marriage, she can slip out of their bed in the middle of the night, and she can put on his clothes. She can look in the mirror and like what she sees. She can sneak out of the house before dawn and visit the baker's scrawny son, who has just been drafted into the army, and offer to take his place. Vive l'Empereur! Hot on Stance's tail all the while is her younger brother Pieter, determined to bring Stance back home to Ghent where she belongs. (The battlefield is no place for a young lady, after all.) Ironhead, or, Once A Young Lady is the riotous and powerful story of a fierce renegade, and the silly men who try to bring her down.
Sixty years after the death of Albert Einstein, a physics student interested in his theories about the nonexistence of time finds the eminent scientist in a central European office building and together they discuss such topics as light, relativity, and world peace.
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