El Pueblo vividly recounts the story of the birthplace of Los Angeles. An engaging historical narrative is complemented by abundant illustrations and a tour of the pueblo's historic buildings. The book also describes initiatives to preserve the pueblo's rich heritage and considers the significance of its multicultural legacy for Los Angeles today."--
Founded in 1781 by pioneers from what is today northern Mexico, El Pueblo de Los Angeles mirrors the history and heritage of the city to which it gave birth. When the pueblo was the capital of Mexico’s Alta California, the region’s rancheros came here to celebrate mass or to attend fiestas in the historic Plaza. Following California’s statehood in 1850, the pueblo for a time ranked among the most lawless towns of the American West. American speculators, wealthy rancheros, and Italian wine merchants crowded its dusty streets. The town’s first barrio and the vibrant precincts of Old Chinatown soon grew up nearby. As Los Angeles burgeoned into a modern metropolis, its historic heart fell into ruin, to be revitalized by the creation in 1930 of the romantic Mexican marketplace at Olvera Street. Here, two years later, David Alfaro Siqueiros painted the landmark mural América Tropical, whose story is a fascinating tale of art, politics, and censorship. In the decades since, the pueblo has remained one of Southern California’s most enduring and most complex cultural symbols. El Pueblo vividly recounts the story of the birthplace of Los Angeles. An engaging historical narrative is complemented by abundant illustrations and a tour of the pueblo’s historic buildings. The book also describes initiatives to preserve the pueblo’s rich heritage and considers the significance of its multicultural legacy for Los Angeles today
Please note: this edition is text only and does not contain images. The most in-depth exploration of Springsteen's songs ever written. Spanning nearly 50 years of albums, EPs, B-sides, and more, this is the full story behind every single song that The Boss has ever released. Moving chronologically through Springsteen's long career, expert authors Margotin and Guesdon explore everything there is to know about every single song. No stone is left unturned across 670 pages, from the inspiration behind the lyrics and melody to the recording process and even the musicians and producers who worked on each track. Uncover the stories behind the music in this truly definitive book - a must-have for every Springsteen fan.
In Writing and Doing Action Research, Jean McNiff provides a comprehensive and user-friendly guide to the practical aspects of writing and doing action research. Written for practitioners involved in higher degree courses and professional development programmes, and students undertaking methods courses, this book includes guidance on how to: Carry out an action research project in your setting Present your findings in a dissertation, report or thesis Write up your research with an eye to informing policy Demonstrate the quality of your research and writing Be critical and write theoretically Write for journals and prepare thesis and book proposals The book contains excerpts taken from action research projects in a range of settings and presents exercises to help you develop successful written accounts of your research. Writing and Doing Action Research is an essential text for anyone working with action research, providing vital guidance on the preparation and production of texts, how this type of work is assessed and enabling you to get the best results from your research.
This book provides a description of Yintyingka, a Pama-Nyungan language of Cape York Peninsula in Australia. The language is no longer spoken, but the analysis is based on a range of archival materials from the 1920s to the 1990s, as well as the authors' fieldwork experience with neighbouring languages. This book pays special attention to the language in its social context, historical-comparative analysis, and the methods used to analyse the archival material.
In this comprehensive study, Jean-Paul Brodeur examines the diversity of the policing web. Policing agencies such as criminal investigation units, intelligence services, private security companies, and military policing organizations, are examined in addition to public uniformed police, to show the extent to which policing extends far beyond the confines of public police working in uniform and visible to all. The study also includes a consideration of military policing both when compatible with the values of democracy and when in opposition. It also examines criminal organizations enforcing their own rules in urban zones deserted by the police and criminal individuals acting as police informants since they too are part of the policing web, even though they do not qualify as legitimate policing agents or agencies. The underlying argument of The Policing Web is that the diverse strands of the policing web are united by a common definition that emphasizes the licence granted to policing agencies to use, either legally or with complete impunity, means that are otherwise prohibited as crimes to the rest of the population. This claim is argued for throughout the book and its paradoxical consequences investigated. Although much effort is devoted to presenting a comprehensive model linking all the components of policing, it is acknowledged that the 'policing web' is by no means a neat and well-integrated structure. Even the belief that it will develop into a tightly coordinated system is in itself questionable. Indeed, the study shows that there is not just one policing web, but several, depending on the country, police history and culture, and the images of policing which shape the mind of the community. These often overlooked factors are nonetheless essential components of the context of policing and are discussed within an international framework.
This official account of the crisis in the Persian Gulf traces the Canadian Forces commitment to the Gulf region in response to Iraqi aggression in 1990-1991. Written by two officers who served in the Persian Gulf during the period of hostilities in 1991, this official account is the fruit of four years of detailed research. Based upon their personal experiences, numerous interviews, and unrestricted access to official papers, they have produced a candid account of value for both the military professional and the interested civilian. In January 1991, the Chief of Defence Staff authorized the Director of History to post Major Jean Morin as field historian to the staff of the Commander, Canadian Forces Middle East (Commodore Ken Summers). It was the first time since the Korean War that a historical officer had been posted to the staff of a Canadian commander overseas.
When soldiers at Fort Carson were charged with a series of 14 murders, PTSD and other "invisible wounds of war" were thrown into the national spotlight. With these events as their starting point, Jean Scandlyn and Sarah Hautzinger argue for a new approach to combat stress and trauma, seeing them not just as individual medical pathologies but as fundamentally collective cultural phenomena. Their deep ethnographic research, including unusual access to affected soldiers at Fort Carson, also engaged an extended labyrinth of friends, family, communities, military culture, social services, bureaucracies, the media, and many other layers of society. Through this profound and moving book, they insist that invisible combat injuries are a social challenge demanding collective reconciliation with the post-9/11 wars.
Public innovation is distinctive from private sector innovation by being set in a political system rather than a market. The roles of citizens and elected politicians as well as public servants and other stakeholders are frequently relevant. Public organizations can be creators, funders, orchestrators or sense-makers of innovations, which are carried out with the aim of benefitting society. This book provides a comprehensive insight into the theory and practice of public innovation using a wide range of research evidence about the processes, drivers and barriers, stakeholders and outcomes of innovation. Using the lens of public value, the book offers a stimulating discussion of how public innovation is valued and contested in current societies. Valuing Public Innovation aims to help develop a deeper understanding of innovation and how to use that knowledge in practical ways. This is essential reading for academics and students in the fields of innovation, organisation studies, public administration and public policy, as well as for policymakers and practitioners.
Sinceits founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
“The ways in which we can redress the past are many and varied,” writes Jean Barman, “and it is up to each of us to act as best we can.” The seventeen essays collected here, originally published between 1996 and 2013, make a valuable contribution toward this laudable goal. With a wide range of source material, from archival and documentary sources to oral histories, Barman pieces together stories of individuals and groups disadvantaged in white settler society because of their gender, race and/or social class. Working to recognize past actors that have been underrepresented in mainstream histories, Barman’s focus is BC on “the cusp of contact.” The essays in this collection include fascinating, though largely forgotten, life stories of the frontier—that space between contact and settlement, where, for a brief moment, anything seemed possible. This volume, featuring over thirty archival photographs and illustrations, makes these important and very readable essays accessible to a broader audience for the first time.
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