Jason Jarrard Stowe, a thirty-year-old Type-A personality, was happy with his life. He had a great relationship with his family, was successfully climbing the corporate ladder of an international company, worked with his best friend Charley, was engaged to a beautiful lady, and anticipated a fantastic future. That is, until at work one day, Charley brought to his attention a website that would shake his secure world. To convince Charley to stay off the Internet and protect his job, Jason made decisions that would affect their friendship, his family, a challenging career, future marriage and his sanity. When Yardley Esther White, a dedicated lawyer, uses all her capabilities to fulfill a commitment that involved Jason, his integrity, good manners, and emotions are tested. His reactions are totally out of character. Jasons determination to find answers to two strange questions leads him on an intense journey that threatens his ability to trust anyone nowor ever. During his most intense moments, he is shown unconditional love and amazing patience. He also learns about faith that even death cannot defy, and experiences forgiveness. But can he forgive? Is it possible to undo all the hurt and hate caused by someone he loves?
This book offers a radical reappraisal of the reputation of Plato in England between 1423 and 1603. Using many materials not hitherto available, including evidence of book publishing and book ownership, together with a comprehensive survey of allusions to Plato, the author shows that the English were far less interested in Plato than most historians have thought. Although the English, like the French, knew the `court' Plato as well as the `school' Plato, the English published only two works by Plato during this period, while the French published well over 100 editions, including several of the complete Works. In England allusions to Plato occur more often in prose writers such as Whetstone, Green, and Lodge, than in poets like Spenser and Chapman. Sidney did take his `Stella' from Plato, but most English allusions to Plato were taken not directly from Plato or from Ficino, but from other authors, especially Mornay, Nani-Mirabelli, Ricchieri, Steuco, and Tixier.
In the most controversial challenge ever, each Obligate will spend a night with Lord Toric. Maya must find a way to prevail in spite of her inexperience and without compromising her innocence. Meanwhile, Akantha is spreading rumors that are stirring up religious fury throughout Calisto. Someone will have to pay with blood, and it will take a miracle for Maya to survive. Does she have enough allies on Calisto, or will Akantha finally win? Sapient Salvation Series -- Complete Series Now Available! Book 1: The Selection Book 2: The Awakening Book 3: The Divining Book 4: The Claiming
A topical subject offering interesting parallels between the news revolution in the age of James I and Charles I and our internet age. An important contribution to the history of print and books. London's News Press shows that seventeenth-century England was very much part of a European-wide news community. The book presents a new print history that looks across Europe and the interconnecting political and religiousgroups with international networks. It tells the story of the printers and publishers engaged in the earliest, illicit publications, their sources and connections in Germany as well as the Netherlands, and traces the way legitimacy was achieved. These were the earliest printed periodical news publications. Periodicity and its implications for trade and customers is explored as well as the roles of publishers and editors. The period saw a much biggercirculation of news than had ever been experienced before. The book also describes the lively nature of relationships that ensued between news networkers (editors, writers and readers along their interconnecting chains). Thesubject is topical. Our understanding of reading and communications is undergoing major changes with the rise and proliferation of social media. James I and Charles I faced new media and an unprecedented growth in informed publicopinion fuelled by a flow of information that was essentially beyond the reach of government control. So there are parallels with the contemporary struggle to adapt, and there is a corresponding growth in the publication of history books reflecting upon the origins of the public sphere and the development of public opinion. JAYNE E. E. BOYS is an independent scholar who lives in Suffolk and British Columbia.
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.
Marietta native Miranda Evans has yet to find her niche...until a small legacy allows her to open a gift boutique featuring local artists in the historic Graff hotel. As Valentine’s approaches, Miranda, who’s always left romance to the pages of a book, reaches out to involve the community in random acts of kindness to celebrate the month of love. Miranda has no need for hearts and flowers until the boy next door she dreamed about in high school arrives back in town more handsome, brooding, and out of reach than ever. Orthopedic surgeon Whitman Telford blew out of his small, Montana hometown at eighteen without looking back. When he's told to fill in for a month at Marietta’s hospital before obtaining his dream job in LA, no is not an option. After getting sucked into the Valentine project along with half the town, Witt starts to wonder if he'll still be eager to see Marietta in his rearview mirror. Opposites attract or so Miranda’s heard, but will she have the courage to test this theory and take a chance on romance when so much more than her heart is at stake? Previously titled Valentine's at the Graff
PULITZER PRIZE WINNER • LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION • A NEW YORKER BEST BOOK OF THE YEAR • From one of our most accomplished novelists, a mesmerizing story about a mother and daughter seeking refuge in the chaotic aftermath of the Civil War—and a brilliant portrait of family endurance against all odds "A tour de force." —Tayari Jones, author of An American Marriage In 1874, in the wake of the War, erasure, trauma, and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has forced himself into their world. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives. The omnipresent vagaries of war and race rise to the surface as we learn their story: their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee’s father, who left for the War and never returned. Meanwhile, in the asylum, they begin to find a new path. ConaLee pretends to be her mother’s maid; Eliza responds slowly to treatment. They get swept up in the life of the facility—the mysterious man they call the Night Watch; the orphan child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution. Epic, enthralling, and meticulously crafted, Night Watch is a stunning chronicle of surviving war and its aftermath.
The Intimate Memoir of Margaret Bryan (1757–1836) Even the most privileged woman’s glass ceiling in Georgian England was limited to a wealthy, titled husband and, if all things went well, perpetual pregnancy—boys first, please. But despite the pressures on her to marry, headstrong Margaret Bryan, always more drawn to numbers and stars than needles and threads, determines early in her life to courageously chart her own path to a world-class scientific education and an occupation of her own choosing. When Margaret comes into an inheritance, she decides to make use of her hard-won scholarship and open her own school to teach girls math and science. There, she gains a newfound independence and the friendship of two of England’s most influential noblewomen, who teach her how to leverage her image to advance her publishing agenda. Ushered into the London Ton and the Royal Society, unwelcoming of educated and intelligent spinsters like her, Margaret uncompromisingly embarks on a journey to pursue her career and find personal happiness with the support of her unconventional family and the attentions of a progressive royal prince. Drawing from her years of research on this extraordinary historical figure, Jayne Catherine Conway tells the forgotten story of her distant relative: a respected mathematician, astronomer, educator, and author who overcame tremendous societal oppression to redefine the limitations of her destined life.
After the death of her parents and grandfather, nine-year-old Rose Jones builds an impenetrable fortress around her wounded heart. Convinced she can protect herself from further heartache, she refuses to love or be loved. She will go through life alone. She will heed her mother's dying words...be strong. But Rose begins to question the true meaning of her mother's message when the kindness of strangers, a foundling's need for emotional attachment and a man's tender love cause the fortress to crumble.
This text investigates the mutual and dynamic relationship between urban development and consumption. It uses case studies and illustrations from North America, Europe and Asia.
Praise for The Wicked Wedding of Miss Ellie Vyne: "[The characters] banter and quibble with comic perfection."—Publishers Weekly "Wickedly funny, fast and sassy romance."—RT Book Reviews She Designs Dresses for London's Leading Ladies Molly Robbins is finally stepping into the spotlight. Her unique dress designs have caught the eye of London's elite. And if it means her own dress shop, proper Molly will make a deal with the devil himself—the notoriously naughty Earl of Everscham. But becoming his mistress is not a part of their arrangement. It's right there in the contract's fine print: No Tomfoolery. He's an Expert at Taking Them Off Carver Danforthe has a reputation for beautiful mistresses, cutting remarks, and shirking his responsibilities—not for indulging the ambitions of his sister's maid. He must have been drunk when he signed that blasted contract. The stubborn female may thing she's gotten the best of him, but what this situation calls for is a little hands-on negotiating... All's Fair in Love and Fashion
Jayne Shrimpton's complete guide to dating, analysing and understanding family photographs is essential reading and reference for anyone undertaking genealogical and local history research. Using over 150 old photographs as examples, she shows how such images can give a direct insight into the past and into the lives of the individuals who are portrayed in them. Almost every family and local historian works with photographs, but often the fascinating historical and personal information that can be gained from them is not fully understood. They are one of the most vivid and memorable ways into the past.This concise but comprehensive guide describes the various types of photograph and explains how they can be dated. It analyses what the clothes and style of dress can tell us about the people in the photographs, their circumstances and background.Sections look at photographs of special occasions baptisms, weddings, funerals - and at photographs taken in wartime, on holiday and at work. There is advice on how to identify the individuals shown and how to find more family photographs through personal connections, archives and the internet - and how to preserve them for future generations.Jayne Shrimpton's handbook is an authoritative, accessible guide to old photographs that no family or local historian can be without.As featured in The Argus.
Birds have always been a popular and accessible subject, but most books about medieval birds are an overview of their symbolism generally: owl for ill-omen, the pelican as a Eucharistic image and the like. The unique selling point of this book is to focus on one bird and explore it in detail from medieval reality to artistic concept. This book also traces how and why the medieval perception of the swan shifted from hypocritical to courtly within the medieval period. With special attention to ‘The Knight of the Swan’, the book traces the rise and popularity of the medieval swan through literature, history, courtly practices, and art. The book uses thoroughly readable language to appeal to a wide audience and explains some of the reasons why the swan holds such resonance today by covering views of the swan from classic to early modern times.
A large step-family decide that the children would benefit from a life in the countryside with free-range chickens and organic vegetables. The town house that they live in is put up for sale and a wonderful little cottage in the country with leaded light windows and wobbly chimney pots is found. This is the hilarious account of how a rural dream almost turned into a financial nightmare.
Scotland is at the heart of modern sustainable upland management. This collection of cutting edge studies is a first-to-press synthesis of studies carried out by the Centre for Mountain Studies at Perth College, which will be both enlightening and relevan
Studying dress history teaches us much about the past. In this skillfully illustrated, accessible and authoritative book, Jayne Shrimpton demonstrates how fashion and clothes represent the everyday experiences of earlier generations, illuminating the world in which they lived. As Britain evolved during the 1800s from a slow-paced agrarian society into an urban-industrial nation, dress was transformed. Traditional rural styles declined and modern city modes, new workwear and holiday gear developed. Women sewed at home, while shopping advanced, novel textiles and mass-produced goods bringing affordable fashion to ordinary people. Many of our predecessors worked as professional garment-makers, laundresses or in other related trades: close to fashion production, as consumers they looked after their clothes. The author explains how, understanding the social significance of dress, the Victorians observed strict etiquette through special costumes for Sundays, marriage and mourning. Poorer families struggled to maintain standards, but young single workers spent their wages on clothes, the older generation cultivating their own discreet style. Twentieth-century dress grew more relaxed and democratic as popular culture influenced fashion for recent generations who enjoyed sport, cinema, music and dancing.
Lilibat is a place of magic. It is also a multifarious of people, places, ideas, change and caring for all and not just for humans. The Ocean is a beautiful place but everyone knows the tragedy that Lilibat people have endured due to ignorance, not caring and down right abuse of the ocean. Lilibat is a caring community of a variety of people who help each other and not just in an hour of need. The past haunts everyone in more ways than one and changes need to be worked on for the better for all. Lilly-Bell is heavily involved even though to start she doesnt know it and gets herself into some awkward situations. In this array of peoples lives there is sadness, Happines and many different decisions to be considered by all. It doesnt stop there though. The third book is full of missions and escape, frightening times just like this one.
Volume Two: Time for a fireside chat.Is a lifetime of poetry based on a culmination of intimate spiritually inspired experiences that will encourage you to continue on your personal faith journey with The Holy Trinity, and to accept Jesus Christ as our Lord and Savior. In addition, the author has placed scriptural references at the bottom of some of the pages of the poems to reinforce the strong spiritual influence. The author has also shared some of her "lifetime" experiences that will enhance reading this collection of poems, and provide the reader with an excellent opportunity to peacefully consider, reflect, and initiate spiritual growth. The author provides a myriad of poems that are timely and will touch your heart if you're open to receiving a bifurcation of infinite joy. Finally, these poems are not what you would find in a traditional book of poetry...these poems are inviting, full of vigor, insight, and unconditional love to be shared with everyone. P.Y.B.T. (Praise You Blessed Trinity).
Controversy swirls around Bernard Berenson today as it did in his middle years, before and between two world wars. Who was this man, this supreme connoisseur of Italian Renaissance painting? How did he support his elegant estate near Florence, his Villa I Tatti? What exactly were his relations with the art dealer Joseph Duveen? What part did his wife, Mary, play in his scholarly work and professional career? The answers are to be found in the day-to-day record of his life as he lived it--as reported at first hand in his and Mary's letters and diaries and reflected in the countless personal and business letters they received. His is one of the most fully documented lives of this century. Ernest Samuels, having spent twenty years studying the thousands of letters and other manuscripts, presents his story in absorbing detail. Berenson helped Isabella Stewart Gardner build her great collection and performed similar though lesser services for other wealthy Americans. It was merely an avocation and a useful source of income; his vocation was scholarship. But after 1904, when the book opens, his expertise was in ever-greater demand: a purchaser's only assurance of the authorship of an Italian painting was the opinion of an expert, and in this field Berenson was pre-eminent. Increasingly he was drawn into the lucrative world of the art dealers; inevitably Joseph Duveen found it essential to enlist his services, at first ad hoc, then by contractual agreement. Samuels charts the course of Berenson's long association with Duveen Brothers, detailing the financial arrangements, the humdrum chores and major contested attributions, the periodic clashes between the stubborn scholar and the arrogant entrepreneur. The portrayal of Berenson's relationship with Mary is especially intriguing: a union of opposites in all but brains and wit, bonded--despite love affairs, jealousies, recriminations--no longer by passion but by shared concerns. Impinging on their lives are those of a huge circle of friends and acquaintances in America and the beau monde of Europe. Both as biography and as a chapter of social and cultural history, it is a compelling book.
Vasco da Gama and His Successors (1970) looks at a range of Portuguese explorers of the fifteenth and sixteenth centuries, the most important being Vasco da Gama, whose first voyage to India ushered in a period of European conquest and empire, and established direct and permanent contact between Europe and the Far East.
He's been sent from Scotland Yard to solve a case of blackmail in the Yorkshire Dales; she's just opened her own business in York baking bespoke cakes. He wants a peaceful life; she's aiming for revolution. He likes to keep both feet on the ground; she dreams of scandalizing the neighborhood on a bicycle. He prefers to fade in with the wallpaper; she's proud to be a black sheep that stands out in the crowd. He's never getting married again—most women ought to be stamped on the forehead with a danger warning and clapped into handcuffs. She thinks men are simply an obstacle to her ambitions and if it's true that the way to a man's heart is through his digestive system, that explains why a great deal of gaseous waste frequently finds its path out of the wrong end. The two of them might appear to be mismatched flavors in an unlikely recipe, but when blackmail turns to murder, it's the start of a remarkable partnership in crime-solving. And a match made in chocolate. It's late Victorian England and the world may be on the cusp of change, but is it quite ready for this pairing? They're not even prepared for it themselves. Nevertheless, some wayward kind of chemistry keeps drawing them together and it can't be blamed entirely on the cake. Or the corpse in the conservatory.
Emeline Upswatch, a naive 20-year-old bride, is grief-stricken after the deaths of both of her beloved parents. Now, Emeline believes she has made a grave error in moving with her husband, Randy, from her California Delta childhood home to unknown Charles Town, Virginia. She questions her marriage and herself. Marooned in grief in an unfamiliar world and intimidated by her mother-in-law, Emeline is rescued by the appearance of a mysterious older woman, Felicity, who becomes her dearest friend, mentor, and “other mother” with whom she can share her innermost feelings. Unlike Emeline, Felicity divulges nothing about her history or personal life. When Felicity disappears as mysteriously as she arrived, Emeline is determined to unearth her older friend’s whereabouts. What she ultimately discovers forces her to question her sanity, world, memories, and newfound joy. In her second book, Jayne Lisbeth cements her reputation as a “sensitive, entertaining and deeply moving writer.” In Raising the Dead her quirky, mysterious, home-spun and loveable characters keep the reader engaged and entertained from the first page to the last. Early reviews praise Raising the Dead as “a deep and emotional account of Emeline’s introspective journey with a wholesome, spiritual, supernatural angle ... Inspirational ... A poignant plot, with a well-structured, assured writing style, sure to appeal to a wide audience.”
Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.
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