This book describes the development of astronomy in the Extreme Ultraviolet wavelength range, from the first rocket-based experiments to later satellite missions. It will be of great value to graduate students and researchers.
After storming the beaches on D-Day, June 6, 1944, the Allied invasion of France bogged down in seven weeks of grueling attrition in Normandy. On July 25, U.S. divisions under Gen. Omar Bradley launched Operation Cobra, an attempt to break out of the hedgerows and begin a war of movement across France. Despite a disastrous start, with misdropped bombs killing hundreds of GIs, Cobra proved to be one of the most pivotal battles of World War II, successfully breaking the stalemate in Normandy and clearing a path into occupied France.
Long considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance. Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty. His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians.
The Antic Creedoolies IS about love. Louis Custis Lee, a very wise black man descended from Jeffersons and Custises of Virginia, raises seven white and part-white children as siblings in Christian County from 1920 to post-Vietnam. It is a desperate time calling for intelligence, humor, and a willingness to seize any advantage in every situation. Through three teenage pregnancies, a murder, a depression, and three wars he holds them together with care and tough love. They become war heroes, farmers, Peace Corps volunteers, businessmen--successful, loving adults with a sense of family. Like him.
This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.
The Pleasures of Babel acquaints the layperson and the expert alike with the creative and intellectual achievements of America's multicultural society. Arguing that the present is "a great period of writing," Jay Clayton relates novels from the seventies, eighties, and nineties to the latest developments in literary theory. He offers a lucid, cutting-edge look at the often stormy relationship between contemporary literature and criticism. Avoiding theoretical jargon, Clayton systematically sets out to make sense of the critical movements of the last two decades: deconstruction, psychoanalysis, minority writing, multiculturalism, and feminism. In the course of clarifying the accomplishments of Barthes, Kristeva, Lyotard, Said, and others, the author discusses some of America's most prominent writers of fiction: Saul Bellow, Sandra Cisneros, E.L. Doctorow, Toni Morrison, and many others. The result successfully weds a layperson's guide to recent criticism with a scholarly application of that criticism to the very works it concerns. In light of the current debates being waged over the canon and multiculturalism, The Pleasures of Babel should prove an indispensable tool for those engaged in the practice of literary criticism, as well as anyone concerned with the way in which narrative interacts with society.
Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as "experience." Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. Songs of Experience is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis—qualities that have made Martin Jay's previous books so distinctive and so successful—Songs of Experience explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history. As he explores the manifold contexts for understanding experience—epistemological, religious, aesthetic, political, and historical—Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of "experience" in modern cultures.
... Jay shows that this tradition [of white-authored protest fiction about racism in America] remains vital because every generation must relearn the lessons of antiracism and formulate effective cultural narratives for transmitting intellectual and affective [sic] tools useful in fighting injustice.
Few 19th-century Americans were as adventurous as Henry Baxter. Best known for his Civil War exploits--from leading the 7th Michigan Volunteer Infantry across the Rappahannock River at Fredericksburg in the first daylight amphibious assault in American history, to his defense of the Union line on day one of Gettysburg--he accomplished these despite having no prewar military training. His heroism and leadership propelled him from officer of volunteers to major general in the Army of the Potomac. A New York emigrant from a prominent family, Baxter was involved in developing Michigan's political, business and educational foundations. He excelled at enterprise, leading a group of adventurers to California during the Gold Rush, co-founding what would become the Republican Party and eventually becoming President Grant's diplomat to Honduras during one of the most dynamic periods of Central American history.
Jay Watson argues that southern literary studies has been overidealized and dominated by intellectual history for too long. In Reading for the Body, he calls for the field to be rematerialized and grounded in an awareness of the human body as the site where ideas, including ideas about the U.S. South itself, ultimately happen. Employing theoretical approaches to the body developed by thinkers such as Karl Marx, Colette Guillaumin, Elaine Scarry, and Friedrich Kittler, Watson also draws on histories of bodily representation to mine a century of southern fiction for its insights into problems that have preoccupied the region and nation alike: slavery, Jim Crow, and white supremacy; the marginalization of women; the impact of modernization; the issue of cultural authority and leadership; and the legacy of the Vietnam War. He focuses on the specific bodily attributes of hand, voice, and blood and the deeply embodied experiences of pain, illness, pregnancy, and war to offer new readings of a distinguished group of literary artists who turned their attention to the South: Mark Twain, Jean Toomer, Zora Neale Hurston, William Faulkner, Richard Wright, Katherine Anne Porter, Bobbie Ann Mason, and Walker Percy. In producing an intensely embodied U.S. literature these writers, Watson argues, were by turns extending and interrogating a centuries-old tradition in U.S. print culture, in which the recalcitrant materiality of the body serves as a trope for the regional alterity of the South. Reading for the Body makes a powerful case for the body as an important methodological resource for a new southern studies.
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