In 1946, the Cleveland Rams, having just won the NFL championship, moved to sunny Los Angeles. The LA Rams experienced immediate success, making four NFL Championship Game appearances in six years—one of which they won. From Los Angeles, the team moved to St. Louis in 1995, only to return to Los Angeles again in 2016. Regardless of the city or the stadium that they’ve called home, the Rams have compiled a myriad of memorable moments and at times have drawn record crowds. In Game of My Life Rams, award-winning sportswriter Jay Paris offers accounts of many of these moments, through the words of the players who experienced them firsthand—as members of the Los Angeles and St. Louis–based teams. Those legends featured include Roman Gabriel, Jim Hardy, Vince Ferragamo, Jack Youngblood, Kurt Warner, Eric Dickerson, Tom Mack, Nolan Cromwell, Fred Dryer, Henry Ellard, Johnny Hekker, and more. A great gift for any fan of Rams football—past or present!
Rarely does anyone use the term “two-way” in regard to a baseball player. Yet the Los Angeles Angels’ Shohei Ohtani, at the young age of twenty-three, has become the epitome of the term, drawing comparisons to Babe Ruth by baseball pundits everywhere. After being drafted by the Hokkaido Nippon-Ham Fighters of the Japan Pacific League with the number-one pick in 2012, the eighteen-year-old Ohtani struggled with the bat during his rookie season. However, he had a breakout year in 2014, posting a 2.61 ERA in 24 starts and 179 strikeouts (as well as 10 home runs). By 2017, all thirty Major League Baseball teams had heard about the Japanese phenom and expressed interest in signing him. Ultimately, the Angels offered him the opportunity to compete as a two-way player and the chance to accomplish his professional goals. After a quiet spring training, Ohtani broke out in the first two weeks of the 2018 regular season, becoming just the 14th pitcher in major-league history to strike out 12 batters in one of his first two starts. He also homered in three consecutive games during that stretch. Shohei Ohtani: The Amazing Story of Baseball’s Two-Way Japanese Superstar tells the story of the player from rural Japan who became a two-way star not seen in America since Babe Ruth. With highlights of his best games on the mound and at bat from each month of his rookie season and anecdotes of his life in America, this is the one book that every fan will want.
Since their founding in 1959, the San Diego Chargers have tackled their way into the hearts of devoted SoCal football fans. In Game of My Life San Diego Chargers, fans can immerse themselves in all the greatest moments in Chargers history. Die-hard Chargers fan and award-winning sports writer Jay Paris expertly chronicles all of the greatest Charger moments, including the team’s thirteen playoff appearances, their heart-breaking loss in the 1995 Super Bowl, and their glory runs in the mid-2000s. Chargers fans can experience all the glory of their favorite team with first-hand interviews from over a dozen legendary players, including LaDainian Tomlinson, Dan Fouts, Ron Mix, Burt Grossman, Phillip Rivers, and Nick Hardwick. Each former great shares his most memorable game as a Charger, from the pregame jitters to the on-field glory, to the postgame locker room celebration. Game of My Life San Diego Chargers is the perfect gift for Chargers fans! Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
In Berlin, two former French intelligence agents hire Klaus Reiner, a ruthlessly effective hit man, to eliminate an American industrialist vacationing in southwestern France. Reiner easily locates his target in the small village of Taziac, but the hit is compromised when three innocent people are in the wrong place at the wrong time. Enter Inspector Paul Mazarelle, formerly of Paris but now living in Taziac, charged with bringing his experience in the capital to bear on the gruesome quadruple homicide. Both Mazarelle’s investigation and Reiner’s assignment become complicated when Molly Reece, a New York City district attorney and daughter of two of the victims, arrives and begins asking questions. Though all evidence points to a local handyman, Mazarelle and Molly have their doubts, forcing Reiner to return to ensure they see things as he has arranged them—and that no one suspects the international political motives behind the murder.
Using a wealth of contemporary sources, this book tells the story of the way in which the turbulent, hedonistic world of mid-nineteenth-century Paris touched the careers and work of a host of Victorian writers, major and minor. It attends both to the way writers actually experienced life in a capital city markedly different from London, and to how they retailed this to a swiftly-growing British readership. En route, it reveals the cosmopolitan world of the salonsand the social life of the British Embassy; demonstrates the risky competitive world of the freelance journalist; traces the developing role of the foreign correspondent, and examines the, sometimescontradictory, prejudices about Paris and the Parisians contained in contemporary fiction.Casting a wide literary net, the first part of this book explores these writers' reaction to the swiftly changing politics and topography of Paris, before considering the nature of their social interactions with the Parisians, through networks provided by institutions such as the British Embassy and the salons. The second part of the book examines the significance of Parisfor mid-nineteenth-century Anglophone journalists, paying particular attention to the ways in which the young Thackeray's exposure to Parisian print culture shaped him as both writer and artist. Thefinal part focuses on fictional representations of Paris, revealing the frequency with which they relied upon previous literary sources, and how the surprisingly narrow palette of subgenres, structures and characters they employed contributed to the characteristic, and sometimes contradictory, prejudices of a swiftly-growing British readership.
When Jack Morgan stops by Private's Paris office, he envisions a quick hello during an otherwise relaxing trip filled with fine food and sightseeing. But Jack is quickly pressed into duty after a call from one of his most important clients asking Private to track down his young granddaughter who is on the run from a brutal drug dealer. As Jack scours the city, several members of Paris’s cultural elite are found dead – murdered in shocking, symbolic fashion – and the French police need Private’s help.
In 1806, Rudolph Bair came to Ohio from Pennsylvania and settled on one of the highest points in Stark County and called it Paris. After its establishment in 1814, this town became an important center of business and the arts. As a stagecoach stop on the main road from Pittsburgh to the West, this village evolved into a hub of American culture. By the late 1800s, Paris had dry goods stores, a drug store, two hotels, wagon factories, harness shops, shoe shops, blacksmith shops, a meat market, mills, a vinegar factory, and three churches. Local farmers also came to Paris to do business, worship in Pariss churches, and absorb the latest news. The legacy of this village and its surrounding farmland lives on here in photographs, artifacts, and descendents of early settlers.
In lyric poetry with the dramatic sweep of a historical novel, Jay Rogoff’s Enamel Eyes, a Fantasia on Paris, 1870 reimagines “the terrible year” when the Franco-Prussian War shook the City of Lights. The great comic ballet Coppélia had dazzled Paris and Emperor Napoleon III mere weeks before war erupted; in retrospect, the ballet’s obsession with a mechanical woman anticipated the conflict’s mechanized violence. Using multiple voices and poetic forms, Rogoff skillfully recreates the wonder and horror of these months of siege through the eyes of both ordinary and famous Parisians. From political figures like Empress Eugénie and artists including Edgar Degas and Édouard Manet to sixteen-year-old Giuseppina Bozzacchi and other dancers in the premiere of Coppélia, the characters of Enamel Eyes bear witness to a surreal year that changed Paris and the lives of its citizens forever.
Using a wealth of contemporary sources, this book tells the story of the way in which the turbulent, hedonistic world of mid-nineteenth-century Paris touched the careers and work of a host of Victorian writers, major and minor. It attends both to the way writers actually experienced life in a capital city markedly different from London, and to how they retailed this to a swiftly-growing British readership. En route, it reveals the cosmopolitan world of the salonsand the social life of the British Embassy; demonstrates the risky competitive world of the freelance journalist; traces the developing role of the foreign correspondent, and examines the, sometimescontradictory, prejudices about Paris and the Parisians contained in contemporary fiction.Casting a wide literary net, the first part of this book explores these writers' reaction to the swiftly changing politics and topography of Paris, before considering the nature of their social interactions with the Parisians, through networks provided by institutions such as the British Embassy and the salons. The second part of the book examines the significance of Parisfor mid-nineteenth-century Anglophone journalists, paying particular attention to the ways in which the young Thackeray's exposure to Parisian print culture shaped him as both writer and artist. Thefinal part focuses on fictional representations of Paris, revealing the frequency with which they relied upon previous literary sources, and how the surprisingly narrow palette of subgenres, structures and characters they employed contributed to the characteristic, and sometimes contradictory, prejudices of a swiftly-growing British readership.
In 1806, Rudolph Bair came to Ohio from Pennsylvania and settled on one of the highest points in Stark County and called it Paris. After its establishment in 1814, this town became an important center of business and the arts. As a stagecoach stop on the main road from Pittsburgh to the West, this village evolved into a hub of American culture. By the late 1800s, Paris had dry goods stores, a drug store, two hotels, wagon factories, harness shops, shoe shops, blacksmith shops, a meat market, mills, a vinegar factory, and three churches. Local farmers also came to Paris to do business, worship in Paris's churches, and absorb the latest news. The legacy of this village and its surrounding farmland lives on here in photographs, artifacts, and descendents of early settlers.
When a hired hit gone wrong culminates in innocent deaths in a small Southwestern France village, Inspector Paul Mazarelle finds the case complicated by the arrival of the victims' daughter, a New York City district attorney. 35,000 first printing.
In lyric poetry with the dramatic sweep of a historical novel, Jay Rogoff’s Enamel Eyes, a Fantasia on Paris, 1870 reimagines “the terrible year” when the Franco-Prussian War shook the City of Lights. The great comic ballet Coppélia had dazzled Paris and Emperor Napoleon III mere weeks before war erupted; in retrospect, the ballet’s obsession with a mechanical woman anticipated the conflict’s mechanized violence. Using multiple voices and poetic forms, Rogoff skillfully recreates the wonder and horror of these months of siege through the eyes of both ordinary and famous Parisians. From political figures like Empress Eugénie and artists including Edgar Degas and Édouard Manet to sixteen-year-old Giuseppina Bozzacchi and other dancers in the premiere of Coppélia, the characters of Enamel Eyes bear witness to a surreal year that changed Paris and the lives of its citizens forever.
Today there are more than 500 resorts worldwide offering pay-one-price-for-all packages custom-made for couples, families, and solo travelers who want the most for their vacation money. The authors have traveled from New York to Katmandu to bring readers the 100 best. Illustrations.
One of literature's greatest gifts is its portrayal of realistically drawn characters--human beings in whom we can recognize motivations and emotions. In Imagined Human Beings, Bernard J. Paris explores the inner conflicts of some of literature's most famous characters, using Karen Horney's psychoanalytic theories to understand the behavior of these characters as we would the behavior of real people. When realistically drawn characters are understood in psychological terms, they tend to escape their roles in the plot and thus subvert the view of them advanced by the author. A Horneyan approach both alerts us to conflicts between plot and characterization, rhetoric and mimesis, and helps us understand the forces in the author's personalty that generate them. The Horneyan model can make sense of thematic inconsistencies by seeing them as the product of the author's inner divisions. Paris uses this approach to explore a wide range of texts, including Antigone, "The Clerk's Tale," The Merchant of Venice, A Doll's House, Hedda Gabler, Great Expectations, Jane Eyre, The Mayor of Casterbridge, Wuthering Heights, Madame Bovary, The Awakening, and The End of the Road.
On the idea of religious freedom, whether religion restricts or creates freedom, and the relationship between religion and the state. Newman is in the philosophy department at the U. of Guelph and is president of the Canadian theological Society. Annotation copyrighted by Book News, Inc., Portland, OR
In the shadowy back alleys and opulent homes of Paris, hard-nosed police inspector Paul Mazarelle of The Paris Directive sets out on the trail of a serial killer. A murdered man is discovered dangling inside the tunnels of a Paris canal--the only clue, the tarot card in his pockets: the Hanged Man. When an innocent suspect is railroaded into prison for the homicide, Mazarelle sets off on the hunt for the real killer. For the charming, hot-tempered, impulsive Frenchman--now back from the provinces and leading his own homicide unit out of Paris’s famed Quai des Orfevres--it’s an investigation that takes him far from the comforts of Beaujolais and bouillabaisse, and plunges him into an underworld of ruthless white supremacists looking for scapegoats in Paris’s growing immigrant community, corrupt cops eager to cover up a shady side business, and a conspiracy of secrets that threaten his own life. Meanwhile, Claire Girard, an irresistible and ambitious journalist at a popular tabloid, is wrapped up in the same story. On the trail of the Tarot Card killer, Mazarelle finds himself blindsided by their growing attraction. And when his team’s case collides with Girard's latest scoop, and the body count keeps rising, Mazarelle himself becomes a prime suspect who must clear his own name. Gerald Jay’s latest Mazarelle adventure is a riveting, fast-paced thriller about a classic French detective making his way through the dangerous streets of a very modern world.
This ambitious volume marks a huge step in our understanding of the social history of the Great War. Jay Winter and Jean-Louis Robert have gathered a group of scholars of London, Paris and Berlin, who collectively have drawn a coherent and original study of cities at war. The contributors explore notions of well-being in wartime cities - relating to the economy and the question of whether the state of the capitals contributed to victory or defeat. Expert contributors in fields stretching from history, demography, anthropology, economics, and sociology to the history of medicine, bring an interdisciplinary approach to the book, as well as representing the best of recent research in their own fields. Capital Cities at War, one of the few truly comparative works on the Great War, will transform studies of the conflict, and is likely to become a paradigm for research on other wars.
In 1806, Rudolph Bair came to Ohio from Pennsylvania and settled on one of the highest points in Stark County and called it Paris. After its establishment in 1814, this town became an important center of business and the arts. As a stagecoach stop on the main road from Pittsburgh to the West, this village evolved into a hub of American culture. By the late 1800s, Paris had dry goods stores, a drug store, two hotels, wagon factories, harness shops, shoe shops, blacksmith shops, a meat market, mills, a vinegar factory, and three churches. Local farmers also came to Paris to do business, worship in Paris's churches, and absorb the latest news. The legacy of this village and its surrounding farmland lives on here in photographs, artifacts, and descendents of early settlers.
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