De vegades sembla com si tinguéssim els ulls tancats amb parpelles de pedra que haguessin perdut tot moviment voluntari i involuntari d'obrir-se en algun moment. A vosaltres us desitjo aquesta vergonya: la monstruositat d'unes parpelles de pedra immòbils, però sempre obertes." El primer dia d'escola els companys de classe decideixen que en Jacob és una nena i que és intocable. L'home que al cap dels anys estima el seu cos els odia amb tot l'odi que el Jacob no els ha tingut. Però l'amor se'l menja de viu en viu. Aquest llibre és una venjança i una declaració d'amor. ¿Com ser dues coses contràries alhora? Unsex me! tracta d'això. I ens posa, als que llegim, en un lloc on fer trampa és impossible. ¿Quants lectors voldran quedar-s'hi fins al final? Els que ho acceptin en sortiran fecundats per la seva veritat, per la seva bellesa.
A en Flanagan sí, perquè encara que ja tingui divuit anys, surti amb la Nines i tingui moto, el primer amor no s'oblida mai. La Clara segueix malvivint a casa dels seus oncles però aquesta vegada els problemes encara són més seriosos, perquè és acusada d'assassinat. El Flanagan està disposat a ajudar-la però ni s'imagina el que descobrirà. Com sempre, les feines de detectiu mai no vénen soles...
Authoring the Past surveys medieval Catalan historiography, shedding light on the emergence and evolution of historical writing and autobiography in the Middle Ages, on questions of authority and authorship, and on the links between history and politics during the period. Jaume Aurell examines texts from the late twelfth to the late fourteenth century—including the Latin Gesta comitum Barcinonensium and four texts in medieval Catalan: James I’s Llibre dels fets, the Crònica of Bernat Desclot, the Crònica of Ramon Muntaner, and the Crònica of Peter the Ceremonious—and outlines the different motivations for the writing of each. For Aurell, these chronicles are not mere archaeological artifacts but rather documents that speak to their writers’ specific contemporary social and political purposes. He argues that these Catalonian counts and Aragonese kings were attempting to use their role as authors to legitimize their monarchical status, their growing political and economic power, and their aggressive expansionist policies in the Mediterranean. By analyzing these texts alongside one another, Aurell demonstrates the shifting contexts in which chronicles were conceived, written, and read throughout the Middle Ages. The first study of its kind to make medieval Catalonian writings available to English-speaking audiences, Authoring the Past will be of interest to scholars of history and comparative literature, students of Hispanic and Romance medieval studies, and medievalists who study the chronicle tradition in other languages.
Wind energy is often portrayed as a panacea for the environmental and political ills brought on by an overreliance on fossil fuels, but this characterization may ignore the impact wind farms have on the regions that host them. Power Struggles investigates the uneven allocation of risks and benefits in the relationship between the regions that produce this energy and those that consume it. Jaume Franquesa considers Spain, a country where wind now constitutes the main source of energy production. In particular, he looks at the Southern Catalonia region, which has traditionally been a source of energy production through nuclear reactors, dams, oil refineries, and gas and electrical lines. Despite providing energy that runs the country, the region is still forced to the political and economic periphery as the power they produce is controlled by centralized, international Spanish corporations. Local resistance to wind farm installation in Southern Catalonia relies on the notion of dignity: the ability to live within one's means and according to one's own decisions. Power Struggles shows how, without careful attention, renewable energy production can reinforce patterns of exploitation even as it promises a fair and hopeful future.
Sanllorente's story, reminiscent of Greg Mortenson's Three Cups of Tea, is remarkable and uplifting."—Booklist In 2003, Jaume Sanllorente was a young journalist leading an active and exciting life in Barcelona—no more idealistic than any other young professional. Then a travel agent convinced him to spend his vacation in India. Amazed by what he saw in the land of sacred cows and shocking poverty, Jaume was transformed. That experience lead him to reconsider the world he lived in and caused him to think that he might do something to make it a little better. He devoted himself to helping a small orphanage in Bombay, one that was about to close its doors and send its forty children back to the streets (and the brothels) from which they had been rescued. Jaume seized the moment, determined not to let that happen. As a consequence, he changed his life, and much more as well. In Bombay Smiles, Jaume Sanllorente gives us an insightful and loving vision of a country of great contrasts. He reveals that the secret of his own happiness is in seeking happiness for others. Bombay Smiles is a story of loneliness, ransoms, dangers, injustices, threats of death, and acts of courage, which give an example to follow in spite of the adversities one might meet. It is a lesson of wise love, surrender, sacrifice, and hope, which invites us to start on the path toward a better world.
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