Like the ancient sea charts of the book's title, Jason Sommer here marks the routes and stories of journeys we all can recognize as vaguely familiar, but in Sommer's retelling these otherwise mundane treks spark of something surprisingly rich and strange. Employing traditional lyrics, narrative verse, and more experimental forms, Sommer takes us down to the sea floor, or into a basement bursting with centuries of storage, or through the successive layers of a single consciousness. Throughout this book, the speaker in the poems questions what can and can't be known of the self and the other, of love, of what we value, and of what we insist has permanence, despite evidence to the contrary. And, like the ancient cartographers who lavished their skill upon their artworks, the book embraces the possibilities of beauty in the journey's rendering"--
Through his poetry, the son of a Holocaust survivor describes the post-Holocaust world. As a survivor's child, Jason Sommer must consider how to live in the wake of history, among those who are indelibly marked by it.
With grace and style, Jason Sommer considers how to live in the wake of history among those who are indelibly marked by it. On the surface a book of poems composed in the shadow of the Holocaust, The Man Who Sleeps in My Office offers more than a poetic chronicle of suffering and loss. Instead, Sommer—the son of a survivor—has discovered a delicate balance that allows him to be in and of history without succumbing to it. In these works, both the seen and the unseen—the failed or rejected vision—alter the seer, as the limit of one thing becomes the verge of something else. Whether about the Holocaust, the dog he'll never own, or love between a husband and wife or parent and child, these poems savor the mysterious instant when alternatives of vision unfold. While these moments may also conjure loss, the losses are made good, as when, in "Legion," someone forgets why he has walked into a room but salvages from the lapse not the purpose of the errand but a sense of the ultimate worth of a life. These finely crafted narrative poems tell the story of these unanticipated perceptions, when the ordinary opens to the very human story of failed understanding and quiet epiphany.
A moving memoir of a son’s relationship with his survivor father and of their Eastern European journey through a family history of incalculable loss. Jason Sommer’s father, Jay, is ninety-eight years old and losing his memory. More than seventy years after arriving in New York from WWII-torn Europe, he is forgetting the stories that defined his life, the life of his family, and the lives of millions of Jews who were affected by Nazi terror. Observing this loss, Jason vividly recalls the trip to Eastern Europe the two took together in 2001. As father and son travel from the town of Jay’s birth to the labor camp from which he escaped, and to Auschwitz, where many in his family were lost, the stories Jason’s father has told all his life come alive. So too do Jason’s own memories of the way his father’s past complicated and impacted Jason's own inner life. Shmuel's Bridge shows history through a double lens: the memories of a growing son’s complex relationship with his father and the meditations of that son who, now grown, finds himself caring for a man losing all connection to a past that must not be forgotten.
Near the beginning, just after the fall, was laughter—at least as Jason Sommer imagines it. In the title poem, Eve catches Adam’s hilarity over what passes for a tree outside of Eden, their laughter a heady combination of longing, defiance, and perhaps even relief, through which they find they now possess “a knowledge of evil that is good,” an understanding that will carry them through life after paradise. Through settings mythical, historical and biblical, through characters that range from Gunga Din to St. Kevin of Glendalough, the poems in this book often search out meaning in the tracing of origins: of a bird’s song, of laughter, of a word, of language itself. Poems explore the source of the word brouhaha, the song of the “resignation bird,” and the dangerous way a poem of Anna Akhmatova enters the world, under the eyes and ears of Stalin’s secret police, escaping the house arrest its author must endure. In The Laughter of Adam and Eve, Sommer speaks from a multitude of voices and perspectives, in short, formal lyrics as well as longer free-verse narratives. From the archetypal parents of us all, down through anonymous voices, throughout these pages, women and men speak to—and of—each other, in many roles and relations—as lover and beloved, as child and parent, as dreamer and dreamt of. The poems attempt to travel beyond the traditional binary in search of the common thread that binds us to one another. Perhaps chief among them is story: whether recasting myth so that Pygmalion and Narcissus become a single figure or using an Appalachian tale retold as a message, lover to lover, these poems narrate, while engaging deeply with those special properties that poetry can bring to story.
With grace and style, Jason Sommer considers how to live in the wake of history among those who are indelibly marked by it. On the surface a book of poems composed in the shadow of the Holocaust, The Man Who Sleeps in My Office offers more than a poetic chronicle of suffering and loss. Instead, Sommer—the son of a survivor—has discovered a delicate balance that allows him to be in and of history without succumbing to it. In these works, both the seen and the unseen—the failed or rejected vision—alter the seer, as the limit of one thing becomes the verge of something else. Whether about the Holocaust, the dog he'll never own, or love between a husband and wife or parent and child, these poems savor the mysterious instant when alternatives of vision unfold. While these moments may also conjure loss, the losses are made good, as when, in "Legion," someone forgets why he has walked into a room but salvages from the lapse not the purpose of the errand but a sense of the ultimate worth of a life. These finely crafted narrative poems tell the story of these unanticipated perceptions, when the ordinary opens to the very human story of failed understanding and quiet epiphany.
In the Beginning There was Love" is Michael Jason Adams second published book. It is a prequel to "All's Fair In Love and War" and part of a four part series. As the story begins we find Michael J once again back at band camp trying to find that one true love. With some help from his friends his life goes from one wacky adventure to another. "In the Beginning There was Love" will help you remember all your high school memories that you have once lived as you read Michael J living his. There were good times and bad times but we all made it through them with the people that made our life's shape into what they are today. This book is dedicated to all the friends that each one of us have had in our lives.
Near the beginning, just after the fall, was laughter—at least as Jason Sommer imagines it. In the title poem, Eve catches Adam’s hilarity over what passes for a tree outside of Eden, their laughter a heady combination of longing, defiance, and perhaps even relief, through which they find they now possess “a knowledge of evil that is good,” an understanding that will carry them through life after paradise. Through settings mythical, historical and biblical, through characters that range from Gunga Din to St. Kevin of Glendalough, the poems in this book often search out meaning in the tracing of origins: of a bird’s song, of laughter, of a word, of language itself. Poems explore the source of the word brouhaha, the song of the “resignation bird,” and the dangerous way a poem of Anna Akhmatova enters the world, under the eyes and ears of Stalin’s secret police, escaping the house arrest its author must endure. In The Laughter of Adam and Eve, Sommer speaks from a multitude of voices and perspectives, in short, formal lyrics as well as longer free-verse narratives. From the archetypal parents of us all, down through anonymous voices, throughout these pages, women and men speak to—and of—each other, in many roles and relations—as lover and beloved, as child and parent, as dreamer and dreamt of. The poems attempt to travel beyond the traditional binary in search of the common thread that binds us to one another. Perhaps chief among them is story: whether recasting myth so that Pygmalion and Narcissus become a single figure or using an Appalachian tale retold as a message, lover to lover, these poems narrate, while engaging deeply with those special properties that poetry can bring to story.
In Aubade, a poem on a traffic-light relationship between two motorists, he writes, "They met at every light and sign / for several miles, / stopping side by side. / They laughed and shook / their heads in wonder / at themselves or simply looked / one turning then the other.
Deformation and Fracture Mechanics of Engineering Materials, Sixth Edition, provides a detailed examination of the mechanical behavior of metals, ceramics, polymers, and their composites. Offering an integrated macroscopic/microscopic approach to the subject, this comprehensive textbook features in-depth explanations, plentiful figures and illustrations, and a full array of student and instructor resources. Divided into two sections, the text first introduces the principles of elastic and plastic deformation, including the plastic deformation response of solids and concepts of stress, strain, and stiffness. The following section demonstrates the application of fracture mechanics and materials science principles in solids, including determining material stiffness, strength, toughness, and time-dependent mechanical response. Now offered as an interactive eBook, this fully-revised edition features a wealth of digital assets. More than three hours of high-quality video footage helps students understand the practical applications of key topics, supported by hundreds of PowerPoint slides highlighting important information while strengthening student comprehension. Numerous real-world examples and case studies of actual service failures illustrate the importance of applying fracture mechanics principles in failure analysis. Ideal for college-level courses in metallurgy and materials, mechanical engineering, and civil engineering, this popular is equally valuable for engineers looking to increase their knowledge of the mechanical properties of solids.
Jewish Paideia investigates diverse self-reflections on what it meant to be Jewish in Hellenistic and early Roman Diaspora communities by examining depictions of ideal Jewish education, or paideia, in the literature of the period. Education offers a unique and unexplored vantage point for understanding the internal constructing of Jewish identity in progress, as it provides key insight into the most determinative constituents of Jewish ethics and culture and into how questions of "Jewishness" were reimagined under dynamic and varied cultural and political circumstances. Within the elite intellectual circles of the ancient Mediterranean world, individual and communal identity, not unlike today, was inextricably bound to education. Depictions of ideal Jewish education become for us windows into a discourse of identity as it happened. By exploring how Jewish writers utilized paideia as a means of forming, reshaping, and deploying unique portraits of Jewish identity, this volume fills a significant lacuna in the study of ancient Judaism and the Jewish people. It also provides meaningful comparanda for Classicists and necessary background for later developments of Late Antique Jewish and Christian pedagogy. The diverse ways in which education was construed directly reflect how authors sought to internally understand and externally portray the Jewish community. Education offers keen insight into how the ancestral past became a contested site, how "the other" was utilized as a foil for reinforcing the image of the in-group, how empire and colonization impacted understandings of the Jewish people within broader society, and how Jewish law functioned to connect community members across space and time. Paideia, therefore, provides the researcher unparalleled access to Jewish self-reflections during this important period of history and to questions that have been central to developing a greater understanding of the Jewish people within the ancient Mediterranean world.
Jason Gile argues that the ideas of Deuteronomy influenced Ezekiel's response to the crisis surrounding the fall of Jerusalem and the Babylonian exile in significant ways, shaping how he saw Israel's past history of rebellion against Yahweh, present situation of divine judgment, and future hope of restoration. By examining Ezekiel's use of Deuteronomy's language and concepts, Gile stresses that the prophet not only accepted distinctive elements of Deuteronomic theology but in some cases drew from specific texts. The main body of this volume describes Deuteronomy's influence on Ezekiel under five main categories: Ezekiel's language and conception of idolatry, the rise and fall of Israel in chapter 16, Ezekiel's view of Israel's history in chapter 20, the scattering of Israel as an image for exile, and the related motif of gathering as an image for return to the land. Gile concludes that Ezekiel's use of its language for his messages of indictment, judgment, and hope shows that the prophet regarded Deuteronomy, along with the Holiness Code, as Yahweh's torah given to Israel in the wilderness.
Integrating both social and historical factors, this radical analysis of the development of capitalism reveals the ever-deepening relationship between capital and ecology Finance. Climate. Food. Work. How are the crises of the twenty-first century connected? In Capitalism in the Web of Life, Jason W. Moore argues that the sources of today’s global turbulence have a common cause: capitalism as a way of organizing nature, including human nature. Drawing on environmentalist, feminist, and Marxist thought, Moore offers a groundbreaking new synthesis: capitalism as a “world-ecology” of wealth, power, and nature. Capitalism’s greatest strength—and the source of its problems—is its capacity to create Cheap Natures: labor, food, energy, and raw materials. That capacity is now in question. Rethinking capitalism through the pulsing and renewing dialectic of humanity-in-nature, Moore takes readers on a journey from the rise of capitalism to the modern mosaic of crisis. Capitalism in the Web of Life shows how the critique of capitalism-in-nature—rather than capitalism and nature—is key to understanding our predicament, and to pursuing the politics of liberation in the century ahead.
A great many theorists have argued that the defining feature of modernity is that people no longer believe in spirits, myths, or magic. Jason Ā. Josephson-Storm argues that as broad cultural history goes, this narrative is wrong, as attempts to suppress magic have failed more often than they have succeeded. Even the human sciences have been more enchanted than is commonly supposed. But that raises the question: How did a magical, spiritualist, mesmerized Europe ever convince itself that it was disenchanted? Josephson-Storm traces the history of the myth of disenchantment in the births of philosophy, anthropology, sociology, folklore, psychoanalysis, and religious studies. Ironically, the myth of mythless modernity formed at the very time that Britain, France, and Germany were in the midst of occult and spiritualist revivals. Indeed, Josephson-Storm argues, these disciplines’ founding figures were not only aware of, but profoundly enmeshed in, the occult milieu; and it was specifically in response to this burgeoning culture of spirits and magic that they produced notions of a disenchanted world. By providing a novel history of the human sciences and their connection to esotericism, The Myth of Disenchantment dispatches with most widely held accounts of modernity and its break from the premodern past.
The bare outline of the story of the discovery of the Dead Sea Scrolls is well known both to scholars and in the popular imagination. The precise details--the sequence and causal interplay of events, even some of the key players behind the scenes--are less well known and sometimes completely forgotten or misconstrued. The recovery of this history in all its complexity is vital for understanding how and why scholarly work on the Scrolls developed as it did over the six decades during which the texts were slowly published. Jason Kalman recovers the fascinating story of Hebrew Union College-Jewish Institute of Religion's involvement with the Dead Sea Scrolls from their discovery in 1948 until the early 1990s when they were first made accessible to all scholars and to the public. Scholars at HUC-JIR actively participated in efforts to acquire and preserve the manuscripts and played a significant part in breaking the monopoly of scholars initially assigned to publish them. Despite these activities, a number of HUC-JIR's influential teachers took a negative view of the scrolls. As a consequence, rabbinical students either did not encounter the material or left the institution with a view of it that was far from the mainstream. This book traces the activities of HUC-JIR's administration and faculty over five decades, the contribution they made to the new academic field, and their influence on how knowledge of the Dead Sea Scrolls was shared with the community at large. Many details about security negatives stored at HUC and about the bootleg reconstruction are revealed for the first time.
Winner of the 2012 ASHE/CAHEP Barbara Townsend Lecture AwardTo prosper and thrive in an increasingly unpredictable national and global environment, U.S. higher education will need to adapt, innovate, and evolve once again, as it has during every major societal change over the past four centuries.The purpose of this new edition, published a turbulent decade after the first, is to provide institutional leaders -- from department chairs to trustees -- with a broad understanding of the academic enterprise, strategic guidance, and key principles, to assist them in navigating the future and drive the success of their institutions as they confront the unimagined.Recognizing that the hallmark of higher education in the U.S. is the diversity of institution types, each of which is affected differently by external and internal influences, the authors provide examples and ideas drawn from the spectrum of colleges and universities in the not-for-profit sector.This book covers the major functions and constituent departments and units within institutions; the stakeholders from students and faculty through the echelons of administration; the external environment of elected officials, foundations, philanthropists, and the new changing media; and innovations in teaching, technology, data analytics, legal frameworks, as well as economic, demographic, and political pressures.The book is informed by the proposition that adhering to four principles--which the authors identify as having enabled institutions of higher education to successfully navigate ever-changing and volatile pasts--will enable them to flourish in the coming decades:The four principles are:1. Be mission centric by making all key decisions based on a core mission and set of values.2. Be able to adapt to environmental change in alignment with the mission and core values.3. Be committed to democratic ideals by seeking to promote them and modeling democratic practices on and off campus.4. Be models for inclusion, equity, and positive social change.
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