In the darkest corners of Paris, shadows have begun to stir. Peculiar creatures have arrived to take back Belphegor’s land! When John Sinclair wakes in the basement of the Louvre, he must fight for his life or meet a traumatising fate — to be shrunk and trapped for the entertainment of his greatest nemesis! If only his friends could save him... Will Mallmann, meanwhile, takes a well-deserved break in the Bavarian Forest, but not even the dead will let him rest. The team had better be prepared for one hell of a ride — be it involving walking skeletons, a joyous wedding, or a terrible tragedy.
Demon hunting might be dangerous work, but it comes with travel benefits! John Sinclair and Suko travel to Greece in pursuit of a mysterious magician and the secrets of Atlantis! But even the Mediterranean depths are full of threats... Bound by a promise, the gang return to Britain to slay a vampire coven, before taking flight for New York! But with the meter running on a cursed taxi, will Sinclair make it to Romania in time to prevent Dracula's descendants from rising again - or will a certain Impaler beat him to it?
The work of a demon hunter is never done! While John Sinclair's still in Romania, hot on D Kalurac's trail, a band of vampires cause trouble in London. Not only do their spawn infiltrate a British ministry, the vampires even kidnap Bill Connolly's wife and son! John Sinclair has to pull out all the stops to put an end to D Kalurac's plans! But evil is never without company, and John also has to travel to a French monastery to decipher the mystery behind "aeba". Just what could it mean? The final story in this volume sees John head to Wales, where he has to prevent the nachzehrers from rising...and do battle with a familiar face.
The first text of its kind, Communication for Kinesiology serves as a communication primer for undergraduate students in kinesiology and sport studies, preparing them for successful written and oral scholarly communication within the field. Assuming a contextual approach to communication, the text focuses on formal writing and presentations in scholarly and professional settings. The author provides a wealth of pedagogical features including chapter overviews outlining the topics to be discussed, brief recap lists at the end of each chapter, examples, definitions, tips, and techniques, as well as an end-of-text glossary. Structured with both instructors and students in mind, the modular chapters allow for fluid and flexible application and contain practical and theoretically grounded advice to encourage students to hone their writing and presentation skills by changing how they think about the process and engaging with the rules and conventions of the field. Written to address the needs of undergraduate kinesiology students in North America, Communication for Kinesiology is an invaluable introductory resource for the classroom and beyond.
Exarch Damien Redburn has called for the election of his replacement. Paladins assemble from all corners of The Republic, and those vying to be elevated are creating a lively nomination process. But machinations behind the scenes threaten to turn the election into a bloodbath... Paladins Heather GioAvanti and Jonah Levin are both conducting investigations into suspicious activities swirling around the edges of this high-level gathering. The leads they follow repeatedly intersect, and it becomes clear that more than one group intends to disrupt the election of the Exarch. Through political influence, assassination or rebellion, each of these cabals ultimately seeks to place their own man or woman on the Exarch’s seat—and whoever controls the Exarch, controls The Republic. But Damien Redburn refuses to allow his successor to be a puppet. He is willing to throw a few 'Mechs and a secret agent or two at the situation to get the result he wants—even if what he wants may be a surprise to his operatives.
During the 1930s, Franklin D. Roosevelt's New Deal carried out a program of dramatic reform to counter the unprecedented failures of the market economy exposed by the Great Depression. Contrary to the views of today's conservative critics, this book argues that New Dealers were not 'anticapitalist' in the ways in which they approached the problems confronting society. Rather, they were reformers who were deeply interested in fixing the problems of capitalism, if at times unsure of the best tools to use for the job. In undertaking their reforms, the New Dealers profoundly changed the United States in ways that still resonate today. Lively and engaging, this narrative history focuses on the impact of political and economic change on social and cultural relations.
As a leader in teaching, training, and transforming boys in Detroit, Jason Wilson shares his own story of discovering what it means to “be a man” in this life-changing memoir. His grandfather’s lynching in the deep South, the murders of his two older brothers, and his verbally harsh and absent father all worked together to form Jason Wilson’s childhood. But it was his decision to acknowledge his emotions and yield to God’s call on his life that made Wilson the man and leader he is today. As the founder of one of the country’s most esteemed youth organizations, Wilson has decades of experience in strengthening the physical, mental, and emotional spirit of boys and men. In Cry Like a Man, Wilson explains the dangers men face in our culture’s definition of “masculinity” and gives readers hope that healing is possible. As Wilson writes, “My passion is to help boys and men find strength to become courageously transparent about their own brokenness as I shed light on the symptoms and causes of childhood trauma and ‘father wounds.’ I long to see men free themselves from emotional incarceration—to see their minds renewed, souls weaned, and relationships restored.”
When first published in 2001, Have Not Been The Same became the first book to comprehensively document the rise of Canadian underground rock from 1985 to 1995. 10 years on, the 650-page book is still regarded by critics and musicians as the definitive history of the era. To mark this milestone, the authors have updated many key areas of the book through new interviews, further illuminating the ongoing influence of this generation of artists.
Mankind has scattered throughout the stars, forming thousands of civilizations at various stages of development. Fleet Command is attempting to reunite humanity through the ARCNet, an interstellar network that provides near-instantaneous communication over any distance. But as the Intrepid and her crew fly farther from Alliance-controlled space, a new threat appears. The Phalanx of Doom, an ancient foe long-relegated to the realm of comic book villainy, has been reborn. It possesses a new weapon that can alter minds, and Alliance citizens are turning on one another in violent acts of terror as Fleet Command scrambles to find the cause. We Were Promised Starships is a darkly-comedic sci-fi adventure that spans star systems and cyberspace. Join the crew of the Intrepid as they are swept into an interstellar conflict in Jason D. Reed’s debut novel
‘Angus & Robertson and the British Trade in Australian Books, 1930–1970’ traces the history of the printed book in Australia, particularly the production and business context that mediated Australia’s literary and cultural ties to Britain for much of the twentieth century. This study focuses on the London operations of one of Australia’s premier book publishers of the twentieth century: Angus & Robertson. The book argues that despite the obvious limitations of a British-dominated market, Australian publishers had room to manoeuvre in it. It questions the ways in which Angus & Robertson replicated, challenged or transformed the often highly criticised commercial practices of British publishers in order to develop an export trade for Australian books in the United Kingdom. This book is the answer to the current void in the literary market for a substantial history of Australia’s largest publisher and its role in the development of Australia’s export book trade.
Edward "Moose" Krause spent nearly sixty years as a student-athlete, coach, athletic director, and de facto ambassador to the Notre Dame's legions of fans around the world. From an All-American career as a football and basketball player to a struggle with alcoholism in the wake of an accident that nearly killed his beloved wife, Mr. Notre Dame captures his remarkable story.
From the bestselling author of Blood, Sweat, and Pixels comes the next definitive, behind-the-scenes account of the video game industry: how some of the past decade's most renowned studios fell apart—and the stories, both triumphant and tragic, of what happened next. Jason Schreier's groundbreaking reporting has earned him a place among the preeminent investigative journalists covering the world of video games. In his eagerly anticipated, deeply researched new book, Schreier trains his investigative eye on the volatility of the video game industry and the resilience of the people who work in it. The business of videogames is both a prestige industry and an opaque one. Based on dozens of first-hand interviews that cover the development of landmark games—Bioshock Infinite, Epic Mickey, Dead Space, and more—on to the shocking closures of the studios that made them, Press Reset tells the stories of how real people are affected by game studio shutdowns, and how they recover, move on, or escape the industry entirely. Schreier's insider interviews cover hostile takeovers, abusive bosses, corporate drama, bounced checks, and that one time the Boston Red Sox's Curt Schilling decided he was going to lead a game studio that would take out World of Warcraft. Along the way, he asks pressing questions about why, when the video game industry is more successful than ever, it's become so hard to make a stable living making video games—and whether the business of making games can change before it's too late.
For socialists at the turn of the last century, reading was a radical act. This interdisciplinary study looks at how American socialists used literacy in the struggle against capitalism.
The American Congress provides the most insightful, up-to-date treatment of congressional politics available in an undergraduate text. Informed by the authors' Capitol Hill experience and nationally-recognized scholarship, The American Congress presents a crisp introduction to all major features of Congress: its party and committee systems, leadership, and voting and floor activity. The American Congress has the most in-depth discussions of the place of the president, the courts, and interest groups in congressional policy making available in a text.
In A Class by Themselves?, Jason Ellis provides an erudite and balanced history of special needs education, an early twentieth century educational innovation that continues to polarize school communities across Canada, the United States, and beyond. Ellis situates the evolution of this educational innovation in its proper historical context to explore the rise of intelligence testing, the decline of child labour and rise of vocational guidance, emerging trends in mental hygiene and child psychology, and the implementation of a new progressive curriculum. At the core of this study are the students. This book is the first to draw deeply on rich archival sources, including 1000 pupil records of young people with learning difficulties, who attended public schools between 1918 and 1945. Ellis uses these records to retell individual stories that illuminate how disability filtered down through the school system's many nooks and crannies to mark disabled students as different from (and often inferior to) other school children. A Class by Themselves? sheds new light on these and other issues by bringing special education's curious past to bear on its constantly contested present.
As the United States grew into an empire in the late nineteenth century, notions like "sea power" derived not only from fleets, bases, and decisive battles but also from a scientific effort to understand and master the ocean environment. Beginning in the early nineteenth century and concluding in the first years of the twentieth, Jason W. Smith tells the story of the rise of the U.S. Navy and the emergence of American ocean empire through its struggle to control nature. In vividly told sketches of exploration, naval officers, war, and, most significantly, the ocean environment, Smith draws together insights from environmental, maritime, military, and naval history, and the history of science and cartography, placing the U.S. Navy's scientific efforts within a broader cultural context. By recasting and deepening our understanding of the U.S. Navy and the United States at sea, Smith brings to the fore the overlooked work of naval hydrographers, surveyors, and cartographers. In the nautical chart's soundings, names, symbols, and embedded narratives, Smith recounts the largely untold story of a young nation looking to extend its power over the boundless sea.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of “true” native Americans. Thomas Jefferson’s pioneering archaeology concluded that the earthen mounds were the work of Native Americans. In the 1894 report of the Bureau of American Ethnology, Cyrus Thomas concurred, drawing on two decades of research. But in the century in between, the lie took hold, with Presidents Andrew Jackson, William Henry Harrison, and Abraham Lincoln adding their approval and the Mormon Church among those benefiting. Jason Colavito traces this monumental deception from the farthest reaches of the frontier to the halls of Congress, mapping a century-long conspiracy to fabricate and promote a false ancient history—and enumerating its devastating consequences for contemporary Native people. Built upon primary sources and first-person accounts, the story that The Mound Builder Myth tells is a forgotten chapter of American history—but one that reads like the Da Vinci Code as it plays out at the upper reaches of government, religion, and science. And as far-fetched as it now might seem that a lost white race once ruled prehistoric America, the damage done by this “ancient” myth has clear echoes in today’s arguments over white nationalism, multiculturalism, “alternative facts,” and the role of science and the control of knowledge in public life.
This book is ideal for any introductory American history instructor who wants to make the subject more appealing. It's designed to supplement a main text, and focuses on "personalized history" presented through engaging biographies of famous and less-well-known figures from 1865 to the present. Historical patterns and trends appear as they are seen through individual lives, and the selection of profiled individuals reflects a cultural awareness and a multicultural perspective.
Collects Avengers Assemble Alpha (2022) #1, Avengers (2018) #63-66, Avengers Forever (2021) #12-15, Avengers Assemble Omega (2023) #1. The biggest Avengers saga in Marvel history! Jason Aaron assembles the mightiest heroes of Earth, the Multiverse and 1,000,000 BC in the capstone to his incredible era of AVENGERS! From throughout time and across realities, they will unite on a day like no other, to face a battle beyond all imaging. A war that will take us from the prehistoric beginnings of a planet under assault by the greatest villains who've ever lived to the Watchtower that stands at the dark heart of the all and the always, where an army of unprecedented evil now rises - including Doom Supreme, his Multiversal Masters of Evil and a nigh-infinite army of Mephistos! But who is Avenger Prime?!
The Pigheaded Soul presents a series of witty, intelligent, and sometimes controversial essays in which talented newcomers and avowed masters alike find themselves within the literary crosshairs of acclaimed poet and critic Jason Guriel. Guriel does not shy away from the negative review, nor does he begrudge praise where praise is due. He applauds the innovative and evocative, rails against the lazy and the imprecise, and critiques the ‘hipster’ mentality of so-called avant-gardists who use the same tired tricks as shortcuts to perceived innovation. But far from providing only reviews and critical readings, The Pigheaded Soul serves up amusing insider anecdotes about the poetry community, from intelligent examinations of inspiration and imagination, to gonzo reportage of high-profile – and occasionally absurd – literary events. Wry, engaging, and astute, Guriel writes with a confidence and panache that enlivens the often dry and dusty field of literary criticism.
Everybody has a teen bedroom story. The teen bedroom has universally been regarded as a safe haven for adolescents from all classes and backgrounds, and a near-sacred space that s basically off-limits to everyone but its teenage occupants (and their invited guests). But it s a relatively recent Western phenomenon that assumed a prominent role in socializing teens and shaping their identities during the years following World War II. As part of the identity-shaping process, the teen bedroom became a safe space for teens to express their growing consumer power, parallel to the emergence of youth subcultures after the War. Reid tracks the history of bedrooms for children back to the Civil War period, though the bulk of his research stretches from the late 1950s through the beginning of the 21st century. The rock posters, stuffed animals, and record players that found their way into teen bedroom during this period represent ways in which tends became major contributors to the postwar consumer economy. Reid by no means neglects popular culture, in the meantime, detailing the ways in which the teen bedroom appeared in song, film, television, and literature. It was often portrayed as a space of personal development and self-expression, but also as a site profound loneliness and romantic longing. To quote the Beach Boys 1963 hit song In My Room, the postwar teen bedroom featured just as much sighing and crying as it did scheming and dreaming.
Working from the premise that May ‘68 is a shorthand that delimits an intensive decade of global revolt, Jason Demers documents the cross-pollination of French philosophy, international activist movements, and American countercultures. From the assassinations of Martin Luther King, Jr. and George Jackson to the revolt at Columbia University, the 1968 Democratic National Convention, Woodstock, and the Weather Underground, Demers writes French theory into a constellation of American events and icons uncontained by national borders. More than a compelling new take on the history of theory, The American Politics of French Theory develops concepts gleaned from the work of Derrida, Deleuze, Guattari, and Foucault, providing new tools for thinking about translation, theory, and politics. By recontextualizing "French theory" within a complex fabric of mass communication and global revolt, Demers demonstrates why it is politically potent and methodologically necessary to think of translation associatively.
Crisfield, once one of the largest communities in Maryland, is a city literally built on seafood: its foundation is comprised largely of oyster shells. Named in 1866 for Eastern Shore Railroad president John W. Crisfield, the city was formed from the Somerset County communities of Annemessex and Somers Cove and incorporated in 1872. Known then as "Dodge City of the East," the railroad's seafood-shipping opportunities gave the area new hope, and by the 1930s, it gained the nickname "Seafood Capital of the World." Crisfield: The First Century highlights landmark events--the Great Fire of 1928, Hurricane Hazel in 1954, and the creation of the National Hard Crab Derby--and everyday life at school, church, and downtown. Crisfield's rich history is captured in more than 200 images in this volume.
William Blake’s work demonstrates two tendencies that are central to social media: collaboration and participation. Not only does Blake cite and adapt the work of earlier authors and visual artists, but contemporary authors, musicians, and filmmakers feel compelled to use Blake in their own creative acts. This book identifies and examines Blake’s work as a social and participatory network, a phenomenon described as zoamorphosis, which encourages — even demands — that others take up Blake’s creative mission. The authors rexamine the history of the digital humanities in relation to the study and dissemination of Blake’s work: from alternatives to traditional forms of archiving embodied by Blake’s citation on Twitter and Blakean remixes on YouTube, smartmobs using Blake’s name as an inspiration to protest the 2004 Republican National Convention, and students crowdsourcing reading and instruction in digital classrooms to better understand and participate in Blake’s world. The book also includes a consideration of Blakean motifs that have created artistic networks in music, literature, and film in the twentieth and the twenty-first centuries, showing how Blake is an ideal exemplar for understanding creativity in the digital age.
Fiction. After the birth of his first child, dramatist, fiction writer, and former member of Blue Man Group Jason Sinclair Long set out to write one piece of microfiction every day for a year. TINY GIANTS collects the very best of those pieces. A genre- jumping, maniacal look at love, loneliness, joy, despair, terror, and laugh-out-loud humor, Long's work is a study in brevity and a firm claim that a perfect story can ultimately be told with a scant handful of words.
A movement-themed annual journal with contributors writing from a myriad of fields. This year's topics: the philosophy of walking, psychedelics and consciousness, Kundalini Yoga and consciousness, dance photography, dream and nightmare, a shaman's journey, help, anthropology and Guyana, short fiction in India, classical music, and the hidden movement within literature. From the back cover: Born as dream, as trickle down reveries of sand dunes and parted ways. Of new relations, those past and gone; life of love, death of parting ways. Of wings spread distant, of the omnipresent and illusory hope that something new, something different awaits. Through literature and the subterranean darkened tracks of dream, weaved in tendrils of anthropological stratum and amorphous musical renderings and along pathways worn anew by philosopher’s troddings and flickerings of consciousness awakened, nomadic sojourns journal approaches the exploration of movement as child through the vistas of philosophy, literature, music, dream, consciousness, photography, anthropology, poverty, and aid. We are born of movement, seek movement to offer our lives change, require movement to maintain the illiusion of sanity, call upon movement to move our bodies through space and time to arrivals. We return. We go. We are composed, and constituent, of movement; we long for it when our capability to acheive it is lost and dream of stillness after having moved too much. The first annual volume of nomadic sojourns journal offers an opening as becoming, as possibility of what may come. And to that, we move. Website: www.nomadicsojourns.com
This guide to the emerging language of creative industries field is a valuable resource for researchers and students alike. Concise, extensively referenced, and accessible, this this is an exceptionally useful reference work. - Gauti Sigthorsson, Greenwich University "There could be no better guides to the conceptual map of the creative industries than John Hartley and his colleagues, pioneers in the field. This book is a clear, comprehensive and accessible tool-kit of ideas, concepts, questions and discussions which will be invaluable to students and practitioners alike. Key Concepts in Creative Industries is set to become the corner stone of an expanding and exciting field of study" - Chris Barker, University of Wollongong Creativity is an attribute of individual people, but also a feature of organizations like firms, cultural institutions and social networks. In the knowledge economy of today, creativity is of increasing value, for developing, emergent and advanced countries, and for competing cities. This book is the first to present an organized study of the key concepts that underlie and motivate the field of creative industries. Written by a world-leading team of experts, it presents readers with compact accounts of the history of terms, the debates and tensions associated with their usage, and examples of how they apply to the creative industries around the world. Crisp and relevant, this is an invaluable text for students of the creative industries across a range of disciplines, especially media, communication, economics, sociology, creative and performing arts and regional studies.
Behind the glitter of Hollywood lies a high-powered, multibillion-dollar business whose workings are known only to industry insiders.InThe Movie Business Book,forty of Hollywood's most celebrated producers, directors, screenwriters, agents, lawyers, marketers, distributors, exhibitors, and deal makers reveal the secrets of their trade in personal accounts that are both highly informative and wonderfully entertaining.This new edition -- fully revised and updated for the movie industry of the '90s -- includes such unique perspectives as David Puttnam on producers, Sydney Pollack on directors, Henry Jaglom on independent filmmaking, Mike Medavoy on studio management, Richard Childs on home video, Martin Polon on new technology, and thirty-four more.
Throughout the Classical period, the Athenian hoplite demonstrated an unwavering willingness to close with and kill the enemies of Athens, whenever and wherever he was required to do so. Yet, despite his pugnacity, he was not a professional soldier; he was an untrained amateur who was neither forced into battle nor adequately remunerated for the risks he faced in combat. As such, when he took his place in the phalanx, when he met his enemy, when he fought, killed and died, he did so largely as an act of will. By applying modern theories of combat motivation, this book seeks to understand that will, to explore the psychology of the Athenian hoplite and to reveal how that impressive warrior repeatedly stifled his fears, mustered his courage and willingly plunged himself into the ferocious savagery of close-quarters battle.
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