Ingenious tickling machines, one hundred point bucks, knife fights at class reunions, death metal bands having deep philosophy discussions, law-breaking poster tricks, a blues guitarist meeting Eric Clapton in the form of Barack Obama, flying quad-runners, world record back busters, 'That Man is a Sinner' by Jason Earls has it all.
REINCARNAGE is a total fucking blast and a must read for fans of all the great 1980's slasher icons. It's like a great lost FRIDAY THE 13TH sequel from the mid-80's, one with the gnarliest kills ever because it escaped the wrath of the evil MPAA. But it also has an excellent high concept twist that gives the gloriously gory tale a uniquely modern flavor. Highly recommended."" -Bryan Smith, author of "The Killing Kind" and "Depraved." In the 80's a supernatural killer known as Agent Orange terrorized the United States. No matter how many times he was killed, he kept coming back to spread death and mayhem. With no other choice, the government walled off the small town, woods, and lake that Agent Orange used as his hunting ground. This seemed to contain the killer and his killing sprees ended. Or so the populace thought... But really, the government has been kidnapping citizens and giving them to Agent Orange to sate his blood lust. A group of people from all walks of life now find themselves trapped and fighting for their lives against an unstoppable killer. REINCARNAGE is a blood-splattered meta-tribute to the slasher genre.
The continuing real life adventures of Jason Marcy as told in comic book form. In this third volume of the ever expanding "Jay's Days" saga, we see Jay once again wrestle with his personal demons and take on the herculean task of fatherhood!
Many of Stanley Kubrick's films are often interpreted as cold and ambiguous. Whether viewing Barry Lyndon, 2001, The Shining, or Eyes Wide Shut, there is a sense in which these films resist their own audiences, creating a distance from them. Though many note the coldness of Kubrick's films, a smaller number attempt to explore exactly how his body of work elicits this particular reaction. Fewer still attempt to articulate what it might mean to "feel" Stanley Kubrick's films. In The Kubrick Facade, Jason Sperb examines the narrative ambiguity of the director's films—from the voice-over narration in early works, including the once forgotten Fear and Desire—to the blank faces of characters in his later ones. In doing so, Sperb shows how both devices struggle in vain to make sense of the chaos and sterility of the cinematic surface. All thirteen of Stanley Kubrick's feature-length films are discussed in chronological order, from the little-seen and long-neglected Fear and Desire to the posthumous release of Eyes Wide Shut. Sperb also discusses Kubrick's importance to Steven Spielberg's AI. While exploring all of Kubrick's films, the author concentrates in particular on The Killing, Dr. Strangelove, 2001, The Shining, Full Metal Jacket, and Eyes Wide Shut. This is also the first book-length study that focuses considerable attention on Fear and Desire and its relevance to Kubrick's larger body of work. In this respect, The Kubrick Facade is one of the first truly comprehensive books on narrative in the maverick director's films. It is also the first book to integrate a discussion of AI, and the first to fully explore the importance of the consistent visual emphasis on blank, silent faces in his post-Lolita films.
Firmly set in the period of Pulp and Noir tales of the twentieth century in an unnamed American city -Beat To A Pulp delivers poetry that is full of the jive talk you would expect to read in Hammett, Chandler and Spillane. Its a Beat Poet delivering his version of a Pulp fiction. It's straight from the fridge, and if you've got your boots on you will dig the jive and imagine what happens when the canary sings. There is also a collection of six illustrations created by artist Mark Head -which add to the experience of a poetry collection with a difference.
As contemporary policing becomes ever more complex, so knowledge of practical psychology becomes ever more important in everyday policing encounters, situations and contexts. This book suggests how new ways of applying psychological knowledge and research can be of benefit in a range of policing contexts, for example, beat patrols, preventing crime and using the self-selection policing approach to uncover serious criminality from less serious offences. Looking forward, Jason Roach suggests how psychological knowledge, research and policing might evolve together, to meet the changing challenges faced by contemporary policing. In encouraging critical thinking and practical application, this book is essential reading for both police practitioners and criminology, policing and psychology students.
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