Winter 1970. As rock stars die of excess and revolution fills the air, newly minted private investigator James Brimstone is spending his days wandering the streets of Los Angeles, looking for low rent cases as far as possible from his last work-for-hire, an unfortunate run-in with the occult on a pornographic film set. But fate has a funny way of slapping Brimstone with the dark hand of magic. When a deadly attack on a veteran’s hall nearly kills his Korean War buddy Cactus, the only clue left behind is a leaf from the Black Lotus, a war drug used in ancient Babylonia . . . that’s supposedly been extinct since the pyramids were young. Between bump-ins with rock star prophets and berserk professional wrestlers, Brimstone races to find out who’s behind the supernatural drug turning the City of Angel’s citizens into sex- and violence-crazed maniacs, as well as a mysterious creature of smoke and evil stalking the streets of L.A. On the boardwalk between our world and nightmares, Brimstone must face the darkness within himself to see if he, too, will fall victim . . . to the Black Lotus Kiss.
A military historian sheds light on the maverick thinkers who hatched outlandish plots and shaped warfare from WWI to Vietnam and beyond. During World War I, Oxford-trained archeologist Lawrence of Arabia used his knowledge of the Middle East to help organize the Arab revolt against the Ottoman Empire. In this entertaining and insightful book, Jason Ridler profiles the intellectuals, outsiders, and eccentrics who followed in Lawrence’s footsteps across the next hundred years of warfare—those who relied on creativity, curiosity, and outside-the-box thinking to shape battlefields from World War II and Vietnam to Iraq and Afghanistan. These men were Ivy Leaguers and Oxford scholars, anthropologists and archeologists. Among them were an ad executive, an international activist, a Peace Corps veteran, an émigré journalist (and former teenage member of the French Resistance), and a diplomat. These mavericks and oddballs—both men and women—were not always heralded or heeded, and sometimes they were hated. But they each challenged traditional military thought and helped win wars, secure peace, and change the face of modern military conflict.
A salacious throwback to the detective pulps of the 70s, Hex-Rated kicks off the new urban fantasy series the Brimstone Files. Fall, 1970. Los Angeles has always been a den of danger and bliss, but even darker tidings brew in the City of Angels. Cults, magic, and the supernatural are leaking into the worlds of glamour and dives of the gutter. To the spectators walking down Hollywood Blvd, it’s just more proof that La La Land is over the cuckoo’s nest. But to former child magician and Korean veteran turned newly-licensed private investigator James Brimstone, it means business is picking up. After attending his mentor’s funeral, Brimstone signs his first client: Nico, a beautiful actress with a face full of scars and an unbelievable story of sex, demons, and violence on the set of a pornographic film in the San Fernando Valley. The cops chalk it up to a bad trip from a lost soul, but Brimstone knows better. He takes the case, but the investigation goes haywire as he encounters Hell’s Angels, a lost book of Japanese erotica, and a new enemy whose powers may fill the streets of L.A. with blood. He’ll have to us his Carney wits, magic tricks, and a whole lotta charm to make it out of a world that is becoming . . . Hex-Rated.
San Diego 2014 … Carlos may be the deadliest vale tudo street fighter in Brazil, but he's no match for the drug lord on his tail. Haunted by the death of his best friend and on the run from a Mexican hit squad, Carlos is forced into hiding with a traveling carnival crawling its way from San Diego to LA. Within this world of freaks and con-men, Carlos has no choice but to become the one thing he hates – a masked luchador wrestler. However, once he has donned the mask, Carlos finds there is much more to being a luchador than fake wrestling moves and cheesy showmanship. There is a mystique and a responsibility carried by those who become true luchadors. But will being a fake hero, no matter how inspired or mystical, save him from the drug lord's henchmen…Can it erase his tortured past…Or will he be forced to once again become the killing machine he has always been? Rise of the Luchador is the next installment of the acclaimed Fight Card Series.
Jason S. Ridler draws on interviews and declassified records to paint a vivid picture of the influence and achievements of a Canadian leader in Cold War military research.
The son of a smalltown sheriff takes crime prevention into his own hands, but his curiosity may get the best of him in Arley Sorg's "Catskin," the cover feature of the Summer 2013 issue of Big Pulp. This issue also features more than 2 dozen SF, mystery, horror and fantasy stories, including work by Andrez Bergen, Geoffrey W. Cole, Daniel Davis, Adele Gardner, Tracy Hauser, David C. Kopaska-Merkel, Chris Longhurst, Paco Jose Madden, Django Mathijsen, Catfish McDaris, Brandon Nolta, Terrie Leigh Relf, Jason Ridler, Philip Roberts, WC Roberts, Scotch Rutherford, Gwyn Ryan, Timothy A. Sayell, Natalie Stachowski, Michael D. Turner, and Nu Yang. Cover illustration by Phil Good
The Great War, 1918. With no end in sight, dark forces have entered the horror of No Man's Land to secure victory or Armageddon. Swept into their currents are two figures who will shape the final blow. Warren Bishop, con man and coward, is killed by his own dead brother in the lunar hell of France and reborn to serve the Lost Battalion, the army of war dead serving a mad sorcerer. Meanwhile inventor Vasilya Savorov, illegitimate daughter and heir to the Fabergé family fortune, has been kidnapped by the Germans to make a mechanical nightmare to break the deadlock of war and secure victory for the Kaiser. As fate draws them together the future of millions lies in the balance. Victory or defeat means a cataclysmic Harvest of Blood and Iron.
Famed fight coach Ned Bangs was down and out, until he saw Sakura fight four deadbloods like a champ. The catch? Unlike Ned, she was human. Under Ned's guidance, Sakura fights from the street to the big time, gather fame and enemies as they reach the arena of Cascadia. Can they both survive when her courage fans the flames of a human revolution against their vampire overlords? What cost will they both pay for a Triumph for Sakura.
A friend's death at a pro wrestling show sends gutter journalist and punk rock hasbeen Spar Battersea back to the underground of the city to find the killer. Along the way he rams into a washed up grappler deadlier than a snake bite, a dominatrix who dresses like June Cleaver, and the freak of nature who may be the killer, the mime known as Johnny Silent. To get to the truth, Spar will have to contend with each and then survive his very own . . . Death Match!
Black Chaos comes again in 25 MORE frightful - and frightfully funny - tales of the zombie, from the wilds of 19th century Canada to the farthest edge of the galaxy, and from college dorms to Wal-Mart. You may think you know zombies, but not these! Featuring work by: Terry Alexander, Bo Balder, Aislinn Batstone, Steven E. Belanger, Thomas Canfield, Angel Luis Colon, D. Jason Cooper, Jim Cort, James Dorr, J. Boone Dryden, Sean Ealy, Gary Ives, W.P. Johnson, Brenda Kezar, DeAnna Knippling, Wayne Laufert, Jason S. Ridler, Anna Sykora, Gabriel Valjan, Deborah Walker, Ian Welke, R.A. Williamson, Dawn Wilson, Joriah Wood, and Nu Yang.
Winter 1970. As rock stars die of excess and revolution fills the air, newly minted private investigator James Brimstone is spending his days wandering the streets of Los Angeles, looking for low rent cases as far as possible from his last work-for-hire, an unfortunate run-in with the occult on a pornographic film set. But fate has a funny way of slapping Brimstone with the dark hand of magic. When a deadly attack on a veteran’s hall nearly kills his Korean War buddy Cactus, the only clue left behind is a leaf from the Black Lotus, a war drug used in ancient Babylonia . . . that’s supposedly been extinct since the pyramids were young. Between bump-ins with rock star prophets and berserk professional wrestlers, Brimstone races to find out who’s behind the supernatural drug turning the City of Angel’s citizens into sex- and violence-crazed maniacs, as well as a mysterious creature of smoke and evil stalking the streets of L.A. On the boardwalk between our world and nightmares, Brimstone must face the darkness within himself to see if he, too, will fall victim . . . to the Black Lotus Kiss.
A salacious throwback to the detective pulps of the 70s, Hex-Rated kicks off the new urban fantasy series the Brimstone Files. Fall, 1970. Los Angeles has always been a den of danger and bliss, but even darker tidings brew in the City of Angels. Cults, magic, and the supernatural are leaking into the worlds of glamour and dives of the gutter. To the spectators walking down Hollywood Blvd, it’s just more proof that La La Land is over the cuckoo’s nest. But to former child magician and Korean veteran turned newly-licensed private investigator James Brimstone, it means business is picking up. After attending his mentor’s funeral, Brimstone signs his first client: Nico, a beautiful actress with a face full of scars and an unbelievable story of sex, demons, and violence on the set of a pornographic film in the San Fernando Valley. The cops chalk it up to a bad trip from a lost soul, but Brimstone knows better. He takes the case, but the investigation goes haywire as he encounters Hell’s Angels, a lost book of Japanese erotica, and a new enemy whose powers may fill the streets of L.A. with blood. He’ll have to us his Carney wits, magic tricks, and a whole lotta charm to make it out of a world that is becoming . . . Hex-Rated.
The Great War, 1918. With no end in sight, dark forces have entered the horror of No Man's Land to secure victory or Armageddon. Swept into their currents are two figures who will shape the final blow. Warren Bishop, con man and coward, is killed by his own dead brother in the lunar hell of France and reborn to serve the Lost Battalion, the army of war dead serving a mad sorcerer. Meanwhile inventor Vasilya Savorov, illegitimate daughter and heir to the Fabergé family fortune, has been kidnapped by the Germans to make a mechanical nightmare to break the deadlock of war and secure victory for the Kaiser. As fate draws them together the future of millions lies in the balance. Victory or defeat means a cataclysmic Harvest of Blood and Iron.
Jason S. Ridler draws on interviews and declassified records to paint a vivid picture of the influence and achievements of a Canadian leader in Cold War military research.
Returning to the Greek understanding of art to rethink its capacities, Creation and the Function of Art focuses on the relationship between techné and phusis (nature). Moving away from the theoretical Platonism which dominates contemporary understandings of art, this book instead reinvigorates Aristotelian causation. Beginning with the Greek topos and turning to insights from philosophy, pure mathematics, psychoanalysis and biology, Jason Tuckwell re-problematises techné in functional terms. This book examines the deviations at play within logical forms, the subject, and upon phusis to better situate the role of the function in poiesis (art). In so doing, Tuckwell argues that art concerns a genuinely creative labour that cannot be resolved via an ontological or epistemological problem, but which instead constitutes an encounter with the problematic. As such, techné is shown to be a property of the living, of intelligence coupled to action, that not only enacts poiesis or art, but indicates a broader role for creative deviation in nature.
In this detailed study of literary culture in the inter-war period, Jason Harding examines the standing of T. S. Eliot's journal the Criterion in relation to other literary periodicals and, beyond that, to the larger cultural networks of the time. Through his examination of insufficiently known archive material and interviews with living witnesses to the period, Harding significantly alters our understanding of the journal and of Eliot's role as editor.
World Agriculture and the Environment presents a unique assessment of agricultural commodity production and the environmental problems it causes, along with prescriptions for increasing efficiency and reducing damage to natural systems. Drawing on his extensive travel and research in agricultural regions around the world, and employing statistics from a range of authoritative sources including the United Nations Food and Agriculture Organization, the author examines twenty of the world’s major crops, including beef, coffee, corn, rice, rubber, shrimp, sorghum, tea, and tobacco. For each crop, he offers comparative information including: • a “fast facts” overview section that summarizes key data for the crop • main producing and consuming countries • main types of production • market trend information and market chain analyses • major environmental impacts • management strategies and best practices • key contacts and references With maps of major commodity production areas worldwide, the book represents the first truly global portrait of agricultural production patterns and environmental impacts.
The archaeological study of the ancient world has become increasingly popular in recent years. A Research Guide to the Ancient World: Print and Electronic Sources, is a partially annotated bibliography. The study of the ancient world is usually, although not exclusively, considered a branch of the humanities, including archaeology, art history, languages, literature, philosophy, and related cultural disciplines which consider the ancient cultures of the Mediterranean world, and adjacent Egypt and southwestern Asia. Chronologically the ancient world would extend from the beginning of the Bronze Age of ancient Greece (ca. 1000 BCE) to the fall of the Western Roman Empire (ca. 500 CE). This book will close the traditional subject gap between the humanities (Classical World; Egyptology) and the social sciences (anthropological archaeology; Near East) in the study of the ancient world. This book is uniquely the only bibliographic resource available for such holistic coverage. The volume consists of 17 chapters and seven appendixes, arranged according to the traditional types of library research materials (bibliographies, dictionaries, atlases, etc.). The appendixes are mostly subject specific, including graduate programs in ancient studies, reports from significant archaeological sites, numismatics, and paleography and writing systems. These extensive author and subject indexes help facilitate ease of use.
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