A salacious throwback to the detective pulps of the 70s, Hex-Rated kicks off the new urban fantasy series the Brimstone Files. Fall, 1970. Los Angeles has always been a den of danger and bliss, but even darker tidings brew in the City of Angels. Cults, magic, and the supernatural are leaking into the worlds of glamour and dives of the gutter. To the spectators walking down Hollywood Blvd, it’s just more proof that La La Land is over the cuckoo’s nest. But to former child magician and Korean veteran turned newly-licensed private investigator James Brimstone, it means business is picking up. After attending his mentor’s funeral, Brimstone signs his first client: Nico, a beautiful actress with a face full of scars and an unbelievable story of sex, demons, and violence on the set of a pornographic film in the San Fernando Valley. The cops chalk it up to a bad trip from a lost soul, but Brimstone knows better. He takes the case, but the investigation goes haywire as he encounters Hell’s Angels, a lost book of Japanese erotica, and a new enemy whose powers may fill the streets of L.A. with blood. He’ll have to us his Carney wits, magic tricks, and a whole lotta charm to make it out of a world that is becoming . . . Hex-Rated.
Winter 1970. As rock stars die of excess and revolution fills the air, newly minted private investigator James Brimstone is spending his days wandering the streets of Los Angeles, looking for low rent cases as far as possible from his last work-for-hire, an unfortunate run-in with the occult on a pornographic film set. But fate has a funny way of slapping Brimstone with the dark hand of magic. When a deadly attack on a veteran’s hall nearly kills his Korean War buddy Cactus, the only clue left behind is a leaf from the Black Lotus, a war drug used in ancient Babylonia . . . that’s supposedly been extinct since the pyramids were young. Between bump-ins with rock star prophets and berserk professional wrestlers, Brimstone races to find out who’s behind the supernatural drug turning the City of Angel’s citizens into sex- and violence-crazed maniacs, as well as a mysterious creature of smoke and evil stalking the streets of L.A. On the boardwalk between our world and nightmares, Brimstone must face the darkness within himself to see if he, too, will fall victim . . . to the Black Lotus Kiss.
The Great War, 1918. With no end in sight, dark forces have entered the horror of No Man's Land to secure victory or Armageddon. Swept into their currents are two figures who will shape the final blow. Warren Bishop, con man and coward, is killed by his own dead brother in the lunar hell of France and reborn to serve the Lost Battalion, the army of war dead serving a mad sorcerer. Meanwhile inventor Vasilya Savorov, illegitimate daughter and heir to the Fabergé family fortune, has been kidnapped by the Germans to make a mechanical nightmare to break the deadlock of war and secure victory for the Kaiser. As fate draws them together the future of millions lies in the balance. Victory or defeat means a cataclysmic Harvest of Blood and Iron.
Jason S. Ridler draws on interviews and declassified records to paint a vivid picture of the influence and achievements of a Canadian leader in Cold War military research.
Returning to the Greek understanding of art to rethink its capacities, Creation and the Function of Art focuses on the relationship between techné and phusis (nature). Moving away from the theoretical Platonism which dominates contemporary understandings of art, this book instead reinvigorates Aristotelian causation. Beginning with the Greek topos and turning to insights from philosophy, pure mathematics, psychoanalysis and biology, Jason Tuckwell re-problematises techné in functional terms. This book examines the deviations at play within logical forms, the subject, and upon phusis to better situate the role of the function in poiesis (art). In so doing, Tuckwell argues that art concerns a genuinely creative labour that cannot be resolved via an ontological or epistemological problem, but which instead constitutes an encounter with the problematic. As such, techné is shown to be a property of the living, of intelligence coupled to action, that not only enacts poiesis or art, but indicates a broader role for creative deviation in nature.
In this detailed study of literary culture in the inter-war period, Jason Harding examines the standing of T. S. Eliot's journal the Criterion in relation to other literary periodicals and, beyond that, to the larger cultural networks of the time. Through his examination of insufficiently known archive material and interviews with living witnesses to the period, Harding significantly alters our understanding of the journal and of Eliot's role as editor.
World Agriculture and the Environment presents a unique assessment of agricultural commodity production and the environmental problems it causes, along with prescriptions for increasing efficiency and reducing damage to natural systems. Drawing on his extensive travel and research in agricultural regions around the world, and employing statistics from a range of authoritative sources including the United Nations Food and Agriculture Organization, the author examines twenty of the world’s major crops, including beef, coffee, corn, rice, rubber, shrimp, sorghum, tea, and tobacco. For each crop, he offers comparative information including: • a “fast facts” overview section that summarizes key data for the crop • main producing and consuming countries • main types of production • market trend information and market chain analyses • major environmental impacts • management strategies and best practices • key contacts and references With maps of major commodity production areas worldwide, the book represents the first truly global portrait of agricultural production patterns and environmental impacts.
The archaeological study of the ancient world has become increasingly popular in recent years. A Research Guide to the Ancient World: Print and Electronic Sources, is a partially annotated bibliography. The study of the ancient world is usually, although not exclusively, considered a branch of the humanities, including archaeology, art history, languages, literature, philosophy, and related cultural disciplines which consider the ancient cultures of the Mediterranean world, and adjacent Egypt and southwestern Asia. Chronologically the ancient world would extend from the beginning of the Bronze Age of ancient Greece (ca. 1000 BCE) to the fall of the Western Roman Empire (ca. 500 CE). This book will close the traditional subject gap between the humanities (Classical World; Egyptology) and the social sciences (anthropological archaeology; Near East) in the study of the ancient world. This book is uniquely the only bibliographic resource available for such holistic coverage. The volume consists of 17 chapters and seven appendixes, arranged according to the traditional types of library research materials (bibliographies, dictionaries, atlases, etc.). The appendixes are mostly subject specific, including graduate programs in ancient studies, reports from significant archaeological sites, numismatics, and paleography and writing systems. These extensive author and subject indexes help facilitate ease of use.
A military historian sheds light on the maverick thinkers who hatched outlandish plots and shaped warfare from WWI to Vietnam and beyond. During World War I, Oxford-trained archeologist Lawrence of Arabia used his knowledge of the Middle East to help organize the Arab revolt against the Ottoman Empire. In this entertaining and insightful book, Jason Ridler profiles the intellectuals, outsiders, and eccentrics who followed in Lawrence’s footsteps across the next hundred years of warfare—those who relied on creativity, curiosity, and outside-the-box thinking to shape battlefields from World War II and Vietnam to Iraq and Afghanistan. These men were Ivy Leaguers and Oxford scholars, anthropologists and archeologists. Among them were an ad executive, an international activist, a Peace Corps veteran, an émigré journalist (and former teenage member of the French Resistance), and a diplomat. These mavericks and oddballs—both men and women—were not always heralded or heeded, and sometimes they were hated. But they each challenged traditional military thought and helped win wars, secure peace, and change the face of modern military conflict.
Winter 1970. As rock stars die of excess and revolution fills the air, newly minted private investigator James Brimstone is spending his days wandering the streets of Los Angeles, looking for low rent cases as far as possible from his last work-for-hire, an unfortunate run-in with the occult on a pornographic film set. But fate has a funny way of slapping Brimstone with the dark hand of magic. When a deadly attack on a veteran’s hall nearly kills his Korean War buddy Cactus, the only clue left behind is a leaf from the Black Lotus, a war drug used in ancient Babylonia . . . that’s supposedly been extinct since the pyramids were young. Between bump-ins with rock star prophets and berserk professional wrestlers, Brimstone races to find out who’s behind the supernatural drug turning the City of Angel’s citizens into sex- and violence-crazed maniacs, as well as a mysterious creature of smoke and evil stalking the streets of L.A. On the boardwalk between our world and nightmares, Brimstone must face the darkness within himself to see if he, too, will fall victim . . . to the Black Lotus Kiss.
Jason S. Ridler draws on interviews and declassified records to paint a vivid picture of the influence and achievements of a Canadian leader in Cold War military research.
A salacious throwback to the detective pulps of the 70s, Hex-Rated kicks off the new urban fantasy series the Brimstone Files. Fall, 1970. Los Angeles has always been a den of danger and bliss, but even darker tidings brew in the City of Angels. Cults, magic, and the supernatural are leaking into the worlds of glamour and dives of the gutter. To the spectators walking down Hollywood Blvd, it’s just more proof that La La Land is over the cuckoo’s nest. But to former child magician and Korean veteran turned newly-licensed private investigator James Brimstone, it means business is picking up. After attending his mentor’s funeral, Brimstone signs his first client: Nico, a beautiful actress with a face full of scars and an unbelievable story of sex, demons, and violence on the set of a pornographic film in the San Fernando Valley. The cops chalk it up to a bad trip from a lost soul, but Brimstone knows better. He takes the case, but the investigation goes haywire as he encounters Hell’s Angels, a lost book of Japanese erotica, and a new enemy whose powers may fill the streets of L.A. with blood. He’ll have to us his Carney wits, magic tricks, and a whole lotta charm to make it out of a world that is becoming . . . Hex-Rated.
The Great War, 1918. With no end in sight, dark forces have entered the horror of No Man's Land to secure victory or Armageddon. Swept into their currents are two figures who will shape the final blow. Warren Bishop, con man and coward, is killed by his own dead brother in the lunar hell of France and reborn to serve the Lost Battalion, the army of war dead serving a mad sorcerer. Meanwhile inventor Vasilya Savorov, illegitimate daughter and heir to the Fabergé family fortune, has been kidnapped by the Germans to make a mechanical nightmare to break the deadlock of war and secure victory for the Kaiser. As fate draws them together the future of millions lies in the balance. Victory or defeat means a cataclysmic Harvest of Blood and Iron.
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