Jason Priestley, star of the iconic hit television series Beverly Hills, 90210 and one of the biggest teen idols of the 1990s, chronicles the highs and lows of his life and career in this charming and honest memoir. The hit Fox show Beverly Hills, 90210 became a cultural touchstone of the 1990s and propelled its young cast to mega-stardom, including Jason Priestley, who played honorable Midwestern transplant Brandon Walsh. Yet despite more than twenty years in and out of the limelight, Priestley has carefully maintained his privacy. In this compelling memoir, the actor, director, and race-car aficionado invites us into his private world for the first time. With humor, sincerity, and charm, Priestley offers little-known details about his life and stories of his nine years in America’s most famous zip code. He talks candidly about celebrity, marriage, fatherhood, and his passion for car racing. He does not shy away from the devastating lows—his brief jail sentence for drunk driving and the crash at the Kentucky Speedway that nearly took his life. Priestley shares his innermost thoughts about life as a ’90s icon, and goes beyond the Brandon Walsh squeaky-clean image, revealing the tumultuous events that have shaped him, and where he finds his greatest happiness today.
Jason Priestley, star of the iconic hit television series Beverly Hills, 90210 and one of the biggest teen idols of the 1990s, chronicles the highs and lows of his life and career in this charming and honest memoir. The hit Fox show Beverly Hills, 90210 became a cultural touchstone of the 1990s and propelled its young cast to mega-stardom, including Jason Priestley, who played honorable Midwestern transplant Brandon Walsh. Yet despite more than twenty years in and out of the limelight, Priestley has carefully maintained his privacy. In this compelling memoir, the actor, director, and race-car aficionado invites us into his private world for the first time. With humor, sincerity, and charm, Priestley offers little-known details about his life and stories of his nine years in America’s most famous zip code. He talks candidly about celebrity, marriage, fatherhood, and his passion for car racing. He does not shy away from the devastating lows—his brief jail sentence for drunk driving and the crash at the Kentucky Speedway that nearly took his life. Priestley shares his innermost thoughts about life as a ’90s icon, and goes beyond the Brandon Walsh squeaky-clean image, revealing the tumultuous events that have shaped him, and where he finds his greatest happiness today.
Jason Priestley, star of the iconic hit television series Beverly Hills, 90210 and one of the biggest teen idols of the 1990s, chronicles the highs and lows of his life and career in this charming and honest memoir. The hit Fox show Beverly Hills, 90210 became a cultural touchstone of the 1990s and propelled its young cast to mega-stardom, including Jason Priestley, who played honorable Midwestern transplant Brandon Walsh. Yet despite more than twenty years in and out of the limelight, Priestley has carefully maintained his privacy. In this compelling memoir, the actor, director, and race-car aficionado invites us into his private world for the first time. With humor, sincerity, and charm, Priestley offers little-known details about his life and stories of his nine years in America’s most famous zip code. He talks candidly about celebrity, marriage, fatherhood, and his passion for car racing. He does not shy away from the devastating lows—his brief jail sentence for drunk driving and the crash at the Kentucky Speedway that nearly took his life. Priestley shares his innermost thoughts about life as a ’90s icon, and goes beyond the Brandon Walsh squeaky-clean image, revealing the tumultuous events that have shaped him, and where he finds his greatest happiness today.
Jason Phinney seemingly has it all: a great job, a caring wife, and a pair of rambunctious canines he loves like children. Yet, in the wake of a tragic loss, Jason's world spirals out of control and he's forced to reevaluate the foundations of his life. As his marriage slowly unravels, the only thing that remains constant is the love of the many shelter dogs who find refuge in his home. In his powerful debut novel, A Thousand Sunny Days, Jason Phinney shares an unforgettable story of love, loss, and second chances, in which these animals, carelessly discarded by society and unaccustomed to human kindness, help heal his broken life.A Thousand Sunny Days is not a typical tale of love gone wrong. Instead, the emotional and spiritual trials of a man are continuously contrasted with the unconditional love his shelter dogs provide, as well as the connections—and disconnections—that occur between the dogs within their respective packs. As individual dogs make heartbreaking exits and dramatic entrances into the group, their personalities adapt accordingly. Through Phinney's vivid and insightful prose, nearly a dozen different dogs are imbued with rich personalities that make them characters in their own right.With its raw portrayal of a fractured marriage juxtaposed by the healing power of unconditional love, A Thousand Sunny Days is a brutally honest account of one man's journey from pain to forgiveness. It examines the role he played in the withering of his marriage, as well as the ways in which a once lonely life was completely transformed by the presence of a loveable pack of shelter dogs. Readers will find Phinney's unconventional journey to find faith both in himself and in something larger a fascinating take on a familiar path, sprinkled with ironic musings and a sharp eye for nuance. The novel's unique focus will touch the hearts of animal lovers as his canine companions prove healing sometimes comes from the most unexpected places.
The second installment of the ongoing "Pandemonium" serial, Erik La Chance saves Alex from her dad, but the P.A.G.A.N. Society learns of his disappearance. He learns of his dark origins and saves her from her dark future. The second in an ongoing collection of issues to be reassembled at a later date in one massive volume as "Horror World 6: Pandemonium".
In analyzing the nonfiction works of writers such as John Wilson, J. S. Mill, De Quincy, Ruskin, Arnold, Pater, and Wilde, Jason Camlot provides an important context for the nineteenth-century critic's changing ideas about style, rhetoric, and technologies of communication. In particular, Camlot contributes to our understanding of how new print media affected the Romantic and Victorian critic's sense of self, as he elaborates the ways nineteenth-century critics used their own essays on rhetoric and stylistics to speculate about the changing conditions for the production and reception of ideas and the formulation of authorial character. Camlot argues that the early 1830s mark the moment when a previously coherent tradition of pragmatic rhetoric was fragmented and redistributed into the diverse, localized sites of an emerging periodicals market. Publishing venues for writers multiplied at midcentury, establishing a new stylistic norm for criticism-one that affirmed style as the manifestation of English discipline and objectivity. The figure of the professional critic soon subsumed the authority of the polyglot intellectual, and the later decades of the nineteenth century brought about a debate on aesthetics and criticism that set ideals of Saxon-rooted 'virile' style against more culturally inclusive theories of expression.
A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakers Fun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City’s grittiness and splendor, creating what we can now view as “accidental documentaries” of the city’s modes and moods. In addition to the extensively researched and reported text, the book includes both historical photographs and production materials, as well as still-frames, behind-the-scenes photos, posters, and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade’s additional films of note.
The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.
How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you! Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds. It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: Play Playwright Casting numbers Gender splits Ability Genre description Brief Summary Exam level Workshop ideas Warnings/advice (where necessary) Suggested scenes for study Performance notes including lighting, sound, costume and space
Jason F. Moraff challenges the contention that Acts' sharp rhetoric and portrayal of the Jews reflects anti-Judaism and supersessionism. He argues that, rather than constructing Christian identity in contrast to Judaism, Acts binds the Way, Paul, and the Jews together into a shared identity as Israel, and that together they embark on a journey of repentance with common Jewishness providing the foundation. Acts leverages Jewish kinship, language, cult, and custom to portray the Way, Paul, and the Jews as one family debating the direction of their ancestral tradition. Using a historically situated narrative approach, Moraff frames Acts' portrayal of the Way and Paul in relation to the Jewish people as participating in internecine conflict regarding the Jewish tradition-in-crisis, after the destruction of the temple. By exploring ancient ethnicity, Jewish identity and Lukan characterization, images of the Jews, the Way, and Paul, violence in Acts and the theme of blindness in Luke's gospel, the Pauline writings and Acts, Moraff stresses that Acts speaks from among my own nation, meaning the Jews, and makes it possible to understand Acts' critical characterization of the Jews within Second Temple Judaism.
This book explores the formative period of British television drama, concentrating on the years 1936-55. It examines the continuities and changes of early television drama, and the impact this had upon the subsequent 'golden age'. In particular, it questions the caricature of early television drama as 'photographed stage plays' and argues that early television pioneers in fact produced a diverse range of innovative drama productions, using a wide range of techniques.
Disaster looms in the countryside. A dismally wet spring threatens to wipe out the summer harvests, and ruin the eggs of nesting birds. Against this emerging backdrop is set an exciting, evocative and often very amusing story that takes the reader directly into the lives of the birds and animals for whom the weather can be both friend - and implacable foe. The wise old toad, Tarquin, warns the animal community that without a successful harvest, starvation will follow in the winter. Meanwhile Wrecker the Weasel, leader of a group of professional egg thieves, is struggling to find - and steal - enough eggs to meet the demands of dangerous and powerful figures in the ferret underworld. Salvation for all could lie in the grain stores and hen house of nearby Half Mile Farm, but with the farm in the brutal grip of rodent gangster 'Monsta' the Rat, what steps can the beleaguered creatures take to secure their livelihoods - and their very survival?
In Electric Meters: Victorian Physiological Poetics Jason R. Rudy connects formal poetic innovations to developments in the electrical and physiological sciences, arguing that the electrical sciences and bodily poetics cannot be separated, and that they came together with special force in the years between the 1830s, which witnessed the invention of the electric telegraph, and the 1870s, when James Clerk Maxwell's electric field theory transformed the study of electrodynamics. Combining formal poetic analysis with cultural history, Jason Rudy traces the development of Victorian physiological poetics from the Romantic poetess tradition through to the works of Alfred Tennyson, the "Spasmodic" poets, Elizabeth Barrett Browning, Gerard Manley Hopkins, and Algernon Swinburne, among others.
The last comprehensive review of Nottinghamshire's birds was produced more than four decades ago. Much has changed since then, and a new avifauna is long overdue. This book draws together historic reports from the nineteenth century, records from the files of the county bird club (Nottinghamshire Birdwatchers), and data from national and regional surveys and monitoring programmes. The resulting account presents an overview of the present state of the county's birdlife, set against a context of environmental and climatic change. The gravel pits in the Trent and Idle Valleys form major corridors for birds moving across Britain and Nottinghamshire has attracted more than its share of national rarities. These include Britain's first Egyptian Nightjar and Lesser Yellowlegs in the nineteenth century, Bufflehead, Redhead, Cedar Waxwing and breeding Black-winged Stilts in the twentieth century, and a memorable nesting attempt by European Bee-eaters in 2017. The woods and heaths of Sherwood lying in the middle of the county also provide a haven for an array of iconic species including European Nightjar, Eurasian Woodcock, Honeybuzzard and Hawfinch. This book describes the past and present status of the 334 species that have been recorded in Nottinghamshire up to 2018. Lavishly illustrated with photographs taken within the county, and sketches from the internationally recognised artist Michael Warren, it is intended to be an authoritative reference to the birds of Nottinghamshire.
As anyone familiar with both the stereotypes and the scholarship related to Wesley knows, tricky interpretive questions abound: was Wesley a conservative, high church Tory or a revolutionary protodemocrat or proto-Marxist? Was he a modern rationalist obsessed with the epistemology of religious belief or a late medieval style thinker who believed in demonic possession and supernatural healing? Was Wesley primarily a pragmatic evangelist or a serious theologian committed to the long-haul work of catechesis, initiation, and formation? Wesley: A Guide for the Perplexed sheds new light on Wesley's life and teaching, and aims to help students understand this enigmatic figure.
Although relatively obscure during his lifetime, William Blake has become one of the most popular English artists and writers, through poems such as “The Tyger” and “Jerusalem,” and images including The Ancient of Days. Less well-known is Blake’s radical religious and political temperament and that his visionary art was created to express a personal mythology that sought to recreate an entirely new approach to philosophy and art. This book examines both Blake’s visual and poetic work over his long career, from early engravings and poems to his final illustrations to Dante and the Book of Job. Divine Images further explores Blake’s immense popular appeal and influence after his death, offering an inspirational look at a pioneering figure.
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