The Taste of Water and Stone is a deer trail through the last decade of Kirkey's poetry. Along its course, it charts a way through mountains, forests, and estuaries, through personal transformations and mythic encounters. The selected works have been revisited and revised to stand comfortably alongside a series of new poems. The result is a collection in answer to and enactment of the question, "how do we rewild the human heart?
Portraits of Beauty is Jason Kirkey's first collection of poetry. These poems have been written in and inspired by many landscapes; the forests of his birth place in Massachusetts, the mountains of Colorado, and the rain and mist of the west of Ireland. Divided into five parts - Voyages, Beauty, Thresholds, Presence, and Arrival - this collection attempts to capture the quiet presence and fierce passion within the human soul.
The poems in this book are an attempt to speak in a common tongue with mountains, rivers, and forests. Too often poetry is thought of as the domain of human creativity with its source in the depths of the imagination. We use it to speak of the world, but not to the non-??human world--let alone with it. The poems in Estuaries suggest that speech and poetry are fundamentally rooted in the ecosystem--the detritus of fallen leaves, the curvature of a river bend, and the sound of rain on a heron's wings. All of this might be regarded as the speech of the Earth. When we speak or write poetry that engages these voices we become participant in the patterns of the watershed.
Here at the end of the Cenozoic Era with the life systems withering away, a surprising creativity appears, a kind of mystical balancing act. The world's spiritual traditions are entering into deeply engaged conversations through which the riches of each are ignited in new ways. With The Salmon in the Spring, Jason Kirkey has boldly carved out his place in this exciting work with his original interpretations of the concepts and stories of ancient Ireland . . . Kirkey's vision speaks directly to our present ecological challenge. Rejecting those nature- denying forms of spirituality that have been used too easily to justify our domestication of the planet, The Salmon in the Spring announces its thrilling spiritual foundation: 'Our wild nature is our soul.' --Brian Swimme, California Institute of Integral Studies
Here at the end of the Cenozoic Era with the life systems withering away, a surprising creativity appears, a kind of mystical balancing act. The world's spiritual traditions are entering into deeply engaged conversations through which the riches of each are ignited in new ways. With The Salmon in the Spring, Jason Kirkey has boldly carved out his place in this exciting work with his original interpretations of the concepts and stories of ancient Ireland . . . Kirkey's vision speaks directly to our present ecological challenge. Rejecting those nature- denying forms of spirituality that have been used too easily to justify our domestication of the planet, The Salmon in the Spring announces its thrilling spiritual foundation: 'Our wild nature is our soul.' --Brian Swimme, California Institute of Integral Studies
The poems in this book are an attempt to speak in a common tongue with mountains, rivers, and forests. Too often poetry is thought of as the domain of human creativity with its source in the depths of the imagination. We use it to speak of the world, but not to the non-??human world--let alone with it. The poems in Estuaries suggest that speech and poetry are fundamentally rooted in the ecosystem--the detritus of fallen leaves, the curvature of a river bend, and the sound of rain on a heron's wings. All of this might be regarded as the speech of the Earth. When we speak or write poetry that engages these voices we become participant in the patterns of the watershed.
Why do the United States and Canada have such divergent political cultures when they share one of the closest economic and cultural relationships in the world? Canadians and Americans consistently disagree over issues such as the separation of church and state, the responsibility of government for the welfare of everyone, the relationship between federal and subnational government, and the right to marry a same-sex partner or to own an assault rifle. In this wide-ranging work, Jason Kaufman examines the North American political landscape to draw out the essential historical factors that underlie the countries’ differences. He discusses the earliest European colonies in North America and the Canadian reluctance to join the American Revolution. He compares land grants and colonial governance; territorial expansion and relations with native peoples; immigration and voting rights. But the key lies in the evolution and enforcement of jurisdictional law, which illuminates the way social relations and state power developed in the two countries. Written in an accessible and engaging style, this book will appeal to readers of sociology, politics, law, and history as well as to anyone interested in the relationship between the United States and Canada.
In this concise and practical book, Martel advocates for a content-based approach to foreign language curriculum design that emphasizes communicative competence, cognitive engagement, and social justice. Intended primarily for busy teachers with limited preparation time, the book includes: An introduction to content-based instruction and its use to date in foreign language education Step-by-step strategies for designing content-based unit plans, lesson plans, and assessments A complete curricular unit that serves as a guiding example, including nine lesson plans and a summative assessment The book is accompanied by a website that will feature additional examples of content-based curricular materials across a range of languages and proficiency levels, available at http://cbi.middcreate.net/movingbeyond.
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