Vorclaw must pay! General Baltus Blackpool continues to enact his revenge for his wife’s untimely death by placing the nation of Vorclaw under his military control and begins to hunt down the rulers of Vorclaw, known as The Council of Twelve. Queen Ooktha, ruler of the arch-goblins, realises she is betrayed and is willing to sacrifice her followers and her own safety in order to garner revenge against the Blackpool brothers – even if it means devastating her lover, Leif Foehammer! Hundreds of miles far to the north, Leif and Bjorn Foehammer, Dru Blackpool and others are cut off from returning from their mission. They are forced to fight for their lives against the undead and other creatures. As they sojourn through the mountains to find a new way home, they encounter unexpected allies and a potential revelation about Leif’s past! But if they return, will it be a happy homecoming?
Spurred on by the unexpected loss of his wife, the military officer Baltus Blackpool plans to enact his revenge by dismantling the decadent ruling council of Vorclaw by building his own cult—The Black Masks! Meanwhile, his son Dru bonds with others and delves into a less respectable career path that his father is forced to embrace. Magnus Foehammer, the infallible right hand of Baltus, rears an orphaned elf he names Leif. The elf, raised as a human alongside his adopted brother Bjorn, has no memory of his past but has an uncanny propensity towards good. Leif and Bjorn bond with Dru Blackpool and all three follow their own fathers’ footsteps into the army. However, they get caught up in Baltus Blackpool’s plans to overtake the Vorclaw while falling into their own misfortunes involving deceit, magic and a quest to save Leif from the vampiress and her arch-goblin hoards!
Chinese Buddhist monks of the Song dynasty (960–1279) called the irresistible urge to compose poetry “the poetry demon.” In this ambitious study, Jason Protass seeks to bridge the fields of Buddhist studies and Chinese literature to examine the place of poetry in the lives of Song monks. Although much has been written about verses in the gong’an (Jpn. kōan) tradition, very little is known about the large corpora—roughly 30,000 extant poems—composed by these monastics. Protass addresses the oversight by using strategies associated with religious studies, literary studies, and sociology. He weaves together poetry with a wide range of monastic sources and in doing so argues against positing a “literary Chan” movement that wrote poetry as a path to awakening; he instead presents an understanding of monks’ poetry grounded in the Song discourse of monks themselves. The work begins by examining how monks fashioned new genres, created their own books, and fueled a monastic audience for monks’ poetry. It traces the evolution of gāthā from hymns found in Buddhist scripture to an independent genre for poems associated with Chan masters as living buddhas. While Song monastic culture produced a prodigious amount of verse, at the same time it promoted prohibitions against monks’ participation in poetry as a worldly or Confucian art: This constructive tension was an animating force. The Poetry Demon highlights this and other intersections of Buddhist doctrine with literary sociality and charts productive pathways through numerous materials, including collections of Chan “recorded sayings,” monastic rulebooks, “eminent monk” and “flame record” hagiographies, manuscripts of poetry, Buddhist encyclopedia, primers, and sūtra commentary. Two chapter-length case studies illustrate how Song monks participated in two of the most prominent and conservative modes of poetry of the time, those of parting and mourning. Protass reveals how monks used Chan humor with reference to emptiness to transform acts of separation into Buddhist teachings. In another chapter, monks in mourning expressed their grief and dharma through poetry. The Poetry Demon impressively uncovers new and creative ways to study Chinese Buddhist monks’ poetry while contributing to the broader study of Chinese religion and literature.
The contributors to Best Practices in Quantitative Methods envision quantitative methods in the 21st century, identify the best practices, and, where possible, demonstrate the superiority of their recommendations empirically. Editor Jason W. Osborne designed this book with the goal of providing readers with the most effective, evidence-based, modern quantitative methods and quantitative data analysis across the social and behavioral sciences. The text is divided into five main sections covering select best practices in Measurement, Research Design, Basics of Data Analysis, Quantitative Methods, and Advanced Quantitative Methods. Each chapter contains a current and expansive review of the literature, a case for best practices in terms of method, outcomes, inferences, etc., and broad-ranging examples along with any empirical evidence to show why certain techniques are better. Key Features: Describes important implicit knowledge to readers: The chapters in this volume explain the important details of seemingly mundane aspects of quantitative research, making them accessible to readers and demonstrating why it is important to pay attention to these details. Compares and contrasts analytic techniques: The book examines instances where there are multiple options for doing things, and make recommendations as to what is the "best" choice—or choices, as what is best often depends on the circumstances. Offers new procedures to update and explicate traditional techniques: The featured scholars present and explain new options for data analysis, discussing the advantages and disadvantages of the new procedures in depth, describing how to perform them, and demonstrating their use. Intended Audience: Representing the vanguard of research methods for the 21st century, this book is an invaluable resource for graduate students and researchers who want a comprehensive, authoritative resource for practical and sound advice from leading experts in quantitative methods.
Collects Ghost Rider (2006) #20-25. Through the years, Johnny Blaze has lost everything to the curse of the Ghost Rider - his family, his life, even his soul. But now, at long last, Johnny finally knows who's responsible for turning him into a flame-headed horror-show on wheels, and he's hitting the road, looking for vengeance and answers - but mostly just vengeance!
Collects Dark Reign: The List - Avengers, Secret Warriors, Daredevil, Amazing Spider-Man, Hulk, X-Men, Punisher, Wolverine. Norman Osborn plans on making a list, checking it twice, and delivering an unhealthy amount of Dark Reign madness directly into the lives of super heroes both naughty and nice in Dark Reign: The List, a series of eight interconnected stories showcasing Osborn's reign of terror across the Marvel Universe.
Spanning four centuries, from 221 B.C. to A.D. 220, the Qin and Han dynasties were pivotal to Chinese history, establishing the social and cultural underpinnings of China as we know it today. Age of Empires: Art of the Qin and Han Dynasties is a revelatory study of the dawn of China’s imperial age, delving into more than 160 objects that attest to the artistic and cultural flowering that occurred under Qin and Han rule. Before this time, China consisted of seven independent states. They were brought together by Qin Shihuangdi, the self-proclaimed First Emperor of the newly unified realm. Under him, the earliest foundations of the Great Wall were laid, and the Qin army made spectacular advances in the arts of war—an achievement best expressed in the magnificent army of lifesize terracotta warriors and horses that stood before his tomb, seven of which are reproduced here. The Han built on the successes of the Qin, the increasing wealth and refinement of the empire reflected in dazzling bronze and lacquer vessels, ingeniously engineered lamps, and sparkling ornaments of jade and gold from elite Han tombs. But of all the achievements of the Qin-Han era, the most significant is, no doubt, the emergence of a national identity, for it was during this time of unprecedented change that people across the empire began to see themselves as one, with China as their common homeland. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} With its engaging, authoritative essays and evocative illustrations, Age of Empires provides an invaluable record of a unique epoch in Chinese history, one whose historic and artistic impact continues to resonate into the modern age.
Spurred on by the unexpected loss of his wife, the military officer Baltus Blackpool plans to enact his revenge by dismantling the decadent ruling council of Vorclaw by building his own cult—The Black Masks! Meanwhile, his son Dru bonds with others and delves into a less respectable career path that his father is forced to embrace. Magnus Foehammer, the infallible right hand of Baltus, rears an orphaned elf he names Leif. The elf, raised as a human alongside his adopted brother Bjorn, has no memory of his past but has an uncanny propensity towards good. Leif and Bjorn bond with Dru Blackpool and all three follow their own fathers’ footsteps into the army. However, they get caught up in Baltus Blackpool’s plans to overtake the Vorclaw while falling into their own misfortunes involving deceit, magic and a quest to save Leif from the vampiress and her arch-goblin hoards!
Vorclaw must pay! General Baltus Blackpool continues to enact his revenge for his wife’s untimely death by placing the nation of Vorclaw under his military control and begins to hunt down the rulers of Vorclaw, known as The Council of Twelve. Queen Ooktha, ruler of the arch-goblins, realises she is betrayed and is willing to sacrifice her followers and her own safety in order to garner revenge against the Blackpool brothers – even if it means devastating her lover, Leif Foehammer! Hundreds of miles far to the north, Leif and Bjorn Foehammer, Dru Blackpool and others are cut off from returning from their mission. They are forced to fight for their lives against the undead and other creatures. As they sojourn through the mountains to find a new way home, they encounter unexpected allies and a potential revelation about Leif’s past! But if they return, will it be a happy homecoming?
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