The Public Intellectual and the Culture of Hope brings together a number of winners of the Polanyi Prize in Literature – a group whose research constitutes a diversity of methodological approaches to the study of culture – to examine the rich but often troubled association between the concepts of the public, the intellectual (both the person and the condition), culture, and hope. The contributors probe the influence of intellectual life on the public sphere by reflecting on, analyzing, and re-imagining social and cultural identity. The Public Intellectual and the Culture of Hope reflects on the challenging and often vexed work of intellectualism within the public sphere by exploring how cultural materials – from foundational Enlightenment writings to contemporary, populist media spectacles – frame intellectual debates within the clear and ever-present gaze of the public writ large. These serve to illuminate how past cultures can shed light on present and future issues, as well as how current debates can reframe our approaches to older subjects.
Fitting Sentences is an analysis of writings by prisoners from the nineteenth and twentieth centuries in North America, South Africa, and Europe. Jason Haslam examines the ways in which these writers reconfigure subjectivity and its relation to social power structures, especially the prison structure itself, while also detailing the relationship between prison and slave narratives. Specifically, Haslam reads texts by Henry David Thoreau, Harriet Jacobs, Oscar Wilde, Martin Luther King, Jr., Constance Lytton, and Breyten Breytenbach to find the commonalities and divergences in their stories. While the relationship between prison and subjectivity has been mapped by Michel Foucault and defined as a strategic distribution of elements that act to exercise a power of normalization, Haslam demonstrates some of the complex connections and dissonances between these elements and the resistances to them. Each work shows how carceral practices can be used to attack a variety of identifications, be they sexual, racial, economic, or any of a variety of social categories. By analysing the works of specific prison writers but not being limited to a single locale or narrow time span, Fitting Sentences offers a significant historical and global overview of a unique genre in literature.
This book focuses on the interplay of gender, race, and their representation in American science fiction, from the nineteenth-century through to the twenty-first, and across a number of forms including literature and film. Haslam explores the reasons why SF provides such a rich medium for both the preservation of and challenges to dominant mythologies of gender and race. Defining SF linguistically and culturally, the study argues that this mode is not only able to illuminate the cultural and social histories of gender and race, but so too can it intervene in those histories, and highlight the ruptures present within them. The volume moves between material history and the linguistic nature of SF fantasies, from the specifics of race and gender at different points in American history to larger analyses of the socio-cultural functions of such identity categories. SF has already become central to discussions of humanity in the global capitalist age, and is increasingly the focus of feminist and critical race studies; in combining these earlier approaches, this book goes further, to demonstrate why SF must become central to our discussions of identity writ large, of the possibilities and failings of the human —past, present, and future. Focusing on the interplay of whiteness and its various 'others' in relation to competing gender constructs, chapters analyze works by Nathaniel Hawthorne, Mary E. Bradley Lane, Edgar Rice Burroughs, Philip Francis Nowlan, George S. Schuyler and the Wachowskis, Frank Herbert, William Gibson, and Octavia Butler. Academics and students interested in the study of Science Fiction, American literature and culture, and Whiteness Studies, as well as those engaged in critical gender and race studies, will find this volume invaluable.
Thinking Popular Culture offers an overview of some of the more foundational and central statements of cultural theory, and provides students and instructors with examples of the ways in which those theories relate to and can be employed for the study of popular culture. Importantly, Thinking Popular Culture draws on many Canadian examples and case studies to explain and employ the theoretical models discussed; some of these theories are also specific to the Canadian context.
A new critical companion to the Gothic traditions of American CultureThis new Companion surveys the traditions and conventions of the dark side of American culture its repressed memories, its anxieties and panics, its fears and horrors, its obsessions and paranoias. Featuring new critical essays by established and emerging academics from a range of national backgrounds, this collection offers new discussions and analyses of canonical and lesser-known texts in literature and film, television, photography, and video games. Its scope ranges from the earliest manifestations of American Gothic traditions in frontier narratives and colonial myths, to its recent responses to contemporary global events. Key Features Features original critical writing by established and emerging scholarsSurveys the full range of American Gothic, from its earliest texts to 21st Century worksIncludes critical analyses of American Gothic in new media and technologiesWill establish new benchmarks for the critical understanding of American Gothic traditions
Prisons and Prisoners is the autobiography of aristocratic suffragette Constance Lytton. In it, she details her militant actions in the struggle to gain the vote for women, including her masquerade and imprisonment as the working-class “Jane Warton.” As a member of a well-known political family (and grand-daughter of the famous novelist Edward Bulwer-Lytton), Lytton's arrests garnered much attention at the time, but she was treated differently than other suffragettes because of her class—when other suffragettes were forcibly fed while on hunger strikes, she was released. “Jane Warton,” however, was forcibly fed, an act that permanently damaged Lytton’s health, but that also became a singular moment in the history of women’s and prisoner’s rights. This Broadview edition includes news articles, reviews, and illustrations on women’s suffrage from the periodicals of the time.
For over half a century, Stanley Milgram's classic and controversial obedience experiments have been a touchstone in the social and behavioral sciences, introducing generations of students to the concept of destructive obedience to authority and the Holocaust. In the last decade, the interdisciplinary Milgram renaissance has led to widespread interest in rethinking and challenging the context and nature of his Obedience Experiment. In Morality in the Making of Sense and Self, Matthew M. Hollander and Jason Turowetz offer a new explanation of obedience and defiance in Milgram's lab. Examining one of the largest collections of Milgram's original audiotapes, they scrutinize participant behavior in not only the experiments themselves, but also recordings of the subsequent debriefing interviews in which participants were asked to reflect on their actions. Introducing an original theoretical framework in the sociology of morality, they show that, contrary to traditional understandings of Milgram's experiments that highlight obedience, virtually all subjects, both compliant and defiant, mobilized practices to resist the authority's commands, such that all were obedient and disobedient to varying degrees. As Hollander and Turowetz show, the precise ways subjects worked out a definition of the situation shaped the choices open to them, how they responded to the authority's demands, and ultimately whether they would be classified as "obedient" or "defiant." By illuminating the relationship between concrete moral dilemmas and social interaction, Hollander and Turowetz tell a new, empirically-grounded story about Milgram: one about morality--and immorality--in the making of sense and self.
In the Judeo-Christian tradition, the deity Yahweh is often portrayed as an old man. One of the epithets used of Yahweh in the Hebrew Bible, the Ancient of Days, is a source for this depiction of God as elderly. However, when we look closely at the early traditions of biblical Israel, we see a different picture: God is relatively youthful, a warrior who defends his people. This book is an examination of the question How did God become old? To answer this question, Bembry examines the way that aging and elderly human beings are portrayed in the Hebrew Bible. Then he makes a similar foray into the texts written in Ugaritic (a language quite close to ancient Hebrew), which provide a window into the ancient culture just north of Israel during the Late Bronze Age. He finds that Israel’s God shared attributes with the Ugaritic deities Baal and El. One prominent aspect of the similar attributes was that Yahweh’s depiction as a youthful warrior paralleled the way Baal was portrayed. The transformation from young deity to Ancient of Days took place at the intersection of two trajectories in the traditions of Israel. One trajectory is reflected in the way that apocalyptic traditions found in the book of Daniel recast the old Canaanite mythic imagery seen in the Ugaritic and early biblical texts. This trajectory allows Yahweh to take on qualities, such as old age, that were not associated with him during most of Israel’s history but were associated with El in the Canaanite traditions. The second trajectory, a depiction of Israel’s God as elderly, is connected with the development of the idea of Yahweh as father. The more comfortable the biblical tradents became with portraying Yahweh as a father—a metaphor that was not embraced in the early traditions—the easier it became for the people of Israel to think of Yahweh as occupying a stage of the human life cycle. These two trajectories came together in the 2nd century B.C.E., the chronological backdrop for Daniel 7, and found expression in a new epithet for Yahweh: Ancient of Days.
Are you settling for half the story? Highlighting connections that have been hidden from non-Jewish eyes, Rabbi Jason Sobel will connect the dots between the Old and New Testament, helping you see the Bible with clarity as God intended. Most people—even people of faith—do not understand how the Bible fits together. Too many Christians accept half an inheritance, content to embrace merely the New Testament, while Jewish people may often experience the same by embracing only the Old Testament. But God has an intricate plan and purpose for both the Old and the New. In Mysteries of the Messiah, Rabbi Jason Sobel reveals the many connections in Scripture hidden in plain sight. Known for his emphatic declaration “but there’s more!” he guides us in seeing the passion and purpose of the Messiah. Mysteries of the Messiah: Uncovers connections between the Old and New Testaments Connects the dots for readers with details about Jesus, the Torah, and biblical characters Written with the unique perspective of a rabbi with an evangelical theological degree No matter how many times you have read the Bible, Mysteries of the Messiah will bring fresh perspective and insight. God’s Word, written by many people over thousands of years, is not a random selection of people and stories. Rabbi Jason Sobel connects the dots and helps us see with clarity what God intended.
Are you or someone you love desperate for a miracle? As witnessed through Scripture, the God who was and is and is to come has been performing miracles from the beginning of time—so you can trust that Jesus wants to do something miraculous in your life today. In this follow-up to his book Mysteries of the Messiah, Rabbi Jason Sobel dives deep into Scripture, biblical culture, and ancient texts to help you better understand the truths and the power behind God’s miracles, and to increase your faith that Jesus can perform miracles in your life. By taking a deeper look at Yeshua’s miracles, Rabbi Jason reveals promises for all Christ followers based on miracles throughout Scripture: Jesus takes the ordinary and turns it into something extraordinary, because He wants you to live out of His overflow (He turned water into wine). Jesus wants to renew you so that He can do something new in you (He revealed to Nicodemus the miracle of rebirth). You can stop wandering aimlessly or feeling stuck in your current situation, but instead experience abundant life and healing (He healed the man at the Pool of Bethesda). God wants to bless you abundantly so you, in turn, can bless others and sow into His kingdom (Jesus multiplied the loaves and fish). As you go on this journey with Rabbi Jason, a Messianic Jew, he is praying that God will lead you to new insights and breakthroughs in your life. And as God reveals Himself to you in a fresh and powerful way, you will be filled with a sense of His presence and shalom.
James 2:19 Says 'You Believe there is 1 one God do you? You are doing quite well, and Yet the demons believe and shudder. It makes sense the Devil and his Demons want you to think God has many names. As long as you don't say the correct name, they think they can prevent God's day from coming. God Almighty has one Name, the name that makes them shudder. The Tetragrammaton are the Hebrew Letters,
The Public Intellectual and the Culture of Hope brings together a number of winners of the Polanyi Prize in Literature – a group whose research constitutes a diversity of methodological approaches to the study of culture – to examine the rich but often troubled association between the concepts of the public, the intellectual (both the person and the condition), culture, and hope. The contributors probe the influence of intellectual life on the public sphere by reflecting on, analyzing, and re-imagining social and cultural identity. The Public Intellectual and the Culture of Hope reflects on the challenging and often vexed work of intellectualism within the public sphere by exploring how cultural materials – from foundational Enlightenment writings to contemporary, populist media spectacles – frame intellectual debates within the clear and ever-present gaze of the public writ large. These serve to illuminate how past cultures can shed light on present and future issues, as well as how current debates can reframe our approaches to older subjects.
John Harris's arrival at Bramall Lane laid the foundations for the appearance of some of the greatest players in Sheffield United's history. In his second full season in charge, the Blades were promoted back to the first division. Ain't Got a Barrel of Money is the story of Harris and those who came after him, building a team that would challenge for a place in Europe, the decline that followed and the inevitable sale of many of the club's finest players. In 1975, they finished sixth in Division One, playing some of the most exciting football in the country. Currie, Woodward, Colquhoun, Speight, Hemsley and Badger were all household names. But within six years Sheffield United had gone from the brink of greatness to the ultimate humiliation - relegation to the fourth division, for the first and only time in the club's wonderful history. Filled with anecdotes and memories from many of those who were there, both on the field and on the terraces, this book captures the highs and lows of being a Sheffield United fan.
Television personality Kathie Lee Gifford and Messianic Jewish Rabbi Jason Sobel tour the land of Israel, providing fascinating details and eye-opening revelations that make the story of Jesus come alive.
“Through the years, a man peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, tools, stars, horses and people. Shortly before his death, he discovers that the patient labyrinth of lines traces the image of his own face.” These words, inseparably marrying Jorge Luis Borges's life and work, encapsulate how he interwove the two throughout his legendary career. But the Borges of popular imagination is the blind, lauded librarian and man of letters; few biographers have explored his tumultuous early life in the streets and cafes of Buenos Aires, a young man searching for his path in the world. In Jorge Luis Borges, Jason Wilson uncovers the young poet who wrote, loved, and lost with adventurous passion, and he considers the later work and life of the writer who claimed he never created a character other than himself. As Borges declared, “It’s always me, subtly disguised.” Born in Buenos Aires in 1899, Borges was a voracious reader from childhood, perhaps in part because he knew he lived under an inescapable sentence of adult-onset blindness inherited from his father. Wilson chronicles Borges’s life as he raced against time and his fated blindness, charting the literary friendships, love affairs, and polemical writings that formed the foundation of his youth. Illuminating the connections running between the biography and fictions of Borges, Wilson traces the outline of this self-effacing literary figure. Though in his later writings Borges would subjugate emotion to the wild play of ideas, this bracing book reminds us that his works always recreated his life in subtle and delicate ways. Restoring Borges to his Argentine roots, Jorge Luis Borges will be an invaluable resource for all those who treasure this modern master.
Drawing on the controversial case of “Ashley X,” a girl with severe developmental disabilities who received interventionist medical treatment to limit her growth and keep her body forever small—a procedure now known as the “Ashley Treatment”—Reconsidering Intellectual Disability explores important questions at the intersection of disability theory, Christian moral theology, and bioethics. What are the biomedical boundaries of acceptable treatment for those not able to give informed consent? Who gets to decide when a patient cannot communicate their desires and needs? Should we accept the dominance of a form of medicine that identifies those with intellectual impairments as pathological objects in need of the normalizing bodily manipulations of technological medicine? In a critical exploration of contemporary disability theory, Jason Reimer Greig contends that L'Arche, a federation of faith communities made up of people with and without intellectual disabilities, provides an alternative response to the predominant bioethical worldview that sees disability as a problem to be solved. Reconsidering Intellectual Disability shows how a focus on Christian theological tradition’s moral thinking and practice of friendship with God offers a way to free not only people with intellectual disabilities but all people from the objectifying gaze of modern medicine. L'Arche draws inspiration from Jesus's solidarity with the "least of these" and a commitment to Christian friendship that sees people with profound cognitive disabilities not as anomalous objects of pity but as fellow friends of God. This vital act of social recognition opens the way to understanding the disabled not as objects to be fixed but as teachers whose lives can transform others and open a new way of being human.
Translational Gastroenterology: Organogenesis to Disease bridges the gap between basic and clinical research by providing information on GI (gastrointestinal) organ development discovered through scientific inquiry, alongside clinical observations of acquired and congenital abnormalities. Paired chapters, written from basic science and clinical viewpoints, review the major biological pathways and molecules at work in organ ontogeny and disease. In addition to a comprehensive survey of GI organ development and pathologies, the book also highlights model organisms and new areas of research, with chapters devoted to recent advances in the field of GI stem cell biology, and the potential for tissue engineering of GI organs. The topics covered provide a unique window onto current activity in the field of gastroenterology, fostering enhanced knowledge for developmental biologists as well as for clinical practitioners. Notable features include the following: • Basic science chapters review the molecular and cellular pathways of GI organ development alongside clinical chapters examining organ-based diseases, closing the gap between the bench and the clinic. • Derivative organs – esophagus, stomach, pylorus, small intestine, colon, liver, and pancreas –as well as tissues such as serosa and enteric nervous system that are common to multiple GI organs. • Chapters detailing the use of model organisms – Drosophila, sea urchin, zebrafish, C. elegans, Xenopus – for basic discovery studies are included. • Chapters on GI stem cells and the potential for tissue engineering of the GI organs provide a view to the future of research and therapy in these organs.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.