How did Americans imagine the Civil War before it happened? The most anticipated event of the nineteenth century appeared in novels, prophecies, dreams, diaries, speeches, and newspapers decades before the first shots at Fort Sumter. People forecasted a frontier filibuster, an economic clash between free and slave labor, a race war, a revolution, a war for liberation, and Armageddon. Reading their premonitions reveals how several factors, including race, religion, age, gender, region, and class, shaped what people thought about the future and how they imagined it. Some Americans pictured the future as an open, contested era that they progressed toward and molded with their thoughts and actions. Others saw the future as a closed, predetermined world that approached them and sealed their fate. When the war began, these opposing temporalities informed how Americans grasped and waged the conflict. In this creative history, Jason Phillips explains how the expectations of a host of characters-generals, politicians, radicals, citizens, and slaves-affected how people understood the unfolding drama and acted when the future became present. He reconsiders the war's origins without looking at sources using hindsight, that is, without considering what caused the cataclysm and whether it was inevitable. As a result, Phillips dispels a popular myth that all Americans thought the Civil War would be short and glorious at the outset, a ninety-day affair full of fun and adventure. Much more than rational power games played by elites, the war was shaped by uncertainties and emotions and darkened horizons that changed over time. Looming Civil War highlights how individuals approached an ominous future with feelings, thoughts, and perspectives different from our sensibilities and unconnected to our view of their world. Civil War Americans had their own prospects to ponder and forge as they discovered who they were and where life would lead them. The Civil War changed more than America's future; it transformed how Americans imagined the future and how Americans have thought about the future ever since.
The story of the fly and how it could save the world will take you behind the pesky reputation and inside the brain and body of the much misunderstood fly. It investigates the insect as a pest and how man has tried tirelessly, often unsuccessfully) to kill it – exploring everything from how it walks on ceilings to how it survives Ice Ages and outsmarts all manner of fly swats, toxins and traps. The book also reveals how, throughout history, innovative humans – including Genghis Kahn, Napoleon Bonaparte's surgeon, NASA, various forensic entomologists and the UK's National Health Service – have harnessed and researched the fly to help mankind. But ultimately it introduces the fly as a future hero that could help save the world. How? By recycling waste nutrients and generating sustainable protein to spare the fish in the ocean and feed the ever-growing number of people on our Earth. That’s a story worth telling. And one worth reading, too.
Chronicling the first two seasons of the worst team in NFL history, an entertaining sports story follows the Tampa Bay Buccaneers during the 1976 and 1977 seasons in which they cemented their place in football history as having the longest losing streak in the history of the league,"--NoveList.
A multi-disciplinary, multi-industry overview of microbiologically influenced corrosion, with strategies for diagnosis and control or prevention Microbiologically Influenced Corrosion helps engineers and scientists understand and combat the costly failures that occur due to microbiologically influenced corrosion (MIC). This book combines recent findings from diverse disciplines into one comprehensive reference. Complete with case histories from a variety of environments, it covers: Biofilm formation Causative organisms, relating bacteria and fungi to corrosion mechanisms for groups of metals Diagnosing and monitoring MIC Electrochemical techniques, with an overview of methods for detection of MIC The impact of alloying elements, including antimicrobial metals, and design features on MIC MIC of non-metallics Strategies for control or prevention of MIC, including engineering, chemical, and biological approaches This is a valuable, all-inclusive reference for corrosion scientists, engineers, and researchers, as well as designers, managers, and operators.
Queer and Bookish: Eve Kosofksy Sedgwick as Book Artist represents the first book-length study to explore the intersections of Sedgwick's critical writing, poetry, and, most importantly, book art, making the case that her art criticism, especially her meditations on domestic and nineteenth-century photography, and "artist's book" projects are as formally complex and brilliant, conceptually significant and life-changing, as her literary criticism and theory. In addition, the book represents a significant intervention into recent debates about reparative reading, surface reading, and the descriptive turn across the humanities, because of its sustained, positive accounts on Sedgwick's books as visual, textural, and material objects. The book ranges across Sedgwick's published output, from The Coherence of Gothic Conventions (1980) to the posthumously published The Weather in Proust (2011), and features her meditations on a wide variety of art-historical topoi, including Judith Scott's queer/crip fiber art; the anality of Polykleitos's Doryphorus; queer Modernist typography; Piranesi's punitive space; Duncan Grant and Vanessa Bell's queer holy family; Manet's frontality and thalassic aesthetics; fat and thin aesthetics of various stripes; and the queer photography of Anna Atkins, Clementina Hawarden, and Julia Margaret Cameron; Baron De Mayer, Eugene Atget, and P.H. Emerson; as well as David Hockney, Ken Brown, and her own father, a NASA lunar photographer. The book climaxes with two chapter-length explorations of Sedgwick's own late-life book-art practice: her panda Valentine alphabet cards (c. 1996) and her Last Days of Pompeii/Cavafy unique artist's book (c. 2007). Jason Edwards is a Professor of Art History at the University of York, where he works at the intersections of queer and vegan theory, and on British art history in its global contexts in the period from c.1760-1940. He is the author of the Routledge Critical Thinkers volume on Eve Kosofsky Sedgwick (Routledge, 2009) as well as the editor of Bathroom Songs: Eve Kosofsky Sedgwick As a Poet (punctum books, 2017), which includes Sedgwick's uncollected poems. In addition, Jason is also the author of Alfred Gilbert's Aestheticism (Ashgate 2006), and the co-editor of special issues of journals and edited collections on Grinling Gibbons, Joseph Cornell, the British School of Sculpture c.1760-1832, Victorian sculpture in its global contexts, the Arts and Crafts and Aesthetic interiors, and homoeroticism, art and aestheticism in Victorian Britain. Jason has also co-curated exhibitions on Turner's whaling imagery, Alfred Gilbert, and Victorian sculpture more broadly, at Tate Britain, the Yale Center for British Art, Hull Maritime Museum, Lotherton Hall, and the Henry Moore Institute for the Study of Sculpture, in Leeds. Jason's forthcoming book Queer Craft deals with Sedgwick's work as a fiber artist.
A New York Times bestseller! “Lively and absorbing. . ." — The New York Times Book Review "Engrossing." —Wall Street Journal “Entertaining and well-researched . . . ” —Houston Chronicle Three noted Texan writers combine forces to tell the real story of the Alamo, dispelling the myths, exploring why they had their day for so long, and explaining why the ugly fight about its meaning is now coming to a head. Every nation needs its creation myth, and since Texas was a nation before it was a state, it's no surprise that its myths bite deep. There's no piece of history more important to Texans than the Battle of the Alamo, when Davy Crockett and a band of rebels went down in a blaze of glory fighting for independence from Mexico, losing the battle but setting Texas up to win the war. However, that version of events, as Forget the Alamo definitively shows, owes more to fantasy than reality. Just as the site of the Alamo was left in ruins for decades, its story was forgotten and twisted over time, with the contributions of Tejanos--Texans of Mexican origin, who fought alongside the Anglo rebels--scrubbed from the record, and the origin of the conflict over Mexico's push to abolish slavery papered over. Forget the Alamo provocatively explains the true story of the battle against the backdrop of Texas's struggle for independence, then shows how the sausage of myth got made in the Jim Crow South of the late nineteenth and early twentieth century. As uncomfortable as it may be to hear for some, celebrating the Alamo has long had an echo of celebrating whiteness. In the past forty-some years, waves of revisionists have come at this topic, and at times have made real progress toward a more nuanced and inclusive story that doesn't alienate anyone. But we are not living in one of those times; the fight over the Alamo's meaning has become more pitched than ever in the past few years, even violent, as Texas's future begins to look more and more different from its past. It's the perfect time for a wise and generous-spirited book that shines the bright light of the truth into a place that's gotten awfully dark.
Social studies is a discipline unique to K-12 education and tasked with the preparation of democratic citizens. Social studies educators work with concepts, theories, and ideas from multiple disciplines across the social sciences and humanities, which makes discourse through shared language complex. Specialization in content areas that comprise the social studies can further complicate shared understanding of essential terms. The Language of Social Studies Education offers essential information for key concepts organized to reflect the contemporary context of K-12 social studies education. The concepts found within this volume reflect the breadth of the discipline while also providing the foundational knowledge needed to develop deeper understanding. Each entry is based on multiple sources that invite the reader to pursue their interests through further inquiry. This book will appeal to those who are looking for concise information based on respected scholarship from disciplines across the social studies. Even seasoned social studies practitioners will find its entries helpful for incorporating new concepts, ideas, and approaches into their discourses on citizenship education.
The Pigheaded Soul presents a series of witty, intelligent, and sometimes controversial essays in which talented newcomers and avowed masters alike find themselves within the literary crosshairs of acclaimed poet and critic Jason Guriel. Guriel does not shy away from the negative review, nor does he begrudge praise where praise is due. He applauds the innovative and evocative, rails against the lazy and the imprecise, and critiques the ‘hipster’ mentality of so-called avant-gardists who use the same tired tricks as shortcuts to perceived innovation. But far from providing only reviews and critical readings, The Pigheaded Soul serves up amusing insider anecdotes about the poetry community, from intelligent examinations of inspiration and imagination, to gonzo reportage of high-profile – and occasionally absurd – literary events. Wry, engaging, and astute, Guriel writes with a confidence and panache that enlivens the often dry and dusty field of literary criticism.
In Xenocitizens, Jason Berger returns to the antebellum United States in order to challenge a scholarly tradition based on liberal–humanist perspectives. Through the concept of the xenocitizen, a synthesis of the terms “xeno,” which connotes alien or stranger, and “citizen,” which signals a naturalized subject of a state, Berger uncovers realities and possibilities that have been foreclosed by dominant paradigms. Innovatively re-orienting our thinking about traditional nineteenth-century figures such as Ralph Waldo Emerson and Henry David Thoreau as well as formative writers such as William Wells Brown, Martin R. Delany, Margaret Fuller, and Harriet Beecher Stowe, Xenocitizens glimpses how antebellum thinkers formulated, in response to varying forms of oppression and crisis, startlingly unique ontological and social models as well as unfamiliar ways to exist and to leverage change. In doing so, Berger offers us a different nineteenth century—pushing our imaginative and critical thinking toward new terrain.
In the fifteen years before the publication of Leaves of Grass (1855), Walt Whitman constructed three authoritative voices by which he engaged the upheavals endemic to the Industrial Revolution. Through these public personas, found mostly in his journalism, Whitman offered remedies for American artisans who had lost their economic autonomy and status. Instead of attacking broad forces beyond worker control, Whitman blamed artisans for oppressing themselves through the temptations of consumerism and affectation. Walt Whitman's Multitudes places the first edition of Leaves of Grass on par with Whitman's journalism and exposes a writer different from most poetry-directed analyses. In doing so, it traces Whitman's public voice as he wrestled intimately with the debates of his day: conspicuous consumption, nativism, slavery, and, through it all, labor and the status of the new working class.
Guaranteed to rev the engines of car fans everywhere. Supercars are the purest and most extreme expression of automotive performance there is - and no one knows the territory better than the TopGear team. With ever-increasing power outputs, radical new designs, and eye-popping price tags, this book is a celebration of the supercar in all its fabulous glory. Supercars also brings this incredibly fast-moving, hi-octane world bang up to date. The world's best writers and photographers explore the latest developments in thrilling style - from the new generation of pure-electric cars that have raised the bar for zero emissions performance, to the crazy machines hell-bent on breaking the 300mph barrier ... this is TopGear Supercars. Buckle up. Are you ready?
Two years ago Wilson left his old boss alive in exchange for a clean slate, keeping up his end of the bargain and staying off the grid. Then, thousands of miles from the city he once escaped, a man comes calling on Wilson with a gun in hand and a woman in his trunk. Wilson is pulled back into his old life as a "grinder" to work under the radar to quietly find out who is responsible for a dangerous mobster's missing nephews and this time all bets are off.
The experimental method is one commonly applied to issues of environmental economics; this book brings together 63 leading researchers in the area and their latest work exploring the behavioural underpinnings of experimental environmental economics. The essays in this volume will be illuminating for both researchers and practitioners, specific
First and foremost, and most inclusively, anyone fascinated by thinking and learning about connections between brain research and writing should read The Write Mind for Every Classroom: How to Connect Brain Science and Writing Across the Disciplines. Teachers of writing across a wide range of grade levels will find this book useful, especially those teaching adolescents. The information and activities are designed for those teaching across secondary and post-secondary content areas. As writing becomes increasingly central across all content areas as a result of both federal and state mandates such as the Common Core State Standards (CCSS), this book will be useful to all teachers of adolescents. College and university professors will find this book useful in helping to prepare today’s pre-service teachers. Literacy coaches, principals, and mentor/lead teachers will find much of value, as will educators involved in teacher learning groups. As brain-based education enters the national spotlight it becomes increasingly important for educators at all levels to become intelligent consumers of brain-based claims that have a potentially far-reaching impact on student learning.
The thesis advanced in this book is that feeling and cognition actualize through a process that originates in older brain formations and develops outward through limbic and cortical fields through the self-concept and private space into (as) the world. An iteration of this transition deposits acts, objects, feelings and utterances. Value is a mode of conceptual feeling that depends on the dominant phase in this transition: from desire through interest to object worth. Among the topics covered are subjective time and change, the epochal nature of objects and their temporal extensibility and the evolution of value from inorganic matter into organic form. The theory of microgenesis informs this work. According to this theory, acts and objects evolve in milliseconds through phases that replicate patterns in forebrain evolution. The progression in the actualization of the mind/brain state is from archaic to recent in brain formation, from unity to diversity, from past to present and from mind to world. An account is given of the diversity of felt experience avoiding the reductionist moves characteristic of biological materialism and the inherent dualism of psychoanalytic and related theories. This book is intended for any reader interested in the psychology of the inner life and philosophy of mind, including philosophers, psychologists, psychiatrists and others with an interest in problems of value and moral feeling.
This book repositions thinking about rhythm, meter and versification during the “Mechanical Age.” Cutting across disciplinary boundaries, the book examines the rhythmical workings of poems alongside not only Victorian theories of prosody and poetics but also contemporary thinking about labor practices, pedagogical procedures, scientific experiments, and technological innovations. By offering an exploded definition of meter—one that extends beyond conventional foot-based scansion—this book explicates the conceptual and, at times, material exchanges between poetic meter and machine culture. The machines of meter include mid-century theories of abstraction and technologies of smoothness and even spacing; a deeply influential, though rarely credited, system of metrical manufacture; verse produced by a Victorian automaton; the mechanics of the human body and mind and the meters that issued from them; and the promise of scientific machines to resolve metrical dilemmas once and for all.
Drawing on the latest scientific research in the field of neuroeconomics, this entertaining book shows how the brain influences financial decisions and can make one rich. 20 illustrations.
Though the forests are still green and the lakes full of water, an unending stream of invasions is changing many ecosystems around the world from productive, tightly integrated webs of native species to loose assemblages of stressed native species and aggressive invaders. The earth is becoming what author David Quammen has called a "planet of weeds." Nature Out of Place brings this devastating but overlooked crisis to the forefront of public consciousness by offering a fascinating exploration of its causes and consequences, along with a thoughtful and practical consideration of what can be done about it. The father and son team of Jason and Roy Van Driesche offer a unique combination of narratives that highlight specific locations and problems along with comprehensive explanations of the underlying scientific and policy issues. Chapters examine Hawaii, where introduced feral pigs are destroying the islands' native forests; zebra mussel invasion in the rivers of Ohio; the decades-long effort to eradicate an invasive weed on the Great Plains; and a story about the restoration of both ecological and human history in an urban natural area. In-depth background chapters explain topics ranging from how ecosystems become diverse, to the characteristics of effective invaders, to procedures and policies that can help prevent future invasions. The book ends with a number of specific suggestions for ways that individuals can help reduce the impacts of invasive species, and offers resources for further information. By bringing the problem of invasive species to life for readers at all levels, Nature Out of Place will play an essential role in the vital effort to raise public awareness of this ongoing ecological crisis.
Until recently, "continental" philosophy has been tied either to the German tradition of phenomenology or to French post-structuralist concerns with the conditions of language and textuality. Giorgio Agamben draws upon and departs from both these lines of thought by directing his entire corpus to the problem of life - political life, human life, animal life, and the life of art. Influenced by the work of Martin Heidegger, Walter Benjamin, and the broader tradition of critical Marxism, Agamben's work poses the profound question for our time - just how exceptional are human beings? This beautifully written book provides a systematic, engaging overview of Agamben's writings on theology, aesthetics, political theory, and sovereignty. Covering the full range of Agamben's work to date, Claire Colebrook and Jason Maxwell explain Agamben's theology and philosophy by referring the concepts to some of today's most urgent political and ethical problems. They focus on the audacious way in which Agamben reconceptualizes life itself. Assessing the significance of the concepts key to his work, such as biopolitics, sovereignty, the "state of exception," and "bare life," they demonstrate his wide-ranging influence across the humanities.
Technology Play and Brain Development brings together current research on play development, learning technology, and brain development. The authors first navigate the play technology and brain development interface, highlighting the interactive qualities that make up each component. Next, they survey the changes in play materials and the variations in time periods for play that have occurred over the past 15-20 years, and then explain how these changes have had the potential to affect this play/brain developmental interaction. The authors also cover various types of technology-augmented play materials used by children at age levels from infancy to adolescence, and describe the particular qualities that may enhance or change brain development. In so doing, they present information on previous and current studies of the play and technology interface, in addition to providing behavioral data collected from parents and children of varied ages related to their play with different types of play materials. Significantly, they discuss how such play may affect social, emotional, moral, and cognitive development, and review futurist predictions about the potential qualities of human behavior needed by generations to come. The authors conclude with advice to toy and game designers, parents, educators, and the wider community on ways to enhance the quality of technology-augmented play experiences so that play will continue to promote the development of human characteristics needed in the future.
This book is ideal for any introductory American history instructor who wants to make the subject more appealing. It's designed to supplement a main text, and focuses on "personalized history" presented through engaging biographies of famous and less-well-known figures from the colonial period to 1877. Historical patterns and trends appear as they are seen through individual lives, and the selection of the profiled individuals reflects a cultural awareness and a multicultural perspective.
This book looks beyond fidelity to emphasize how each adaptation of D.H. Lawrence’s short stories functions as a creative response to a text, foregrounding the significance of its fluidity, transtextuality, and genre. The adaptations analysed range from the first to the most recent and draw attention to the fluidity of textual sources, the significance of generic conventions and space in film, the generic potentialities latent within Lawrence’s tales, and the evolving nature of adaptation. By engaging with recent advances in adaptation theory to discuss the evolving critical reception of the author’s work and the role of the reader, this book provides a fresh, forward-looking approach to Lawrence studies.
Wildland fires have an irreplaceable role in sustaining many of our forests, shrublands and grasslands. They can be used as controlled burns or occur as free-burning wildfires, and can sometimes be dangerous and destructive to fauna, human communities and natural resources. Through scientific understanding of their behaviour, we can develop the tools to reliably use and manage fires across landscapes in ways that are compatible with the constraints of modern society while benefiting the ecosystems. The science of wildland fire is incomplete, however. Even the simplest fire behaviours – how fast they spread, how long they burn and how large they get – arise from a dynamical system of physical processes interacting in unexplored ways with heterogeneous biological, ecological and meteorological factors across many scales of time and space. The physics of heat transfer, combustion and ignition, for example, operate in all fires at millimetre and millisecond scales but wildfires can become conflagrations that burn for months and exceed millions of hectares. Wildland Fire Behaviour: Dynamics, Principles and Processes examines what is known and unknown about wildfire behaviours. The authors introduce fire as a dynamical system along with traditional steady-state concepts. They then break down the system into its primary physical components, describe how they depend upon environmental factors, and explore system dynamics by constructing and exercising a nonlinear model. The limits of modelling and knowledge are discussed throughout but emphasised by review of large fire behaviours. Advancing knowledge of fire behaviours will require a multidisciplinary approach and rely on quality measurements from experimental research, as covered in the final chapters.
Creative writing takes on many genres, or forms: fiction, poetry, nonfiction and dramatic writing. Whilst all have their own principles and 'rules', all modes of writing overlap and borrow from each other, and so what you learn in one form can influence, inform and inspire your practice in others. Intersecting Genre holds this idea at its heart, embracing the dissolution of disciplinary and genre boundaries to discuss the ways each genre supports the others. Whilst traditional approaches typically discuss one genre independent of others, this book explores genre relationships with each chapter focusing on the intersection between 2 modes and what you can learn and the skills you can transfer by combining the wisdom gained from the study of, for example, fiction and poetry together. With most introductory creative writing courses aiming to apprise you of such mechanics of writing as narrative, pace, vocabulary, dialogue, imagery and viewpoint, Intersecting Genre is the ideal companion, offering a unique methodology that analyses these ideas as they feature across the different genres, thus giving you the ultimate, well-rounded introduction before you settle into the modes of writing that best suit you as your progress with your writing. Covering fiction, poetry, nonfiction, writing plays and screenwriting, and also taking stock of the forms that do not fit neatly into any genre silo, this book uses models, critical questions, writing warm-ups and writing practice exercises to give you a solid understanding of the points discussed and encouraging you to put them to practice in your own work. With the field of creative writing evolving constantly, and with approaches to teaching and learning the subject vast and continually expanding, this book offers a dynamic, and uniquely holistic method for developing your writing skills, asking you to deeply consider the issues, and possibilities, present in genre.
The stories of lived experience offer powerful representations of a nation’s complex and often fractured identity. Personal narratives have taken many forms in American literature. From the letters and journals of the famous and the lesser known to the memoirs of former slaves to hit true crime podcasts to lyric essays to the curated archives we keep on social media, life writing has been a tool of both the influential and the disenfranchised to spark cultural and political evolution, to help define the larger identity of the nation, and to claim a sense of belonging within it. Taken together, individual stories of real American lives weave a tapestry of history, humanity, and art while raising questions about the veracity of memory and the slippery nature of truth. This volume surveys the forms of life writing that have contributed to the richness of American literature and shaped American discourse. It examines life writing as a rhetorical tool for social change and explores how technological advancement has allowed ordinary Americans to chronicle and share their lives with others.
A ground-breaking study of nineteenth-century British colonial poetry. Imagined Homelands chronicles the emerging cultures of nineteenth-century British settler colonialism, focusing on poetry as a genre especially equipped to reflect colonial experience. Jason Rudy argues that the poetry of Victorian-era Australia, New Zealand, South Africa, and Canada—often disparaged as derivative and uncouth—should instead be seen as vitally engaged in the social and political work of settlement. The book illuminates cultural pressures that accompanied the unprecedented growth of British emigration across the nineteenth century. It also explores the role of poetry as a mediator between familiar British ideals and new colonial paradigms within emerging literary markets from Sydney and Melbourne to Cape Town and Halifax. Rudy focuses on the work of poets both canonical—including Tennyson, Browning, Longfellow, and Hemans—and relatively obscure, from Adam Lindsay Gordon, Susanna Moodie, and Thomas Pringle to Henry Kendall and Alexander McLachlan. He examines in particular the nostalgic relations between home and abroad, core and periphery, whereby British emigrants used both original compositions and canonical British works to imagine connections between their colonial experiences and the lives they left behind in Europe. Drawing on archival work from four continents, Imagined Homelands insists on a wider geographic frame for nineteenth-century British literature. From lyrics printed in newspapers aboard emigrant ships heading to Australia and South Africa, to ballads circulating in New Zealand and Canadian colonial journals, poetry was a vibrant component of emigrant life. In tracing the histories of these poems and the poets who wrote them, this book provides an alternate account of nineteenth-century British poetry and, more broadly, of settler colonial culture.
Winner, 2024 Fraunces Tavern Museum Book Award The fighting prowess of United States Marines is second to none, but few know of the Corps’ humble beginnings and what it achieved during the early years of the American Revolution. That oversight is fully rectified by Jason Bohm’s eye-opening Washington’s Marines: The Origins of the Corps and the American Revolution, 1775-1777. The story begins with the oppressive days that drove America into a conflict for which it was ill-prepared, when thirteen independent colonies commenced a war against the world’s most powerful military with nothing more than local militias, privateers, and other ad hoc units. The Continental Congress rushed to form an army and placed George Washington in command, but soon realized that America needed men who could fight on the sea and on land to win its freedom. Enter the Marines. Bohm artfully tells the story of the creation of the Continental Marines and the men who led them during the parallel paths followed by the Army and Marines in the opening years of the war and through the early successes and failures at Lexington and Concord, Bunker Hill, Canada, Boston, Charleston, and more. As Washington struggled to preserve his command after defeats in New York and New Jersey in 1776, the nascent U.S. Navy and Marines deployed the first American fleet, conducted their first amphibious operation, and waged a war on the rivers and seas to block British reinforcements and capture critically needed supplies. Desperate times forced Congress to detach the Continental Marines from the Navy to join the embattled army as Washington sought an “important stroke” to defeat his adversary. Washington’s Marines joined their fellow soldiers in a protracted land campaign that culminated in turning-point victories at Trenton, Assunpink Creek, and Princeton. This chapter of the Continental Marines ends in Morristown, New Jersey, when Washington granted Henry Knox’s request to leverage the Marines’ expertise with naval guns to fill the depleted ranks of the army’s artillery during the “Forage War.” Washington’s Marines is the first complete study of its kind to weave the men, strategy, performance, and personalities of the Corps’ formative early years into a single compelling account. The sweeping prose relies heavily on primary research and the author’s own extensive military knowledge. Enhanced with original maps and illustrations, Washington’s Marines will take its place as one of the finest studies of its kind.
A reckoning of the central role of enslaved and free Black potters in the long-standing stoneware traditions of Edgefield, South Carolina Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance.
The year is 1862, and Lt. Timothy Barlow has taken a post in President Jackson's War Department. Raising a civilian army, Barlow manages to quell a rebellion in South Carolina...but the war has not yet begun.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.