The philosopher and author of Beyond Blood Identities offers a new paradigm of persona freedom and moral self-possession. As a Jamaican immigrant arriving in the United States at the age of twenty, Jason Hill noticed how often Americans identified themselves in terms of race and ethnicity. He observed, for example, the reluctance of West Indians to joins 'black causes' for fear of losing their identity. He began to ask himself what sort of world he wanted to live in, a quest that in time led him to the idea of the cosmopolitan. In Becoming a Cosmopolitan, Jason D. Hill argues that we need a new understanding of the self. He revives the idea of the cosmopolitan, the person who identifies the world as home. Arguing for the right to forget where we came from, Hill proposes a new moral cosmopolitanism for the new millennium.
It has been more than fifty years since the Civil Rights Act enshrined equality under the law for all Americans. Since that time, America has enjoyed an era of unprecedented prosperity, domestic and international peace, and technological advancement. It’s almost as if removing the shackles of enforced racial discrimination has liberated Americans of all races and ethnicities to become their better selves, and to work toward common goals in ways that our ancestors would have envied. But the dominant narrative, repeated in the media and from the angry mouths of politicians and activists, is the exact opposite of the reality. They paint a portrait of an America rife with racial and ethnic division, where minorities are mired in a poverty worse than slavery, and white people stand at the top of an unfairly stacked pyramid of privilege. Jason D. Hill corrects the narrative in this powerfully eloquent book. Dr. Hill came to this country at the age of twenty from Jamaica and, rather than being faced with intractable racial bigotry, Hill found a land of bountiful opportunity—a place where he could get a college education, earn a doctorate in philosophy, and eventually become a tenured professor at a top university, an internationally recognized scholar, and the author of several respected books in his field. Throughout his experiences, it wasn’t a racist establishment that sought to keep him down. Instead, Hill recounts, he faced constant naysaying from so-called liberals of all races. His academic colleagues did not celebrate the success of a black immigrant but chose to denigrate them because this particular black immigrant did not embrace their ideology of victimization. Part memoir, part exhortation to his fellow Americans, and, above all, a paean to the American Dream and the magnificent country that makes it possible, We Have Overcome is the most important and provocative book about race relations to be published in this century.
A philosopher’s passionate call for all Americans to rethink our racial dynamic and to break the cycle of negativity that pits the races against each other. In this provocative and highly original work, philosophy professor Jason D. Hill explores multiple dimensions of race in America today, but most importantly, a black-white divide which has grown exponentially over the past decade. Central to his thesis, Hill calls on black American leaders (and their white liberal sponsors) to escape from the cycle of blame and finger-pointing, which seeks to identify black failures with white hatred and indifference. This overblown narrative is promulgated by a phalanx of black nihilists who advocate the destruction of America and her institutions in the name of ending “whiteness.” Much of the black intelligentsia consists of these false prophets, and it is their poisonous ideology which is taught, uncontradicted, to students of all races. It is they who are responsible for the cultural depression blacks are suffering in today’s society. Ultimately, the answer to “what do White Americans owe?” is not about the morality or practicality of reparations, affirmative action, or other redistributionist schemes. Hill rejects the collectivist premise behind the argument, instead couching notions of culpability, justice, and fairness as responsibilities of individuals, not arbitrary racial or ethnic groupings.
In this provocative and highly original work, philosophy professor Jason D. Hill explores multiple dimensions of race in America today, but most importantly, a black-white divide which has grown exponentially over the past decade. Central to his thesis, Hill calls on black American leaders (and their white liberal sponsors) to escape from the cycle of blame and finger-pointing, which seeks to identify black failures with white hatred and indifference. This overblown narrative is promulgated by a phalanx of black nihilists who advocate the destruction of America and her institutions in the name of ending “whiteness.” Much of the black intelligentsia consists of these false prophets, and it is their poisonous ideology which is taught, uncontradicted, to students of all races. It is they who are responsible for the cultural depression blacks are suffering in today’s society. Ultimately, the answer to “what do White Americans owe?” is not about the morality or practicality of reparations, affirmative action, or other redistributionist schemes. Hill rejects the collectivist premise behind the argument, instead couching notions of culpability, justice, and fairness as responsibilities of individuals, not arbitrary racial or ethnic groupings.
It has been more than fifty years since the Civil Rights Act enshrined equality under the law for all Americans. Since that time, America has enjoyed an era of unprecedented prosperity, domestic and international peace, and technological advancement. It’s almost as if removing the shackles of enforced racial discrimination has liberated Americans of all races and ethnicities to become their better selves, and to work toward common goals in ways that our ancestors would have envied. But the dominant narrative, repeated in the media and from the angry mouths of politicians and activists, is the exact opposite of the reality. They paint a portrait of an America rife with racial and ethnic division, where minorities are mired in a poverty worse than slavery, and white people stand at the top of an unfairly stacked pyramid of privilege. Jason D. Hill corrects the narrative in this powerfully eloquent book. Dr. Hill came to this country at the age of twenty from Jamaica and, rather than being faced with intractable racial bigotry, Hill found a land of bountiful opportunity—a place where he could get a college education, earn a doctorate in philosophy, and eventually become a tenured professor at a top university, an internationally recognized scholar, and the author of several respected books in his field. Throughout his experiences, it wasn’t a racist establishment that sought to keep him down. Instead, Hill recounts, he faced constant naysaying from so-called liberals of all races. His academic colleagues did not celebrate the success of a black immigrant but chose to denigrate them because this particular black immigrant did not embrace their ideology of victimization. Part memoir, part exhortation to his fellow Americans, and, above all, a paean to the American Dream and the magnificent country that makes it possible, We Have Overcome is the most important and provocative book about race relations to be published in this century.
Beyond Blood Identities uncovers the social psychology of those who hold strong blood identities. In this highly original work, Jason D. Hill argues that strong racial, ethnic and national identities, which he refers to as 'tribal identities,' function according to a separatist logic that does irreparable damage to our moral lives. Drawing on scholarship in philosophy, sociology, and cultural anthropology, Hill contends that strong tribalism is a form of pathology. Beyond Blood Identities shows how a particular understanding of culture could lead to a new theoretical approach to enriched human living. Hill develops a new version of cosmopolitanism that he calls post-human cosmopolitanism to solve a number of challenges in contemporary society. From the problem of defining culture, the failure of multiculturalism, the question of who owns native culture, the identification of Jews as post-human people and the problem of their status as 'chosen people' in a modern world, the author applies a cosmopolitan analysis to some of the major problems in our global and interdependent world. He posits a world in which community has been dispensed with and replaced by its successor term sociality_the broad unmarked space in which creative social intercourse takes place. Hill applies a new cosmopolitanism to ideate a new post-humanity for the twenty-first century.
The philosopher and author of Beyond Blood Identities offers a new paradigm of persona freedom and moral self-possession. As a Jamaican immigrant arriving in the United States at the age of twenty, Jason Hill noticed how often Americans identified themselves in terms of race and ethnicity. He observed, for example, the reluctance of West Indians to joins 'black causes' for fear of losing their identity. He began to ask himself what sort of world he wanted to live in, a quest that in time led him to the idea of the cosmopolitan. In Becoming a Cosmopolitan, Jason D. Hill argues that we need a new understanding of the self. He revives the idea of the cosmopolitan, the person who identifies the world as home. Arguing for the right to forget where we came from, Hill proposes a new moral cosmopolitanism for the new millennium.
A research tour de force that seamlessly melds archaeology, geology, ecology, environmental history, and a contemporary conservation ethic. Not only is this volume a must read for scholars interested in Florida’s past, but it is one that deserves to be read by anyone interested in Florida’s threatened environments."—T. R. Kidder, Director of the Washington University in St. Louis Geoarchaeology Lab "O'Donoughue writes thoughtfully and poetically about Florida’s geological history and long-term patterns of environmental change and cultural adaptation. A compelling case for the relevance of archaeology to current environmental concerns."—Christopher B. Rodning, coeditor of Fort San Juan and the Limits of Empire "Examines Florida’s critically important springs and discusses how they were used and modified over thousands of years by local inhabitants, placing the springs in a deep historic context while offering well-informed suggestions for their long-term management and use."—David G. Anderson, coeditor of Archaeology of the Mid-Holocene Southeast Throughout their history, Florida's springs have been gathering places for far-flung peoples. In Water from Stone, Jason O'Donoughue discusses the genesis of springs and their role as sites of habitation, burials, ritualized feasting, and monument building for Florida's earliest peoples. O'Donoughue moves beyond a focus on the ecological roles of springs and the popular image of springs as timeless and pristine--approaches taken by many archaeologists and conservationists. Instead, he foregrounds the social and historical importance of springs and their ongoing use as gathering places that draw people for ritual purposes even today. This archaeological viewpoint creates a bridge between past and present, encouraging conservation efforts that focus on the intrinsic value of springs as places of personal experience and social interaction with deep historical significance. To save the springs, O'Donoughue argues, we must recognize the relevance of the past to the problems Florida's artesian springs face today. A volume in the Florida Museum of Natural History: Ripley P. Bullen Series
The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.
This book is specifically designed to help those who diagnose diseases of trees to determine if the specific fungal disease found is known to lead to failures of limbs or trunks. Falling limbs and trunks can lead to injury of people or property, or can disrupt services. This book was written by several forest pathology experts at the University of Florida. It offers easy to understand text and clear full-color photographs and descriptions of 89 of the most common tree fungi found in Florida and the Southeast United States.
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