The brutal murder of a Baron in the provinces punctuates the bitter rivalry between two royal houses. While this kind of small-scale conflict isn't uncommon amongst the male-driven rural estates, the fact that one of the Lords is an Islander (Black) while the other is a Continental (White) adds a racial dimension which concerns the Queen and the Royal Congress of Ladies who represent these houses in the Capital City. Intendant Jacob Guimard is dispatched to the countryside to investigate the Baron's murder. As an officer of the Judiciary, one of the few positions of power still available to men in the Sanctum, he is sworn to celibacy and well-versed in the forensic arts, literally. Basing all their criminal and martial training in the humanities, the Judiciary actually trains its officers to analyze crime scenes like paintings and to read people like books. Even after Guimard's arrival the death toll continues to rise. Just as disturbingly, his young partner, Adjutant Eli Brook, begins a perilous fall into a forbidden romance with a young Lady-in-training. Matters spin out of control and Guimard is greatly troubled to learn that his assignment to the case may have been no accident. As he uncovers more and more disturbing details, he also learns what a vital role he himself plays in this recent turmoil and how little in this rural province is what it appears to be...
Six years ago Abigail Grey escaped from brutal captivity, along with eight other teenage girls, at the hands of Baron Alistair Rigby of Highgate, a man who knew well how to guard himself with the secrets he collected on the wealthy and powerful in the Sanctum. In the years since her escape she's lived a life of quiet retreat with Oliver Grey, the doctor who counseled her after the traumatic events of Rigby's farm and who later adopted her as his daughter. Though still haunted by memories of the farm, Abigail manages to carve out a simple life for herself in the countryside. All this changes when Abigail is informed that Doctor Grey has been murdered while in the city on business. Due to his social standing in the Sanctum, Abigail finds herself invited by the Queen herself to come to the Capital City, the beating cosmopolitan heart of this closed matriarchal society. Now, despite her own fears and social doubts, Abigail sets out with determination to find her father's killer. It's a perilous journey that will take her right into the turning cogs of the Sanctum's most powerful and dangerous political circles. It is a world filled with shifting allegiances and deadly secrets, where legalized assassination serves as a replacement for open war between the Ladies who lead the royal houses of the Sanctum. The closer Abigail comes to tracking down her father's killer the clearer it becomes that someone is pursuing her as well. As she races against the clock, coming face to face with her own worst fears and nightmares, one question continues to haunt Abigail, Is she the hunter...or the prey?
The Pigheaded Soul presents a series of witty, intelligent, and sometimes controversial essays in which talented newcomers and avowed masters alike find themselves within the literary crosshairs of acclaimed poet and critic Jason Guriel. Guriel does not shy away from the negative review, nor does he begrudge praise where praise is due. He applauds the innovative and evocative, rails against the lazy and the imprecise, and critiques the ‘hipster’ mentality of so-called avant-gardists who use the same tired tricks as shortcuts to perceived innovation. But far from providing only reviews and critical readings, The Pigheaded Soul serves up amusing insider anecdotes about the poetry community, from intelligent examinations of inspiration and imagination, to gonzo reportage of high-profile – and occasionally absurd – literary events. Wry, engaging, and astute, Guriel writes with a confidence and panache that enlivens the often dry and dusty field of literary criticism.
Herstory was a vampire novel, a Hitler Wins novel, also a horror science fiction novel, and science fiction novel. The first unofficial Norma Shearer novel was the second released one. In this novel, Norma Shearer, the former Mrs. Irving Thalberg, has a romance with Eddie Gein, the first serial killer. They are sybarites, indulging in hedonism and many other pleasures.
Religion has been on the rise in America for decades—which strikes many as a shocking new development. To the contrary, Jason Stevens asserts, the rumors of the death of God were premature. Americans have always conducted their cultural life through religious symbols, never more so than during the Cold War. In God-Fearing and Free, Stevens discloses how the nation, on top of the world and torn between grandiose self-congratulation and doubt about the future, opened the way for a new master narrative. The book shows how the American public, powered by a national religious revival, was purposefully disillusioned regarding the country’s mythical innocence and fortified for an epochal struggle with totalitarianism. Stevens reveals how the Augustinian doctrine of original sin was refurbished and then mobilized in a variety of cultural discourses that aimed to shore up democratic society against threats preying on the nation’s internal weaknesses. Suddenly, innocence no longer meant a clear conscience. Instead it became synonymous with totalitarian ideologies of the fascist right or the communist left, whose notions of perfectability were dangerously close to millenarian ideals at the heart of American Protestant tradition. As America became riddled with self-doubt, ruminations on the meaning of power and the future of the globe during the “American Century” renewed the impetus to religion. Covering a wide selection of narrative and cultural forms, Stevens shows how writers, artists, and intellectuals, the devout as well as the nonreligious, disseminated the terms of this cultural dialogue, disputing, refining, and challenging it—effectively making the conservative case against modernity as liberals floundered.
The first full-scale authorized biography of the pioneering experimental novelist Kathy Acker, one of the most original and controversial figures in 20th-century American literature. Kathy Acker (1947-1997) was a rare and almost inconceivable thing: a celebrity experimental writer. Twenty-five years after her death, she remains one of the most original, shocking, and controversial artists of her era. The author of visionary, transgressive novels like Blood and Guts in High School; Empire of the Senses; and Pussy, King of Pirates, Acker wrote obsessively about the treachery of love, the limitations of language, and the possibility of revolution. She was notorious for her methods-collaging together texts stolen from other writers with her own diaries, sexual fantasies, and blunt political critiques-as well as her appearance. With her punkish hairstyles, tattoos, and couture outfits she looked like no other writer before or after. Her work was exceptionally prescient, taking up complicated conversations about gender, sex, capitalism, and colonialism that continue today. Acker's life was as unruly and radical as her writing. Raised in a privileged but oppressive Upper East Side Jewish family, she turned her back on that world as soon as she could, seeking a life of romantic and intellectual adventure that led her to, and through, many of the most thrilling avant-garde and countercultural moments in America: the births of conceptual art and experimental music; the poetry wars of the 60s and 70s; the mainstreaming of hardcore porn; No Wave cinema and New Narrative writing; Riot grrls, biker chicks, cyberpunks. As this definitive biography shows, Acker was not just a singular writer, she was also a titanic cultural force who tied together disparate movements in literature, art, music, theatre, and film. A feat of literary biography, Eat Your Mind is the first full-scale, authorized life of Acker. Drawing on exclusive interviews with hundreds of Acker's intimates as well as her private journals, correspondence, and early drafts of her work, acclaimed journalist and critic Jason McBride offers a thrilling account and a long overdue reassessment of a misunderstood genius and revolutionary artist"--
This collection of travel articles includes contributions written by writers such as Bill Buford and Ryszard Kapuscinski, and range across myriads from New York's Central Park to to the Saharan Mauritania.
An irresistible book about Grub Street, authorship and the literary marketplace."—Washington Post Book World Jason Epstein has led arguably the most creative career in book publishing during the past half-century. He founded Anchor Books and launched the quality paperback revolution, cofounded the New York Review of Books, and created of the Library of America, the prestigious publisher of American classics, and The Reader's Catalog, the precursor of online bookselling. In this short book he discusses the severe crisis facing the book business today—a crisis that affects writers and readers as well as publishers—and looks ahead to the radically transformed industry that will revolutionize the idea of the book as profoundly as the introduction of movable type did five centuries ago.
The sermon is under attack. This comprehensive biblical theology of preaching examines what it is, how to do it, and why it's so important, exploring the concept's canonical development and relevance for key doctrines.
Selected by Choice magazine as an Outstanding Academic Title During the eighteenth century, North American colonists began to display an increasing appetite for professional and amateur theatrical performances and a familiarity with the British dramatic canon ranging from the tragedies of Shakespeare, Addison, and Rowe to the comedies of Farquhar, Steele, and Gay. This interest sparked demand for both the latest hits of the London stage and a body of plays centered on patriotic (and often partisan) British themes. As relations between the crown and the colonies soured, the texts of these plays evolved into a common frame of reference for political arguments over colonial policy. Making the transition to print, these arguments deployed dramatic texts and theatrical metaphors for political advantage. Eventually, with the production of American propaganda plays during the Revolution, colonists began to develop a patriotic drama of their own, albeit one that still stressed the "British" character of American patriotism. Performing Patriotism examines the role of theatrical performance and printed drama in the development of early American political culture. Building on the eighteenth-century commonplace that the theater could be a school for public virtue, Jason Shaffer illustrates the connections between the popularity of theatrical performances in eighteenth-century British North America and the British and American national identities that colonial and Revolutionary Americans espoused. The result is a wide-ranging survey of eighteenth-century American theater history and print culture.
A unique struggle has been taking place in rural Pennsylvania since the start of the Industrial Revolution. An orthodox, hard-working culture has refused to tap into the convenience brought about by electricity and the combustion engine. They have fought astronomical odds to retain their way of life amid the population explosion of suburban Philadelphia. They have thus far succeeded. But in the dawn of the Computer Age a new challenge is coming to light. At the center of this challenge is a young man determined to see the world and break from the isolation of his people. His journey introduces him to the technology of tomorrow, while at the same time sealing him off from the purity of the past.
A celebration of healing ways of women offers a philosophical and practical approach to wellness that integrates body, mind, and spirit and uses stories, myths, and parables to teach women to connect with the inherent strength and knowledge of their bodies.
For decades the suburbs have been where art happens despite: despite the conformity, the emptiness, the sameness. Time and again, the story is one of gems formed under pressure and that resentment of the suburbs is the key ingredient for creative transcendence. But what if, contrary to that, the suburb has actually been an incubator for distinctly American art, as positively and as surely as in any other cultural hothouse? Mixing personal experience, cultural reportage, and history while rejecting clichés and pieties and these essays stretch across the country in an effort to show that this uniquely American milieu deserves another look.
The Inter-Mission is a book about typing a book... Not writing, but typing. A work of procrastination, it features narrative prose about satire, science, sin and salvation; how to brew beer, and play solitaire while on the quest for the fountain of youth.
More than a collection of vignettes and stories from garden, grill, and kitchen, The Culinary Plagiarist is a sustained adventure in gustatory delight, an intensely private but candid account of desire and all its objects. Opinionated on the full range of human experience, from fasting to inebriety, from sports to politics, from religion to raunch, it is at once serious, humorous, ironic, reflective, grateful, allusive, and appetitive. Along the way it offers a defense of small-scale, local life, of family, of place, and of ""the bread we do not live alone by."" And also the drinks. Don't forget the drinks. This is a book for people who enjoy being alive, whether in the kitchen, the pasture, the library, the barn, the trout stream, the henhouse (or the doghouse), or the bedroom.
Cities have always been defined by their centrality. But literature demonstrates that their diverse peripheries define them, too: from suburbs to slums, rubbish dumps to nightclubs and entire failed cities. The contributors to this collection explore literary urban peripheries through readings of literature from four continents and numerous cities.
This Palgrave Pivot argues for the significance of allegory in Enlightenment writing. While eighteenth-century allegory has often been dismissed as an inadequate form, both in its time and in later scholarship, this short book reveals how Enlightenment writers adapted allegory to the cultural changes of the time. It examines how these writers analyzed earlier allegories with scientific precision and broke up allegory into parts to combine it with other genres. These experimentations in allegory reflected the effects of empiricism, secularization and a modern aesthetic that were transforming Enlightenment culture. Using a broad range of examples – including classics of the genre, eighteenth-century texts and periodicals – this book argues that the eighteenth century helped make allegory the flexible, protean literary form it is today.
This handbook is the perfect reference for beginning creative writers. It offers abundant illustrations, exercises, and useful techniques in all genres. While emphasizing problem-solving and the mastery of literary conventions, this handbook also takes the apprentice writer on a journey from inspiration to revision.Explores the work of ¿classic¿ modern as well as active contemporary writers through examples of effective stories, essays, poems and plays. An extensive look at fundamental creative writing issues includes attitudes, habits, journal-keeping, point of view, language, invention and research, and more.Appropriate for apprentice creative writers.
Over the past century or more, the genres of fantasy, horror, and supernatural fiction have increasingly expanded beyond literature and into an array of media—film, television, comic books, and art. Many of the leading figures in the field engage in multimedia enterprises that allow their work to reach a much wider public than the mere readers of books. In Disorders of Magnitude: A Survey of Dark Fantasy, Jason V Brock analyzes the intersection of literature, media, and genre fiction in essays, reviews, and pioneering interviews. Beginning with the pulp magazines of the 1920s, Brock studies such dynamic figures as H. P. Lovecraft, Forrest J Ackerman, Harlan Ellison, and the Southern California writers known collectively as “The Group”—Ray Bradbury, Charles Beaumont, Richard Matheson, Rod Serling, and William F. Nolan. This collection also includes filmmakers Roger Corman, George Romero, and Dan O’Bannon, and such fantasy artists as H. R. Giger. Graced with dozens of photographs from the author’s personal collection, this wide-ranging study offers a kaleidoscopic look at the multifarious ways in which fantasy, horror, and the supernatural have permeated our culture. Brock—himself a fiction writer, critic, and filmmaker—concludes the book with touching eulogies to the recently deceased Ray Bradbury and Ray Harryhausen. Highlighting so many figures essential to the understanding of fantasy and horror, Disorders of Magnitude will appeal to fans of these fiction genres around the world.
Violet America takes on the long habit among literary historians and critics of thinking about large segments of American literary production in terms of regionalism or "local color" writing, thus marginalizing important literary works. Rather than simply celebrating regional difference, Jason Arthur argues, regional cosmopolitan fiction blends the nation's cultural polarities into a connected, interdependent America. Book jacket.
“Through the years, a man peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, tools, stars, horses and people. Shortly before his death, he discovers that the patient labyrinth of lines traces the image of his own face.” These words, inseparably marrying Jorge Luis Borges's life and work, encapsulate how he interwove the two throughout his legendary career. But the Borges of popular imagination is the blind, lauded librarian and man of letters; few biographers have explored his tumultuous early life in the streets and cafes of Buenos Aires, a young man searching for his path in the world. In Jorge Luis Borges, Jason Wilson uncovers the young poet who wrote, loved, and lost with adventurous passion, and he considers the later work and life of the writer who claimed he never created a character other than himself. As Borges declared, “It’s always me, subtly disguised.” Born in Buenos Aires in 1899, Borges was a voracious reader from childhood, perhaps in part because he knew he lived under an inescapable sentence of adult-onset blindness inherited from his father. Wilson chronicles Borges’s life as he raced against time and his fated blindness, charting the literary friendships, love affairs, and polemical writings that formed the foundation of his youth. Illuminating the connections running between the biography and fictions of Borges, Wilson traces the outline of this self-effacing literary figure. Though in his later writings Borges would subjugate emotion to the wild play of ideas, this bracing book reminds us that his works always recreated his life in subtle and delicate ways. Restoring Borges to his Argentine roots, Jorge Luis Borges will be an invaluable resource for all those who treasure this modern master.
A provocative book, an important book! jagodzinski's and Wallin's 'betrayal' is in fact a wake-up call for art-based research, a loving critique of its directions. jagodzinski's and Wallin's reference is the question 'what art can do' – not what it means. Theirs is an ultimate affirmation that uncovers the singularities that compose and give consistency to art not as an object, but as an event. Their betrayal consists in an affirmation of life and becoming, positing a performative 'machinics of the arts' which is in absolute contraposition with the hegemonic discourse of art and|as an object of knowledge and representation. This does not only concern academia, but also politics and ethics – an untimely book that comes just at the right time! Bernd Herzogenrath, Goethe Universität Frankfurt am Main (Germany), author of An American Body|Politic. A Deleuzian Approach, and editor of Deleuze & Ecology and Travels in Intermedia[lity]. ReBlurring the Boundaries. Approaching the creative impulse in the arts from the philosophical perspectives of Deleuze + Guattari, jagodzinski and Wallin make a compelling argument for blurring the boundaries of arts-based research in the field of art education. The authors contend that the radical ideas of leading scholars in the field are not radical enough due to their reliance on existing research ontologies and those that end in epistemological representations. In contrast, they propose arts-based research as the event of ontological immanence, an incipient, machinic process of becoming-research through arts practice that enables seeing and thinking in irreducible ways while resisting normalization and subsumption under existing modes of address. As such, arts practice, as research-in-the making, constitutes a betrayal of prevailing cultural assumptions, according to the authors, an interminable renouncement of normalized research representations in favor of the contingent problematic that emerges during arts practice. Charles R. Garoian, Professor of Art Education, Penn State University, author of The Prosthetic Pedagogy of Art. Jagodzinski and Wallin have written a challenging book on the theme of betrayal which aims to question the metaphysical ground of the practice of many arts educators and researchers. Dismantling the notion of praxis which assumes a prior will as well as the pervasive notion of the creative and reflexive individual, they revisit the notion of poiesis and the truth of appearing in order to advocate the centrality of becoming in pedagogical relations. Is it possible to develop pedagogies beyond those images of thought that attenuate learners, teachers and researchers? We need a new image of thought, or better, a thought without image, and this book asks us to take up the challenge. Dennis Atkinson, Director of the Centre for the Arts and Learning, Department of Educational Studies, Goldsmiths University of London, author of Art Equality and Learning; Pedagogies Against the State.
Typography, Referenced is the single most comprehensive volume covering every aspect of typography that any design student, professional designer, or design aficionado needs to know today. In these pages, you'll find: —Thousands of illustrated examples of contemporary usage in design —Historical developments from Greek lapidary letters to the movie Helvetica —Landmark designs turning single letters into typefaces —Definitions of essential type-specific language, terms, ideas, principles, and processes —Ways technology has influenced and advanced type —The future of type on the web, mobile devices, tablets, and beyond In short, Typography, Referenced is the ultimate source of typographic information and inspiration, documenting and chronicling the full scope of essential typographic knowledge and design from the beginnings of moveable type to the present "golden age" of typography.
A study of the content and methods of royalist propaganda via newsbooks in the crucial period following the end of the first civil war. This is a study of a remarkable set of royalist newsbooks produced in conditions of strict secrecy in London during the late 1640s. It uses these flimsy, ephemeral sheets of paper to rethink the nature of both royalism and Civil War allegiance. Royalism, Print and Censorship in Revolutionary England moves beyond the simple and simplistic dichotomies of 'absolutism' versus 'constitutionalism'. In doing so, it offers a nuanced, innovative and exciting visionof a strangely neglected aspect of the Civil Wars. Print has always been seen as a radical, destabilizing force: an agent of social change and revolution. Royalism, Print and Censorship in Revolutionary England demonstrates, bycontrast, how lively, vibrant and exciting the use of print as an agent of conservatism could be. It seeks to rescue the history of polemic in 1640s and 1650s England from an undue preoccupation with the factional squabbles of leading politicians. In doing so, it offers a fundamental reappraisal of the theory and practice of censorship in early-modern England, and of the way in which we should approach the history of books and print-culture. JASON McELLIGOTT is the J.P.R. Lyell Research Fellow in the History of the Early Modern Printed Book at Merton College, Oxford.
From his 1952 short story 'Roog' to the novels The Divine Invasion and VALIS, few authors have had as great of an impact in the latter half of the 20th century as Philip K. Dick. In The Postmodern Humanism of Philip K. Dick, Jason Vest explores the work of this prolific, subversive, and mordantly funny science-fiction writer. He examines how Dick adapted the conventions of science fiction and postmodernism to reflect humanist concerns about the difficulties of maintaining identity, agency, and autonomy in the latter half of the 20th century. In addition to an extensive analysis of the novel Now Wait for Last Year, Vest makes intellectually provocative comparisons between Dick and the works of Franz Kafka, Jorge Luis Borges, and Italo Calvino. He offers a detailed examination of Dick's literary relationship to all three authors, illuminating similarities between Dick and Kafka that have not previously been discussed, as well as similarities between Dick and Borges that scholars frequently note but fail to explore in detail. Like Kafka, Borges, and Calvino, Dick employs fantastic, unreal, and visionary fiction to reflect the disruptions, dislocations, and depressing realities of twentieth-century life. By comparing him to these other writers, Vest demonstrates that Dick's fiction is a fascinating barometer of postmodern American life even as it participates in an international tradition of visionary literature.
This book is about the life and work of David Milch, the writer who created NYPD Blue, Deadwood and a number of other important US television dramas. It provides a detailed account of Milch’s journey from academia to the heights of the television industry, locating him within the traditions of achievement in American literature over the past in order to evaluate his contribution to fiction writing. It also draws on behind-the-scenes materials to analyse the significance of NYPD Blue, Deadwood, John From Cincinatti and Luck. Contributing to academic debates in film, television and literary studies on authorship, the book will be of interest to fans of Milch’s work, as well as those engaged with the intersection between literature and popular television.
This second edition of Philosophy of Sport: Core Readings provides an overview of core topics in the field, ranging from fundamental questions about the nature of sport to ethical issues at the forefront of discussions of what sport should be. On the nature of sport, readers will gain a solid understanding of fundamental theories of games, play, and sports, as well as sport epistemology, the esports controversy, and sport aesthetics. Topics in the ethics of sport include performance-enhancing drugs, cheating, gamesmanship, and sportsmanship. This edition has been updated and expanded to include sections on gender and race and to provide broader and deeper coverage of this rapidly evolving area.
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