The Bishop's Wife" will keep you on edge, page by page as you unravel the story of persons from the highest order of the Anglican church. Don't ever believe that those in the church are exempt from the grasps of Satan. Even those persons who seek the highest seating with God, can find themselves in the middle of unholy circumstances. Tricia, a born Christian, was never taught about the pleasures and responsibility of sexual relationships. She therefore had to depend on friends and the Internet to educate her. Luckily, she made it to marriage in one piece; a virgin. Unfortunately, the lack of intimacy in her marriage sent her on the most unholy journey; nothing expected of the wife of a Bishop! Elias Dessington, the Bishop of Calvary Isle, has always led a peaceful and Godly life. When he caught the fancy of Tricia Callendar, he knew he had found the woman of his dreams; the woman sent by God. Roger Duncan has loved Tricia his entire life. He wants to give her the loving that she craves, the loving she deserves. But Tricia's love for God has molded her into the woman that she is today. Roger's reputation is far from what is expected of the average Christian. Tricia cannot risk falling into his grasp. Dive into the complications of the Christian life as Roger tries to steal Tricia away from her husband. Can the man of God let Roger take the love of his life from him yet again? See how Elias manages the fight for his soul; a fight between the devil and his God.
Isabella Trueblood made history reuniting people torn apart by war and an epidemic. Now, generations later, Lily and Dylan Garrett carry on her work with their agency, Finders Keepers. Circumstances may have changed, but the goal remains the same. LostOne groom. Emily Sutton is up to her ears in the final plans for her lavish society wedding when her fiance informs her that he can't marry her. FoundA stand-in at the altar: her fiance's black sheep brother. Emily assumes Jordan Chambers has saved her from the embarrassment of being publicly jilted in order to salvage an important business merger between their families. But Jordan's not motivated by family at all. What he's always wanted is Emily, and he's not about to squander his only chance. Finders Keepers: bringing families together.
Wrongly accused of her mother's murder when she was just 14 years old, Maggie spent six years in prison before escaping--to track down her mother's killer. Nine years later she is still a woman on the run--working in the office of the Catholic diocese--and now her search may have led her too close to the truth she has been seeking.
Chaque roman de cette collection, adapté de la télésérie américaine, propose une histoire légère mettant en scène Lizzie McGuire, une adolescente sympathique. On la suit dans ses relations familiales, amoureuses, amicales, dans ses joies et mésaventures. Dans cet épisode, Lizzie obtient un contrat de mannequin qui a des répercussions sur sa vie sociale. Détente. [SDM].
Isabella Trueblood made history reuniting people torn apart by war and an epidemic. Now, generations later, Lily and Dylan Garrett carry on her work with their agency, Finders Keepers. Circumstances may have changed, but the goal remains the same. LostOne groom. Emily Sutton is up to her ears in the final plans for her lavish society wedding when her fiance informs her that he can't marry her. FoundA stand-in at the altar: her fiance's black sheep brother. Emily assumes Jordan Chambers has saved her from the embarrassment of being publicly jilted in order to salvage an important business merger between their families. But Jordan's not motivated by family at all. What he's always wanted is Emily, and he's not about to squander his only chance. Finders Keepers: bringing families together.
Lizzie's best friend, Miranda, has finally got a crush! Lizzie vows to help Miranda get her guy-until the guy misunderstands and thinks Lizzie is the one who likes him! Plus Lizzie reviews a school play. The only snag-Miranda's the star, and she's terrible!
When Lizzie goes to a local modeling tryout, she gets a contract with Teen Attitude magazine. Totally cool, right? Wrong. Everyone-even her very best friends-are treating her like a celeb, and Lizzie hates it. Plus, a new girl likes Lizzie so much, she starts to imitate her. But who needs a living clone?
When Miranda goes on diet which, to Lizzie looks like she has totally stopped eating, Lizzie decides to show Miranda the positive side to how she looks.
Lizzie McGuire has been accidentally handcuffed to her little brother, just in time for a fund raiser Lizzie plans to attend to be nearer to her crush Ethan Craft. How will Lizzie deal with having her little brother by her side at every move?
The debate surrounding women’s family rights under Sharī’a-derived law has long been held captive to the competing fundamentalisms of universalism and cultural relativism. These two conflicting perspectives fail to promote practical tools through which such laws can be reformed, without prejudice to their religious nature. This book examines the development of Egypt’s Sharī’a-derived family law, and its compatibility with international obligations to eliminate discrimination against women. It highlights the interplay between domestic reform processes, grounded in the tools of takhayyur, talfiq and ijtihad, and international institutions and mechanisms. In attempting to reconcile these two seemingly dissonant value systems, this book underscores the shortcomings of Egypt’s legislation, proposes particular reforms, while simultaneously presenting alternatives to insular interpretations of international women’s rights law.
In this compelling exploration of what it means to be a Black woman pursuing higher education, Dr. Jasmine Harris moves beyond the "data points" to examine the day-to-day impacts of racism in education on Black women as individuals, the longer-term consequences to our personal and professional lives, and the generational costs to our families.
An intoxicating and sparkling new romance by New York Times bestselling author Jasmine Guillory. Margot Noble needs some relief from the stress of running the family winery with her brother. Enter Luke: sexy, charming, and best of all in the too-small world of Napa, a stranger. The chemistry between them is undeniable, and Margot is delighted that she lucked into the perfect one-night stand she’ll never have to see again. That is, until the winery’s newest hire, Luke, walks in the next morning. Margot is determined to keep things purely professional, but when their every interaction reminds her of the attraction still bubbling between them, it proves to be much more challenging than she expects. Luke Williams had it all, but when he quits his high-salary tech job in Silicon Valley in a blaze of burnout and moves back to Napa to help a friend, he realizes he doesn’t want to tell the world—or his mom—why he’s now working at a winery. His mom loves bragging about her successful son—how can he admit that the job she’s so proud of broke him? Luke has no idea what is next for him, but one thing is certain: he wants more from the incredibly smart and sexy woman he hooked up with—even after he learns she’s his new boss. But even if they can find a way to be together that wouldn’t be an ethical nightmare, would such a successful woman really want a tech-world dropout? Set against a lush backdrop of Napa Valley wine country, nothing goes to your head as fast as a taste of love—even if it means changing all your plans.
This interdisciplinary and archival study explores the reception of ancient Rome in the artistic, literary, and philosophical works of David Jones (1895-1974)—the Anglo-Welsh, Roman Catholic, First World War veteran. For Jones, the twentieth century was a period of crisis, an age of conflict, disillusionment and cultural decay, all of which he saw as evidence of the decline of Western civilisation. Across his lifetime, Jones would create a dynamic vision of ancient Rome in an attempt both to understand and to challenge this situation. His reimagining of Rome was not founded on a classical education. Instead, it was fashioned from his lived experience, extensive reading, and—most importantly—his engagement with four areas of contemporary discourse that were themselves built upon intricate and conflicting representations of Rome: British political rhetoric, cyclical history, the Catholic cultural revival, and the Welsh nationalist movement. Tracing Jones's developing approach to Rome across these contexts can provide a way into his art and thought. Whether in his poetic fragments, watercolours, essays, letters, marginalia or unique painted inscriptions, Jones strove to question, complicate and remake Rome's relationship with modernity. In this way, Rome appears in Jones's works both as a symbol of transhistorical imperialism, totalitarianism, and the mechanisation of life, and simultaneously as the cultural and religious progenitor of the West, and in particular, of Wales, with which artists must creatively reconnect if decline was to be avoided.
The first and only comprehensive resource designed to empower everyday people with insider knowledge on moving money for a more equitable economy. The money myths end here. We don't need to choose between creating meaningful wealth for ourselves and our families today, or supporting social movements creating a better tomorrow. We don't all need to become certified financial "experts" to be economically empowered and make a real difference in our communities. And we're far from powerless when it comes to changing the financial system, just because we don't happen to belong to the 1%. Quite the opposite. Financial activism is how everyday people radically reimagine money as a tool for widespread well-being, instead of a weapon of absurdly increasing inequality. It's the antidote to traditional finance that evokes confusion, trauma, and (in the best-case scenario) straight-up boredom. It's how we-the underestimated-collectively resist systems that cause harm to people and the planet for the sake of profit, reclaim wealth that's been stolen, and redesign our relationships with capital and one another, in ways big and small. Going beyond tried financial literacy, The Financial Activist Playbook offers eight accessible, actionable, "choose-your-own-adventure" strategies for readers to experiment with. Drawing on timely insider knowledge from the worlds of impact investing, social justice, and more, Rashid illuminates a treasure trove of stories: demonstrating how people power can flow big bucks out of extractive industries, and into the economy of care and abundance we deserve. Playbook readers will be equipped to start visualizing and influencing the unique networks of wealth all around each of us, with strategies like Shifting collective budgets and bank dollars; Flexing our role as everyday philanthropists; Leveraging the magic of community investment; And so much more. Laced with refreshing humor, empowering exercises, and a steadfast commitment to truth-telling, Rashid takes readers on an energizing ride of financial possibility and practicality that will reverberate for generations to come.
Twentieth-century America has witnessed the most widespread and sustained movement of African-Americans from the South to urban centers in the North. Who Set You Flowin'? examines the impact of this dislocation and urbanization, identifying the resulting Migration Narratives as a major genre in African-American cultural production. Griffin takes an interdisciplinary approach with readings of several literary texts, migrant correspondence, painting, photography, rap music, blues, and rhythm and blues. From these various sources Griffin isolates the tropes of Ancestor, Stranger, and Safe Space, which, though common to all Migration Narratives, vary in their portrayal. She argues that the emergence of a dominant portrayal of these tropes is the product of the historical and political moment, often challenged by alternative portrayals in other texts or artistic forms, as well as intra-textually. Richard Wright's bleak, yet cosmopolitan portraits were countered by Dorothy West's longing for Black Southern communities. Ralph Ellison, while continuing Wright's vision, reexamined the significance of Black Southern culture. Griffin concludes with Toni Morrison embracing the South "as a site of African-American history and culture," "a place to be redeemed.
Shared and Collaborative Practice in Qualitative Inquiry: Tiny Revolutions is a short collection of reflections on ethical research practice and scholarly community. It explores the qualitative tradition through the process of writing, photography, dance, and narrative. This is a book about ethical research practices, about simple truths, about the commitments we initially made to this work, and about how we might better support each other along the way. Most importantly, this is a book about finding and making our own communities. Communities do not belong to any one person or small group of people. Rather, communities—genuine, real, and vibrant communities—belong to us all. This is a book about how. This book is suitable for people new to qualitative research and seasoned researchers who would like to explore and develop traditions in qualitative inquiry.
From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustrations, documentary films, and photography as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside styling products or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.
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