A picaresque series of tales about an ordinary man's successful quest to survive, and a funny but unrelentingly savage assault on the very idea of bureaucratic officialdom as a human enterprise conferring benefits on those who live under its control, and on the various justifications bureaucracies offer for their own existence.
An intergalactic odyssey of love, ambition, and self-discovery. Orphaned as a boy, raised in the Czech countryside by his doting grandparents, Jakub Prochv°zka has risen from small-time scientist to become the country's first astronaut. When a dangerous solo mission to Venus offers him both the chance at heroism he's dreamt of, and a way to atone for his father's sins as a Communist informer, he ventures boldly into the vast unknown. But in so doing, he leaves behind his devoted wife, Lenka, whose love, he realizes too late, he has sacrificed on the altar of his ambitions. Alone in Deep Space, Jakub discovers a possibly imaginary giant alien spider, who becomes his unlikely companion. Over philosophical conversations about the nature of love, life and death, and the deliciousness of bacon, the pair form an intense and emotional bond. Will it be enough to see Jakub through a clash with secret Russian rivals and return him safely to Earth for a second chance with Lenka? Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun. "A frenetically imaginative first effort, booming with vitality and originality . . . Kalfar's voice is distinct enough to leave tread marks."-Jennifer Senior, New York Times
This is a book about collective guilt, individual fate, and repentance, a tale that explores how we can come to be responsible for crimes we neither directly commit nor have the power to prevent. Set in the Czechoslovakian borderland shortly after WWII amid the sometimes violent expulsion of the region's German population, Jaroslav Durych's poetic, deeply symbolic novel is a literary touchstone for coming to terms with the Czech Republic's difficult and taboo past of state-sanctioned violence. A leading Catholic intellectual of the early twentieth century, Durych became a literary and political throwback to the prewar Czechoslovak Republic and faced censorship under the Stalinist regime of the 1950s. As such, he was a man not unfamiliar with the ramifications of a changing society in which the minority becomes the rule-making political authority, only to end up condemned as criminals. Though Durych finished writing God's Rainbow in 1955, he could not have hoped to see it published in his lifetime. Released in a stillcensored form in 1969, God's Rainbow is available here in full for the first time in English. Within the Czech arts, the novella God's Rainbow is a unique direct reflection of the expulsion from Bohemia of the German-speaking population following World War II. In it Durych brings fully to bear all the elements of his poetics - a narrative that is replete with Symbolist oneirism, is highly expressive, spiced with irony and written in a rhythmical poetic language. From the Afterword.
Jaroslav Pelikan, the foremost church historian of the twentieth century, is honored by this collection of essays written by his colleagues and former students in honor of his 80th birthday celebration; Pelikan himself contributed an autiobiographical sketch, and the final lecture.
One of the world's leading scholars offers unique insights into the history and significance of Christian creeds Eminent theologian Jaroslav Pelikan has been translating, editing, and studying the Christian creeds and confessions of faith for sixty years. This book is the historical and theological distillation of that work. In Credo, Pelikan addresses essential questions about the Christian tradition: the origins of creeds; their function; their political role; how they relate to Christian institutions, worship, and service; and how they help to explain the major divisions of the Christian church and of Christian history. Credo standsas an independent reference work devoted to the subject of what creeds and confessions are and what their role in history has been. It is also the first of the four volumes of Creeds and Confessions of Faith in the Christian Tradition, edited by Pelikan and Valerie Hotchkiss.
The Good Soldier Švejk, written in the aftermath of World War I by Czech humorist Jaroslav Hašek (1883–1923), stands as the classic satiric portrait of a little man waging war against authority. The unassuming and affable Švejk, having been called to serve in the Austro-Hungarian army at the start of the Great War, shrewdly plays the bumbling fool and makes a genial nuisance of himself, managing to avoid ever reaching the front while appearing loyally determined to do so. Possessed of an unerring talent for finding himself in (and extricating himself from) the most chaotic and absurd situations, Švejk represents, in his instinct for survival, all those human values that stand opposed to the utter futility of warfare. Hašek’s novel, inspired by the author’s own wartime escapades, has entertained readers in more than fifty languages for nearly a century and has come to define the spirit of comic endurance necessary to withstand the manglings of a modern-day bureaucratic war machine. This hardcover edition, translated and introduced by Cecil Parrott, is lavishly illustrated with 156 drawings by Hašek’s friend and colleague, the Czech cartoonist Josef Lada, and includes maps, a guide to pronouncing Czech names, a bibliography, and a chronology of the author’s life and times. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.
The line that separated Eastern Christendom from Western on the medieval map is similar to the "iron curtain" of recent times. Linguistic barriers, political divisions, and liturgical differences combined to isolate the two cultures from each other. Except for such episodes as the schism between East and West or the Crusades, the development of non-Western Christendom has been largely ignored by church historians. In The Spirit of Eastern Christendom, Jaroslav Pelikan explains the divisions between Eastern and Western Christendom, and identifies and describes the development of the distinctive forms taken by Christian doctrine in its Greek, Syriac, and early Slavic expression. "It is a pleasure to salute this masterpiece of exposition. . . . The book flows like a great river, slipping easily past landscapes of the utmost diversity—the great Christological controversies of the seventh century, the debate on icons in the eighth and ninth, attitudes to Jews, to Muslims, to the dualistic heresies of the high Middle Ages, to the post-Reformation churches of Western Europe. . . . His book succeeds in being a study of the Eastern Christian religion as a whole."—Peter Brown and Sabine MacCormack, New York Review of Books "The second volume of Professor Pelikan's monumental work on The Christian Tradition is the most comprehensive historical treatment of Eastern Christian thought from 600 to 1700, written in recent years. . . . Pelikan's reinterpretation is a major scholarly and ecumenical event."—John Meyendorff "Displays the same mastery of ancient and modern theological literature, the same penetrating analytical clarity and balanced presentation of conflicting contentions, that made its predecessor such an intellectual treat."—Virgina Quarterly Review
While compiling a comprehensive bibliography of the works of Jaroslav Pelikan for a Festschrift celebrating his 80th birthday in 2003, I occasionally brought to light an article or lecture that Jary himself had all but forgotten. This is not surprising, given his prolific, fifty-eight-year publishing history. Called "the premier historical theologian of our time," Pelikan took on the history of Christianity and Christian doctrine in its entirety--from East to West and from the apostolic age to contemporary issues. Indeed, to say he is the "premier" or "foremost" scholar in this field is an understatement, for he is the only scholar recognized as the authority for the immense field of all of Christian history. This Wipf and Stock series aims to reprint a selection of Pelikan's writings that are no longer in print, such as Historical Theology, an erudite survey of the history of theology as both bound by tradition and ever- changing, or The Melody of Theology, a collection of brief reflections on important theological topics which one reviewer called "the ultimate bed- side book." The versatility of Pelikan's thinking is apparent in another work reprinted in this series, The Excellent Empire, which juxtaposes Gibbons Decline and Fall of the Roman Empire with the "rise and triumph" of the Christian Church. Pelikan's facile mind comprehended big, expansive ideas and as an author he could synthesize, analyze, compare, and interpret large periods of history. His sweeping views of theological history, as in From Luther to Kierkegaard, are invaluable for understanding the field, but he could also zero in on a particular author or topic, as in his elegant study of Faust the Theologian, or his last publication, a commentary on The Acts of the Apostles. From great editorial projects such as Luther's Works (55 volumes) to succinct and cogent essays such as Whose Bible Is It?, Jaroslav Pelikan considered himself "a chronicler of one of the most overwhelming explosions in the history of the human mind and spirit," that is, Christianity and its impact on theology, philosophy, culture, and world history. The reprinting of Pelikan's writings is a worthy undertaking not only because they were so influential in the twentieth century, but also because they will stand the test of time and continue to influence students, schol- ars, ministers, and laypeople. Though scholarly in nature and dealing with complex themes, Pelikan's work is nonetheless accessible and his topics are compelling. Jesus Through the Centuries (1985) and Mary Through the Centuries (1996) were popular best-sellers. Other examples include his Bach Among the Theologians (1989), which is required reading for musicians. And several of his books began as public lecture series, including Imago Dei (1990), What Has Athens to Do with Jerusalem? (1997) and Interpreting the Constitution (2004), in addition to the Jesus and Mary works. Pelikan's writings show us the interrelation of Christian tradition and intellectual history within broad cultural frames of reference drawn from philosophy, music, the visual arts, literature, rhetoric, political and legal theory, and the natural sciences. Crossing boundaries and making connections was Pelikan's strength. He knew the primary literature and the languages in which they were written. He saw the larger picture and he painted it with breathtaking majesty and mastery. Jaroslav Pelikan was a man of many achievements. In addition to his prodigious publishing career, he also served in positions of distinction from Dean of the Graduate School at Yale to president of the American Academy of Arts and Sciences. He received prestigious awards such as the Jefferson Award of the National Endowment for the Humanities and the John W. Kluge Prize for Lifetime Achievement in the Human Sciences (bestowed by the Library of Congress which in 2000 named him a "Living Legend"), and accepted some forty-six honorary degrees. Now through this reprint series, the legend continues and the man lives on through his writings. Valerie Hotchkiss, Andrew S. G. Turyn, Endowed Professor and Director of the Rare Book & Manuscript Library University of Illinois at Urbana-Champaign June 2013
In this “ingenious, funny, and chilling” novel (Publishers Weekly, starred review) from the author of Spaceman of Bohemia, two long-lost siblings risk everything to save their mother from oblivion in an authoritarian near-future America obsessed with digital consciousness and eternal life—a story that “packs a walloping punch” (Esquire). When Adéla discovers she has a terminal illness, she leaves behind her native Czech village for a chance at reuniting in America with Tereza, the daughter she gave up at birth, decades earlier. But the country Adéla experienced as a young woman, when she eloped with a filmmaker and starred in his cult sci-fi movie, has changed entirely. In 2030, America is ruled by an authoritarian government increasingly closed off to the rest of the world. Tereza, the star researcher for VITA, a biotech company hellbent on discovering the key to immortality, is overjoyed to meet her mother, with whom she forms an instant, profound connection. But when their time together is cut short by shocking events, Tereza must uncover VITA’s alarming activity in the wastelands of what was once Florida, and persuade the Czech brother she’s never met to join her in this odds-defying adventure. Narrated from the beyond by Adéla’s restless spirit, A Brief History of Living Forever is a high-wire act of storytelling from a writer “booming with vitality and originality,” whose “voice is distinct enough to leave tread marks” (New York Times). By turns insightful, moving, and funny, the novel not only confirms Jaroslav Kalfař’s boundless powers of invention but also exults in the love between a mother and her daughter, which neither space nor time can sever. “Kalfař is a wise, rapturous, and original writer . . . Eloquent, heart-stunning, and rich in awe-inspiring prose.” —San Francisco Chronicle “Relentlessly inventive . . . His writing has the same hyperactivity and fidgety contempt for generic boundaries as that of the young Safran Foer.” —The Guardian
The Holy is too great and too terrible when encountered directly for men of normal sanity to be able to contemplate it comfortably. Only those who cannot care for the consequences run the risk of the direct confrontation of the Holy. This book is a study of six men who ran this risk. Balancing the negative and positive points of view throughout these six essays, Jaroslav Pelikan has written a brilliant examination of the three questions: the True, the Good, and the Beautiful. With Kierkegaard and Paul, Dr. Pelikan looks into the relationship between the True and the Holy. With Dostoevsky and Luther, it is the Good and the Holy and with Nietzche and Bach, it is the Beautiful and the Holy. In the first two he draws on the whole history of Western thought. In the second two, he looks into the background of Christian morality, and in the last two, he reaches all the way back to the Greeks in his penetrating study of Western aesthetics. Philosophy, theology, ethics, and aesthetics - they are all here. Beyond them all, Dr. Pelikan shows how the Holy cannot be captured and held by any of them, although the attempt is frequently made. Rather the Holy must remain unqualified, transfiguring within itself the experience of the True, the Good, or the Beautiful.
Vous n'auriez pas, par hasard, une ceinture sur vous pour que j'en finisse ? - Si, et je vous la prêterai volontiers, répondit Chvéïk en quittant sa ceinture, d'autant plus que je n'ai encore jamais vu comment on fait pour se pendre dans une cellule. Ce qui est embêtant, continua-t-il en regardant autour de lui, c'est qu'il n'y a pas un seul piton ici.
Although Seifert lived through the many historic turns of his homeland, his was not a political poetry, except in its constant expression of love for his homeland, its beauties and its values. He was the great poet of Prague, of love, of the senses. His work was unpretentious, lyrical yet irreverent, earthy, charming. Seifert was known for the simplicity of his verse, yet his poems are full of surprises, never what at first they seem.
Describes Jesus Christ's changing image throughout history, from rabbi in the first century to liberator in the twentieth, and explains how each version has shaped its era socially, politically, economically, and culturally.
The collection of short stories entitled Behind the Lines: Bulguma and Other Stories draws on Hašek’s experience from revolutionary Russia. In a manner similar to that employed in his caricatures of the pre-war monarchy, he satirically captures events of the Bolshevik revolution from the perspective of a Red commissar in a combination of grotesque humor and sarcasm. Historical events serve merely as part of the historical mystification. Hašek presents them as he perceived them as a man and participant in historical events. He depicts them primarily as simple and human, pushing his critical view into the background. On the border of a comic exaggeration and a realistic depiction, an amusing story about a forgotten Tartar town of Bugulma unfolds featuring the Soviet commander of the Tver Revolutionary Regiment, drunk Yerokhimov, and Comrade Gašek, the Commanding Officer of Bugulma. Employing humor and exaggeration, Hašek demonstrates the zealotry of the revolutionary period as well as the stupidity and simple human insecurity of authoritarians. The collection of short stories, Behind the Lines, also includes other sketches by Hašek, written at the same time.
The book dissects the intriguing Arab-Islamic myth built around Muhammad's unearthing of a "golden bough" from the grave of the last survivor of an ancient Arab people, the Thamud, who, according to the myth, were destroyed by a divine scourge for their iniquity. In the myth the episode of the slaying of the she-camel of the prophet Salih, which precipitates the downfall of the Thamud, is symbolically linked with Muhammad, the discoverer of the golden bough.
Born January 1, 1993 after it split with Slovakia, the Czech Republic is one of the youngest members of the European Union. Despite its youth as a nation, this land and the areas just outside its modern borders boasts an ancient and intricate past. With A History of the Czech Lands, editors Jaroslav Pánek and Oldrich Tuma—along with several scholars from the Academy of Sciences of the Czech Republic and Charles University—provide one of the most complete historical accounts of this region to date. Pánek and Tuma’s history begins in the Neolithic era and follows the development of the state as it transformed into the Kingdom of Bohemia during the ninth century, into Czechoslovakia after World War I, and finally into the Czech Republic. Such a tumultuous political past arises in part from a fascinating native people, and A History of the Czech Lands profiles the Czechs in great detail, delving into past and present traditions and explaining how generation after generation adapted to a perpetually changing government and economy. In addition, Pánek and Tuma examine the many minorities that now call these lands home—Jews, Slovaks, Poles, Germans, Ukrainians, and others—and how each group’s migration to the region has contributed to life in the Czech Republic today. The first study in English with this scope and ambition, A History of the Czech Lands is essential for scholars of Slavic, Central, and East European studies and a must-read for those who trace their ancestry to these lands
This remarkable account by an award-winning historian details the responses to the fall of Rome by the church fathers, who set the pattern for interpreting this momentous event for all succeeding centuries. "To speak about the decline and fall of the Roman empire as 'the social triumph of the ancient church' is to look at the events associated with that 'memorable revolution' . . . through the eyes of the victors," writes the author. "The thoroughness of the victors has often seen to it that there remains no other way for us to view those events. Not only are we--for this period as for so many others throughout most of human history--denied access to the mind of the common people as they watched this history in the making, such that we are forced to depend on the documents provided by various of the elites of the fourth and fifth centuries; but among the documents of those elites, only some have been permitted to survive." Jerome, Christian humanist and translator of the Bible into Latin, represents an apocalyptic view of the crisis. Eusebius, court theologian and founder of church history, saw the fall of Rome as the sign of a new order, the "Christian Empire." And Augustine, fountainhead of much of Western thought during the millennium that followed, used it as the basis for his City of God. The unifying theme in this historical panorama is the final revisionist view of the fall by its greatest historian, Edward Gibbon. All of these interpretations of the fall of Rome continue to live today and deeply influence our understanding of Western culture.
Jaroslav Pelikan, widely regarded as one of the most distinguished historians of our day, now provides a clear and engaging account of the Bible’s journey from oral narrative to Hebrew and Greek text to today’s countless editions. Pelikan explores the evolution of the Jewish, Protestant, and Catholic versions and the development of the printing press and its effect on the Reformation, the translation into modern languages, and varying schools of critical scholarship. Whose Bible Is It? is a triumph of scholarship that is also a pleasure to read.
This penultimate volume in Pelikan's acclaimed history of Christian doctrine—winner with Volume 3 of the Medieval Academy's prestigious Haskins Medal—encompasses the Reformation and the developments that led to it. "Only in America, and in this case from a Lutheran scholar, could we expect an examination so lacking in parti pris, a survey so perceptive, so free—and, one must say, the result of so much immense labor, so rewardingly presented."—John M. Todd, New York Times Book Review "Never wasting a word or losing a plot line, Pelikan builds on an array of sources that few in our era have the linguistic skill, genius or ambition to master."—Martin E. Marty, America "The use of both primary materials and secondary sources is impressive, and yet it is not too formidable for the intelligent layman."—William S. Barker, Eternity
The momentous encounter between Christian thought and Greek philosophy reached a high point in fourth-century Byzantium, and the principal actors were four Greek-speaking Christian thinkers whose collective influence on the Eastern Church was comparable to that of Augustine on Western Latin Christendom. In this erudite and informative book, a distinguished scholar provides the first coherent account of the lives and writings of these so-called Cappadocians (named for a region in what is now eastern Turkey), showing how they managed to be Greek and Christian at the same time. Jaroslav Pelikan describes the four Cappadocians--Gregory of Nazianzus, Basil of Caesarea, Gregory of Nyssa, and Macrina, sister and teacher of the last two--who were trained in Classical culture, philosophy, and rhetoric but who were also defenders and expositors of Christian orthodoxy. On one issue of faith and life after another--the nature of religious language, the ways of knowing, the existence of God, the universe as cosmos, time, and space, free will and immortality, the nature of the good life, the purpose of the universe--they challenged and debated the validity of the Greek philosophical tradition in interpreting Scripture. Because the way they resolved these issues became the very definition of normative Christian belief, says Pelikan, their system is still a key to our understanding not only of Christianity's diverse religious traditions but also of its intellectual and philosophical traditions. This book is based on the prestigious Gifford Lectures, presented by Jaroslav Pelikan at the University of Aberdeen in 1992 and 1993.
The problem of change has assumed great prominence in much of the current ferment in theology, and many of the issues in question can best be interpreted as relating to the validity and limits of doctrinal development. The questions cannot be faced constructively, however, until the development of doctrine has been clearly charted, a historical as well as a theological assignment. In this unique introductory survey—more modest in scope but more scholarly in method than Cardinal Newman’s great programmatic essay of 1845—Mr. Pelikan presents three case histories of the particular doctrines that have crucial points of division among Christians. His cogent analyses of Cyprian on Original Sin, Athanasius on the Virgin Mary, and Hilary on the Holy Spirit demonstrate the interaction between the sacramental life of the Church and the intellectual work of the theologian that consistently marked the development of doctrine by the early Fathers. Thus they clarify some central aspects of the continuing theological and ecumenical debates. Mr. Pelikan, Titus Street Professor of Ecclesiastical History at Yale University, is the author of many books and articles, including a forthcoming full-scale history of the development of doctrine.
Presented to Jaroslav Pelikan by 12 of his former students in honor of his 70th birthday, this festschrift contains 10 papers drawn from an April 1994 conference at Yale University. Topics include Anglo-Saxon monasticism and the public suitability of the Rule of St. Benedict; Dante and the problem of Byzantium; and Thomas More and Vaclav Havel on social and personal integrity. Includes a bibliography of the professor's work. No index. Annotation copyright by Book News, Inc., Portland, OR
This book includes contributions by African, East and West European, Asian and North American scholars which deal with and compare ideological and non-ideological approaches to the analysis of literary, artistic as well as popular works (popular music) mostly by American authors. Most of the essays deal with a way various aspects of American identity are depicted, represented, treated, ideologized and aestheticized in different literary genres, forms of art and media. The contributions offer multidisciplinary, cross-cultural and comparative perspectives and represent a diversity of scholarly voices ranging from the general discussion on the relationship between ideology and art (Anton Pokrivčák), ideology and multiculturalism (Cristina Garrigós). They also give the analysis of poetry (Pokrivčák, Obododima Oha), postmodern fiction (Pi-Hua Ni, Cristina Garrigós), drama (Zoe Detsi-Diamanti, Csaba Csapó) as well as the comparative analysis of the depiction of the identity of North American Indians in such different media as literature and film (Michal Peprník). In addition to this, the book includes the analysis of Black rap music (Wojciech Kallas).
The West fails to embrace the globe, and the East still looks to its own variegated past. Here is a comparative account of the spirit and development of the main civilizations in Asia before their confrontation with Modern Europe. In many respects, what is going on in Asia and in the Middle East now is a response to the prolonged European challenge. In places it is marked by a selective reception of Western values and techniques, while elsewhere preference is given to inspiration from the domestic tradition. This book aims to contribute to the understanding of these traditions. It takes the form of a historical narrative and gives a comparative insight of the world-views, values, and institutions.
Good-natured and garrulous, Svejk becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I - although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle. Cecil Parrott's vibrant translation conveys the brilliant irreverence of this classic about a hapless Everyman caught in a vast bureaucratic machine.
It is equally true that the Reformation was inspired and defined by the Bible and that the Bible was reshaped by the intellectual, political, and cultural forces of the Reformation. In this book, a distinguished scholar--whose contributions to the field of religious studies have won him wide renown--explores this relationship, examining both the role of the Bible in the Reformation and the effect of the Reformation on the text of the Bible, Biblical studies, preaching and exegesis, and European culture in general. Jaroslav Pelikan begins by discussing the philological foundations of the "reformation" of the Biblical text, focusing on the revival of Greek and Hebrew language study and the important contributions to textual criticism by humanist scholars. He then examines the changing patterns of interpretation and communication of the Biblical text, the proliferation of vernacular versions of scripture and their impact on various national cultures, and the impact of the Reformation Bible on art, music, and literature of the period. The book is richly illustrated with examples of early printed editions of Bibles, commentaries, sermons, vernacular translations, and other works with Biblical themes, all of which are identified and discussed. The book serves as the catalog for a major exhibition of early Bibles and Reformation texts that has been organized at Bridwell Library, Perkins School of Theology, Southern Methodist University, and will also be shown at the Yale Center for British Art, the Houghton Library and the Widener Library at Harvard University, and the Rare Book and Manuscript Library at Columbia University.
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