Trapped in a life of crime in the streets of Boston, on Christmas Eve 1992, Troy Jenkins, an upcoming drug lord with a notorious reputation, and his wife, Karen Jenkins, are murdered by Troys main comrade, Crook, over greed and jealousy, leaving his son, Jerome Jenkins, shell-shocked. News spread quickly about the murders, causing turmoil in the streets, and a lot of people sought revenge. Having close relations to Troys father, Roy Barros, a rising detective in the Boston police force, is determined to find the perpetrator, only to find himself caught in the cross fire. Angel, Troys protg, slowly starts to put the pieces together about his mentors death but decides to take revenge into his own hands before revealing to Jerome who took his parents off the face of the earth. He soon finds out Crook is a different force of nature. Jerome grows into a man only to follow into his fathers footsteps with one goal in life: to kill the people responsible for the loss of his parents. Along his way, he finds love with a beautiful young lady named Mercedes, and he decides to introduce her to his guardians only to later find out Mercedes is the daughter of Crook! This complicates the hell out of the situation because he is still unaware that Crook took his parents away from him. Trapped in a triangle, Jerome is forced to choose between hurting the only person he loves and avenging the deaths of the only bloodline he once had. Running out of time, Angel is forced to act sooner then he thought, but his plans backfire on him only to cost him his own life. An all-out war breaks out in this city, causing the truth and blood to spill on the streets of Boston.
Hasidic tales are often read as charming expressions of Jewish spirituality. This title offers a radical reappraisal of how we think of Hasidic tales, calling into question received notions of authenticity. It focuses on the neglected Hasidic literature of the early 20th century - primarily the work of Israel Berger and Abraham Hayim Michelson.
The Microsoft interdisciplinary scientist largely credited with popularizing virtual reality reflects on his lifelong relationship with technology, showing VR's ability to illuminate and amplify our understanding of our species and how the brain and body connect to the world. By the author of You Are Not a Gadget. --Publisher.
Emily Crane doesn't want to die, but what she's been doing for the past seventeen years can't really be called "living," so when a tragic event cuts her teenage life short, she feels nothing for the loss. But when she awakens only hours later, very much alive and without a single injury on her body, she is thrust into an existence that she never thought possible. Confronted with government scientists, beautiful assassins, and secrets that may threaten every mortal on the planet, Emily's new life is suddenly more exciting, more dangerous, and more meaningful than she could have ever imagined.When Emily Crane dies, her life finally begins.
How far would you be willing to go in order to save the world?When Benjamin Wilson reaches the breaking point of lifelong debilitating migraines, his brain unleashes a power previously unknown to man. With the ability to read minds and move objects with just a thought, he begins a journey of personal wish fulfillment. Yet amongst his life of selfish excess, he finds himself unable to ignore the presence of evil. When his attempts at costumed super-heroics fail to solve the world's problems, Benjamin Wilson is forced to search for a more permanent solution.Demigod is the story of our true capacity for greatness, and the possibility of downfall when mankind stops believing in its own potential.
For a man who no longer has a homeland, writing becomes a place to live (Theodor Adorno). The Jewish writer Edmond Jabes, born in Cairo in 1912, wrote explicitly from the perspective of exile once he arrived in France after the Suez crisis. However, Jaron argues, exile was a predominant theme even before Jabes left Egypt. He brings to light the author's associations with other francophone writers in Egypt, especially those affiliated with the Surrealists, but shows that metropolitan France exerted a greater pull. Drawing on unpublished archival and rare printed sources, Jaron examines how Jabes opposed anti-Semitism during the 1930s, and later placed the Shoah at the heart of his acclaimed ""Livres des Questions"" (1963-73).
In this ethnographic study, the author takes an agnostic stance towards the truth value of conspiracy theories and delves into the everyday lives of people active in the conspiracy milieu to understand better what the contemporary appeal of conspiracy theories is. Conspiracy theories have become popular cultural products, endorsed and shared by significant segments of Western societies. Yet our understanding of who these people are and why they are attracted by these alternative explanations of reality is hampered by their implicit and explicit pathologization. Drawing on a wide variety of empirical sources, this book shows in rich detail what conspiracy theories are about, which people are involved, how they see themselves, and what they practically do with these ideas in their everyday lives. The author inductively develops from these concrete descriptions more general theorizations of how to understand this burgeoning subculture. He concludes by situating conspiracy culture in an age of epistemic instability where societal conflicts over knowledge abound, and the Truth is no longer assured, but "out there" for us to grapple with. This book will be an important source for students and scholars from a range of disciplines interested in the depth and complexity of conspiracy culture, including Anthropology, Cultural Studies, Communication Studies, Ethnology, Folklore Studies, History, Media Studies, Political Science, Psychology and Sociology. More broadly, this study speaks to contemporary (public) debates about truth and knowledge in a supposedly post-truth era, including widespread popular distrusts towards elites, mainstream institutions and their knowledge.
This book provides a clear and accessible overview of the seminal clinical thinking of Christopher Bollas. Placing Bollas’s writings besides those of analysts including Milner, Bion, Winnicott, Lacan, and Green, Steven Jaron examines the central concept of the unthought known in terms of unconscious communication in the primary environment while occasioning a reworking of Oedipal configurations. Through vivid narratives of character analyzing a range of adult patients, at times requiring a rethinking of the conventional psychoanalytic frame, Jaron offers a fresh perspective on Bollas in arguing for the importance of considering not only the patient’s self experience but also the psychoanalyst's. This important study will be rewarding to beginning and seasoned analysts alike, offering suggestions for using Bollas’ work in the consulting room as well as when faced with the demands of civic life today.
This work is of importance to anyone with an interest in whether women, especially Jewish Ashkenazic women, had a Renaissance. It details the participation in the Querelle des Femmes and Power of Women topos as expressed in this hagiographic work on the lives of biblical women including the apocryphal Judith. The Power of Women topos is discussed in the context of the reception of the Amazon myth in Jewish literature and the domestication of powerful female figures. In the Querelle our author pleads with husbands for generosity and respect for their wives’ piety. Whether women living in the Renaissance experienced a renaissance is a debate raging since Joan Kelly raised the possibility that this historic phenomenon essentially did not affect women. The question is raised with reference to the women depicted in Many Pious Women. These topics find their expression in a richly annotated translation with extensive introductory essays of a unique 16th–century manuscript in Western Yiddish (Judeo–German) written in Italy. The text will also be useful to scholars of the history of Yiddish and theorists of its development. Women everywhere, gender and Renaissance scholars, Yiddishists and linguists will all welcome this work now available for the very first time in the original text with an English translation.
After a failed marriage proposal, and an apathetic suicide attempt, Samuel Grant is looking for a reason to wake up in the morning. An ex-child star and the son of two famous celebrities, Samuel searches for an existence worth living while wandering through the surreal landscape of the entertainment industry.Trying to see through a haze of scotch and antidepressants, his journey takes him through the flashbulbs of gossip obsessed paparazzi, the confined limits of a hospital bed, the seedy apartment of a neo-hippie, the emotional neutrality of a therapist's office, the social bubble of a Canadian reality show, and the imprisoned realm of a hotel suite with limitless room service.Featuring a large cast of unique characters, "Fixing Sam" is a post-modern search for the meaning of life in a media-saturated existence.
When his attractive neighbor suddenly disappears and the police are stumped, computer wizard David Cursore decides to do electronic sleuthing. With the help of a gorgeous red haired reporter assigned to interview him for a national magazine, he begins to trace the missing woman's movements. Their investigation puts them on the trail of an unknown killerbut not even the most sophisticated technology can penetrate the twisted recesses of this particular madman's mind.
Since the seventh grade, Alex, a retail slave, has secretly been in love with his best friend, Morgan, a web cartoonist. Unable to overcome social awkwardness, they both find themselves in very separate lifestyles as they reach adulthood. Amidst these distanced and inhibited lives, Alex and Morgan are suddenly faced with the literal end of the world. Corpses around the globe begin to hunger for the flesh of the living, and society crumbles quickly under the shock of the attacks. With the animated dead filling the streets, Morgan has no choice but to hide in Alex's apartment, surviving on canned food, soda, and a huge supply of illegally downloaded movies. While death is waiting outside the apartment every hour of the day, the two friends force themselves to rethink every social rule and emotional response in order to keep their sanity. Both of them will ultimately decide whether they should struggle to hold onto the life that they lost, or adapt to the change. In a world where only the numb can survive, Alex and Morgan must face their true feelings for the first time. Love, blood, and the undead.
Michael Darwin had sworn he'd sell his soul to the devil for the money to make his film, "Hollywood Is Murder," a lurid tale of a serial killer loose in Lotus Land. Imagine his surprise when an angel shows upa financial backer named Charles S. Burns, who was willing to finance the projectif Darwin signed over a huge insurance policy to him; just in case.
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