Why do so many Americans practice martial arts? How did kung fu get its own movie genre? What makes mixed martial arts so popular? This book answers these questions for the first time with historical research. At the turn of the 20th century, the United States enjoyed a time of prosperity but feared that men were becoming soft. At the same time, the Japanese government sponsored research to develop the best fighting techniques for its new empire. Before World War II, American men boxed and Japanese men practiced judo and karate. Postwar Americans began adopting Chinese, Brazilian, Filipino and other fighting styles, in the process establishing a masculine subculture based on physical and social power. The rise of Asian martial arts in America is a fascinating untold story of modern history, from the origin of karate uniforms to the first martial arts themed birthday party. The cast of characters includes circus strongmen, professional cage fighters, an award winning comic book artist, the inventors of judo, aikido and Cornflakes, and Count Juan Raphael Dante, a Chicago hairdresser and used car salesman with the "Deadliest Hands in the World." Readers will never look at taekwondo class the same way again.
* Content management, blogging, and online forums are among the most significant online trends today, and Drupal, phpBB, and WordPress are three of the most popular open source applications facilitating these tasks. * The authors have played active roles in project development and community support (Mike Little is actually a Wordpress project co-founder). * Drupal, phpBB, and WordPress are based on the PHP language and MySQL database server, ensuring the widest possible audience.
To be or not to be—who asks this question today, and how? What does it mean to issue, or respond to, an appeal for the right to die? In A Death of One’s Own, the first sustained literary study of the right to die, Jared Stark takes up these timely questions by testing predominant legal understandings of assisted suicide and euthanasia against literary reflections on modern death from the nineteenth and twentieth centuries. Rigorously interdisciplinary and lucidly argued, Stark’s wide-ranging discussion sheds critical light on the disquieting bioethical and biopolitical dilemmas raised by contemporary forms of medical technology and legal agency. More than a survey or work of advocacy, A Death of One’s Own examines the consequences and limits of the three reasons most often cited for supporting a person’s right to die: that it is justified as an expression of personal autonomy or self-ownership; that it constitutes an act of self-authorship, of “choosing a final chapter” in one’s life; and that it enables what has come to be called “death with dignity.” Probing the intersections of law and literature, Stark interweaves close discussion of major legal, political, and philosophical arguments with revealing readings of literary and testimonial texts by writers including Balzac, Melville, Benjamin, and Améry. A thought-provoking work that will be of interest to those concerned with law and humanities, biomedical ethics, cultural history, and human rights, A Death of One’s Own opens new and suggestive paths for thinking about the history of modern death as well as the unsettled future of the right to die.
From the prehistoric Native Americans to the first wave of pioneers in 1877 and all who came later, the desert lands east of Phoenix have been a rich and fertile home to a wide diversity of people. Surmounting the early challenges of settling the mesa top and moving water uphill gave rise to a resilient agricultural community famous for cotton, citrus, grapes, and other crops. The boom years that began in the 1950s ushered in a new wave of industry and change to the city of Mesa. Large corporations created jobs, new freeways formed a corridor into the heart of the community, educational and health care facilities improved and expanded, and the advent of air conditioning brought tourists from all over the world. Now boasting a population of over 450,000, Mesa has truly evolved from its pioneer beginnings to a modern city in the Valley of the Sun.
A Devotional That Dudes Will Actually Read! Is there a connection between hairiness and holiness? Some would say a hearty “Yes!” In fact, the world is in the middle of a beard mania. Events like Movember and Decembeard are becoming global movements and manly sites are appearing all over the internet. Is this just another fad? And what does it say that so many of the most famous Christian communicators have or did have a beard? Throughout history, Christian men have gloried in male pattern magnificence. Saint Benedict of Nursia wore a superb double forker. The benevolently-bushed Euthymius wouldn’t allow clean-shaven monks to enter his Judean Desert monastery. St. Francis of Assisi had a beard, and now there’s a Pope named after him. He’s clean-shaven, but we’re praying for him. Of all the great Christian men who wore beards, none stands so highly as the headless martyr Sir Thomas More. On the day of his beheading, the tufted knight supposedly positioned his beard away from his soon-to-be-severed neck, saying: “My beard has not been guilty of treason, and it would be an injustice to punish it.” But of course, Bearded Gospel Men is about far more than beards – it’s about manliness and godliness. Through this 31-day devotional, men are inspired to rise to a higher calling. The humor and facial hair is the perfect means to have a broader conversation about living a faithful life. So, let’s study some of these famous Bearded Gospel Men!
This book is a story about my life as a Christian and my struggle in loving my neighbor as myself. It is based on a true story about friends, family, and the people who made a difference in my life. It explains how hard it was for me growing up as a Christian and how challenging it was for a young person like me to share my faith with unbelievers. Even as a Christian, I didnt understand how to fight temptation or depend on Gods grace to survive. Rather, I was very distant from God and became very depressed because I was not willing to surrender everything in order to follow him. Through prayer, I learned that my friends were the ones God used to pull me out of my depression. My closest friend was always there for me even when life was hard for both of us. The important lesson to be learned behind this story is to forgive your neighbor and God will forgive you.
Beautifully written. Reveals the vicissitudes of an extraordinarily interesting life."--Michael J. Neufeld, author of Von Braun: Dreamer of Space, Engineer of War "Willy Ley has been a mystery among spaceflight historians for many years. His role as science writer, advocate, and popularizer is known to many but understood by few. This book unpacks that story."--Roger D. Launius, associate director of collections and curatorial affairs, National Air and Space Museum "Ley lit the fire of interplanetary enthusiasm in the hearts of generations of young space cadets. Long overdue, this biography establishes the details and the ups and downs of his career."--Tom D. Crouch, author of Lighter Than Air: An Illustrated History of Balloons and Airships "Beyond recovering the fascinating and many contradictory aspects of Ley's extraordinary life, Buss has provided a valuable case study of the complex relationship between science popularization, mass media, and scientific advocacy in the twentieth century."--Asif A. Siddiqi, author of The Red Rockets' Glare: Spaceflight and the Soviet Imagination, 1857-1957 Willy Ley inspired young rocket scientists and would-be astronauts around the world to imagine a future of interplanetary travel long before space shuttles existed. This is the first biography of the science writer and rocketeer who predicted and boosted the rise of the Space Age. Born in Germany, Ley became involved in amateur rocketry until the field was taken over by the Nazis. He fled to America, where he forged a new life as a weapons expert and journalist during World War II and as a rocket researcher after the war. As America's foremost authority on rockets, missiles, and space travel, he authored books and scientific articles, while also regularly writing for science fiction pulp magazines and publishing what he termed romantic zoology--a blend of zoology, cryptozoology, history, and mythology. He even consulted for television's Tom Corbett, Space Cadet and the Disney program Man in Space, thrilling audiences with a romanticized view of what spaceflight would be like. Yet as astronauts took center stage and scientific intellectuals such as Wernher von Braun became influential during the space race, Ley lost his celebrity status. With an old-fashioned style of popular writing and eccentric perspectives influenced by romanticism and science fiction, he was ignored by younger historians. This book returns Willy Ley to his rightful place as the energizer of an era--a time when scientists and science popularizers mixed ranks and shared the spotlight so that our far-fetched, fantastic dreams could turn into the reality of tomorrow.
From roots to canopy, a lush, verdant history of the making of California. California now has more trees than at any time since the late Pleistocene. This green landscape, however, is not the work of nature. It’s the work of history. In the years after the Gold Rush, American settlers remade the California landscape, harnessing nature to their vision of the good life. Horticulturists, boosters, and civic reformers began to "improve" the bare, brown countryside, planting millions of trees to create groves, wooded suburbs, and landscaped cities. They imported the blue-green eucalypts whose tangy fragrance was thought to cure malaria. They built the lucrative "Orange Empire" on the sweet juice and thick skin of the Washington navel, an industrial fruit. They lined their streets with graceful palms to announce that they were not in the Midwest anymore. To the north the majestic coastal redwoods inspired awe and invited exploitation. A resource in the state, the durable heartwood of these timeless giants became infrastructure, transformed by the saw teeth of American enterprise. By 1900 timber firms owned the entire redwood forest; by 1950 they had clear-cut almost all of the old-growth trees. In time California’s new landscape proved to be no paradise: the eucalypts in the Berkeley hills exploded in fire; the orange groves near Riverside froze on cold nights; Los Angeles’s palms harbored rats and dropped heavy fronds on the streets below. Disease, infestation, and development all spelled decline for these nonnative evergreens. In the north, however, a new forest of second-growth redwood took root, nurtured by protective laws and sustainable harvesting. Today there are more California redwoods than there were a century ago. Rich in character and story, Trees in Paradise is a dazzling narrative that offers an insightful, new perspective on the history of the Golden State and the American West.
A seeming constant in the history of capitalism, greed has nonetheless undergone considerable transformations over the last five hundred years. This multilayered account offers a fresh take on an old topic, arguing that greed was experienced as a moral phenomenon and deployed to make sense of an unjust world. Focusing specifically on the interrelated themes of religion, economics, and health—each of which sought to study and channel the power of financial desire—Jared Poley shows how evolving ideas about greed became formative elements of the modern experience.
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