The American Revolution—an event that gave America its first real "story" as an independent nation, distinct from native and colonial origins—continues to live on in the public's memory, celebrated each year on July 4 with fireworks and other patriotic displays. But to identify as an American is to connect to a larger national narrative, one that begins in revolution. In Popular Media and the American Revolution, journalism historian Janice Hume examines the ways that generations of Americans have remembered and embraced the Revolution through magazines, newspapers, and digital media. Overall, Popular Media and the American Revolution demonstrates how the story and characters of the Revolution have been adjusted, adapted, and co-opted by popular media over the years, fostering a cultural identity whose founding narrative was sculpted, ultimately, in revolution. Examining press and popular media coverage of the war, wartime anniversaries, and the Founding Fathers (particularly, "uber-American hero" George Washington), Hume provides insights into the way that journalism can and has shaped a culture's evolving, collective memory of its past. Dr. Janice Hume is a professor and head of the Department of Journalism in the Grady College of Journalism and Mass Communication at the University of Georgia. She is author of Obituaries in American Culture (University Press of Mississippi, 2000) and co-author of Journalism in a Culture of Grief (Routledge, 2008).
This is a comprehensive examination of the ideas of the early modern philosophers on the nature of mind. Taking Descartes, Spinoza, Leibniz, Locke, Berkeley, and Hume in turn, Janice Thomas presents an authoritative and critical assessment of each of these canonical thinkers' views of the notion of mind. The book examines each philosopher's position on five key topics: the metaphysical character of minds and mental states; the nature and scope of introspection and self-knowledge; the nature of consciousness; the problem of mental causation and the nature of representation and intentionality. The exposition and examination of their positions is informed by present-day debates in the philosophy of mind and the philosophy of psychology so that students get a clear sense of the importance of these philosophers' ideas, many of which continue to define our current notions of the mental.Again and again, philosophers and students alike come back to the great early modern rationalist and empiricist philosophers for instruction and inspiration. Their views on the philosophy of mind are no exception and as Janice Thomas shows they have much to offer contemporary debates. The book is suitable for undergraduate courses in the philosophy of mind and the many new courses in philosophy of psychology.
Contributors include Jacob Viner, F.R. Scott, Jean-Charles Falardeau, Harry Johnson, J.A. Corry, James Eayres, Kenneth Hare, Scott Gordon, Jane Jacobs, Maurice Strong, Mordecai Richler, John Hirsch, Guy Rocher, Charles Taylor, Stanley Roberts, Michael Kirby, John Meisel, Sylvia Ostry, Larkin Kerwin, Peter Lougheed, Mel Hurtig, Allan Gotlieb, Lise Bissonnette, and Bernard Ostry.
In colonial Morocco, a painter navigates a conspiracy of forgery, corruption, and murder For Francis, life with David grows more dangerous by the day. When sober, he is charming, but when he drinks, he is violent, slashing Francis’s paintings and threatening to gut the painter, too. When David leaves London for Morocco, Francis cannot help but follow this man whom he loves but can no longer trust. In Tangier, they find a thriving community of expats who guzzle champagne while revolutionaries gather in the desert. But in Morocco’s International Zone, death does not wait for rebellion. After Francis identifies a friend’s Picasso as a fake, the police call him in to investigate the forger’s demise. If he refuses, they will throw David in jail, where inmates and the DTs will kill him within the week. Between the bustle of the city and the emptiness of the desert, Francis finds that in Morocco, even the fakes can be worth killing for.
Science Sifting is designed primarily as a textbook for students interested in research and as a general reference book for existing career scientists. The aim of this book is to help budding scientists broaden their capacities to access and use information from diverse sources to the benefit of their research careers.The book describes why the capacity to access and integrate both linear and nonlinear information has been an important historic feature of pivotal scientific breakthroughs. Yet, it is a process that our students are rarely, if ever, taught in universities. This book goes beyond simply describing the features of great scientific breakthroughs. It discusses the basis for accessing and using nonlinear information in the linear research context. It also provides a series of tools and exercises that can be used to enhance access to nonlinear information for application to research and other endeavors.Topics covered include focal points in scientific breakthroughs, the use of concepts maps in research, use of different vantage points, information as patterns, fractals for the scientist, memory storage and access points, and synchronicities. Young researchers need useful tools to help with a more holistic approach to their research careers. This book provides the useful tools to support flexibility and creativity across a long-term research career.Roald Hoffmann — Winner of the 1981 Nobel Prize in Chemistry — has contributed the to Science Sifting. More information on Professor Hoffmann can be found at .
The first three brilliantly realized novels in the Lambda Literary Award–winning historical mystery series featuring the real-life British painter. Spanning London during the Blitz to the postwar French Riviera to Tangier in the 1950s, these three mysteries in Janice Law’s award-winning Francis Bacon series richly reimagine the life of the famous and flamboyant Irish-born British painter as an “artist-sleuth . . . unflappable and acidly witty” as he courts danger, solves murders, and navigates international intrigue (Booklist). Fires of London: Francis Bacon patrols the streets of wartime London during the Blitz as an air raid warden, keeping watch for activities that might tip off the Axis powers. One night while making his rounds, the painter discovers an acquaintance from the gay bars murdered in Hyde Park. But he is only the first victim. Under cover of the blackout, someone is killing young gay men. When Bacon himself is suspected, he’s driven to find a killer on the ground, even as the Luftwaffe continues to rain death from the sky. Fires of London was a 2012 Lambda Literary Award Finalist for Best Gay Mystery. “Law does a bangup job of recreating London during the Blitz, and portraying real-life artist Francis Bacon as an unlikely sleuth.” —Publishers Weekly The Prisoner of the Riviera: World War II may be over, but the painter’s troubles are just beginning. After Bacon and his lover try to save a Frenchman gunned down outside a London gambling club, the casino owner approaches him with a proposition: He will forgive Bacon’s considerable debts if he delivers a package to the dead man’s widow on the French Riviera. What gambler could resist a trip to Monte Carlo? But against a bright backdrop of sun-drenched beaches, Bacon is soon drawn into dark intrigue and forced to gamble with his life. The Prisoner of the Riviera won the 2013 Lambda Literary Award for Best Gay Mystery. “Law is close to perfect in presenting the timeless charms of the Riviera, and she’s just as satisfying in shaping Bacon as a reluctant but brave and somewhat lucky sleuth.” —Toronto Star Moon Over Tangier: Following his unstable lover, David, from London to colonial Morocco, Bacon falls in with a thriving community of expats in Tangier who guzzle champagne while revolutionaries gather in the desert. But when the painter identifies a friend’s Picasso as a fake, he soon finds himself entangled in the police investigation surrounding the forger’s demise. Between the bustle of postwar Tangier and the emptiness of the desert, Bacon finds that in Morocco’s international zone, even the fakes can be worth killing for. “The pacing is good, the bad guys—and gals—are bad, and the integration of art and painting provides a solid framework on which to hang the story.” —Historical Novel Society
Comb- or spiral-bound and clearly tabbed, A Writerâ¬"s Resource combines 20 years of research into writing in college with the most extensive technological support available to form an indispensable resource for learning, writing, researching, and editing.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
007325892X
ISBN 13
9780073258928
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