Women are particularly vulnerable to depression. Understanding Depression provides an in-depth critical examination of mainstream approaches to understanding and treating depression from a feminist perspective. Janet Stoppard argues that current approaches give only partial accounts of womens' experiences of depression and concludes that a better understanding will only be achieved when womens' experiences and lived realities are considered in relation to the material and social conditions in which their everyday lives are embedded. The impact of this change in approach for modes of treatment are discussed and solutions are suggested. Understanding Depression offers new insights into the problem and its treatment. It will prove useful to those with an interest in depression and gender as well as mental health practitioners.
The Virtual JFK DVD is now available For more information on the film companion to the book, visit http: //www.virtualjfk.com/ It Matters Who Is President--Then and Now At the heart of this provocative book lies the fundamental question: Does it matter who is president on issues of war and peace? The Vietnam War was one of the most catastrophic and bloody in living memory, and its lessons take on resonance in light of America's current devastating involvement in Iraq. Tackling head-on the most controversial and debated "what if" in U.S. foreign policy, this unique work explores what President John F. Kennedy would have done in Vietnam if he had not been assassinated in 1963. Drawing on a wealth of recently declassified documents, frank oral testimony of White House officials from both the Kennedy and Johnson administrations, and the analysis of top historians, this book presents compelling evidence that JFK was ready to end U.S. involvement well before the conflict escalated. With vivid immediacy, readers will feel they are in the president's war room as the debates raged that forever changed the course of American history--and continue to affect us profoundly today as the shadows of Vietnam stretch into Iraq.
The Virtual JFK DVD is now available! For more information on the film companion to the book, visit http://www.virtualjfk.com/ It Matters Who Is President—Then and Now At the heart of this provocative book lies the fundamental question: Does it matter who is president on issues of war and peace? The Vietnam War was one of the most catastrophic and bloody in living memory, and its lessons take on resonance in light of America's current devastating involvement in Iraq. Tackling head-on the most controversial and debated "what if" in U.S. foreign policy, this unique work explores what President John F. Kennedy would have done in Vietnam if he had not been assassinated in 1963. Drawing on a wealth of recently declassified documents, frank oral testimony of White House officials from both the Kennedy and Johnson administrations, and the analysis of top historians, this book presents compelling evidence that JFK was ready to end U.S. involvement well before the conflict escalated. With vivid immediacy, readers will feel they are in the president's war room as the debates raged that forever changed the course of American history—and continue to affect us profoundly today as the shadows of Vietnam stretch into Iraq.
A Communication Perspective on Margaret Thatcher: Stateswoman of the Twentieth Century represents broad analysis of former British Prime Minister Margaret Thatcher’s communicative appeals, rhetorical efforts, and campaign and media strategies—viewed within an historical context—as symbolic acts intended to induce and enact political, social, and economic change in the United Kingdom during the latter quarter of the twentieth century. Janet Fallon focuses on the aggregate of Thatcher’s life experiences including family background, education, years in the House of Commons, and other key biographical and historical influences that informed her world of ideas and her articulation of words, and marked her ascent both to premiership as Britain’s first Madam Prime Minister in 1979 and further to her international status as a stateswoman. Margaret Thatcher’s voice from the mid-1970s into the early 1990s and even beyond was the primary voice communicating a vision of a new reality and a new order for Britain.
Jane Austen is unique among British novelists in maintaining her popular appeal while receiving more scholarly attention now than ever before. This introduction by Janet Todd, leading scholar and editor of Austen's work, explains what students need to know about her novels, life, context and reception. Each novel is discussed in detail, and the essential information is given about her life and literary influences, her novels and letters, and her impact on later literature. For this second edition, the book has been fully revised; a new chapter explores the ways in which Austen's work has prompted imitations, adaptations and creative spin-offs. Key areas of current critical focus are considered throughout, but the book's analysis remains thoroughly grounded in readings of the texts themselves. Janet Todd outlines what makes Austen's prose style so innovative and gives useful starting points for the study of the major works, with suggestions for further reading.
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
Jonny Texas came from an unconventional but close-knit Midlands family and developed a fascination with all forms of gambling from a young age. He grew up learning how to be a wheeler dealer and in his twenties, with a young family to support, the challenge of beating the odds to make large sums of money became even greater. As he grew older, his life was to become a rollercoaster of highs and lows as he moved from one wild money spinning venture to another, making huge amounts and then losing them, unable to resist any gambling opportunity. The two constants in his life have been his family and poker and, at times, they have made uneasy bedfellows. But somehow, Jonny has managed to pull off the unimaginable, repeatedly pulling himself back from the brink of disaster and turning himself into a winner, appearing on TV and in the public eye. From Sixpences to Dollars documents the extraordinary story of one man's obsession with gambling and how he has ultimately turned it to his advantage.
Another information-packed, time-saving tool for teachers from the authors of Novels and Plays, this book contains 30 teaching guides for some of the best literature commonly taught in grades 6-12. With initiating activities, chapter-by-chapter discussion questions, writing assignments, and interdisciplinary extensions, these are complete lesson plans. For each book there is also a brief plot summary, a critique, lists of themes and literary concepts for teaching, suggestions for outside reading and vocabulary study, and lists of available print and electronic media resources.
A LAUGH-OUT-LOUD PARODY: AN lLLUSTRATED GUIDE FOR--AND BY--DOGS, UNLOCKING THE MYSTERIES OF DOGHOOD AND TEACHING THEM HOW TO DO THE VERY ACTIVITIES THAT HUMAN SOCIETY SAYS ARE WRONG. The Dangerous Book for Dogs asks a simple question: isn't there more to being a dog than wearing a mini cashmere sweater and riding around in a $400 evening clutch? What about the simple pleasures of life -- feeling the wind in your fur, digging up the grass beneath your paws, smelling another dog's butt? Isn't that part of the great joy of being a dog? Written (with help) by dogs and for dogs, The Dangerous Book For Dogs provides insight on everything from the tastiest styles of shoes to chew to the proper method for terrorizing squirrels. It also contains portraits of noble dogs throughout history, the mysteries of cats and humans, and everything else your dog ever wanted to know but was afraid to ask–like how to make toys out of human's household items, or how to escape from a humiliating reindeer costume. Generously illustrated with drawings by cartoonist Emily Flake, this hilarious parody is for good dogs, bad dogs, and the millions of people who love them. Rex and Sparky wrote this parody without authorization (because they are dogs and they do what they want.)
Wellington's Men Remembered is a reference work which has been compiled on behalf of the Association of Friends of the Waterloo Committee and contains over 3,000 memorials to soldiers who fought in the Peninsular War and at Waterloo between 1808 and 1815, together with 150 battlefield and regimental memorials in 24 countries worldwide.?
A thoughtful and considered kick up the arse to conspiracy theorists and to patriarchy" – Michael Boyd, Artistic Director RSC Cleopatra, La Pucelle, Ophelia, Shaw’s St. Joan and Ibsen’s Hedda – a handful of seminal roles for women in the classical canon. Janet Suzman has played them all and directed some. Here she examines their complexity and explores why only Cleopatra has an independence that allows her to speak to modern women. None of these, regrettably, matches up to a Hamlet, but as she is grateful for the parts he did write, Suzman feels a lightly-barbed attack on those who doubt Shakespeare’s authorship is way overdue. She also takes issue with received ideas on boy-actors playing mature women in Shakespeare’s company, and reflects on how female characters in classical drama have not been on a level with their male counterparts. Today, on TV, film and the stage, this remains the case. Not Hamlet but Hamlette, please.
In this twisty middle grade mystery for fans of Knives Out, The Inheritance Game, and The Westing Game, thirteen-year-old twins Hope and Gordon enter a spelling bee in a last-ditch effort to save their family from financial ruin, only to find themselves in a cut-throat competition to uncover a fortune and dark secrets about the wealthy relations they’ve never known. Hope Smith can’t stand rich people—the dictionary magnate family the Wintertons most of all. Not since she and her twin brother, Gordon, learned that their dad was one. So when Gordon enters the family into the Winterton’s charity spelling bee, Hope wants nothing to do with it. But with their mom losing her job and the family facing eviction from the motel where they live, they desperately need the money, and it looks like Hope doesn’t have much of a choice. After winning the preliminary round, the Smiths are whisked to Winterton Chalet to compete in the official Winterton Bee against their long-lost relatives. Hope wants to get in and out, beat the snobbish family at their own game, and never see them again. But deceased matriarch Jane Winterton had other plans for this final family showdown. Before her death, she set up a clue hunt throughout the manor—an alternate way for Hope and Gordon to get the money that could change their lives. Still, others are on the trail, too. With tensions at an all-time high, a fortune at stake, and long-simmering family secrets about to boil to the surface, anything could happen. A tense, clever clue hunt unafraid to tackle the challenges and secrets often kept behind closed doors, Final Word is a gripping series starter sure to satisfy even the most voracious armchair detectives.
Click here to find out more about the 2009 MLA Updates and the 2010 APA Updates. Writing about Literature introduces strategies for reading literature, explains the writing process and common writing assignments for literature courses, provides instruction in writing about fiction, poetry, and drama, and includes coverage of writing a research paper and of literary criticism and theory. This volume in Bedford/St. Martin’s popular series of Portable Anthologies and Guides offers the series’ trademark combination of high quality and great value for teachers looking to assign supplementary instruction on reading and writing about literature to their students.
The Purloined Clinic is a retrospective of essays, reviews, and reports that reflect the range and depth of Janet Malcolm's engagement with psychology, criticism, art, and literature. She examines aspects of "that absurdist collaboration," the psychoanalytic dialogue, from which come "small, stray sell recognitions that no other human relationship yields, brought forward under conditions . . . that no other human relationship could survive." She addresses such subjects as Tom Wolfe's vendetta against modern architecture, Milan Kundera's literary experiments, and Vaclav Havel's prison letters. She explores the somewhat deflated world of post-revolutionary Prague, guides us through the labyrinthine New York art world of the eighties, and takes us behind the one-way mirror of Salvador Minuchin's school of family therapy. And to each subject she brings the incisive skepticism and dazzling epigrammatic style that are her hallmarks. “Why don’t more people write like [Malcolm]? . . . She is cast from the mold of the Eastern European intellectual: beholden to modernism. as familiar with Kundera’s exile as she is with Freud’s Vienna. This sensibility must grant her the detachment she sometimes so mercilessly employs, but it also gives her an unassailable passion for getting to the center of things.” —Boston Globe
In Dark Beyond Darkness, James Blight and janet Lang, among the world’s foremost authorities on the Cuban missile crisis, synthesize the findings from their thirty-year project on the most dangerous moment in recorded history. Authoritative, accessible, and written with their usual flair and wit, DBD is the first book to take readers deeply inside the experience and calculations of Fidel Castro, who was willing to martyr Cuba if his new Russian ally would nuke the U.S. and destroy it. Blight and Lang have established that in October 1962, the world was on the brink of Armageddon, and that we escaped by luck. Their history is scary but unimpeachably accurate: we just barely escaped the cold and the dark in October 1962. Their history also comes with a warning: we are currently at risk not only of Armageddon-fast, in a war between superpowers, but Armageddon-in-Slow-Motion (the result a climate catastrophe following a regional nuclear war), and from Armageddon, Oops! (a conflict sparked by an accident, which is misinterpreted, and ends in nuclear war). Drawing on the insights of poets, musicians and novelists, as well as climate scientists and agronomists, they show the terrible risk we run by refusing to abolish nuclear weapons.
This book is a phenomenological investigation of the interrelations of tradition, memory, place and the body. Drawing upon philosophers such as Husserl, Heidegger, Merleau-Ponty, Gadamer, and Ricoeur, Janet Donohoe uses the idea of a palimpsest to argue that layers of the past are carried along as traditions, through places and bodies, such that we can speak of memory as being written upon place and place as being written upon memory. In dialogue with theorists such as Jeff Malpas and Ed Casey, Donohoe focuses on analysis of monuments and memorials to investigate how such deliberate places of collective memory can be ideological, or can open us to the past and different traditions. The insights in this book will be of particular value to place theorists and phenomenologists in disciplines such as philosophy, geography, memory studies, public history, and environmental studies.
What does a middle-aged daughter, Adele, do when her aging, ill mother asks for help in dying, especially when daughter and mother have been edgy antagonists for years? Confronting a frightening death as her lungs fill, the mother, Elizabeth, insists on her right to choose when to die. Adele turns for help to her sister, who rejects euthanasia on religious grounds, and her brother, who tries to get pills, but is trapped in a snowstorm. Adele's daughter, Toni, becomes involved when she asks her grandmother's help with research into heroin smuggling perhaps carried on by people her grandparents knew.
Explores how the award-winning NBC drama offered a space for vibrant conversation about U.S. politics, identity, and culture. With its fast and furious dialogue, crackling wit, and political savvy, The West Wing became appointment TV for millions during its seven-season run between 1999 and 2006. The behind-the-scenes ensemble drama about Washington politics premiered on the wake of the Monica Lewinsky scandal, was the first series to respond to the 9/11 terrorist attacks, and concluded in the closing years of the Bush administration. Its subject matter was ambitious and germane, its cast star-studded, its production team acclaimed. In this volume, Janet McCabe explores The West Wing as both a space for political and social discourse and a force that reshaped contemporary television. McCabe begins by examining the series' broadcasting history, including its scheduling in the United States and around the world, and how the show defines channels and television markets. McCabe goes on to explore the role of the show's creator Aaron Sorkin as a TV auteur and investigates the program's aesthetic principles, including the distinctive look, feel, and sounds of the series. McCabe concludes by considering the political discourse of The West Wing, as the show spoke back to a U.S. culture divided by politics, race, and gender as well as the trauma of 9/11 and anxieties over terrorism and the wars in Iraq and Afghanistan. McCabe's analysis of The West Wing provides an intriguing look at the institutional, formal, and cultural politics of television. Fans of the series as well as students and teachers of television history will enjoy this detailed volume.
Set during the sexual revolution of the sixties, this moving work recalls the decade's prodigious effect on a generation of Americans that came of age during that transformative time of changing mores. Janet Mason Ellerby follows the crooked path she took from a protected and privileged childhood and early adolescence to her unplanned pregnancy and banishment and to her daughter's birth and adoption. She then delves into the complex journey embarked on over the next thirty-five years, haunted by her first child's memory and attempting to compensate for her loss. Ellerby crafts an autoethnography, relating and reflecting upon the changes in middle-class American attitudes that informed the conservative suburbs of the fifties, through the political revolution of the sixties, seventies, and into today. In so doing, she provides a personal commentary on the shifts in adoption culture and describes the overlooked heartbreak that many birthmothers endure.
Jeremiah Johnson, The Way We Were, Absence of Malice, Out of Africa, Tootsie, The Firm, Searching for Bobby Fischer--Sydney Pollack has produced, directed or appeared in some of the biggest and most influential films of the last quarter century. His emergence in Hollywood coincided with those of such other innovative directors as John Frankenheimer, George Roy Hill and Sidney Lumet, and with them he helped develop a contemplative style of filmmaking that was almost European in its approach but retained its commercial viability. Film-by-film, this work examines the directorial career of Sydney Pollack. One finds that his style is marked by deliberate pacing, ambiguous endings and metaphorical love stories. Topically, Pollack's films reflect social, culture and political dilemmas that hold some fascination for him, with multidimensional characters in place that generally break the stereotypical molds of the situations. Pollack's directing efforts on television are also detailed, as are his production and acting credits.
Alternately clever, humorous, lively, sad, and charming, her book is recommended for both public and academic libraries with large women's collections."--Library Journal"Burroway, author of Cutting Stone and six other novels, is a pithy essayist with an inner compass that steers her to the ambiguity at the heart of the human condition."--Booklist"Sightline Books is an exciting and welcome promise of all the excellent nonfiction writing just waiting to come into view."--Vivian Gornick, author of The Situation and the Story: The Art of Personal Narrative"These gathered-together autobiographical essays reveal a fascinating, honest, witty writer I thought I had known (briefly) thirty years ago. I am delighted to discover, in this charming memoir, that I was woefully ignorant of her extraordinary life. Now I feel privileged to learn of it in such an elegantly written fashion."--Doris Grumbach"The most lively, witty, uncensored celebration of the life of a writer, woman, lover, wife, mother, stepmother against the history of her time--and what a time it was and is! No 'futile cry of ME!' but bold and brilliant portraits of where we have been and where we are headed. Brava Burroway!o--Julia MarkusPast Praise for Janet Burroway"She writes like a robust Angel."--London Guardian on Raw Silk"A fine and complex novel, a comedy and then some."--New Yorker on Opening Nights" . . . a novel of rare and lustrous quality."--Newsweek on Raw Silk"What sets Raw Silk apart is Janet Burroway's superb stylistic gifts."--New York Times Book Review"Miss Burroway's gifts are those of a fine, intuitive actress . . . one of those rare, accomplished stylists whose art lies in the air of effortlessness, or near invisibility."--New Statesman on The Buzzards"For people like me, these essays on life are instructive. Their titles reveal their central themes, but Burroway feels confident and free to range wide from the main trunk, looping out into her life and her metaphors, then back again, probing through and confessing all because, for the real writer who has come so far, it seems now there is no point in not."--Fourth GenreJanet Burroway followed in the footsteps of Sylvia Plath. Like Plath, she was an early Mademoiselle guest editor in New York, an Ivy League and Cambridge student, an aspiring poet-playwright-novelist in the period before feminism existed, a woman who struggled with her generation's conflicting demands of work and love. Unlike Plath, Janet Burroway survived.In sixteen essays of wit, rage, and reconciliation, Embalming Mom chronicles loss and renaissance in a life that reaches from Florida to Arizona across to England and home again. Burroway brilliantly weaves her way through the dangers of daily life--divorcing her first husband, raising two boys, establishing a new life, scattering her mother's ashes and sorting the meager possessions of her father. Each new danger and challenge highlight the tenacious will of the body and spirit to heal."Ordinary life is more dangerous than war because nobody survives," Burroway contemplates in the essay "Danger and Domesticity," yet each of her meditations reminds us that it's our daily rituals and trials that truly keep us alive.Janet Burroway is the author of plays, poetry, children's books, and seven novels, including The Buzzards, Raw Silk, Opening Nights, and Cutting Stone. Her textbook Writing Fiction, now in its fifth edition, is used in more than three hundred colleges and universities in the United States; a further text, Imaginative Writing, is due out in 2002. She is Robert O. Lawton Distinguished Professor at Florida State University in Tallahassee.
Far less expensive than comparable guides, Reading and Writing about Literature: A Portable Guide is an ideal supplement for writing courses where literature anthologies and individual literary works that lack writing instruction are assigned. This brief guide introduces strategies for reading literature, explains the writing process and common writing assignments for literature courses, provides instruction in writing about fiction, poetry, and drama, and includes coverage of writing a research paper and of literary criticism and theory. This volume in the popular Bedford/St. Martin's series of Portable Anthologies and Guides offers a trademark combination of high quality and great value.
It's time to jump out of the handbag and take control of the lead. From the same kennel as The Dangerous Book for Boys, this hilarious doggy equivalent barks one simple question: What's happened to us?! Designer dog beds? Organic gluten free gourmet doggie biscuits? Spa treatments? Everyone likes to be pampered now and then - but isn't there more to being a dog than wearing a mini cashmere sweater and riding around in a Louis Vuitton handbag? What about the simple pleasures of life - feeling the wind in your fur, digging up the grass beneath your paws, smelling another dog's bottom? Isn't that part of the great joy of being a dog? This book is for good dogs, bad dogs, and the millions of people who love them, either way, but owners will no doubt recognize their own lovable pets, and maybe themselves, in these pages. After all, so many people talk to their dogs, they might as well read to them, and learn a little something in the process. Chapters include: Foul Smells Every Dog Should Roll In, What's Edible?, How to Bury a Bone, Building a Bed out of Laundry, Escaping the Lead, Dogs in Literature, Courageous Dogs in History, Formal Rules of Fetch, Enhancing Your Walk and Amazing Bath Time Escapes. The Dangerous Book for Boys tapped into a male desire to recapture a back-to-basics sense of fun. Now, a boy's sense of fun is perfectly fine, but a dog's sense of fun is hilarious. Leg-humping, bottom-sniffing and tail-chasing - these are not just the bedrock of dog life; they are the bedrock of comedy.
Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.
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